Ornella is a very typical art nouveau typeface that perfectly fits into the series of URW++ Jugendstil fonts released in the last couple of years. Ornella was reworked, redesigned, completed and digitally remastered by Ralph M. Unger for URW++, based on specimen taken from old font catalogues.

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.

Verismo (Italian for ‘realism’, from vero, meaning ‘true’) is a genre of operas with scenarios based on contemporary everyday life. This font is inspired by old school sign painting techniques. In addition, the font has a contemporary look and can therefore be used in many different designs.

This face has a stiff machine-like quality which derives from it's ambiguous position between semi-serif, slab-serif and display. Barkpipe can't quite make up it's mind what category it wants to reside in.

Merina is a fat slab typeface, and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.

"Geralize" is a very elegant and professional modern slab serif font. This font is equipped with uppercase, lowercase, ligatures, numerals, punctuations, and multilingual support. It is suitable for logos, branding, banners, posters, prints, and more.

Cline, a family of slab and sans typefaces that seamlessly harmonize with each other. All styles have the same width, so changing font weight will not affect your typesetting. Suitable for both text and headlines.

Mossimo is a fat slab typeface, and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.

News Gothic No. 2 is an enhanced version of News Gothic produced by the D. Stempel AG type foundry in 1984. It added more weights to the News Gothic family than were available in other versions, increasing its use in contemporary design and communication. The lighter weights of the original News Gothic were designed by Morris Fuller Benton in 1908 for American Typefounders (ATF). News Gothic typeface is quite similar to Benton's other sans serifs from the early twentieth century, including Franklin Gothic and Lightline Gothic. The bold weights were added to the News Gothic scheme in 1958. The capital letters in News Gothic No. 2, just like those found in News Gothic, have a similar visual width to each other. The lowercase is compact and powerful. These design attributes contributed to Benton's strong handle on the sans serif genre, and for years his types have been popular for newspaper headlines and many other uses. Still a popular presence on the font charts, News Gothic has proven its ability to get the job done right.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

Kono is a font straight from the modern, gritty, warfare computer game genre. Rough and ready, with letters that double as numbers and look fit to be sprayed on a bunker wall, Kono brings you a bleak example of the near-future, where pragmatism rules out over artistry. Kono itself, ironically, is stylistically crafted to capture this feeling, carefully selecting the perfect mix between flat, straight lines and rounded corners, using wide, squat characters to mimic practical architectural styles. Kono is great for capturing a bleak but somewhat heroic attitude, whether you want to use that to encourage optimism or advertise pessimism.

The Adagio Family is a part of Mateusz Machalski’s, Warsaw Academy of fine arts Master Degree Diploma in multimedia studio, conducted by Professor Stanisław Wieczorek and his brave PHD Jakub Wróblewski. Adagio is a modern type family. It consists of 3 main varieties: sans, serif and slab. Each one of them has its own “true italic” set. All of the styles together have over 400 characters in 9 different thicknesses. The Adagio family was created mostly for company identities. The idea was to create a wide range of different varieties which are stylistically consistent. Adagio Serif - Characterises with strong contrast and high detail in calligraphic character cuts, what gives it a light feeling. Unlike the Slab version, serif variety has asymmetrical serifs. Thanks to large X length, and highly stretched descenders, it also works correct in longer text, while its strong detail is good for headlines. The Serif version is a great complement for Adagio Sans and Adagio Slab.

In 1994 I took a picture of an old movie marquee in Times Square, New York City. 7 years later, I decided to design a typeface based on the big plastic letters found in those old marquees. I scanned in the picture I took and began to draw the letterforms. Like most of my font designs, the initial inspiration came from an urban environment.

Inspired from the bold and loud visual statements from the 90s poster and graphic design trend, makes Strippy can’t hold itself to be born in this universe. A clean, square, and bold form of body, makes Strippy is the simple way to go to shot your statement louder and wider.

“Mitten” is a bold serif that has a classic and bold style. Depicted to provide basic headlines that are confident and impressive - while still feeling warm and welcoming. there are 3 different styles that you can apply in your design projects. This typeface is perfect for an book or movie title design, fashion brand, magazine, clothes, lettering, quotes, social media posts and so much more. Mitten Features: · 3 Weights font (Regular,Italic,Bold) · Uppercase And Lowercase · Numerals & Punctuation · Accented characters · Multilingual Support · PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day

Linotype Ho Tom is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by Thomas Hoffman, this font’s historical roots are easily traced to the slab serif style. Ho Tom was originally intended as a lettering system for a project in the center of the old East Berlin. This explains the stable, angular characters and the consistent rectangular base forms, which also makes Ho Tom a very legible font, suitable for longer texts.

AZ Storm was inspired from old '70's skateboard logo. This font was designed for use as a fun bold headline.

Corpesh was drawn in Adobe Illustrator during the wee hours of the night. It is a single weight set of fonts, no bold version. As is/was much of what I have done over the last year, it was created purely to pass time. As a self taught amateur in this field, I only do this for the enjoyment it brings me. This typeface is being released early, at the same time as 'Brainstroke', for exactly the same reason that typeface is, that being a health crisis. I know this typeface is not complete, with, as mentioned, no bold version, and probably never will have.

Lev is a slab serif font, the rectangular serifs and the straight angled shoulders and links contrasting the curves and loops. Lev Serif is characterized by thick, block-like serifs. Lev contains 12 high quality fonts.

Brounde font comes in four weights from extra light to medium. Legible texts can be created with its rounded slab serif configuration. Also it can be used in posters and every kind of graphic design works.

Sky Serif is a clean-cut slab-serif design. The six weights provide extreme variations and great flexibility making it useful for reports and newsletters where a mix of weights can be used to good effect.

Iron Lake is inspired by the pioneer era. The font has a decorative slab serif that really gives the font its vintage western look. The font works great for vintage, western, country, outdoors and rural themes.

Dave West released the Behemoth Semi-Condensed font in 1960. With nineteenth-century wood-cut influence PL Behemoth Semi-Condensed is an example of the revival of slab serif styles, popular in the sixties and seventies.

The Yearbook font family contains Yearbook Filler, Yearbook Outline, and Yearbook Solid. Yearbook evokes traditional Slab-Serif lettering used by high school and college teams; the first two of these faces are designed to be superimposed.

This slab serif has an incredible type system. By using power of OpenType alternates, typographic flexibility going up and up as its name indicates. Serifs transform, change to small caps and ligatures give you rich typography.

Back Lot Stencil JNL is a hand lettered slab serif stencil design based on the titles and credits from the 1954 film “Human Desire” and is available in both regular and oblique versions. Caps only Font.

Summerville JNL is a condensed Art Nouveau slab serif design inspired by a typeface called “Superior” [found in the Barnhart Brothers & Spindler type specimen book circa 1897], and is available in both regular and oblique versions.

A 1930s print ad for Miller Tires featured lettering in a condensed slab serif design. This provided a design model for the digital typeface Automotive Service JNL, which is available in both regular and oblique versions.

You'll have to admit this is a rocking font, man. It's Fab AND Gear. Not only that, it's called BackBeat and it's GOT a backbeat -- you can't lose it (not if you back up all your data on a hard drive stored at a separate facility), any old way you choose it (Opentype, PostScript or TrueType). Yes, it's just gotta be Comic Book Fonts, if you want to dance with the folks who got all shook up about these kind of things. Yeah.

Earlier this year I visited a bakery in Newport Beach, CA and fell in love with the organic design and typography of the place. Hand-drawn menus, table cards, chalkboards, and wall quotes surrounded the charming spot. It inspired me to create a new font family based on the combination of hand drawn fonts. Included in this package are 5 font families, with 2 graphic ornament fonts. Each font family contains at least a light, medium and bold. Here is a breakdown of what's cookin' at Catalina's Bakery: Catalina Anacapa: Tall and skinny, this font comes in 3 weights for both sans and slab serif styles. It includes contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and also includes Small Caps. Catalina Avalon: Based off Anacapa, this sub family has a high contrasting line weight. It comes in light, regular and bold as well as an inline alternative for both sans and slab serif styles. Avalon also includes opentype features such as contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and small caps for each letter. Catalina Clemente: In a more standard width, Clemente is one of the two sub families that can be used for paragraph text as well as headlines. It's organically geometric in style and comes in ALL CAPS and lowercase, includes upright and custom italics, and has the opentype feature giving 3 versions of each letter. Catalina Script: A great compliment with the display sub-families, Catalina Script rounds out the package with a hand-drawn cursive flair. It includes contextual alternatives (giving 2 variations to each letter) as well as stylistic alternatives for many of the capital and lowercase letters. It has special ligatures for some letter combinations, and titling alternatives for all the capital letters. Catalina Typewriter: The second of the paragraph text sub-families, this typewriter inspired hand-drawn font family works great as either a display or paragraph text. It has contextual alternatives with 3 versions of each letter, and comes in both upright and custom italics versions. Catalina Extras! These two fonts go perfectly with the Catalina Family. They includes borders, frames, arrows, banners, flourishes and more. Catalina Flourish has all of it's options in a light and bold style, to use the light version type all lowercase letters, then to make something bold, used it's uppercase (or shift+) characters. For a breakdown of graphic/letter correlation, see the breakdown PDF. All of Catalina was drawn by the same hand, using the same ink and technique. While they contrast in their type styles, they work together perfectly to create one cohesive font family.

Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft Bodrum Stencil is a stencil serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Stencil is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give "Bodrum Stencil" a harmonious and sensible appearance for both texts and headlines. Bodrum Stencil provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Stencil 14 Regular” forms the central point. "Bodrum Stencil" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Stencil is the perfect font for web use.

MLEITOD is a display font based on bold serifs combined with a psychedelic style and given a low pixel effect like in a game. With its pixelated stroke characteristics, this font is perfect for different or unique designs such as in games or for bands and music event posters. The uniqueness of this font is psychedelic-pixel, it can be categorized as a vintage font because usually old school games use this style plus it can be used for bands because psychedelic is also found in one genre of music. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!