The Catenary typeface was designed with the goal of creating an extremely-readable sans-serif font that could weather the future. Inspired by the beauty of the catenary curve, it's a blend of the transitional and the geometric that allows it to be readable while keeping its forms precise and consistent. Every character in its set is unique, leaving no confusion between similar letter forms. Sixes and nines can be distinguished even when they're upside down or sideways. The number one, the lowercase-L, and the uppercase-I can never be confused with one another, even without context. Throw b, d, g, p, and q into a jumble and the challenge of distinguishing the characters can easily be overcome. The Catenary family consists of eight fonts, six of which, the standard light/italic, regular/italic, and bold/italic, work as both excellent text fonts and exceptional display fonts. The two bonus fonts, a stencil and a guerrilla grunge style, make for great additional display font choices. The Catenary family is extremely versatile and ready for your toughest design work.

The first version was created in 2022, Avita was again revised and improved in V.2.0 in 2024, reborn with sharper sharpness and a cosmic gaze. This geometric sans serif is not just a font; he is more than that, weaving clean forms into a dance of precision and imagination. The tall x-height and playful ascender ensure it fits perfectly into any design in its 54 styles, whispering a subtle secret or a bold statement as your design demands. Don't be limited by the ordinary. Avita embraces the future, whether it's sleek sci-fi, minimalist style, or the unexpected charm of a skincare brand. Let Avita speak to the world in 103 languages, including Cyrillic and Greek, or reach for the stars with special astrological and astronomical glyphs. Unleash your typographic art with an arsenal of OpenType alternatives, ligatures, fractions, arrows, and more. It's not just a font; this is the sculpting tool for your wildest design dreams. Avita's clean lines and limitless versatility are an invitation to push boundaries, elevate your vision, and let your creativity soar.

Abdo Salem is the second version of the font FS_Salem which was designed by the type designer Abdulsamie Rajab Salem for Future Soft company fonts. It is a leading company in Arabization field and producing the Arabic and Islamic programs beside the children programs. This font appeared between 1998 and 2000. In this version there were a lot of adjustments to keep the font in its spirit and uniformity between the various characters. Also added some new characters, which gave him another beautiful addition to be used in both title and text designs. Three weights (Light, bold and black) have been created. Then the font was converted to OpenType to support Arabic, Persian and Urdu to be compatible with the various operation systems and modern software. The combination of modern Kufi and Naskh styles and varying between straight and curved parts made it a beautiful typeface appropriate to the titles and text, and able to meet the desire of the user in the design of ads and modern designs of various types of audio and visual.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

Latin music was all the rage in the United States from the 1930s through the 1950s and songs with a “South of the Border” or “Old Mexico” theme were plentiful. The 1940 sheet music for “Make Love with a Guitar” evoked the idea of serenading one’s lovely lady on horseback while strumming the guitar. ..at least if you went by the by the illustration under the song’s name. As the hand lettered title was rendered in an Art Deco design, it became the basis for Jazz Guitar JNL [which seemed a more befitting name], and is available in both regular and oblique versions.

A 1964 piece of sheet music entitled “Old Soldiers Never Die (They Just Fade Away)” was based on the farewell speech General Douglas MacArthur gave to Congress on April 19, 1951. This particular edition of the song sheet had part of his speech (as well as its title) hand lettered in a free-form sans serif reminiscent of the lettering done by such noted lettering artists as Paul Coker and Saul Bass. The casual and playful style of this type design became the inspiration for Swing Vote JNL, which is available in both regular and oblique versions.

A roughened and worn version of Daily Tabloid JNL was originally created as a non-exclusive custom font for a client. The design emulates the look of old letterpress wood type and has now been released commercially as Regional News JNL; available in both regular and oblique versions. A special acknowledgement goes to Michael Hagemann of Font Mesa Fonts who partnered with Jeff Levine Fonts for the original project. His creativity and skill resulted in the textured look needed for the typeface. For some beautiful antique typefaces or fine text face collections, please visit Font Mesa Fonts.

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

Quidic is an unusual display typeface. The upper-case letters are strongly vertical, condensed, and bold. Used by themselves, they make headlines and titles that stand out. The lower case letters do not have serifs similar to those on the upper-case letters, but rather have the serif shapes one expects from an italic style. The lower-case is also quite short compared to the upper-case letters. The italic styles of the family are unusual because the lower-case letters keep their shapes and the upper-case letters and numbers change. The family has three styles that differ more by width rather than by weight. Although some Bauhaus fonts have several letter shapes that are similar, there is no other typeface quite like Quidic. The family can be used for many things, but not for text. For a "normalized" version of this typeface, see Qwatick.

ITC Motter Corpus was designed by the Austrian type designer Othmar Motter in 1993 to combine the display advantages of a sans serif extra bold design with the legibility of a roman weight. The Motter Corpus is available in the weights regular and condensed regular. The capitals with their strong strokes display slight irregularities and natural looking outlines. When used in very large point sizes the tiny serifs become noticeable. Distinguishing characteristics of this typeface are the unusual design of the g with its upward reaching ear and that of the capital C, whose curve ends in an angular stroke in its upper third. Almost, but not quite, a sans serif, the typeface has diminutive serifs which, along with its modulated weight contrasts, make ITC Motter Corpus remarkable legible in display applications and will give text a nostalgic feel. A similar typeface is Linotype Bariton.

PunkRocker is a bold condensed sans-serif with three versions and plenty of attitude. PunkRocker is awesome for creating strong tight square text boxes that scream for attention: it’s ideal for movie posters, single covers, as a supertool for fast graphic design. PunkRocker has three versions: Regular which is “clean”, Rough which has the worn-out appearance of a punk-poster or a gig poster that has been outside too long, and Stamp which has rugged outlines and print texture inside characters. Textured versions of PunkRocker have double characters for every standard character: Contextual Alternates will automatically replace any double letter with alternate that has different texture to avoid repetition and keep the appearance more authentic. You can also access these alternates by turning on Stylistic Alternates or via glyph palette. PunkRocker is PUA encoded so you can access extra glyphs in most graphic design softwares.

INTRODUCING MONOLOGUE ROUNDED! A softer, more humane, and funnier version of MONOLGUE. MONOLOGUE itself is a simple, condensed sans serif font with bold and complex personality. It was purposely crafted to be used in large point sizes, although it doesn't lose it's magic in small point sizes. With this rounded version, you can be even more expressive in your design projects. FEATURES: Basic latin characters, numerals, punctuations and symbols. Extensive language support, including slavic languages with cyrillic alphabet. Stylistic Alternates Stylistic Sets (ss01–ss06) 100+ Discretionary Ligatures Ordinals Preconstructed fractions Fractions Superscript and Superscript Numerals Kerned, spaced, and hinted If you have any questions, please don't hesitate to contact me via email at muhtadi.yusril@gmail.com. Check out my other works, such as font design, lettering, and type exploration on Instagram @yusril.muhtadi (https://www.instagram.com/yusril.muhtadi) Thank you for visiting and have a great, great day! Yusril Muhtadi

The Cavolini™ typeface family, by Carl Crossgrove, is unique to handwriting fonts. It is a family of several designs, and it was developed for imaging on small screens. While drawn for a specific use, the family is also equally at home in many interactive and print applications. Cavolini has all the casual charm and immediacy of handwriting, while maintaining high levels of typographic clarity. Cavolini’s large x-height, open character spacing, clearly defined apertures, and easily differentiated forms enable high levels of legibility and readability at small sizes, while the family’s multiple designs of roman, bold and italic in regular and condensed proportions enable breadth of choice for creating emphasis, hierarchy, and typographic diversity a wide variety of environments. A large character set enables the setting of most Western European and many Eastern European languages, including Cyrillic and Greek – and adds to the family’s broad range of uses.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Stapel is a contemporary closed sans serif with sci-fi looking forms and eloquent, thin stroke joints. The superfamily consists of three subfamilies of different width: Normal, Narrow and Condensed. Each subfamily contains seven weights with corresponding true italics. Additionally, there are several extra wide bold styles. All these styles work perfectly in headings and short display texts. Another important subfamily is Stapel Text which includes upright and italic styles of lower contrast and more generous spacing. Text styles are great for body text in small and medium point sizes. Most styles include alternate characters, proportional and lining figures, math symbols, fractions, currency signs and case-dependent punctuation. A wide range of styles and typographic features makes Stapel ideal for use in brand identity, infographics and all kinds of designs related to technology, science, finance, politics or sports. Stapel was designed by Alexander Lubovenko and released by Paratype in 2020.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

VISIA Pro - Our flagship Geometric Sans-Serif typeface, a perfect blend of elegant, minimal and premium design aesthetics at it's level best. A perfect typeface for logotypes, headlines, branding, marketing graphics, corporate identities, all web & print purposes. This pack comes with a total of 14 fonts: 7 Weights (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) 7 Weights of Italic versions (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) Each weight includes extended language support including Western European & Central European sets. A total of 258 glyphs are included.

Gramatika is a typeface family of sans serif from the neo-Grotesque styles. There are four different weights available, ranging from light to bold. Each weight is equipped with an italic style that is a bit like an oblique style and lifted by some unique characters, with an alternative to the single story ‘a’ for example. Inspired by the famous grotesk typefaces such as Akzidenz Grotesk and Bauersche Giesserei’s Venus Grotesk, Gramatika shapes and styles are consistently adjusted for each character to meet the classic contemporary style, treated with some ciruclar-based characters in descender g, y. By balancing balance and flexibility, Gramatika was established to create alternative communication for current trends. The latest version of this fonts comes with Latin plus script coverage, and supported by the basic characters of Cyrillic and Greek.

Techno Sphere is the epitome of modernity and technology in font form. With its bold and futuristic design that convey a sense of precision and efficiency. It comes with 3 style, Regular, Oblique & Inline. With Techno Sphere, your text will stand out as the ultimate embodiment of progress and innovation. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The name suggests it: the Chiq is based on a well-known system font from Apple's classic Mac OS operating system. By revamping and expanding good old “Chicago“, I want to make that 90s tech charm available for the future. The model consisted of just a single style and inspired me to create “Chiq Bold,” which later became the starting point for the entire font family. The shapes of the Chiq are constructed according to a very simple principle. The contrast of stems and hairlines becomes more pronounced towards the bolder cuts. A few basic shapes form the framework for all characters. The shapes are very regular and sometimes form somewhat unusual figures, which has a negative effect on readability and makes the font rather unsuitable for long passages of text, but results in a very even typeface. This is particularly true for the extra-wide “UltraExpanded,” which is so wide that you can no longer recognize word images but literally have to spell them out. In this way, words are turned into letter bands with a great decorative effect. With variants from “Light” to “Black”, from “Normal” to “Ultra Expanded” and the italics, Chiq reaches beyond its archetype. This opens up a wide range of uses. It is even clearer, even more sober, and to a certain extent speaks an even more modern formal language. Chiq is also a variable font!

Quite Animated JNL is based on hand-lettered Art Deco titling for a 1930 advertisement promoting a group of Columbia Pictures cartoons featuring George Herriman's "Krazy Kat". Available in regular and oblique versions.

A sample of monogram lettering entitled "Style 204 - Modern Block" (probably circa 1940s) yielded the thin Art Deco alphabet model for Dress Shirt JNL, which is available in both regular and oblique versions.

An example of an antique sans serif wood type displayed in Rob Roy Kelly’s “American Wood Type” was the working model for Sandalwood JNL, which is available in both regular and oblique versions.

Subscription JNL is the companion font to Outline Sans JNL with the inside portion stripped away to leave a solid character set remaining. The typeface is available in both regular and oblique versions.

Big Display Sans JNL is an all-caps version of Ludlow’s metal type “Samson”, originally designed by Robert Hunter Middleton in 1940. This digital version is available in both regular and oblique versions.

Show Card Sans JNL (available in both regular and oblique versions) is based on a chart showing the basic construction of sans serif lettering in the 1922 instruction book “Modern Show Card Writing”.

The hand lettered Art Nouveau title on the sheet music for “Why Don't You Try” (1905) served as the inspiration for Tryout Nouveau JNL, which is available in both regular and oblique versions.

Oddly Nouveau JNL is a charming Art Nouveau design based on “Eccentric”, a metal typeface issued by American Type Founders (circa 1898). This digital version is available in both regular and oblique versions.

Advertisements in the September, 1936 French movie publication “La Cinématographie Française” featured a hand lettered slab serif type design that is now available as Cinema Serif JNL in both regular and oblique versions.

The hand lettered words "favorite songs" in the masthead of the 1940s British music collection "Albert's Favourite Song Album No. 4" inspired Song Vendor JNL, which is available in regular and oblique versions.

Courtold Shadow is another of our June 2017 ‘Wood Type’ collection. There is something alive and energetic about these ‘rushing’ oblique letter forms with their diagonal shadow. Ideal for signage and poster work.

Easy Stencil JNL is a simple sans serif stencil design [based on a hand lettered example] from the 1922 publication “Modern Show Card Writing” and is available in both regular and oblique versions.

The hand lettered cast and production credits for the 1942 music comedy “Holiday Inn” (starring Bing Crosby and Fred Astaire) inspired Vacation Resort JNL, which is available in both regular and oblique versions.

Vintage Comics JNL was inspired by the way the word “comics” was hand lettered on many of the comic book covers of the 1940s, and is available in both regular and oblique versions.