Say hello to Mealsika Script - A contemporary script with a vintage calligraphy style with moving baseline and an elegant touch.That makes the font look fabulous! It can be used for various purposes such as headings, signatures, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges, and more. Features 350+ glyphs and 179 alternate characters including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and Happy Creating :)

Hambuger brush script font textured perfectly and based on the expression of the signature style that flows freely, friendly and organic. Hand painted with love. It includes ligatures and alternates characters in Open Type Features. Perfect for brand projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Hambuger is encoded with Unicode PUA, allowing full access to all additional characters without designing special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank you for your purchase!

Consta Serif is a seven-weight typeface that wishes to express a tribute to the gracious and delicate forms of the human body. Consta is a standout display font that is a mode to Contrast Serif typography in the present day. Its elaborate curves and unique shapes make it perfect for headings, logos & wedding invitations. Consta is all class so if you want a stylish font that is guaranteed to draw the eye, then this is it! All seven weights (Extralight, Light, Regular, Medium, Semibold, Bold, Extra Bold) contain character sets that include uppercase, lowercase, numerals, diacritics, punctuation, ligatures, alternates, and symbols. Furthermore, this Human Grade Type supports more than 89 languages derived from Latin, namely Western, Central, and South-Eastern European languages, making it a perfect fit to be used either in titles or other typographic compositions.

This font is ideal for various design applications, including branding, logos, social media, prints, stickers, shirts, and SVG files. Wonder Melody is versatile and can be suitable for both free-spirited, boho designs and more sophisticated editorial looks. Additionally, the font offers many exciting stylistic alternatives that are readily available within the font file. These alternatives can be easily accessed by adding special characters to letters. Instructions for use are in the package Wonder Melody Font Features: - Full Set of standard alphabet and punctuation - Ligatures - PUA Encoded - no special software needed to access extra characters - Language support: All European languages - Multilingual Characters AÁĂÂÄÀĀĄÅÃÆBCĆČÇĊDÐĎĐEÉĚÊËĖÈĒĘẼFGĞĢĠḠHĦIIJÍÎÏİÌĪĮĨJKĶLĹĽĻŁMNŃŇŅÑ OÓÔÖÒŐŌØÕŒPÞQRŔŘŖSŚŠŞȘẞTŤŢȚUÚÛÜÙŰŪŲŮŨVWẂŴẄẀXYÝŶŸỲỸZŹŽŻ aáăâäàāąåãæbcćčçċdðďđeéěêëėèēęẽfgğģġḡhħiıíîïìijīįĩjȷkķlĺľļłmnńňņñoóôöòőōøõœpþ qrŕřŗsśšşșßtťţțuúûüùűūųůũvwẃŵẅẁxyýŷÿỳỹzźžż Thanks so much for checking out my shop, and please get in touch if you have any questions! Don't forget to subscribe so you don't miss out on the new awesome fonts

Less is More. This stencilled version takes away some of Didonesque’s structure while adding another level of distinguished style and supreme elegance. The Elegante fonts epitomise the style required for high-end fashion and beauty applications with their crisp curves combined with tapered serifs and terminals – instantly creating a polished and fashionable aesthetic. Didonesque Stencil was designed for large display purposes, branding, corporate identities, headlines, advertising, wedding invitations and the like. Of particular note are the minimal ball terminals which are available by activating Stylistic Set 2 – they’re perfect for adding that extra bit of magic to your typographic designs. Key Features: • 4 Stencil weights in Roman and Italic styles • 4 Stencil Elegante weights in Roman and Italic styles • 4 weights in Condensed style • Small Caps, Petite Caps, Alternates, Ligatures and Contextual Alternates • Full European character set (Latin only) • 780 glyphs per font.

Catsy is a cute and curly upright script family. Catsy is great for any kind of display use from packaging to poster to headlines. Catsy makes clear word images but if you want more curly action try Swash, Stylist or Titling Alternates on any OpenType savvy software. If that isn’t enough you can manually select from even more alternates from Glyph Palette: Each version of Catsy contains more than 700 glyphs. Keep Standard Ligatures on for smooth flow. Catsy Printed is a texturised version of Catsy. Catsy Printed also has softer features than Catsy. Catsy Ornaments is a pack of 86 extra swashes, badges, ornaments and swirls designed to play with the font, though they work nice on their own as well. For the best price purchase Catsy Family, Catsy Printed Family or Catsy Complete Family.

The old Norse legend of Thorben Odinson is a cautionary tale. And this typeface, like the nebulous kingdom he ruled, is something of a cloudy concoction. Thorben the typeface is something of an inspiration-hybrid, pulling aspects from multiple sources and combining them into a typeface that strangely seems to work (or not – depending on your point of view). What started as a redrawing of some old carvings (on a castle wall in deepest, darkest Suffolk), is now something entirely different. Part Nouveau curves and Celtic script, topped with a few sprinkles of modernism, darkness and some quirky ideas – Thorben absorbs it all, creating a display face that feels antiquated and current at the same time. Each style also comes pre-loaded with a handful of pictograms and icons perfect for adorning your designs with extra Thorben-ness.

Slinky Chic, svelte and slinky, FS Sophie was inspired by and designed in partnership with ATTIK UK. With clean lines, simple, elegant curves and dynamic forms, it brings a feminine sophistication to text and headlines in publishing and advertising. Kinky FS Sophie’s engaging simplicity arises from its construction, using a modular set of core, rounded shapes and straight strokes, drawn and then repeated to create letterforms. An extra technical detail of occasional, short 45-degree diagonals adds a distinctive little kink to Sophie’s cool exterior. Alchemy By some kind of typographic alchemy, the combination of simple curves and lines with unexpected twists to the shapes of characters creates an unusually spirited and lively design in all three weights and their italic sets. Born for the spotlight, FS Sophie is a natural for big headlines, pull quotes and other high-profile text elements.

Introducing the Rough Motion Font Duo! Rough Motion is strong and high-energy font. Make it a balanced composition in a sans serif font and a brush pen in a script font to show the realistic elements of the font. This is a font that is suitable for you to use in all your creative needs. Such as branding, logos, posters, web design, music artwork, etc. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. Rough Motion Script also includes a set of 10 swashes, ideal for underlining individual words and adding that extra 'custom' style. You can access it in every alternative letter A-J. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Katelyn Edwards a lovely, dynamic and beautiful calligraphy manuscript with strokes. Can be used for many purposes. such as title, signature, logo, wedding invitation, letterhead, signage, label, newsletter, poster, badge, etc. Katelyn Edwards features Open types, including initial and terminal letters, ligatures and International support for most Western languages ​​included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign and CorelDraw X6-X7, Microsoft Word 2010 or later. Rellima PUA encoded with Unicode, which allows full access to all the extra characters without having to design special software. Mac users can use Font Book, and Windows users can use the Character Map to view and copy one additional character to paste into your text editor / favorite applications. Thank you very much for looking and please tell me if you have questions.

Before Sunday is a script font created with love, sincerity, and patience. Can be used to make invitation writing, lettering, and all graphic design needs. I highly recommend using a program that supports OpenType featuresand Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access toall additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank you if you are interested in purchase and using my font. I hope you enjoy the font, feel free to comment or feedback, send me PM or email. Thank you.

Ginsburg it's a modern display all-caps font-family based on geometric forms and abstract wavy lines with an old school constructivism look. Inspired by Moses Ginsburg architecture projects. Playful, modern, suitable for many typography projects as headers, logos, block texts, etc. You may be more strict in your typography or you may be more groovy or playful with alternates characters. Use this family in vintage spirit for TV series, Podcasts titles, exhibition posters or design a modern extreme sport brochure, . Flexible, Catchy and Brazen — it's all about Ginsburg! Six widths: Thin / Light / Normal / Medium / Semi Bold / Bold. Opentype Features as Stylistic alternates, Oldstyle figures / Fractions. Multilingual

Marista is a bit of an unusual design, a cursive monospaced font inspired by the classic cursive typewriter fonts used in the 1960s-70s. It is designed to feel 'real', and captures some of the light irregularities in line weight which characterise real typewritten text rather than their computer equivalents. Marista is distinctive but easily readable, even in block text where some monospaced fonts suffer. Marista is best used at small to medium sizes, and at a uniform size throughout a document or design to capture the typewritten feel. The italic is more similar to authentic typewriter cursive fonts. Try it for your next letter or invitation!

Named after Italy’s northernmost region, Alto Adige is a high-contrast display serif typeface. With its condensed width and bold contrast it is excellent for headlines, packaging, magazines, posters and advertising, among any other display use. Alto Adige has large x-height making it a steady choice for sturdy text blocks with tight leading. In large sizes, you can also try tighter tracking for maximum impact. Alto Adige comes with a set of OpenType features: Contextual Alternates and Standard Ligatures are automatically on for certain character pairs. In addition it has over 50 alternates for display capital initials, set in Swash, Stylistic and Titling Alternates.

Indoo is a modular geometric design that owes much to the typeface designs of Theo van Doesburg (1883-1931) and the De Stijl principles of abstraction, simplicity, clarity and harmony. That inspiration, combined with the lettering of signage often found in the Indian quarter of Paris, led to the connecting block letter motif of Indoo. The text fonts are joined by a common horizontal stroke positioned at the baseline. There is an accompanying Ornament font for building borders that includes various stylized fleurons and the like. Each font has a drop shadow companion that allows you to build three-dimensional and multi-colored lettering.

Garuspik is an original ulra condensed, narrow, tall font with 3 styles: display, round and square. It is particularly well suited to create text blocks, advertising slogans, headlines, and other original and interesting text compositions. For convenience and variation the Uppercase are very tall, lowercase are moderately tall. Garuspik looks especially good when set in all uppercase. So, for convenience and simplicity, the smcp feature changes all characters to uppercase only. In addition, another OpenType feature changes the form of some uppercase, if they stand before to lowercase. And of course, there are all the necessary and popular features such as frac, ordn, locl and others.

MetroBots is a fun loving, non-traditional but very functional family of 6 fonts made of big city skies, the long tropical morning shadows of ancient ziggurats and entire pueblo villages, nestled into the steep cliff-sides of sage-topped mesas in south western deserts. This is a good solid, but kind of whacky looking display type family borrowing from the heft of good old-fashioned children�s wooden building blocks and the look and feel of both modern and ancient pueblo architecture. With a bit of the not-so-subtle expressiveness of a comical robot on a WD-40 high on the side.

The new Solomon type family includes 12 very unique design styles. These twelve designs are divided into two main style groups—text family and display (or decorative) family. The Solomon text pack is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc. Solomon is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The Solomon deco pack is created using ornamental work with organic forms at the heart of the design base. The use and combination of both groups - deco and text family, is highly recommended in order to attain maximum desired effects.

New Millennium Sans is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New Millennium Linear; all three work well together.) New Millennium Sans is a "humanist sans" in the Optima vein -- but without certain quirks (e.g., the "waisted" strokes) of the latter. It has proportional lining numerals whose height comes midway between the lower- and uppercases. (The bold styles are identical to those of New Millennium.) New Millennium Sans might be used in books, periodicals, or any large text blocks where a legible sans is desired.

Introducing “Moshi Moshi” – Inspired by Japanese street posters, this all-caps block typeface delivers modernness with some brushy imperfections. Taking inspiration from Japanese hand-painted street art, "Moshi Moshi" has rough letterforms, but at the same time communicates a modern and minimalistic style. "Moshi Moshi" includes full multilingual capabilities and a coverage of several languages based on the Latin alphabet. Ideal to add an eye-catching appeal to your logo designs, branding, quotes, product packaging, merchandise and social media posts. Specifications: - Files included: Moshi Moshi - Formats: .otf - Multi-language support (Central, Eastern, Western European languages) - OpenType features (Small-Caps, Alternate & Ligature) Thanks for viewing/downloading, Unio.

Old Labels JNL was inspired by the red and white gummed labels that were used for shipping parcels long before self-adhesive materials and desktop publishing rendered the older labels obsolete. The fifty-two glyphs include a generous supply of phrases such as ‘Air Mail’, ‘Do Not Bend’, ‘Rush’, etc. along with a number of blank label backgrounds and decorative frames. NOTE: Commercial replication of the images within this font for any resale purposes (including, but not limited to labels, t-shirts, stock designs, et al) requires a separate license which may be obtained by contacting the designer via the email address found within the End User License Agreement.

HeyPumkin is a letterbat font designed for use in the late autumn, when the leaves are falling and the harvest is underway. October 31 is an especially good time to use it. The upper- and lower-case letters are almost identical. If you want a version of this face without the pumpkins, try Ingone. Buried in the font is another set of letters on pumpkins. They are on unicode characters in the 2400 block, circled digits and letters. These characters can also be accessed using the OpenType stylistic sets feature. (The alternative characters are further developed in a separate typeface, part of the InsideLetters family.)

Severe is a clean, contemporary, condensed, geometric font family. There are 2 fonts in the Severe family, Severe Lower Case and Severe Small Caps. The small caps versions has small caps in place of the lower case alphabet. The lower case and small caps versions have the same uppercase alphabet, numbers, punctuation, symbols and miscellaneous characters. In addition to the cap height numbers there are small cap height numbers in each. The Severe fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh, contemporary, condensed font is desirable. Severe Lower Case and Severe Small Caps are sold only as a set priced at $20.

In the opening scenes of the 1938 Three Stooges comedy “Tassels in the Air” the Stooges are working as maintenance men inside an office building. Their immediate job requirement is to paint the tenants’ business names on the corresponding office doors with pre-cut stencils. Of course, they get it all wrong. Nonetheless, the stencils appear to be a hand cut sans serif design in a squared or ‘block’ style with rounded corners, and some of the applied lettering made for an interesting challenge to recreate as a typeface. The end result is Maintenance Stencil JNL, which is available in both regular and oblique versions.

If you're feeling a chill in your bones and the grass is a little crunchy under your feet after looking at this font, you might like to put your feet in warm water when you get home if to stave off a little Frostbite. This remastered font family is a chip off the old block, and will help you thaw out before your skin starts to freeze and flake. We recommend you melt Frostbite cubes in the warm water too to ensure you don't stick to the ice. We also recommend you don't lick the letterforms, as we know our customers are wont to do.

A set of slab serif framed capitals is displayed in the 1906 edition of the Keystone Type Foundry specimen book as “John Alden Initials”. Digitally redrawn as Keyden Drop Caps JNL, regular and reverse versions are available in one font file. Upper case keys contain the regular version, lower case keys have the reverse version. Blanks frames for each are on the parenthesis keys. The font’s name is a hybrid of both ‘Keystone’ and ‘Alden’. These vintage letters can easily be used as drop caps, monogram initials or for short novelty titles or headlines. Choose from either regular or oblique for your next print project.

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

I've had an interest in typography ever since my college days, even submitting my NDD thesis on the subject. The basic concept for this typeface stems from that early creative period, hence the obvious 60’s retro feel. It’s only recently that I've have had the chance to carry through fully some of my dormant typographic ideas, but ‘better late than never’ as they say! The font’s characteristic style is based on repeating or rotating templates of a half and a quarter circle, the geometric, modular building blocks used here. The name was simply influenced by the letter ‘u’, which visually describes a stylized ‘tulip’ flower.

Risbeg – Elegant Serif Font: A Font for Impactful Titles Timeless Elegance Meets Modern Design Risbeg Elegant Serif Font blends classic serif features with a modern twist, creating a stylish and engaging visual experience. Its well-crafted curves and distinct serifs make it perfect for titles that demand attention. Each character in Risbeg is designed with precision, ensuring a harmonious balance in your designs. Versatile and Readable Risbeg stands out for its versatility, adapting seamlessly to various design needs. Whether it’s for branding, editorial layouts, or digital media, this font maintains readability across different mediums. Its clear, crisp lines make reading effortless, even in dense text blocks.

This font was created with inspiration from the wood blocks carved for chapbooks, posters, calendars or newspaper in the late 1500’s and early 1600’s. We have tried to keep their innocence and rough style. It has been conceived as an homage to the “Pilgrim fathers” landing in Plymouth Bay in 1620 and celebrating the first Thanksgiving with Native Indians in autumn, 1621. The font, consisting of two English capital alphabets (so, without any accented characters): Initials and caps, and a lot of separate figures added, is especially improved by strong enlargments, 72 pts and more, and has very good results when printed.

Introducing Magnetic Script, a bold stylized font family that is not only eye-catching and assertive, but highly legible at both display and text sizes. The heart of this font's usefulness is the three-layer setup that allows you to quickly copy a text block twice, then reassign the main layer, the extruded shadow underlayer, and the top highlight layer to three different colors. Magnetic Script is massively versatile, and appropriate for many uses including university / collegiate logos, sports team logos, graphics for motorcycle clubs, automotive rallies, microbrewery labels, and vintage & retro styles of all kinds. It's the ultimate branding and logo design font suite.

The Glober font family includes 18 weights - nine uprights with nine italics. It is characterized by excellent legibility in both - web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by the classic grotesque typefaces - Glober has his own unique style in expressed perfect softened geometric forms. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Glober font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.

Work on Scene began some time after designer Sebastian Lester joined Monotype Imaging in 2000. Clean, calm, and highly legible — thus the design brief Lester set for himself. With Scene, he wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects, incorporating what he had learned about on-screen and print legibility. Scene was developed during two years of after-hours and weekend work. The family comes in six weights with matching italics, there is a set of “semi-sans” characters to introduce more expressive word rhythms into headlines and blocks of copy.

A stylish retro script where I have completely redone the spacing to make the text look more even. All of the diacritics have been redone, too - and the character set expanded in our usual fashion. So now this little gem from Nick Curtis is ready for the big time! Nick Curtis says: “This font is basically a design exercise, influenced by a number of contemporary fonts, but unique in its own way. The gentle, fluid motion reminded me of diner lettering from the 30s and 40s, hence the name.” ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I noticed this font for its versatile techno look - it makes wonderful logotype word images. Every letter combination is perfectly kerned so that the letters fit together nicely... Also includes some alternate letterforms, but only in their basic forms (not made in combinations with diacritics). These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates"/"ss02" and "Swash"/"ss01". Technique BRK Pro is the perfect companion for Technique Outline BRK Pro (it exactly fills the "holes") but also a nice techno font in its own right. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Dynamic by name, and dynamic by nature - this sleek font is perfect for logos and hightech quotes. The original lowercase f had a big overhang - I redesigned it so it fits better with accented letters, but also kept the original shape as a contextual alternate: the font automatically uses the "large" f before any low letters... Also the lowercase j would crash into any preceding letters with a righthand descender - so I also designed an automatic alternate j. Result: no colliding letters! The Slanted version adds a touch of speed. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This pearl by Kevin King was the best faux chinese font I've ever come over, and now it can be used for setting themed text and menus in many more languages! :) Kevin King says: "I have said before you know - I can if I want to (Stamp! Scowl!). Cod Chinese of the worst kind, I wanted a "Chinese" font for a project and couldn't find what I wanted. I painted this font with a Chinese brush and imported the resultant mess - it's been a while since I did any Chinese calligraphy - add that to the fact that I don't read or speak Chinese..." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A faux script font typical of classic american branding. I have totally reworked all the letterforms: they started with a “notch” and ended flat - I have removed the “notch” and rounded off the ending stroke, so now you can actually start words with the lowercase letters. I have also improved the spacing (especially after the capitals), and of course added all the “foreign” glyphs. A classic is reborn! Nick Curtis says: "Just another “somewhere from the thirties to the fifties” kinda script, named kinda after a sixties rock festival." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A collection of DIN Mittelschrift variants with a slightly sinister and scary appearance - perfect for that Halloween ad, brochure or article. The Plain font is included if you buy the family pack, and can be mixed in. The DINfun Pro fonts are special versions of the classic DIN 1451 Mittelschrift, far removed from the original typeface's serious and no-nonsense roots. I have made them as companions to the classic, with some some very different expressions, complete with a large multilingual character set. Time to spice up that DIN profile! :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.