Grandeux Serif is a classic Victorian-inspired font that exudes vintage elegance and sophistication. Its distinct vintage style makes it perfect for adverts, restaurant branding, and other high-end design projects that require a touch of luxury and refinement. The font's heavy strokes and high-quality craftsmanship give it a strong presence, while its intricate details and stylistic alternates allow for a truly customized and unique typographical experience. The Grandeux Serif font family includes six high-quality styles to suit various design needs: Light: Delicate and sophisticated for a subtle, elegant presence Light Italic: Adds a touch of dynamic flair to the light style Regular: A well-balanced, classic look for versatile use Regular Italic: Combines the versatility of regular with a touch of expressiveness Bold: A strong, assertive style for impactful designs Bold Italic: Merges the boldness of the bold style with the energy of italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Name: Quarpa Styles: 6 styles Glyphs: 394 Year: 2021 This lofty font features a compact structure as well as a unique combination of rounded corners and square contours. The collection includes six styles: Extra Light, Light, and Semi Light that will ensure elegance; Regular, Medium, Semi Bold and Bold suitable for a solid design. Each of them also has Italic variation. It’s an ideal option for outstanding corporate images, logos, promos, or video presentations. Quarpa has proper kerning, multi-lingual support, and ligatures. Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Xhosa, Zulu

ZT Bros Oskon 90s is a captivating typographic creation that seamlessly blends the aesthetic charm of the 1990s retro era with a modern touch. With unmatched serif elegance and a unique 90s style, this font offers 72 variations, including sharp Condensed forms, graceful Expanded, and captivating italic styles. Every character in ZT Bros Oskon 90s is meticulously crafted, creating a vintage ambiance that is truly enchanting. Featuring 6 font weights ranging from Extra Light to Bold, this font provides you with the flexibility to create a wide range of striking and memorable designs. Features of ZT Bros Oskon 90s: 72 Unique Variations Aesthetic Retro Vibes from the 1990s Elegant Serif Style Condensed, Expanded, and Italic Forms 6 Font Weights: Extra Light, Light, Regular, Medium, Semi-Bold, Bold Exceptional Creative Versatility ZT Bros Oskon 90s is the perfect choice for graphic design projects, branding, posters, and other promotional materials that require a captivating retro touch. Unleash limitless creativity with this font and infuse a nostalgic 1990s vibe into every one of your creations. ZT Bros Oskon 90s has 6 free styles, you can get them on my GUMROAD I hope you have fun using ZT Bros Oskon 90s. Thanks for using this font ~ Zelowtype

The core design of Pepper family, designed by VIDI Visual Design Studio, is the fingertip handwriting style inspired by children’s writings on windows. This distinctive low-contrast typeface combines characteristics from neo-grotesque and organic models. Warmer than most Helvetica inspired typefaces, Pepper has organic shapes, playful strokes, rounded endings, and a generous x-height which makes Pepper easy to read. This family could be used well for food packagings, content aimed for children, book covers, branding, high-impact titles and small body texts, advertising, editorial design and more. What makes Pepper Sans Vol.1 competent and more spicy then some other fonts is that it contains a set of more than 900 characters for each of 5 weights that support many Latin-based languages, Greek and Cyrillic. As the weight decreases, the typeface gains impact with becoming elegant, giving titles in (Hair, Thin or Light) a breath of fresh air. We derived a typeface family consisting of Hair, Thin, Light, Regular, Semi Bold in this Vol.1 edition. Typeface features: • 5 weights: Hair, Thin, Light, Regular, Semi Bold • Latin, Greek & Cyrillic multilingual support • More than 900 characters for each of 5 weights Font Specs: • Created: August 2020 • Files type: .ttf

💥Introducing "Electrone" – Unleash the Power of Typography with a Superhero Flair! Unleash the electrifying energy of "Electrone," a dynamic font that embodies the essence of superheroes with lightning speed, unmatched strength, and a dash of style. This font is not just a typeface; it's a superpower for your design projects! Key Features: Electrifying Glyphs: With 890 meticulously crafted glyphs, "Electrone" offers a vast array of characters that will add a powerful punch to your designs. Every glyph is a superhero in its own right. Sided Ligature: Seamlessly blend characters with our specially designed sided ligatures, creating a visual impact that resonates with strength and unity. Alternate Characters: Customize your text with alternate characters to give your designs a unique and personalized touch. The alternates are carefully curated to ensure versatility without compromising the superhero aesthetic. Lightning Swash: Add a bolt of energy to your typography with lightning swashes that strike through your text. Watch your words come to life with the electrifying force of "Electrone." Wings of Typography: Elevate your designs to new heights with the winged elements included in "Electrone." These wings symbolize the freedom and power associated with superheroes, making your text soar above the ordinary. Suit Up Your Designs: "Electrone" is not just a font; it's a complete superhero costume for your words. Whether you're working on comic book titles, posters, logos, or any design that demands a bold statement, "Electrone" is here to save the day. Perfect for: Comic Books and Graphic Novels Superhero Movie Posters Action-packed Logos Gaming Graphics Apparel Design and more! Embrace the electrifying power of "Electrone" and turn your designs into epic adventures. Download now and witness the transformation of ordinary into extraordinary!

A Postmodern vernacular sanserif in 8 fonts Prosaic designed by Aurélien Vret is a Postmodern typographic tribute to the french vernacular signs created by local producers in order to directly market their products visible along the roads. These signs drawn with a brush on artisanal billboards do not respect any typographic rules. The construction of these letterforms is hybrid and does not respect any ductus. Nevertheless the use of certain tools provokes a certain mechanism in the development of letter shapes. It’s after many experiments with a flat brush, that’s these letterforms have been reconstructed and perfected by Aurélien Vret. This is the starting point for the development of an easily reproducible sanserif with different contemporary writing tools. From non-typographical references of Prosaic towards readability innovation The influence of the tool is revealed in the letterforms: angular counterforms contrasting to the smoothed external shapes. This formal contrast gives to Prosaic a good legibility in small sizes. These internal angles indirectly influenced by the tool, open the counterforms. In the past, to deal with phototype limitations in typeface production, some foundries modified the final design by adding ink traps. In our high resolution digital world, these ink traps — now fashionable among some designers — have little or no effect when literally added to any design. Should one see in it a tribute to the previous limitations? Difficult to say. Meanwhile, there are typeface designers such as Ladislas Mandel, Roger Excoffon, and Gerard Unger who have long tried to push the limits of readability by opening the counters of their typefaces. Whatever the technology, such design research for a large counters have a positive impact on visual perception of typefaces in a small body text. The innovative design of counter-forms of the Prosaic appears in this second approach. Itself reinforced by an exaggerated x-height as if attempting to go beyond the formal limits of the Latin typography. It is interesting to note how the analysis of a non-typographical letters process has led to the development of a new typographic concept by improving legibility in small sizes. Disconnected to typical typographic roots in its elaboration, Prosaic is somewhat unclassifiable. The formal result could easily be described as a sturdy Postmodern humanistic sanserif! Humanistic sanserif because of its open endings. Sturdy because of its monumental x-height, featuring a “finish” mixing structured endings details. The visual interplay of angles and roundness produces a design without concessions. Finally, Prosaic is Postmodern in the sense it is a skeptical interpretation of vernacular sign paintings. Starting from a reconstruction of them in order to re-structure new forms with the objective of designing a new typeface. Referring to typographic analogy, the Prosaic Black is comparable to the Antique Olive Nord, while the thinner versions can refer to Frutiger or some versions of the Ladislas Mandel typefaces intended for telephone directories. Prosaic, a Postmodern vernacular sanserif Prosaic is radical, because it comes from a long artistic reflection of its designer, Aurélien Vret, as well a multidisciplinary artist. The Prosaic is also a dual tone typeface because it helps to serve the readability in very small sizes and brings a sturdy typographic power to large sizes. Prosaic, a Postmodern vernacular sanserif

This light manual font, with two styles, is a looking like slab serif or typewriter pattern. It is containing Western and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish specific characters, plus old style numerals, ct, st and f standard ligatures. The two styles are both legible from 10-11 pts.

Devilish is a digital revival of 2 decorative lettering sets. The uppercase letters are based on characters from the end of the 18th century, and the lowercase letters are based on characters from the 19th century. The letters are made up of light-hearted devilish figures engaged in playful and mischievous activities.

Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward's trademark quirkiness but reamins highly legible and readable on screen as well as in print. The family includes Light, Regular, Bold and Black.

Janagrace is designed for birthday, holiday cards and can be used effectively in other applications for that calligraphy appearance. Regular: Contain ONLY Regular-Caps. Swash: Swash-Caps with NO Regular Caps. OT Swash: Contain BOTH Regular and Swash-Caps. Swash LIGHT: Swash-Caps with NO Regular Caps. Janagrace, Agile, Charming and Lovely.

Tidy Hand is a clean and simple hand-written font, reminiscent of classic Swiss type. Perfectly suited to annotating sketches, UX / UI wireframes and architects drawings, where a slightly more formal, but still hand-drawn aesthetic is needed. Available in light, regular and bold; with Greek, Cyrillic and full extended Latin character sets.

This disarming beauty is based on a typeface named "Archer" from the 1905 specimen book from Barnhart Brothers & Spindler. The original was a rather light face; this beefed-up version highlights the face’s charming quirks quite nicely. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Unytour Display is a modern sans-serif font family of 36 fonts. It includes nine weights with italics from Extra Light to Heavy. Each weight includes alternatives (A,G,I,R,a,l) and OpenType features. Unytour Display features excellent legibility for print, as it does for reproduction on TV screens and more.

Vanilla Twilight is a collection of handwritten fonts for every design project that requires a light, cute and charming feel. Use it to make any design project stand out! Vanilla Twilight includes Multilingual support - spread your message globally AÀÁÂÃÄÅCÇDÐEÈÉÌÍÎÏIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸÆßÞþ Coded PUA Characters Fonts are fully accessible without additional design software. Happy designing ...! Thanks.

Choc font is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light font was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.

Drawn with marker pens by Rachel Yallop, Clanton is imbued with a sense of simple, casual friendliness, and was created as to evoke handwriting. This solid, naturalistic font is available as a family of light, regular and bold weights, each with subtle natural differences thanks to being hand drawn for each variant.

The "Trajana Sans" is a sans-serif typeface family based on the shapes and proportions of the characters in the Trajan's Column in Rome. It consists of 4 weights, Light, Regular, DemiBold & Bold. Ideal to give a classic look and renewed our jobs without having to resort to the usual Trajan font.

Undeka™ is a modern contemporary sans serif typeface that embodies simple geometric shapes combined with strong typographical foundations. Inspired be the grotesk typefaces made in the early 20th century. It was made by Krisjanis Mezulis at the WildType Foundry. Undeka is available in 6 different versions - Regular/Italic, Light/Italic, Bold/Italic.

Moneta™ Sans is an elegant transitional sans-serif with high contrast. Its morphology is based on the study of traditional broad-edge pen script. It comes in 2 styles and 4 different weights (Light, Regular, Bold and Black) and has variable features. Designed by Santi Rey and launched on May 2020.

A light hearted comic sans-serif typeface inspired by a 1972 cartoon of the same name, Houndcats works with all it’s got to convey a funky, friendly, fantastic persona. A little bit off the chain, yet still easily legible, this typographic nutcase is ready and waiting for you to go wild with it!

Dopetta is a beautiful light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to web design, invitaition, quotes and branding project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Dutch type designer Roelof Mulder created this display FontFont in 1996. The family has 5 weights, ranging from Light to Bold and is ideally suited for poster and billboards. FF Offline provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

Toffee Display is a sans serif project inspired on Gill sans, Helvetica and Eurotstile italics. This project is designed for food packaging, candies, commercial, and fast food. I recommend combining it with a light and calligraphy font to get absolute contrast. That is it, Thanks for buy it and work with it!

A slightly offbeat latin typestyle, Screwby started as a digitization of a film typeface called Surf by Lettergraphics. From there, this wonderful typeface was expanded into a giant family of fun widths and weights to play with: from spindly thin and light weights, to chunky bold and blacks. An all-around fantastic treat!

Legal Obligation - Serif Version A dedicated compressed Serif font for movie poster credit blocks and cinematic title designs. A workmanlike tool for adding extensive cast and crew information to movie posters without dominating the overall layout. Supplied with lowercase characters and three weights. Contents: - Legal Obligation (Serif Version) - Light, Regular and Bold Weights

A typeface fast and light enough to fly! Airways is a vintage script font, with an airy yet confident style. It was carefully drawn by Måns Grebäck in 2016, and contains a lot of contextual alternates and ligatures. The font is useful in logotypes and advertising material that requires your customers' attention.

ITALIANO DOC is a fontface inspired by the Italians Futurismo artists in the early of the 1900's. The font is completed with a Grunge Wall version, great Extra Icons and lighted futurist weigth. All the glyphs contained in the font, including OpenType variants that may only be accessible via OpenType-aware applications.

Now here's a font with an unusual backstory. You may recall that a while ago we discovered that Tim Burton was using an outdated version of one of our fonts for the interior titles in his The Corpse Bride. Well, our quest to get hold of him didn't bear any immediate fruit, but in a totally unrelated event we were contacted by the graphic arts company working with the overseas distributors for The Corpse Bride and it turned out that they needed a font based on the main title of the movie so they could keep the same style when they retitled it into other languages. The original title was either hand lettered or a heavily modified font, bearing some resemblance to our Ligeia and Tuscarora fonts, so we had to create a whole font more or less from scratch and extrapolate most of the letters from the very limited sample in the original title by identifying certain consistent characteristics and building new characters around them. It was a lot of work, but the good news is that they didn't want exclusivity, so we've got the font to add to our collection. We ended up calling it Beynkales which means 'Bone Bride' in Yiddish, which makes sense given the context of the movie. So here it is, in all its tattered glory, and bound to end up in our Halloween font selection later this year as well. Beynkales Alternate is a companion font that includes a full set of alternative upper and lower case characters which can be used on their own or in combination with the characters from Beynkales to create a more varied and handwritten look.

Presenting Thorletto! Created with the influence of the background story of the great franchise Fast and Furious, this font are meant to remind you to not give up, be brave, do your best, fight the good fight and fight for the best thing(s) in your life. This unique font characterized by its stroke of brush on every glyph, it made intentionally with a real brush resulting in a unique, bold, and rough looking font. Thorletto includes a complete set of uppercase and lowercase letters in regular and italic style, also support multi-language, numbers, punctuation, and ligature. It is suitable for various kind of design like clothing, poster, quote, branding, logo, packaging, greeting card, invitation, and many more.