Burkey is modern family of Display fonts. Koumon has 8 families font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Jessie's Letter is based on an old typed letter by Kerrie's great step grandmother. This letter was undated, but we think it must have been from the 1920s or so. Jessie wasn't much for punctuation, so there aren't any of those pesky question marks and exclamation points. But, she did make mistakes in her typing, so we've included cross outs and strange resulting characters to make up for the lack of everyday punctuation. Maybe Jessie wanted to visit Paris, or maybe she secretly made paintings in her back yard, or maybe she dreamed of painting her house bright pink. Well, maybe not, but it's fun to dream...

Refresh was inspired and partly based on handwritten text from advertisements for a popular cola-based soft drink from the 1950s. I designed the missing characters in the handwriting style of the original. The Refresh family comes in three styles: - Lite- possibly the most elegant of the three styles -- use at larger sizes for greater legibility; - Med -of intermediate weight - more legible than Lite; - Blak - for bolder statements and best readabilty. Refresh, with its three styles, is ideal for any display work needing a feminine, handwritten effect. Use it for product branding, book covers, invitations, greeting cards where you're looking for charm and movement. Refresh has not been designed to be used with capital letters placed next to one another: it is not advisable to use text in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Refresh contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Cream Opera is a bold sans-serif font family. The combination of simple and geometric elements renders a bold design. It can be used to create almost all types of design projects like print materials and web design. Just use your imagination and your project will become more alive and vivid than ever with one of the Opera fonts. You want to make a greeting card or a package design, or even a brand identity? Feel free to play with all font styles, that will lead you to your next successful project. 10 styles (Thin, Light, Regular, Medium, Bold, Black, Outline, Inline, Stencil, and Western) Oblique font is available Numbers & Punctuation Extensive Language Support Thanks for looking, and I hope you enjoy it.

German type designer Steffen Sauerteig created this slab FontFont in 1999. The family contains 4 weights: Regular, Italic, Black, and Black Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Typestar provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Typestar super family, which also includes FF Typestar OCR.

Luks Deco took inspiration from the glory of Roaring 20’s when the Art Deco style rose to its heyday. The strong geometric shape emphasizes the touch of retro yet modern style. Luks Deco is a good choice who wants to give Art Deco vibes to their designs. Luks Deco’s weight range from light to black, suitable to cater of all you need. The O,C,G and Q letters (and all glyphs that have circle form) have a bit different shape from light to black which will give unique display look for overall design. - Uppercase

Burlesk Queen JNL was inspired by the hand lettered title “Gypsy” on the sheet music for "Everything's Coming Up Roses" from the movie musical based on the autobiography of famed stripper Gypsy Rose Lee. With just four basic letters to work with [G,Y,P and S], a full character set was drawn from scratch. The design features bold spur serif characters on individual ‘marquees’ bordered with lights. Burlesk Queen One JNL is the original version with white characters on black panels, while Burlesk Queen Two JNL has those panels stripped away to provide black letters on a white background.

Aladdin Black is the 3rd member of our Aladdin Bold Font Family. This new style is extra bold and slightly rounded on the outsides of the glyphs. It is fat, fancy, fearless, forward, devilish, heavy, and stylized. Aladdin Bold was my first font introduced in 2012. I've always felt there were possibilities of adding styles to this family and something triggered the decision, so...here it is. I took much time deliberating over many of the finer details in this version of Aladdin and I hope the 'devil is in the details' for whoever decides to try on Aladdin Black.

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.

Estricta font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a sans serif typeface with a geometrical and mechanic appearence, its sharp, angular edges provide a strong and solid design. It has been conceived to be most suitable for short and middle length text blocks, as well as on all sized headlines. Estricta consists of 12 styles. Each containing small caps and glyph coverage for several languages.

Tuerca font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a slightly extended sans serif typeface with a strong technical appearence. Its squared, angular shapes provide a futuristic and robust aesthetics. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Tuerca consists of 8 styles, each containing small caps and glyph coverage for several languages.

Binaria font family has been designed for Graviton Font Foundry by Pablo Balcells in 2018. It is a sans serif typeface with a mechanic appearence. Its squared, angular shapes provide a futuristic and robust design. It has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Binaria consists of 12 styles, each containing small caps and glyph coverage for several languages.

Named after the trendy New York City locale, SoHo Nights BF features sensuous curves and tapering lines that combine to create a unique new look that’s a little bit art deco and a little bit art nouveau. The font also exhibits attributes that can be described as cartoon-like, and even “spooky” when seen in short blocks of large text. Use SoHo Nights BF when your projects require that certain "air of mystique".

ITC Stoclet is the work of British designer Phill Grimshaw, an offshoot of the research and experimentation which led to the development of ITC Rennie Mackintosh. It is a condensed, angular typeface, and its sharp angles, swooping curves and long forms are reminiscent of Art Nouveau. The font includes a number of alternative characters which enhance its flexibility. ITC Stoclet is ideal for large, ornamental designs as well as short blocks of text.

The versatile neo-grotesk typefamily, inspired by the swiss academia with a contemporary mood. The shape of the letters are more pliable compared to classics grotesk typefaces. -- Taking inspirations from classic grotesk letterforms, both from the European tradition (specifically the Swiss school) and the American tradition, HypeType's Arcadia Grotesk is modernized with its shorter ascenders and descenders to give more compact blocks of text and with its more contemporary and dynamic forms. -- hype-type.com // kidstudio.it

Elegant and so stylish serif typeface full of contrast lines, a lot of Stylistic Alternates with thin swashes. Some letters has up to 12 of them. Use only capitals for headers or quotes, it looks strong and refined, or use Caps with lowercase for block texts, or subheaders. Design your art- or beauty blogs, t-shirts or websites, posters, magazines or cards, and logo's of course. You will return to this font again and again.

Ice Creamery is a new variation of our Saloon Girl font family complete with italics and fill fonts which may be used to layer different colors into the open parts of each glyph. We don’t recommend using the fill fonts for Ice Creamery as stand alone solid fonts, Ice Creamery Chocolate was designed as a the stand alone solid font for this font family. Fill fonts go back to the 1850's where they would design matched sets of printing blocks and the layering of colors took place on the printing press, they would print a page in black then on a second printing they would print a solid letter in red or blue over the letters with open spaces to fill them in. Most of the time the second printing didn't line up exactly to the open faced font and it created a misprinted look. With the fill fonts in Ice Creamery and other FontMesa fonts you have the option to perfectly align the fill fonts with the open faced fonts or shift it a little to create a misprinted look which looks pretty cool in some projects such as t-shirt designs. I have some ice cream making history in my family, my Grandfather Fred Hagemann was the manager of the ice cream plant for thirty years at Cock Robin Ice Cream and Burgers in Naperville IL. In the images above I've included an old 1960's photo of the Cock Robin Naperville location, the ice cream plant was behind the restaurant as seen by the chimney stack which was part of the plant. If you were to travel 2000 feet directly behind the Cock Robin sign in the photo, that's where I started the FontMesa type foundry at my home in Naperville. My favorite ice cream flavor was their green pistachio ice cream with black cherries, they called it Spumoni even though it wasn't a true Spumoni recipe. Their butter pecan ice cream was also incredibly good, the pecans were super fresh, their Tin Roof Sundae ice cream was chocolate fudge, caramel and peanuts swirled into vanilla ice cream. One unique thing about Cock Robin and Prince Castle was they used a square ice cream scoop for their sundaes.

Revista is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. The font harmoniously blends different styles into a single big family, which consists of a Didone uppercase and small caps family—including 4 variants ranging from a monolinear Thin to Black with matching italics—and an Inline Black variant that works as a decorative alternative to the Didone fonts. Revista Stencil, one of its versions, comes with the same number of variants. Revista also comes with a Script Family that includes 5 weights, ranging from Thin (monolinear) to Black, contrasting in a tidily untidy way with many ligatures and alternates. You can choose between using stylistic alternates—if you want to give your designs a different untidy look, in the style of the modern calligraphy—or switching between different options if you are looking for a hand-written style. We highly recommend using the default contextual alternates and discretionary ligatures in order to take more advantage of this great font family. Revista includes 2 sets of dingbats, varying from zodiac signs symbols to technology symbols, and complementary ornaments in 3 different weights: Thin (monolinear), Regular and Black. All these features make Revista an ideal typeface for users to design to their liking! Photo by Fervent-adepte-de-la-mode

Velvet is a heavy rounded block retro face inspired by the typeset album cover of the protopunk rock band The Velvet Underground’s debut. Stylistically, Velvet’s extreme angled terminals exude a sense of tension and irreverance, contrasting the smooth rounded block letter forms.

BlackBeast Typeface v1 is a dapper handwritten font with a personal charm. With hard strokes and a signature style, Black Beast is perfect for branding projects, labeling, clothing, movie sceen, poster, movie title, album covers, logos, etc.

Galeb is simple geometric sans font family in 4 weights - Light, Regular, Bold and Black, ideal for corporate and editorial projects. With angled stem endings, Galeb gives enough impression to be used as display font as well.

Abdo Screen is a very simple Naskh font for satellite channels, presentations, videos and advertisements. it comes in sixth weights Thin, Light, Regular, Medium, Bold and Black. This font also contains some of Stylistic Sets and Ligatures.

Klein PDF Specimen Klein is Zetafonts love letter to the grandmother of all geometric sans typefaces, Futura. Starting from a dialogue with Paul Renner’s iconic letterforms and proportions, Francesco Canovaro and Andrea Tartarelli decided to depart from its distinctive modernist shapes with slight humanist touches and grotesque solutions - with some design choices evoking the softness of humanist sans serifs like Gill Sans. The end result is a workhorse superfamily of 54 fonts with full multilingual capabilities and coverage of over two hundred languages using latin, cyrillic and greek alphabets. The original display-oriented family, developed in nine weights with matching italics (from the hairline thin to the sturdy black), has been paired with a text version (with slightly higher x-height, better readability and maximum legibility at small point size) and with a condensed version, to be used for space-saving display solutions in editorial and advertising formats. With a name that is both a nod to its humble functionality and an homage to french nouveau realiste artist Yves Klein, this typeface aims to become your next trusted companion in all your adventures in print, digital and motion design.

Bauhaus Geometric, economical, functional... The good, wholesome, modernist values that once fired up the tutors and students of the Bauhaus became the inspiration for FS Dillon after an exploration of the work of the pre-war art and design powerhouse in the Fontsmith studio. The font combines simplicity and directness with a characteristic Fontsmith warmth. Letterforms are compact, with a generous x-height, and built for maximum clarity and impact. The Bauhaus sought beauty through function. FS Dillon achieves it. Made for TV The weights of fonts for TV sometimes have to be adjusted so as not to “blow” on-screen. FS Dillon was originally drawn for the on-screen presentation branding of Film Four, whose primary colour was red. Black type on a red background looks heavier than white, so Dillon needed two weights that would allow white and black type to be used together, looking balanced and equal. Type design is an organic process. Years after developing FS Dillon, we revisited it, redrawing elements and adding italics to maintain consistency. Olympic You don’t get a much higher confirmation of the functional fitness of a typeface than to have it selected to guide visitors around an Olympic complex. FS Dillon was selected as the font for signage at some of the key venues at the London 2012 Olympic Park, helping to get spectators, athletes and officials from all over the world to their seats and starting blocks on time.

Anona brings the upright italic to fruition and shows the handwriting shapes in a sans serif great to use in packaging and branding. Anona is an upright italic sans serif typeface perfect for packaging and playful identities. Explore the stylistic sets to see all the different shapes. Fruity and friendly upright italic sans serif come to brighten your projects. A warm and friendly sans serif will work for your identity. It has a complementary slanted version.

Here comes a New font, Modern Cowboys is a Cartoonist Western Typeface Vintage Serif Display font this is strong vintage Typeface western-looking display font. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. That is why Modern Cowboys has Stylish and unique characteristic more natural look to your text with a more modern look to your text.

A set of plastic pin-back letters served as the model for Monthly Meeting JNL. Pin-back letters were primarily used on cork bulletin boards for changeable notices and announcements.

Basque is a delicate nineteenth-century upright typeface of angular appearance, reminiscent of Black Letter scripts. The letterforms of the Basque font do not flow, but are made up of straight lines joined to form a rigid shape.

Introducing Losta Bonita A modern, vintage, and retro serif family. Consists of 9 weights from thin to black and variable format. The stylistic alternates allow many different unique shapes that give your lettering idea a well-looking look.

JH Diwani simplified black is an advanced Arabic font simulating the Diwani Calligraphy with its finest details. Its typical usage: Wedding / greeting cards , headlines, poetry, and books. Please note that Arabic Kashida is not available for this font.

No Help is an all caps display font that comes with a scary-dark-black-halloween style. suitable for tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Zawlbuk is a type inspired by Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura. The Letters are drawn using a flat nib pen on a paper, scanned and drawn into a vector format.

Black Ornaments is a family of ornament/dingbat fonts, inspired by the CalligraphiaLatina font series. Is excellent for use in editorial works of art and publishing, as the cover of books, headpieces, packaging, magazines and many other solutions.

Dirndle is a unique and modern family of sans-serif fonts. Feragie has 9 families, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites,

Tenebrous is modern family of Display sans serif fonts. Koumon has 9 families font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.

True Sage is a pretty decorative serif family. Contains Eight weights from thin to black. Vintage retro style dressed with pretty swirly alternates makes the lettering look pretty and unique, perfect for your heading, title, or branding projects.

Skizzors is a family designed by Ethan Dunham created by cutting letters out of paper. The fonts have an irregular edge but are clean and legible. The bold version is almost black and complements the regular version nicely.

Feragie is a unique and modern family of sans-serif fonts. Feragie has 9 families, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites,

Karnchang is a versatile sans-serif typeface that offers a range of 90 styles, spanning from thin to black in weight and condensed to expanded in width. Its adaptability makes it well-suited for a variety of purposes.