The charm of wood type -- especially in reproductions from worn specimens -- is the combination of hand-crafted letters and numbers and a connection with the past.

Letterpress Sorts JNL adds to the growing library at Jeff Levine Fonts of classic dingbats, embellishments, cartoons, ornaments, etc. all re-drawn from vintage source material.

Neographic is one of the first fototype fonts that had been designed by Robert Barbour and produced from the Monotype UK office for the Photolettering machine

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

Each font contains 101 decorative ampersands. These fonts include ampersands from various display fonts in the CastleType Library as well as antique, ornate and calligraphic ampersands.

This is an extension of Alquitran, but now converted into a family from the Thin to the Black Line, it contains dingbat, inspired by the Pichação!

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

Wishkey is a cool and interestingly designed display font. It will elevate a wide range of crafting ideas from cards to branding, labels, and much more.

Cool hand drawn font crafted from textured dry brush, this is Rongjam. An all caps typeface that very recommended for outdoor projects, sport, hipster, and youth.

A product of the Inland Type Foundry, some say stolen from a hand lettering job done by Goudy. (Goudy was one of those who said it!)

Display Engraved JNL was inspired by the bold, engraved Sphinx Blanc from the Deberney & Peignot circa 1925, and is available in both regular and oblique versions.

Rancher JNL was inspired by classic wood type. This wide, slab serif typeface is reminiscent of wanted posters, broadsides and other printed matter from the 1800s.

Letterpress Assistants JNL once again combines a choice of cartoons, embellishments, ornaments and sales helpers (all redrawn from vintage source material) into one handy digital font.

Texarkana JNL is based on classic condensed wood type from the 1800s, and is embellished with stars on the top and bottom for a decorative look.

If you require an authentic wood type era typeface, Wooddale is your match. This face was revived with care from samples in antique type specimen books.

Kardust TS is a part of Kardust family, which is born from it skeleton to suit Transportation and Sport, but it will suitable for any purpose.

Printers Dingbats JNL gathers another assortment of classic cartoons, borders, embellishments, sales helpers and whatnots into one digital file; all re-drawn from vintage source material.

Tamarac JNL offers the look of wood type with added serifs. Use Tamarac JNL when you need a change of pace from the "regular" serif fonts.

AZ Barista font is inspired from 1920's Poster art, namely Leonetto Cappiello designs. This font was designed for use as a worn and antiqued headline.

Stenson JNL is another "lost" stencil typeface, re-drawn from punches made by a commercial stencil machine as used in rubber stamp shops and industrial warehouses.

Art Student JNL is a limited character set font inspired by hand lettering found on the box for a learn-to-draw set from the 1950s.

Bremen was designed at Bitstream by Richard Lipton and released in 1992. It is based on German poster art from the period between the World Wars.

AZ Indian font is inspired from the original early 1900's Indian Motorcycle Logo. This font is designed for use as a worn and antiqued headline.

Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.

Nouveau Era JNL was adapted from the title of a hand-lettered advertisement found on the back of a 1920s-1930s piece of vintage sheet music.

Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

On a clear day you can see all the way to URAL from a high place in Helsinki. There your eyes will meet strange permafrost letters.

A juicy, mighty-morphing, modular font extracted from the crevices and convolutions of the brain, with nifty coding to cram every gap with tails and curlicues.

Gengboy is a fun bold Sans Serif typeface featuring characters that stand out from every background. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, etc.

Letterpress Helpers JNL continues a series of vintage cartoons, border and corner elements, stock designs, sales helpers and other embellishments re-drawn from vintage source material.

Ziga is a whimsical, wavy and chic display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.

Thesis typewriter is a typewriter font collection that includes 3 typewriter fonts, sampled from three different thesis and reports from the 60s and 70s. Thesis Typewriter Weary has a textured look, while Thesis Typewriter and Thesis Typewriter Bold are smooth and include math symbols and Greek letters that will look great in digital collages. This collection is perfect for authentic vintage designs and digital collages, but will also look great in modern logo design, in branding and packaging.

The letters in TapedUp are constructed from straight pieces of what could be masking tape. The letters have a unsophisticated or unpolished quality to them. The typeface is caps-only but many of the shapes on the lower-case keys differ from those on the upper-case keys. It was formed with a template used for several letterbat fonts and also typefaces Rumpled and Tinkerer. The family has six styles: regular, bold, shadowed, oblique. bold oblique, and shadowed oblique.

Linotype Afrika, from German type designer Jörg Herz, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Dancing, jumping, and playing, the lively beings of this symbol font exude joy. Ornaments and a few frolicking animals complete the font. Combining the single figures, whether as decoration or border, creates a pattern which will surprise you with its lightness and dynamism.

Introducing our foundry with the new Sans Serif typeface, Kommon™Grotesk, a super family with 96 styles. Different width from Extended to Compressed, variety of weights from Thin to Super, made Kommon™Grotesk suitable for multiple usage. The typeface was crafted till clean and simple. It has high legibility with modern and clear look to be use as text or display font. Kommon™Grotesk is effective displaying on many medias, both print and on screen.