Lettering found on the cover of the 1923 song "I Love Me (I'm Wild About Myself)" can take on various graphical possibilities. Although its design is Art Nouveau in concept, it is somewhat reminiscent of the "bubble letters" most school kids used to doodle on notebook and portfolio covers; yet the lettering style also evokes the 1960s-70s Hippie movement. As a sidebar, a couple of lines from the song's lyrics were used by Jeff Levine's late mother to chastise him as a youth when he got "a little too full of himself". The lyrics were: "I love me! I love me! I'm wild about myself! I love me! I love me! My picture's on the shelf!"

About the Product Introducing "Wastern" - A brand new bold display typeface with both modern and vintage curves. Modern or Vintage. If you are going Vintage Retro : Access your OpenType features to access the large selection of alternate letters and ligatures, select the letters you like from the large variety to get the vintage look you are after. Vary between a light and heavy vintage look based on how many letters you alter. Due to alternates , Wastern is a very versatile font, covering a wide range project types, from bold magazine imagery , to wedding invitations, to branding, poster design and so much more. What's you get? Wastern Italic Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Language Support : Danish, English, Finnish, French, German, Italian, Luxembourgish, Norwegian Portuguese, Spanish, Swedish, Swiss German. Let me know if you any question:) Have a wonderful Day Say Studio

Introducing Slight, an elegant, full-featured script font with tons of alternate characters and OpenType features. Hand-lettered with a heavy right slant, Slight is particularly well-suited for invitations, branding, and editorial design. Slight comes with more than 1000 glyphs! Specific OpenType features include contextual alternates, stylistic alternates, initial and final forms, multiple alternate glyphs for many letters (accessed through the glyphs panel), multilingual support (including multiple currency symbols), ligatures, standard numbers, and six ampersand styles. Perhaps the most fun thing about Slight is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with in your layouts and compositions. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you need help with this, ask me!) Files included: Slight-Regular.otf Mail support : julie@upupcreative.com --- Find inspiration (and sneak peeks at my next font-in-progress) on - Instagram: http://instagram.com/julieatupupcreative - Facebook : https://www.facebook.com/upupcreative - Pinterest: https://www.pinterest.com/upupcreative - My website: http://upupcreative.com --- PLEASE ENJOY! I can't wait to see what you make with Slight! Feel free to use the #upupcreative and #slightscriptfont tags to show me what you've been up to!

Heft is a heavy slab serif that packs a powerful punch. Available in square-cornered and rounded versions, each with italics, plus two distressed variants — an inky version that evokes the urgency of cheap hot-metal printing, and a worn, distressed version that suggests vintage woodtype or photocopied text.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Smoke is very heavy geometric font. Its unique shape is like a monster for your design project.

At the end of the 19th century, the fin de siècle, both Bauer and Berthold released ‚Herkules‘, a heavy Art Nouveau font for ads and posters. This font was carefully redesigned and makes it a great font in Jugendstil surroundings and a splendid partner of the Carlsbad font family.

Fortuner is a heavy all-caps display serif with a stencil-style typeface. It’s a perfect font for your design project with a military or sports theme. FONT FEATURES Additional Accents 66 Languages Kerning Alternates SOFTWARE RECOMMENDATION Adobe Photoshop CC 2020 or later Adobe Illustrator CC 2020 or later

Furriatt is a heavy weight bold all caps display typeface. It’s perfect for posters, logos, merch, covers and all stuff you want to print or display in larger format. Font also contain alternative characters set, you could match it with standard glyph to get the best rhythm of letters.

Derived from Valibuk, Britva is designed like from broken glass for eye-catching headlines. It's a heavy, condensed face with a high x-height and tight spacing. While Valibuk can write it loud, Britva literally shouts it out even louder. The unbroken glyphs are accessible through OpenType contextual alternates.

Albion’s Very Old Masthead is inspired by traditional newspaper mastheads. A heavy Black Letter which brooks no argument, and can be emphatic and refined (emphatically refined?) at the same time. Very Old Masthead has been deliberately weather to suggest that it has been set with timeworn, well-used, type.

McAnni is single weight display serif font and our 130th release. Heavy, wide and stable, McAnni is fully recognizable font that will bring new values to your design project. Charming design with vintage details ideal for titles, headlines, product names, posters, editorial use and more. Contains standard ligatures.

BUCK HEAVY is an extremely monumental, architectural and brutal unicase font, designed for maximum visual and emotional impact. Use it in big and really big scales. It's great for headlines, prints, branding, editorial and websites — everything that strives for being really bold, vibrant and super strong and masculine.

Japoneh is a dynamic font set in all bold heavy brushed characters. It practically jumps off the page with the action of these fluid strokes! Take your design to the next level with Japoneh. Japoneh is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

This typeface is Mergenthaler Linotype’s unlicensed version of Futura, copied weight by weight from Bauer. It was produced in 1939 when Metro failed to gain a significant share of the market, and was later adopted by ATF. The small sizes of Book and Heavy cut for classified are original.

Heavy as hell, awkward, asymmetric, sort-of-gothic… Four alternates for every letter, carefully kerned together and nicely shuffled for you by OpenType apps… Blunt has the sharp corners ever so slightly rounded off for a softer look at large sizes. Wired chops everything up for an origami angle…

THD Praxim is a modern, condensed style, sans serif font that comes in four weights – thin/regular/bold/heavy. The font is perfect for header & subheadings, editorial, display, brand & identity, campaigns, apps & web. It has a clarity & confidence which can communicate a range of messages through different media channels.

Wataha (in polish - wolf pack) is a sharp, robust uppercase family of 3 fonts: Bold, Heavy and Black. Perfect for posters, headlines and logotypes. With a range of OpenType features you have access to alternative letter shapes, fractions, arrows etc. Wataha supports most Latin-based languages and few others.

So y'think youse gonna whack me, huh? Y'think that font o' yours is packin' enough heat to finish me off? Huh? Is that what youse is thinkin'? Well go ahead, but if y'whack me then every two bit hood in Alphabet City is gonna hunt youse down and kern youse like the rat you are! So go ahead, show them you're the Big Boss, the Kingpin of Crime, the Godfather... but you won't see me beggin' for my life, 'cause I got pride, see? I got --RATATATATATATTATATATATTATAT... Ahhh... fuggedaboutit!!

Hi, I'm Migaela. I'm optimistic, inspiring and expressive typeface. My friend told me I'm cheerful, positive and charming. My designer made me with three optional style, Regular, Overlap and Smooth (rounded), each with oblique version. It has unique stylistic and ornament. Don't you see that lowercase I with snow flake. It's so cute isn't it. Before I forget, kindly look my ligature, I know you like it. Buy me know, let me works together in your Christmas project, Holiday card, New Years event, and of course your next Valentine project.

Monark family is designed with legibility and wide language support in mind. Rooted in Fyodor Dostoevsky's Crime and Punishment, it captures the anguish & distortion atmosphere and suppresses them into ruthless letterforms. Top-heavy stems, heavy serifs, and low-contrast forms are all extractions of Dostoevsky's dilemma. Rest assure this typeface would bring you all the needs for advanced typography with true small caps with symbols, 4 styles of figures, support for inferior/superiors, and more than 200 Latin languages. Features: • Support for 200+ Latin languages • Low contrast with unique details • Unique Italic letterforms • Small caps with symbols • Arbitrary and pre-defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style

House Sans is a 100 style super-family made up of 5 widths, 10 weights plus matching italics in two design approaches through stylistic alternates to the E, F, L and e characters. The weights range from compressed to expanded, from thin to heavy creating a plethora of styles to create with. House Sans has a unique visual structure to key glyphs such as the A, M & Y that give the font a stand out feel while the contrasting horizontal bars provide a nice balance. The compressed weights are great for fitting in tight spaces whilst the Heavy styles are perfect for standing out from the crowd. The font features extensive support for European and Cyrillic languages, stylistic and discretionary ligatures, plus superiors, inferiors and fractions.

Death Mohawk is a rough metal font. This Korn/Slipknot style typeface with is distressed letterforms is optimized for a musical logotype. Its eroded and destroyed edges gives it a heavy and grungy look. Use parenthesis symbols ( ) [ ] { } < > to make wings around any word. Example: [Heavy Metal] Use % after any letter to make it symmetric. Example: MayheM% or Roxo%R% The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Oksana is a Ukrainian female name. As a true native Ukrainian, this semi-serif type family has a strong structure, but soft and friendly nature. In six weights from thin to heavy it is perfect for titles and short texts lines. Look how people use it: http://use.type.org.ua/tagged/oksana

ITC Barcelona was designed by Ed Benguiat, a serif typeface with almost decorative details. The bold and heavy weights include some unique twists to a number of characters and numerals which are slightly rounder than those of the other weights. The flexible ITC Barcelona can be used in text or displays.

Introducing our new friendly, soft and heavy serif typeface with retro feel! Tenar Black is display serif which is highly influenced by Souvenir and Cooper Black typeface. This font has 362 glyphs including alternates & ligatures and support 61 Latin languages. This font would be great additional collection to your design weaponry!

Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

Bumpo is a chunky and a fun display typeface. With an extra heavy but friendly personality, Bumpo works well for posters, food packaging, children’s products and books, or any communications which needs to be friendly, fun, casual or loud. There is also a version of Bumpo with softer edges – Bumpo Soft

Blond is modern sans serif family with 22 members - 11 weights from Thin to Heavy with matching Italics. Distinctive, recognizable and uniform, Blonde family is well balanced typeface that will find appliance in any situation - from editorial design to web design. Contains extended Latin character map and small Stylistic set.