Introducing Quinn Display new generation Typeface created for building brand identity. Quinn Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Quinn is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

The Serif Hand is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. We wanted to create the most generic, readable and balanced serif handwritten font, to work well in every kind of design. It’s an all-caps font with 5 finely balanced weights with alternates: all the uppercase letters are a bit different from the lowercase letters. We also designed a playful dotted weight, to add a fancy touch if needed. We hope you will enjoy our work. Merci beaucoup!

Brighty is a fun and friendly sans serif font with a beautiful alternates. Fall in love with its timeless elegance. it is suitable for heading and outline. you will love it. Support multilingual. it is consist of Basic Multilingual Plane, Basic Latin, Latin-1 Supplement, Latin Extended-A & B, general punctuation, super and subscripts, currency symbols, letterlike symbols and Alternate characters on PUA. The file includes OTF, plus bonus editable SVG Papercut and template can be downloaded here: https://www.dropbox.com/s/xen5i6h2o3f6oz6/Brighty%20MF.zip?dl=0

Belkin Display new generation Typeface. Belkin Dispaly Typeface created with the vision of attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Belkin is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding product, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. 6 Weights Included.

Heshanty Typeface is a luxurious display serif font with classic forms and modern style. Perfect for a wide range of uses. From greeting cards to magazines, wedding invitations, logos to website etc. Elegant and sensuality didone serif enhanced by ligatures, alternates and swashes. Heshanty Typeface makes it easier for the user to generate different levels/layers of communication thanks to its variety of styles. With this font you can solve entire decorative pieces of design with just one font, and that was the aim of it.

This font is for architects everywhere. This all cap font was created for use with CAD programs. It gives the handlettered look of old to computer generated blueprints. Architectural Lettering Bold is the heavier weight for Architectural Lettering. This additional weight makes a best selling font even more versatile. It has all the international currency symbols. Architectural Lettering Regular was redesigned in 2006 to include the same. It can be found in the book “Indie Fonts 3, a Compendium of Digital Type from Independent Foundries”.

Oxima font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a technical sans serif typeface with rounded endings that provide a mixture between strong general aesthetics and soft elaborated details. Its strong and industrial, yet legible shapes make it perfect for contemporary and futuristic oriented projects and suitable to be used in any sizes, from headlines to body text and everything in between. Oxima consists of 8 styles, each containing small caps and glyph coverage for several languages.

Metalizer sketched with calligraphy flat pen, then vectorized with Ai & generated with font creator. Inspired by the amazing style from Raghuveer G. Some Metalizer character is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy. Metalizer contains some interesting alternates and ligatures that make this type more real. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyph : http://adobe.ly/1m1fn4Y Cheers!

Quarion is a clean, neo-humanist sans with a contemporary geometric approach. Its design started as an exploration of geometric fonts from the early 20th century, like Futura, Neuzeit Grotesk or Recta which allows the typeface to generate an inviting but sophisticated feel on the page. Although, less contrasting, geometric designs have been quite popular around type designers until today, Quarion finds its niche by combining circular elements with a medium stroke contrast, resulting in a versatile and robust workhorse for any analog or digital application.

Smack, from American designer Jill Bell, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and are accompanied by fine dots which almost look like accidental drops of ink on the paper. Smack is an illustrative font with unmistakable handwriting character and is perfect for cartoons, comics and anything else which is not supposed to take life too seriously.

Chewy Bubble is a fat and handy font, a fun typeface that adds a cheerful and vibrant touch to your designs. This font features bold and rounded letterforms, reminiscent of fat bubbles floating in the air. Carefully crafted curves and generous spacing create a sense of fun and whimsy, giving your text a lively and interesting look. Whether you're designing a logo, poster, or children's book cover, this fat and cheerful font is sure to grab attention and add some fun to your designs

Lettering designer Ray Cruz, creator of Bitstream’s VeraCruz, Fat Albert and Cruz Cantera, and many other typefaces, introduces Homeland BT, a finely drawn family of six weights, including two italics. This text and display typeface has a generous x-height and overall body width for great legibility at small text sizes. The exaggerated serifs impart a sense of stability and comfort, and give headlines a unique styling. Available in PostScript OpenType format, Homeland’s extended glyph set covers the Western and Central European, Baltic and Turkish languages.

Designed by Alex Rütten, Ginkgo is a stylish text typeface. It works well for setting extended passages of text at small sizes thanks to its open counters, generous character widths, and clear and unique letterforms. On top of that, the handling of details such as in the serifs, cross bars, and terminals are wonderful to appreciate when used at large point sizes as well. Gingko received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

The rainforest of Borneo which has a wealth of big trees and lush is the basis of inspiration of the Geegantic font. Therefore Geegantic has little difference with a similar font that usually appear in the feminine form. As you can see, Geegantic has the form of contrast stroke, a thick and casual. As display fonts, Geegantic aims to touch the needs of the general usage of displays, branding and advertising. However, under certain conditions, it is also possible to fill the text area.

Rambla Alt is a variation of Rambla, which has certain modifications without altering its main structure (Rambla is also available in Myfonts). For this reason Rambla Alt is great when used together with Rambla. Rambla Alt is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have the objective of gaining space in height and width. It’s elegant in large sizes and legible at the same time, with a lot of rhythm in small sizes.

Urban Grotesk attempts to follow the best of traditions of Grotesk typefaces: rounded arches, slightly thinner connecting strokes and a vertical shadowing axis, where outstrokes are terminated strictly in perpendicular to the stroke direction. The primary characteristics are the connection of the rounded stroke to the stem, a round dot, lower and more thrifty uppercase, and generous numerals. The width proportions of characters is almost unified, the text colour creates a unified grey area on a page. An airy metric aids good legibility in shorter texts.

Opticart is a family of glyphs inspired by Op Art (Optical Art). They include 133 models -- each letter is a subfamily that can combine overlapping (A, a, a.salt and A.swsh) and thus generate more than 365 glyphs, or thousands if we combine different letters or symbols. Opticart is so easy to use, user does not need guidance, just repeat typing [aaaa, bbbb, etc.] or do overlap them and repeat [(a + A) (a + A) (a + A), etc.] You may overlay and combine shapes with colors as you please.

Flexi. Bendy. Stringy. Rubbery. Introducing Mix String Cheese – the ultimate handwritten font for adding personality and playfulness to your designs. This font is perfect for logos, titles, and packaging design, and comes with a full range of characters including uppercase letters, punctuation, numbers, and special symbols and accents. Mix String Cheese is a versatile font that is sure to bring fun and creativity to all of your projects. Don’t settle for boring, generic fonts – add some flavor to your designs with Mix String Cheese.

Rosalia is an impulsive typeface designed by Heinz Schumann in 1964 as Stentor for Typoart Dresden. The marked stroke contrast and the spontaneous look typical of handwriting gives the typeface a lively, energetic character. The generous capitals lean slightly to the right and contrast beautifully with the reserved, upright lower case letters and can also be used for initialing. Rosalia is a good choice for headines and texts in middle to large point sizes. OpenType features: Contains 390 Glyhps Central European faces Standard Ligatures Discretionary Ligatures

Fresh new type from the Netherlands. An original, lively, eclectic semi-slab serif intended for general use. Quirky yet seriously usable, the family features enough weights to fit any design situation and all fonts are suitable for screen and print. Full Latin-script language support, including Maltese, Turkish, Vietnamese, Greenlandic, Azerbaijani, Afrikaans and localized Polish and Romanian. Download the Quick Start Cheat Sheet here to help you get the most out of Ipsum Semi. For requests or remarks, feel free to get in touch.

Generisch Mono is a monospaced version of Generisch Sans. Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

After the Second World War, the Ionic style replaced Modern Face as the favored typeface for newsprint. A couple decades later, it was in turn replaced by the next generation of newspaper fonts, a mix of Old Face, Transitional and Modern Face forms. Rotation was designed by Arthur Ritzel and presented by Stempel/Linotype in 1971 and named for the rotation newsprint machine for which is was particularly suited. The font displays the influence of Old Face design and gives newsprint a feeling of lightness and elegance.

Sivellin is an elegant brush script with a lots of alternates, swashes and small caps. All in all it has over 1,300 glyphs. Sivellin has round and soft letterforms, low x-height and quite a generous spacing to get that elegant and very legible result. Because of all the alternates Sivellin is a very versatile script font. It can look very straightforward or with added Swashes very flamboyant. Or something between. It gives you options to customize your typography and designs the way you like.

Hachura is a sketchy typeface designed by Ricardo Esteves. Its general proportions are based on the garalde models, with traditional roman serifs. It was initially made by hand using a drawing technique to create a font that simulates the unfinished aspect of a work in constant progress. This textured face is useful for display sizes, making a very visible presence. Because of its basic dimensions and careful distribution of black and white, it still also very readable in text sizes like 10 or 8 points.

Smudger, from designer Andrew Smith, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and give the font the smudged look that inspired its name and gives the font its unmistakable character. Smudger is a font that just cannot settle down. It is best used for headlines and short texts in point sizes of 12 or larger.

Introducing Moraco Display new generation Typeface created for building brand identity. Moraco Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Moraco is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Flagellum Dei is Latin for ‘The Scourge of God’. It is a title given by later generations to Attila the Hun (406-453 C.E.). Flagellum Dei is also a rather scary font, which I made with the use of a stiff brush and some China ink. Of course you could use this quite versatile font to scare the bejesus out of your friends, but I’d much rather see it used on book covers, posters and album artwork. Flagellum Dei comes with a horde of diacritics.

Mr Palker Dadson — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - burly slab serif Mr Palker Dad. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dadson has all the features of P&P’s family.

The Razels Font is a bold calligraphy script with dramatic moves and strong styles for your latest project that requires the look of a hand bulletin. This is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, invitations, stationery, and any project that requires a handwriting style. The Razels Font comes with uppercase letters, lowercase letters, numbers, punctuation, and many variations of each character, including OpenType alternatives and general binders to allow you to customize the design.

6th Aniversario is a rounded condensed typography, handwritten and elegant, perfect for writing good advertising titles in graphic design of posters, flyers or publications in general where space saving and readability is required. Includes the Bitcoin symbol (ligatures): b# The Commercial version includes: - 492 glyphs. Latin Extended-A • OTF & TTF - OpenType Functions: Fractions, Alternate Annotation Forms, All Alternates, Superscript, Superiors, Slashed Zero, Superior letters, Localized Forms, Numbers Small Caps, Inferiors, Scientific Inferiors, Discretionary Ligatures, Numerators, Standard Ligatures, Subscript, Extended Fractions, Ordinals, Denominators, Oldstyle Figures, Historical Forms.

Sierra is an antiqua with a high x-height and generous, open counters. Many curves of the letters are almost right angles, which was particularly suited to the Digiset machines from Dr. Ing. Rudolf Hell, Kiel. The forms of Sierra with their flowing stroke contrast and half serifs have a calligraphic touch, which is especially highlighted in the italic weights. This is a graceful text type and its bold weights look almost like woodcuts. Sierra is an excellent choice for both texts and headlines.

The first Clarendon was introduced in 1845 by R Besley & Co, The Fan Street Foundry, as a general purpose bold for use in conjunction with other faces in works such as dictionaries. In some respects, Clarendon can be regarded as a refined version of the Egyptian style and as such can be used for text settings, although headline and display work is more usual. Clarendon is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

Mentone is a new general purpose typeface, an attempt at extending the line of the great sans-serifs of the previous century, Frutiger - Stone Sans - Myriad. The font has round corners and subtle chamfers, which are all but invisible at text sizes, but add an upbeat, irreverent expression at display sizes. The typeface is named after the beautiful bayside suburb of Melbourne, Australia, where the designer lives. This new version (2.01) was spaced and kerned by Igino Marini of iKern. The semibold cuts are now free!

Rossika is a four-style typeface designed by Oleg Karpinsky in 2002-2004 for the ParaType company. The general design and some letterforms were borrowed from antique Russian typefaces of XV-XVIII centuries. For example, the upper Cyrillic N has a diagonal stem, a tail of Ц character is attached in the center unlike major contemporary designs. Some characters have alternatives. There are several Latin and Cyrillic ligatures. Rossika is intended for logos, headlines and short text blocks: posters, calendars, post cards, diplomas, certificates and the like.

Giza brings back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Flowing like warm honey, Mielle® CF is a playful cursive script perfect for logos, signage, and posters. Automatic ligatures and contextual letters flow across Mielle's six weights. Mielle® CF pairs well with simple, elegant typefaces that won’t compete for visual attention, such as Artifex CF and Artifex Hand CF. Please note that some contextual glyphs may not appear in the generated previews, but will work correctly in the full typeface. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Violant fonts are designed as a tribute to Queen Violant, wife of Jaume 1st, king of Aragon, a woman of strong character, who supported her husband in the conquest of Valencia in 1238. Probably, Violant read texts in Gothic letters, which at that time were subjected to a stylization process in Castile and Aragon. Violant family comes with 736 glyphs, with OpenType features, swashes for all glyphs, stylistics sets, stylistics alternates, a lot of ligatures and a generous set of ornaments to play with your texts.

Introducing our newest font called Qojarun. With Arabic Style display fonts, you can easily give your designs a genuine Middle Eastern feel. This font features characters in an Arabic style, and goes well with a wide variety of design projects, from posters to logos and beyond. Elegant calligraphy Arabic letters are easy to read, just like writing in general. This download pack contains all the characters needed to translate your project into an Arabic theme, complete with the full character set, punctuation marks, and numbers.

Miscellany JNL collects numerous images of various genres into one dingbat font. There are vintage stencil patterns, old-time ad cuts and decorations, line spacers [number keys 1 through 7], conversation balloons, parking lot symbols and other assorted goodies.

I'm happy to present to you luxurious handwritten script font West Byanetta Cyrillic. It's the best option for your branding, logo designs, invitation designs wedding stationery, social media, product packaging and other projects that require an elegant touch. West Byanetta Cyrillic is an elegant, graceful handwritten script font, as well as a West Byanetta Symbols font with 36 lovely hand-drawn flourishes and illustrations. West Byanetta script font contains the Cyrillic glyphs too. West Byanetta script Latin part contains a full set of uppercase letters and 3 full sets of lowercase letters, (standard, initial and final forms). To make a needed form just type a letter with a number such as a1, b1, c1...after that selecting the word and apply the Open Type Features in programmes such as Adobe Illustrator, Photoshop, and others) And 40 ligatures - which can be used to create a handwritten look. The Cyrillic part of the font contains the uppercase letters and 3 full sets of lowercase letters, (standard, initial and final form. To make a needed form just type a letter with a number such as a1, б1 в1... After that select the word and apply the Open Type Features in programmes such as Adobe Illustrator, Photoshop, and others) Also Cyrillic part of the font contains 31 handwritten Cyrillic ligatures. West Byanetta Symbols is a font with over 36 hand-drawn elements, floral illustrations, and swashes and can help to make your design unique and matchless. Combine and merge swashes and illustrations to create your own designs and make borders, frames, dividers, logos, and more (just use A-Z or a-z and 0-9 keys in the included West Byanetta Symbols font). A different symbol is assigned to each uppercase or lowercase standard character, so you do not need graphics software, just type the letter you need. Language Support for 32 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.