Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights. Humanist sanserifs (others that fall into this category are Linotype’s Frutiger and Optima, and Monotype’s Gill Sans) are an attempt to improve the readability of sanserifs by applying classical roman structure to the letterforms. To enhance its versatility, Mr. Pasternak designed a wide variety of alternate characters, rare ligatures, ornaments and swashes. Chianti is a friendly sanserif useful for a broad range of typographic needs.

Univers Next Arabic is designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Univers Next and with the consulting of Adrian Frutiger. It is a modern Kufi design with large open counters and low contrast. It is mainly designed to work in titles and short runs of text. Its contemporary look makes it perfect for corporate branding as well as for advertising work. It is also well suited for user interfaces and low resolution display devices. The font includes the basic Latin part of Univers Next and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

June was first published in 2019 but it got a redesign and upgrade in the character set. It now supports Latin Extended and Vietnamese. It also has OpenType features such as stylistic alternates, case sensitive punctuation, small figures, arrows, superscript, subscript, fractions, and many more. June Pro was inspired by the work of Adrian Frutiger and his exploration into font design and legibility. June Pro is a modern sans-serif family in 10 weights ranging from Thin to Heavy with true italics. It was designed with legibility in mind. It is a versatile and distinctive font that makes it useful for various applications like editorial, web design, or branding.

Badiya is designed by Lebanese designer Nadine Chahine as a modern and slightly modulated Naskh. The design has open counters that enable it to be used in quite small sizes.The resulting effect is that of a clear, legible, and modern text face. Badiya is especially suited for print in magazines and corporate communication. It combines well with Frutiger Arabic and Janna as a text face with a matching headline. The Latin companion to Badiya is Syntax which is included also in the font. The font also includes support for Arabic, Persian, and Urdu as well as proportional and tabular numerals for the supported languages.

Macha shares the same DNA as its sibling Anago, but is a completely different species than the former or any of my other sans serifs (Aaux Next, Air, Akagi Pro or Wasabi). It's no-nonsense construction bears many influences from Gill Sans and Frutiger while stubbornly blending my own humanist touch. The focus on developing Macha was just to get to the point with each letterform and discard the rest. Macha takes a little but gives a lot. A fully-loaded character set includes: Small Caps, Proportional Lining and Oldstyle Numerals, Tabular Lining and Oldstyle Numerals, Fractions, Ordinals, Inferiors, Superiors, Stylistic Alternates, Ligatures, Case-sensitive, and more.

Herculanum is a part of the 1990 program “Type before Gutenberg”, which included the work of twelve contemporary font designers and represented styles from across the ages. Herculanum is a work of Swiss typeface designer Adrian Frutiger. It takes its name from the city of Herculaneum, an ancient Roman resort town destroyed by volcanic pyroclastic flows from Mt Vesuvius in 79 AD (the same eruption that destroyed the nearby city of Pompeii). Herculaneum's ruins are located today in the commune of Ercolano, Campania, Italy. Ancient Roman writings of the 1st century influenced the font's design. Herculanum is distinguished by its broad characters with narrow strokes and its willful character.

Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights. Humanist sanserifs (others that fall into this category are Linotype’s Frutiger and Optima, and Monotype’s Gill Sans) are an attempt to improve the readability of sanserifs by applying classical roman structure to the letterforms. To enhance its versatility, Mr. Pasternak designed a wide variety of alternate characters, rare ligatures, ornaments and swashes. Chianti is a friendly sanserif useful for a broad range of typographic needs.

Mix Teapot is a handwritten sans serif, short & stout. This was written on an iPad using the Poppy procreate brush from my Procreate Lettering Brush Bundle. Mix Teapot includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ (plus an alternate for each) abcdefghijklmnopqrstuvwxyz (plus an alternate for each) 0123456789 !@$#%^&*()`~♥• +=[]:;'”,.\|/?{}<>“”‘’-–—_…©®™«»°²³¡¿₱¢€£¥½¼¾ ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜGĤÍÌÎÏIĪĮĴKŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŞŤȚÚÙÛÜŮŰŪŲẀẂŴÝŶŸŹŽŻ áàâäãåăāąæćĉčçðđéèêëėēęĝgĥíìîïiīįĵkłńñň óòôöõøōőœŕřśŝšșşťțúùûüůűūųẁẃŵýŷÿźžż

Hexide JNL was modeled and modified from an original design created by the late sign artist Alf R. Becker for Signs of the Times® Magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum of Cincinnati, Ohio for providing the reference material used to make this font.

TUTORIALS : https://www.youtube.com/@madhalinestudio/videos Yenisack is a carefully crafted font, which features a very heavy black metal feel. Yenisack suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

The Rockwell® Nova family is a sturdy, optically monoweight design with blunt, straight-edged serifs and a no-nonsense attitude. It's the quintessential example of the appealing and eminently usable slab serif type style. The 13 designs of Rockwell Nova make for a robust and adaptable typeface family. Based on the original Monotype Rockwell suite of fonts, Rockwell Nova is an exceptionally durable design that suggests feelings of frank honesty when set in text composition. It is also an exceptionally versatile display design that can be used for headlines, subheads - or virtually anyplace where a strong presence is required. Rockwell Nova OpenType® Pro fonts have extended character set supporting Greek, Cyrillic, most Central European and many Eastern European languages, in addition to providing for the automatic insertion of ligatures and fractions.

Introducing “Let’s Jazz” - a playful typeface which is inspired by iconic mid-century American advertising and lettering. With this project we wanted to homage the dazzling graphics of those booming years and the result is a jazzy typeface that provides a condensed aspect with a bouncy rhythm. As previously said, Let’s Jazz gives the spontaneous vibe of this sensational music genre but it has been also designed with a strong focus to the very distinct look of Saul Bass graphics, which are honestly still fresh and convincing, even nowadays. Let’s Jazz offers two versions, Regular and Stamp. Each version contains more than 450 glyphs and covers several languages based on the Latin alphabet; the jazzy experience is enhanced with OpenType (OTF) support for small caps and includes some neat ligatures and alternates plus the oldstyle bouncy numerals*. This package is a powerful tool in a wide variety of design purposes: headlines, packaging, logotypes, badges, posters and much more. *Let’s Jazz has built-in OpenType features enabled for Adobe® Creative Suite® and any other opentype capable software. All the extra characters has been additionally coded with “PUA Unicode”, which basically means that this font duo is totally accessible without any additional design software. All the extra characters can now be copied straight out the FontBook (Mac) or CharacterMap (Win) and pasted into your favorite text editor. Official mini-tutorials available here: - How to access alternates, ligatures and swashes in Font Book®: https://youtu.be/mGKlvKr0ReI - How to use alternates, ligatures and swashes in Photoshop®: https://youtu.be/46ZtDbHwUAc Specifications: - Multi-language Support (Central, Eastern, Western European languages) - OpenType features (Standard and Discretionary Ligatures, Alternates, Small Caps, OldStyle Numerals) - PUA Coded Extra Characters Thanks for viewing, Unio.

An industrial strength slab-serif inspired by Detroit itself, Motor City is a heavyweight titan of type that breathes diesel and exudes brawn. Defined by its trapezoidal serifs that were characteristic of many Detroit-centric sign-painters during the dawn of the 20th century, this typeface is a modern adaption of a classic aesthetic. This typeface can be layered with the outline version to add levels of detail quickly and easily making an already strong statement even more powerful and prominent. This uppercase only typeface comes with a set of true small capitals that is certain to add an extra level of style to your next project. Features Include: Over 330 glyphs Uppercase Only Small CapsSupports 75+ Latin Languages OTF files Designed and Developed by Jason Carne

Robust, towering, and geometrically refined, Skyward is a surefire classic cocktail of equal parts utility and elegance. This typeface carries a set of over 300 glyphs across 8 distinct faces. With Deco-era sensibilities and a touch of modern refinement + an all new alternative set of characters, Skyward is exceedingly effective in a diverse spectrum of situations. Skyward is the perfect selection for modern, chic, luxury products and packaging as well as bold ad campaigns, window signage, magazine headlines or the classic branding project. Skyward works best as display text. 12 styles Sans-Serif, Serif, and Rounded styles Select Stylistic alternates Upper & lowercase Numerals & punctuation   330+ glyphs per style Supports 75+ Latin based languages OTF files Designed by Jason Carne

Introducing our first old english black letter Royal Grande. Quite basic anatomy not the contemporary style. With this not too complicated black letter that make this font good for general display projects. We also make it a black letter family because we rarely see this kind of option in the market. Another good news , we also offer the variable format this time for the new font enthusias community.

Blippo Black with its constructed style is a typical headline typeface. Its robust figures with their even strokes were composed using the basic forms of the circle and rectangle. Its curves are often not completely closed. The figures of Blippo Black form dark, heavy lines, making the typeface suitable only in middle and larger point sizes. Blippo Black will make an impression when used for flyers and correspondence.

Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Rough Riders, along with our Rough Riders Redux font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Introducing Madriz, a slab serif font with a retro feel that's perfect for any project that needs a touch of old-school charm. With over 32 fonts in one font family, Madriz offers a wide range of styles to suit any need. You can choose from Thin to Black weights and Regular to Extra Expanded widths to create your perfect look. Madriz is inspired by the old-school signage of Madrid, Spain. The name "Madriz" is actually the affectionate nickname that Madrileños, the people of Madrid, gave to their city. The font's bold, blocky letters capture the essence of Madrid's vibrant and historic streets. Madriz's versatile nature makes it a great choice for a wide range of projects. Its bold, retro style is perfect for showcasing heritage brands or giving a modern touch to classic designs. Madriz can also be used to create a sense of nostalgia, making it ideal for retro-themed projects or campaigns. Here are some of the ways you can use Madriz: Titles and headings: Madriz's bold, eye-catching style is perfect for titles and headings. Text blocks: Madriz's wide range of weights and widths makes it suitable for text blocks, from body copy to large paragraphs. Logos and branding: Madriz's retro charm makes it a great choice for logos and branding. With its 32 font styles and support for over 90 languages, Madriz is an incredibly powerful tool for any designer. It can be used to create a variety of looks, from classic and elegant to modern and edgy. Whether you're working on a print project, a web design, or an app, Madriz has the potential to make a lasting impression. Madriz is the perfect font for anyone who wants to add a touch of old-school charm to their designs. With its wide range of styles and features, Madriz is sure to make a statement in any project. Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. Happy creating everyone!

This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.

Invention Font is a unique, This will add a very unique and powerful touch to your design. This font is PUA encoded which means you can access all the glyphs and sweeps easily! Features: Uppercase & lowercase Numbers and punctuation Multilingual PUA Encoding Full Character Set !"#$%&()*+,-./0123456789:;=?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_abcdefghijklmnopqrstuvwxyz{|}~ ¡¢£¤¥§©ª«­®°±²³·¹º»¿ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýþÿıŒœŠšŸž–—‘’‚“”„†•‹›€−

An ultra black blackletter, Avebury Black and Avebury Inline were inspired by an early blackletter from the Caslon Foundry. Early blackletters from the Bruce Type Foundry are also reflected in this slightly modernized and more readable typeface. Caution. For display only.

Meche Pro it is a geometric typeface family with a semi-formal touch, it contains 12 variants, from the Thin to Black and Stencil Thin to Black versions, plus Cyrillic alphabet with alternatives and different ligatures was added, especially for titles

Borowedsoul is a font made with detail, inspired by the shape of metal logos, Borowedsoul displays a very strong black metal feel. Borowedsoul is suitable for metal band logos, merchandise, clothing, apparel, or anything that requires a black metal feel.

TOMO Bossa is a cartoon inspired sans serif, ideal for kids related stuff, in print or digital, like posters, video, websites or books! This beauty also speak Cyrillic! The complete family comes with a Black and Black Rough style. Enjoy!

Wroxeter is Greater Albion Typefounders' customary Black Letter release for Christmas 2013. It's a typeface family for all times of year though, a good clear traditional black letter re-creation offered in a family of four typeface:- regular, wrought (a hand-tooled look a la Mr F Goudy), oblique and narrow forms. The tradition of typefounders' black letter revivals which don't over-burden themselves with historical precedent continues in this highly refined and polished family.

Brisko Display is alternate version of Brisko Sans Black.

Cliona Bold Script. Perfect for all your design needs such as branding designs, logos, and more. This font is PUA encoded which means you can access all the amazing glyphs and ligatures easily Features: Uppercase & lowercase Numbers and punctuation Multilingual Ligatures PUA Encoding Full Character Set !"#$%&'()*+,-./0123456789:;?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~¡¢£¤¥§¨©ª«®¯°±²³´¹º»¿ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖ×ØÙÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõö÷øùúûüýþÿ•†‹›‒–ˆˇ˜€“‘ŸœŒš˚”’ıžŠ„‚

The Burlingame™ typeface family from Carl Crossgrove is a sturdy typeface with open, clear shapes that offer high legibility, even in constrained digital settings, or in challenging print environments such as tiny pharmaceutical labels. The design performs with strength and grace at any size. It’s a multifaceted, multipurpose typeface family – a perfect addition to the Monotype® library.

This family of faces take their inspiration from the standard faces used by the Leroy® Automatic Lettering Machine, a mainstay for architects and draftsmen in Ye Olden Days of t-squares and triangles. Crisp, clean and retro-techno. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Based in Seoul city, South Korea, Youngretro® was established in 2019, when the founder decided to make a foundry where type was made for product, branding designer, made by designers. Youngretro has successfully produced high-quality fonts. We are making creative & fresh fonts suitable for branding, magazine, products. The youngretro library has unique handwritten fonts such as Nyanyamuⓒ.

Zephyrine is modern family of Display fonts. Zephyrine has 6 families font, starting from the small Regular and Regular Italic to the largest black and Black Italic. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Type Tiles JNL is based on a ‘completed’ version of ‘Alpha-Blox’ by American Type Founders, circa 1944. The capitals, lower case and numerals shown in the sample sheet put out by ATF depicted type made with five-high blocks comprised of modular units spaced two points apart. These units could be combined in varying ways to create custom type of varying heights and widths and was available for purchase in both linear (multi-line) and reverse (white on black) formats. Using the 'reverse' model shown on the sample sheet, all of the characters were re-created digitally, and missing punctuation, foreign characters and other glyphs found in a basic computer font were drawn and added. The 'J' and 'T' in the type sample had truncations, so a more complete character was created for each of those letters. For those wanting an unbroken string of words or blank end caps, there is a double column space on the vertical bar key. A single column space is located on the broken bar key for shorter end caps. Type Tiles JNL is available in both regular and oblique versions

The FF Meta® design is a sans serif, humanist-style typeface that was designed by Erik Spiekermann for the West German Post Office (Deutsche Bundespost). It was subsequently released in 1991 by Spiekermann's company FontFont The FF Meta family, initially released as a commercial font in 1991, now comprises over sixty fonts. The FF Meta 2 family was released in 1992, the FF Meta Plus family in 1993, and in 1998 a facelift of the complete font family reclassified the FF Meta series and combined them into family-sets named FF Meta Normal, FF Meta Book, FF Meta Medium, FF Meta Bold and FF Meta Black. These are all available in Roman, italic, small caps and italic small caps. Between 1998 and 2005, further light stroke weights and a condensed family were introduced by Tagir Safayev and Olga Chayeva and were named: FF Meta Light and FF Meta Hairline. The last addition to the growing FF Meta font family is FF Meta Serif released by FSI in 2007. FF Meta Variable Roman is a single font file that features two axes: Weight and Width. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum. FF Meta Variable Italic is a single font file that features an italic design with two axes: Weight and Width. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. This Italic font is provided as an option to customers who do not need Roman (uprights), and want to keep file sizes to a minimum. FF Meta Variable Set is a single font file that features three axes: Weight, Width and Italic. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. The Italic axis is a switch between upright and italic

Introducing “Green Delight,” a quirky vegetarian-themed font that embodies the essence of freshness, health, and the vibrant world of fruits and vegetables. This display font, with its rounded edges and unique design, is crafted for those who are passionate about nature, wellness, and creativity. Each letter is infused with elements inspired by various greens - from leafy vegetables to succulent fruits - making it a perfect choice for projects related to children, crafting, or any fun and playful themes.

Kuroneko in Japanese means ‘ Black Cat’. I was working on a Japan itinerary for a friend and I told him about the luggage forwarding service by a company with a black cat in its logo. Wait: Black Cat? What’s that in Japanese? Cool name for a font! Kuroneko font will not forward your luggage, nor was it made in Japan. But it IS a very versatile font family - even if you’re more of a dog person.