Presenting Greatest Richmond! An Authentic Brush Font with 3 alternates and 36 swashes. This font made with the perfect combining of each character. You can type by Mix & Match with alternate version to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Greatest Richmond looks stylish and wildly on design projects. So, Greatest Richmond can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, Greatest Richmond also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ff, ii, nn, oo, rr, ss, st, St, tt, lt, rt, and th. WHAT'S INCLUDED? 1. Greatest Richmond Basic • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Greatest Richmond Alternate One • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Greatest Richmond Alternate Two • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Greatest Richmond Alternate Three • The first version comes with uppercase, lowercase, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Greatest Richmond Swash • The first version comes with 36 Swashes. You can feature all with typing A-Z, a-z, and 0-9 Thank You Azetype Studio xx

In the realm of graphic design, where the power of typography can make or break a design, selecting the right font can be the difference between a masterpiece and mediocrity. And when it comes to grunge aesthetics, the stakes are even higher, as the right font can mean the difference between an edgy, rebellious message or one that falls flat. Enter Oxeran and Oxeran Z, two fonts that epitomize punk with their grungy, raw, and unabashedly filthy appearance. These fonts aren’t for the faint of heart—they demand attention and command respect with their jagged edges and rough textures. But don’t let their rough exterior fool you—these fonts are also highly functional. Their OpenType-savvy design allows for letter pair ligatures, which break up the monotony of repeating characters and add visual interest to your text. The result is a dynamic, energetic, and impatient message that grabs your audience by the collar and demands their attention. Whether you’re designing a punk album cover, a protest poster, or a rebellious t-shirt, Oxeran and Oxeran Z are the fonts that will take your message to the next level. So, embrace the filth, let your typography speak volumes, and let the world know that you’re not to be trifled with. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The type­face Hand Stamp Swiss Rough Sans is desi­gned for the Typo Gra­phic Design font foundry in 2015 by Manuel Vier­gutz. A dis­play sans serif type for head­lines with an authen­tic used stam­ped style by hand. It star­ted ana­lo­gous with 42 stamps. Vin­tage look plus state-of-the-art OpenType-features like con­text­ual alter­na­tes (calt) for more hand-stamped fee­ling with the auto­ma­tic gene­ra­ted sty­li­sitc set loop. Deco­ra­tive liga­tures like CT, LL, LI, LU, MM, OO, TH, TT, TU, UH and Ver­sal Eszett (Ger­man Capi­tal Sharp S) type the word LOVE for ❤ and the word SMILE for ☺. Cha­rac­ter Set: Latin Exten­ded (Adobe Latin 3). 1086 gly­phs with 4× A–Z, 4× a–z, 4× 0–9 and 100+ extra icons like arrows, ding­bats, sym­bols, geo­ma­tric shapes, catch­words and many alter­na­tive letters. Have fun with this font & use the DEMO-FONT (with redu­ced glyph-set) FOR FREE! Example of use from the Font The font works best for head­line size. Logo, Pos­ter, Edi­to­rial Design (Maga­zine or Fan­zine), Flyer, Music Covers or Web­de­sign (Head­line Web­font for your web­site), Web­ban­ner, Animations … ■ Font Name: Hand Stamp Swiss Rough Sans ■ Font Weights: Regu­lar + Mix + Icons + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Dis­play & Deco­ra­tive ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 1086 gly­phs ■ Lan­guage Sup­port: 28+ for Latin Exten­ded (Adobe Latin 3). Afri­kaans, Alba­nian, Cata­lan, Croa­tian, Czech, Danish, Dutch, English, Esto­nian, Fin­nish, French, Ger­man, Hun­ga­rian, Ice­lan­dic, Ita­lian, Lat­vian, Lithua­nian, Mal­tese, Nor­we­gian, Polish, Por­tu­gese, Roma­nian, Slovak, Slove­nian, Spa­nisch, Swe­dish, Tur­kish, Zulu ■ Spe­cials: 100+ deco­ra­tive extras like icons for arrows, ding­bats, emo­jis, sym­bols, geo­me­tric shapes, catch­words + Ger­man Capi­tal Eszett. Open Type Fea­tures: Kerning (kern), Access All Alter­na­tes (aalt), Sty­listic Alter­na­tes (salt), Sty­listic Set 1 (ss01) … Sty­listic Set 6 (ss06), Loca­li­zed Forms (locl), Sub­script (subs) Super­script (sups), Ordi­nals (ordn), Pro­por­tio­nal Figu­res (pnum), Old­style Figu­res (onum), Lining Figu­res (lnum), Tabu­lar Figu­res (tnum), Slas­hed Zero (zero), Frac­tions (frac), Deno­mi­na­tors (dnom), Nume­ra­tors (numr), Stan­dard Liga­tures (liga), Con­text­ual Alter­na­tes (calt) e. g. Sty­listic Set-Loop and Deco­ra­tive Liga­tures (dlig) e. g. type the word “LOVE” for ❤ or “SMILE” for ☺ ■ Design Date: 2015 ■ Type Desi­gner: Manuel Viergutz

This font was created with horror genre inspiration but packed with cute shapes. Also suitable for children's horror story books or cartoons. Or maybe you have something interesting that you are interested in using this font? Hope you like it.

Olis is a stylish, fresh new handwritten script. Olis comes with two weights, numerals, punctuations, and some variations on character including OpenType alternates, and common ligatures. It helps set your designs apart by adding a custom-lettered look. You will also find that its initial and terminal letters can enhance your designs in new and creative ways. Hand-drawn leaves, plants, flowers, as well as large and small snowflakes add original detail while complementing the font perfectly. If you like this font you might also like an aesthetic text generator by the same author.

Salinas imitates a friendly and warm handwritten typeface. Its particular feeling is achieved thanks to several character variations, which can automatically alternate between three different (and complete) sets of characters, giving the font the proper character of hand writing, mixing: height, weight and inclination. Through its opentype programming, Salinas generates multiple character changes in the text, without losing its surprising legibility in various sizes. The added gestural strokes for titles enriches the spectrum of variants and versatility. Itís ideal for countless pieces of design that require warmth and spontaneity.

Brannboll Stencil is a script sport typeface. The baseball-style lettering was drawn by Mans Greback in 2020. It is a specialist stencil typeface, created primarily for laser cutters: All whitespaces are connected with the background, making it a lettering perfect for signs, jewellery, stencils and general cutting. It also comes with the additional, decorative style Brannboll Stencil Swash, which contains ten cool swashes to give the graphic extra expression. It has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Big, expansive and flat on top; that’s a land formation called a mesa. “Mesa” was the first name for Strata Bold Rounded Serif, but it turns out it’s someone else’s registered trademark; in any case, if you need a bold, extended mono-height font that’s great for logotype, you could, as we used to say in the Mid-West, do a whole lot worse. SBRS is the final generation of an evolution that started with Mesa begating Mesa Bold which begat Mesa Bold Rounded which culminated in this evolutionary superior product. Use it!

Redig is a bold condensed display typeface with an assertive and athletic aesthetic. Inspired by newspaper headline typefaces from early 1900s it has chamfered corners with rounded edges that smooths out some harshness and generous x-height to its lower case characters. Redig will shine when used big. And I mean BIG. This is certainly a case when “bigger is better” really is the truth. Redig comes with an oblique style and ligatures and works best in headlines, logos, branding, social media or any display type use. Use it big.

The Delima font family has something of the Clarendon or Ionic influence but is distinguished by a lighter serif treatment. The contrast between thick and thin strokes is not pronounced, weight stress is vertical. Delima's serifs are short but strong, allowing close letter spacing to give good economy. Lowercase x-height is very generous, internal counters are open. This combines to give Delima excellent legibility in small sizes and an overall even colour when set in text. Delima works well for magazines, periodicals and display work in advertising, flyers and catalogues.

Bale Mono is the monospaced companion of Bale. This Mono font brings a technical edge to the cool professionalism of Bale. Originally developed as a part of a corporate identity, Bale is a warm and confident sans-serif font. With its generous counters and angled terminals Bale is a dependable work horse with enough flare to add interest to any typographical landscape. This hardworking font comes equipped with small caps, automatic fractions, proportional/tabular lining and old style figures and alternative glyphs and is the must for any typographic toolkit.

Swedish Runes Swedish Runes is a way to write Swedish with medieval runes devised by Sven Salvenson. Proto-Norse was written with Elder Futhark runes, and viking age runes were in Younger Futhark (an adaptation of Elder Futhark). Then early Old Norse was written in medieval runes (an adaption of Younger Futhark). Sven decided to carry on that tradition and adapt the medieval runic alphabet for modern Swedish. General information can be found on this site. I used the data here while working on the font. https://omniglot.com/conscripts/swedishrunes.htm

New Cuisine is a departure from formal, handwriting, and retro scripts. Influenced by the DIY lettering generation New Cuisine is a joyful looking script with all the right moves. Its bold graphic presence makes it ideal for packaging, online journals and blogs, signage, logos, and menus. Under the hood of New Cuisine lie precise connections, unique ligatures and alternates, and OpenType programming to orchestrate it all. Because of this, typesetting turns into a simple and playful experience. Also included are a simple fraction feature as well as Central European language support.

Designed primarily for editorial use, Silva is a superfamily ideal to typographically complex environments requiring a highly versatile typeface. With slightly condensed proportions, generous x-height, moderated ascenders and descenders and robust serifs, it is an extremely readable and economic type. Subdivided in two optical sizes, the family has a total of 26 fonts including italics. Silva has an extensive character set — with extensive language support — that provides both old style and lining figures as well as their respective tabular versions, fractions, various ligatures, small capitals, arrows and a number of different symbols.

Waffelstein is a modern geometric typeface inspired by the passion for eating waffles, the old fraktur fonts, some heavy rock bands, some PC games and the graphical perspective in general. Although it is somewhat decorative by nature, Waffelstein includes extended Latin language support, but also Cyrillic and Greek. Designed with OpenType features like glyph alternates and ligatures, Waffelstein is perfectly suited for graphic design and any display use. It could easily work for army, bands, breweries, cinema, gamers, metalheads, militaries, movies, posters, pubs, quotes, t-shirts, zeppelins and many more.

An endearing upright script with outspoken shapes, casual connections and generous swashes. Somewhere between very legible handwriting and calligraphy, Dominique captures the attention of a much larger audience than either strictly elegant calligraphy or regular everyday handwriting. A font full of alternates and ligatures is also provided. Perfect for book covers, magazine advertisement, music design, party invitations, food-and-drink and cosmetics branding, etc. The OpenType version of Dominique is a single cross-platform file that makes all the alternates and ligatures accessible at the touch of a button in OpenType-savvy programs.

Enza is a display font designed by José José Villamizar. Its design stems from the typographic exploration for the realization of the identity of a company aimed at entrepreneurs in the millennium generation. It’s a family of five weights composed of 455 glyphs. includes Thin, Light, Medium, Bold and Black styles. It also includes stylistic alternates, fractions, and ligatures. Its use is recommended for titles, semicondensed texts or short, and elements of visual communication large phrases. It is also ideal for creating logos, in packaging, signboards and poster design.

Biffo was designed by David Marshall and produced in 1964. The alphabet in handwritten style has the character of writing done with a broad tipped pen. The figures are round and flexible, even its vertical strokes have rounded edges, softening the look of the characters. The basic forms show parallels with a pear shape: generous in the lower third and thinning out as they move upward. Biffo is a unique, lively typeface perfect for personal correpondence and for communicating spontaneity. It is best for short and middle length texts as well as headlines.

Cooper Black The Cooper Black font should be used in display sizes only. Cooper Blacks serifs are rounded and the counters are small. Cooper Black was designed by Oswald B. Cooper for Barnhart Brothers & Spindler in 1921 for advertising and posters. The capital O and Q of the Cooper Black font are tilted back; in the lowercase, the dot on the I and j become elliptical. The extra bold Cooper Black font has a remarkable personality and reproduces well in sizes over 18 point in titles, subheadings and generally short sentences.

Motley Crew is my last font for 2016. It is quite a lively, quirky and a little bit scary typeface, which will give your designs a little more ‘joie de vivre’. It was made with a soft brush and Chinese ink. The splatter was added after I had painted the glyphs. I forgot to put away my laptop, which now looks like this font… Motley Crew wishes you all the best for the coming year - in a lot of languages, as it comes with a generous splatter of diacritics.

Although the Art Deco movement is generally attributed to the 1930s and 1940s, a number of design influences were showing up during the late 1920s in what is referred to as the Art Nouveau period. The Dutch illustrator Anton Kurvers’ hand lettering on the front cover of the (1927) magazine “Het Vlaamsche Volstooneel” clearly shows the clean lines and Avant Garde geometrics that foreshadow Art Deco. This attractive pre-Deco lettering has been recreated digitally as Dutch Deco JNL, and is available in both regular and oblique versions.

The vast resource of hand lettered vintage sheet music titles offers many interesting and unique variations on even the simplest styles of lettering. A simple thick-and-thin serif design circa the 1920s-1930s evokes a reminiscence of the Art Nouveau period combined with a touch of what was to come during the Art Deco era. Most charming is the fact this lettering is free of the formal rules and constraints of metal type, where designers are generally forced into conformity with uniform stroke widths, serif placements and character shapes.

Greenbriar AEF bears resemblance to blackletter, crisply drawn and creating a hypnotic rhythm through the interplay of stroke and counter, wieght and width. The Greenbriar numbering scheme is based on the weight and width axes of a multiple master from which the instances are generated. The first number in any of the series (1 through 5) relates to the width The second two numbers (20 through 80, in 20-unit increments) relates to the weight within the width series. Mix and match the series for a hypnotic typographic extravanganza!

Nazhdak is a handwriting sans serif of three styles sketched with a felted pen and digitized afterwards. Designed in 2001 under the impression of Erik van Blockland's FF Kosmik typeface. Nazhdak is searching and investigating boundaries between regular and irregular typefaces. In spite of ragged letterforms and general laxity the face is rather good for small sizes, and in large sizes it completely shows its crude fascination. The main destinations are small informal text compositions and display typography. Nazhdak was designed by Zakhar Yaschin and released by ParaType in 2009.

Modeling is a Modern Fashion Sans Serif In a new generations, we analyze that any designer or brand owner need to make their brand standout. As our focus that analyze any typeface that helps to leverage any logo design to look more modern, fashionable and unique. We prepared this font with expanded style characters to help you create a classy branding in any projects. Modeling Modern Fashion font ready with: Creative Expanded Characters Preview as a inspirations that you can do with Modeling font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Relic forest island III, This is the newest font from the previous generation, Relic island I and Relic Island II, this design comes with a more detailed touch with very charming carvings, comes with several families that you can make your best design choice for later this year and in the future, with several monograms and families that you can choose according to your design, this design will add inspiration to your project, and see, how it will work for you, and make this font your best choice thank you very much

Frank Marciuliano designed the basic forms of Linotype Constitution around those of the swash alphabets of the 18th century. While the capitals are generously designed, the lower case letters have more reserved forms and are narrower. The characters of Constitution seem to have been set to paper with a feather and ink. The marked stroke contrast and elegant forms makes it a dynamic and sentimental font. The capitals can be used as initials mixed with other fonts, but Constitution is also good for texts which should give a feeling of nostalgia.

Introducing Caligreto Display new generation Typeface with 5 Weights. Caligreto Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Caligreto is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold.

The calligraphy font Banner was designed by Martin Wait in 1986 and mixes the character of the 1940s with that of the 1980s in its forms. The round and somewhat reserved lower case letters make a balanced basis for the generous capitals. Black outer contours surround a white inner area and are heavier on the right side of the figures, making the characters look as though they have shadows. Banner should be used in point sizes of 18 and larger and is meant for lighthearted short texts or headlines.

Salda; It is a modern sans serif family that blends old and new generation sans serif fonts in the same body. It has a wide usage area with its light narrow structure, sharp and clean lines, humanist touches. It provides clean and smooth visuals in vertical screens, mobile applications and block texts. With two different x heights (xL-xS), the body offers richness in text and headings. It consists of a total of 40 styles. Ideal for all kinds of editorial design, packaging, corporate identity, brand, application, web and desktop.

Soft, fun, confident, sophisticated, and versatile. Luwest Rounded is a modern rounded font family that comes in two weights and in italics. The chunky weight and buttery curves of Luwest Rounded Regular make it well suited as display type ideal for branding, logos, magazines, films, packaging, greeting cards, invitations, posters, slides, and presentations. Luwest Rounded Light adds contrast and even more flexibility. Luwest Rounded includes a generous selection of international characters to support a broad range of languages. Luwest Rounded includes: Caps and lowercase Regular and Light weights Regular and Italics Extensive international character support

Beatnik Barbie is a unconventional font design inspired by Jack Kerouac and the ‘Beat Generation’. It is an original design by Alex Kaczun and it is a derivative work based on his original ‘Beatnik’ font. It has an informal style about it, and invokes a casual and friendly mood. Beatnik Barbie incorporates many alternate letter forms, which work like ligatures, so when you type, it automatically substitutes different letter forms for a truly custom hand-written look. Perfect for any application. Beatnik Barbie truly has the heart and soul of the beat mentality. Groovin' baby.

This ultrabold headline font is basically patterned after the font Nubian Black, designed by Willard T. Sniffin for American Type Founders in the 1920s, but includes an unusual inline treatment of the caps. Named for the local television show on KFJZ-TV (later KTVT) in Fort Worth, Texas, that introduced a whole new generation of kids to the Three Stooges, and hosted by the erstwhile Icky Twerp. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Originally developed as a part of a corporate identity, Bale is a warm and confident sans-serif font. With its generous counters and angled terminals Bale is a dependable work horse with enough flare to add interest to any typographical landscape. This hardworking font comes equipped with small caps, automatic fractions, proportional/tabular lining and old style figures and alternative glyphs and is the must for any typographic toolkit. Bale Mono is the monospaced companion of Bale. This Mono font brings a technical edge to the cool professionalism of Bale.

In the advertising industry, I was often asked to supply the art directors with ideas for a san serif type design that was not the standard Helvetica or Univers. They wanted a fresh new approach, something with generous proportion, like Avant Garde perhaps, but not as uniform in proportions. A font that would lend itself well to wide and long columns of text with lots of leading. So, I rolled up my sleeves and designed a font that meet all their criteria. Contax is the new 'Univers' for the 21st century.

Fonts with handwritten characteristics are always an attractive option when creating projects that call for a personal touch. Merilee helps deliver a natural pattern to computer generated text, helping readers feel a more personal attachment to the words in front of them. Merilee includes a full character set (UPPER and lower case), all punctuation, all special characters, Euro symbol, and all Latin Extended-A characters, making this font a perfect match for a variety of creative projects including holiday and kids projects, signs, logo designs, banners and advertisements.

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.

Inspired by the heuristic typography of the Concrete Poetry movement, Solidus is a hardworking and unobtrusive sans in the Neo-grotesque style. Its simplified features, generous spacing and squarish curves imbue a sense of sobriety and allow the textual information to take centre stage, whether in body copy or at display sizes. Solidus is available in nine distinctive weights from wafer-thin Hairline to a hefty Black, each with accompanying italics. Typical of the Neo-grotesque style the italics are slanted in construction and have the same advance width as the uprights.

MGN Marcelino, crafted by Morgana Studio in 2024, is a captivating serif font that exudes timeless elegance. The distinctive serifs, characterized by their generous and slightly rounded contours, lend a unique charm to the typeface. This vintage-inspired font carries a sense of sophistication and nostalgia, making it a perfect choice for projects that seek to evoke a classic and refined aesthetic. MGN Marcelino seamlessly combines modern design sensibilities with a touch of the past, creating a versatile and visually appealing typeface that stands out with its bold and gracefully rounded serifs.