Vododeo JNL is directly named for the free-form sheet music title lettering from Jack Yellen and Milton Ager's "Vo-Do-De-O". The term itself was a catchphrase made popular during the era known as the "Roaring 20s". Yellen and Ager were responsible for such hits as "Ain't She Sweet" (1927) and "Happy Days Are Here Again" (1930) along with countless others. During his career, Jack Yellen provided lyrics to over 200 songs. As a side note, Yellen was married to a distant cousin of type designer Jeff Levine's late mother.

A Tompouce (also know as Tompoes) is a typical Dutch pastry. It consists of a thick layer of pastry cream, sandwiched between two layers of puff pastry. It usually comes with pink icing, except on the king’s birthday, when the icing is orange. Tompouce is also a very nice connected script, with a lot of curly letters, some double letter ligatures and all the diacritics you can throw a pastry at. If it is an elegant, yet fun connected script you’re looking for, well… Tompouce may just be what you need!

Inspired by her Swedish and Norwegian heritage, Andrea Leksen created this modern geometric sans serif reminiscent of Scandinavian design and typography. With its tall x-height, Nordique will be best showcased at large sizes, in headlines and other display uses. The Light, Regular, Semibold and Bold versions each contain over 50 ornaments, swashes, alternates and borders to play with—a modern take on the traditional rosemåling and kurbits painting styles. See some of the creative and beautiful ways Nordique Pro can be used in this YouTube clip! Check out Nordique's cousin Nordeco!

Four interchangeable all-caps typefaces, made specifically for designers to layer and play with. Here’s more at the designer’s site. It combines hard and soft, geometry and pattern. Layer and mix styles within a single word, retaining coherent visual tone. Havelock Solid operates as a background layer, Multiline sits nicely atop it, Inline frames Multiline’s center strokes, and Stencil lets details peek through. If you’re working with translucent color, the blending can be gorgeous. Please note, if you're also looking at Havelock Titling: both collections are included in Havelock Complete for a lower price.

MVB Hotsy Totsy is Akemi Aoki’s first typeface design. Aoki created the letters in cut paper. Once digitized, the design was expanded to offer several weights and styles. Exaggerating the triangular serifs and tapering strokes of “Latin” typefaces, MVB Hotsy Totsy is the perfect party face, appearing frequently on board games, product packaging, and in children’s books. It is named for (what was at the time) a dive bar in Albany, California. The bar has since been renovated but its neon sign was preserved, a local landmark of San Francisco’s East Bay.

ITC Florinda was designed by Luis Siquot in 1997 and consists exclusively of capital letters. The basic forms were influenced by old favorites like Franklin Gothic, but Siquot ornamented the classic forms with symmetrical knobs which look like pieces of lead left over after pouring the forms. This gives the figures a playful, constructed look. When used in a text, the horizontal lines seem to come together to draw a fine line through the middle of the lines of text, giving it an ornamented character. ITC Florinda should be used exclusively for headlines or display.

Portsmouth Second Fleet is the rag tag, wild bunch companion to Portsmouth. It is a strong, sturdy typeface with historical character. Its inspiration comes from the height and strength of the wooden tall ships that sailed into port in their day. With caps and small caps, this typeface is great for headlines or subheads for design projects that need a historical or retro feel, such as from the 1940s and earlier. Two different styles that can be layered allow for different colored drop shadows, outlines and fill for even more customization.

Kozmetica is new original elegance from the dynamic team of Koziupa and Paul. Soft, warm forms made of pensively fluid strokes make for comfortable and classy delivery with just enough ornamentation to evoke the rich days of art deco. Kozemtica comes with plenty of alternates, focusing in particular on the degree of lowercase ornamentation. The setting can be simple and straightforward, or swashed with hairlines seamlessly emanating and swirling from beginning or ending forms. Designed by Koziupa and digitized by Ale Paul, Kozmetica’s ideal use is in packaging design.

Remember back in the day when medals where for The Beatles and foreign dictators only? No more! Psychophante is a 64 pixel medal-building dingbat. Make fresh pixly medals (like the 'I Really Like Your 'fro medal' and the 'Best Hotel Booker medal') for yourself and/or for friends who deserve them. Each medal is made up of three interchangable parts: - Uppercase consonants are the top of the medal. - Vowels are the middle. - Lowercase consonants are the dangly bit. Numerals are special characters, to be followed by a lowercase consonant

Ghania Roses Script is a lovely script that brings a luxury feel. Ghania Roses comes with 460+ glyphs, The natural handwritten script is suitable for you who needs a typeface for headlines, logotypes, apparel, wedding invitations, Valentines day, branding, packaging, advertising, watermark, and more. Ghania Roses was created to look as close to authentic hand-lettering as possible. Not only will you find a range of stylized ligatures/alternates, but you’ll have much fun mixing and matching the upper and lowercase letters to give each word a truly personalized, hand-lettered vibe.

The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.

This family was inspired from a lot of 1848-1850 French engraved documents reproducing handwritten texts talking about the Paris' insurrection days in June 1848 (described by Victor Hugo in Les misérables) . It seems that all were first written using quill pens, as the strokes are too much heavy and bold for metal pens and even though the engraver work is very fine. We have added only a few characters, most of them were present in the originals. The TTF and OTF versions are enriched with more than 50 ligatures or alternate characters.

Mikagi is a textured form of the 2008 Miyagi typeface, giving the original creation a new personality along with its makeover. The rough texture is a different direction from the original, smooth line style of its predecessor, instead creating something that might be described as lean and tough. Worn and weary, Mikagi emphasises everything it says, taking care to slow itself down and not get caught up in the speed of its youth. Use Mikagi for a range of design work, to add a blend of smooth easiness and faded cynicism to your creation.

It's not everyday that you want to have dark chocolate with your favorite latté. But sometimes, as out of the ordinary as it is, it can be just the ticket. Cafelatte's design offers a somewhat unpolished calligraphic concept, reminiscent of wooden type, but done with the unique brush of Angel Koziupa and Bezier wizardry of Alejandro Paul. The discerning packaging designer will certainly find it refreshing to be able to put a darker, unconventional touch on his or her design. And who says primal instincts can't express themselves elegantly?

Introducing Gomoku—the chunkiest, sweetest, most playful paper cut-out typeface you’ll ever lay your eyes on! With its bold and thick slab serifs, this typeface is sure to make a statement and add a touch of whimsy to any design. Gomoku’s foreground font is the star of the show, featuring a thick and chunky design that demands attention. But why stop there? Gomoku’s optional background layer adds a whole new level of depth and texture to your typography, making it stand out from the crowd. Whether you’re designing posters, greeting cards, or social media graphics, Gomoku is the perfect font choice to add a quirky and playful touch to your project. So why settle for boring, basic fonts when you can have Gomoku’s delightful paper cut-out design? Get your hands on Gomoku today and start creating bold and beautiful designs that are sure to make a lasting impression. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Ambiguity is a type family with five distinct personalities or ‘states’, created as a tool for coaxing designers and brands out of their comfort zone. It embraces both tradition and radicality, as well as generosity and thrift, encouraging us to question our beliefs about the intersection of style and meaning. The family is designed by Charles Nix, who describes Ambiguity as “as much thought experiment as typeface.” Its five states—Tradition, Radical, Thrift, Generous and Normate—each express or subvert different aspects of typographic tradition. Tradition is conservative, relying on historical letter shapes. Radical rejects inherited ideas of proportion, making typically slender letterforms wide, and wide letterforms slender. “It’s contrarian,” says Nix. Thrift cherry picks the condensed shapes from Tradition and Radical, while Generous does the same for wide forms. Normate sits at the center, a synthetic blend of all of the others. “Tradition is very comforting,” says Nix. “It’s the mask of conservatism. It’s calming because it delivers the proportions we expect. With Thrift more fits into a smaller space, so it’s great where words want to get large, like gigantic headlines, or text needs to cram in, like small screen type. You get a sense of carefree and luxury from the Generous cut. One would expect the Radical to be used in a sort of Dadaist way, but in a classic context it provides an enjoyable jolt.” Ambiguity is a litmus test. Designers could spend hours trying on typefaces that offer just one of these voices. Ambiguity provides five different personalities—ideas—beliefs—each of which also work seamlessly together. “It’s a palettea, like idea cards,” he says. “It’s a way of making yourself see differently. My hope is that traditionalists will try on radical clothes and vice versa. It’s a way of exploring outside your comfort zone, breaking out of the doldrums, by stepping through a variety of voices.”

THE SPARK Uniform started as a spark of inspiration one day while I was shopping at the store. I was looking at some typography on a can of dog food and the idea popped into my head, “What if there was a geometric typeface with a circular O that when condensed, the O became straight sided, instead of becoming an oval?” I quickly sketched out the concept of Uniform and liked what I saw, the only problem was I was working full time as a graphic designer, and as a newly married husband, I didn’t have any time to make the extensive typeface. LETDOWN A year and a half later, shortly after the birth of my first child, my boss cut my hours in half. Although stressful, I saw this event as an opportunity to finally have time to complete the typeface I had in my head. I spent a couple months putting together a Kickstarter campaign, thinking it would be a smashing success, and I would be able to live off the donations long enough to complete the typeface. Wrong! The campaign was a flop and I was left discouraged and dejected, thinking that the great idea I had in my head would never become a reality... PERSEVERANCE At the end of the year, in December 2013, I decided to go for it and make this new type family no matter what it took. I began waking up a few hours before work each morning (getting only four hours of sleep each night) carefully crafting each individual glyph day by day. After nine months of hard work (and just about killing myself in the process!) in October 2014, I finally had a finished product ready to be released to the public! THE PINNACLE Fast forward a few years and now Uniform has reached it's pinnacle, Uniform Pro. Uniform Pro now offers extended language support including Cyrillic and Greek character sets, integrated italic styles, additional weights, and additional OpenType features.

Lovers is a romantic, elegant handwritten calligraphic script, with well over 300 additional characters, including standard and discretionary ligatures, swashes and stylistic alternatives. Use of its extensive OpenType features enable the designer to create text that constantly changes, giving the impression of genuine handwriting, but handwriting that has all the flair and styling of hand-done calligraphy produced towards the end of the twentieth century. Lovers is based on traditional calligraphic ideals, but I've combined these with my own brand of relaxed, handwritten spontaneity, to design a font that is formal yet free and accidental, traditional yet contemporary. The font’s extravagant curves and swashes make it perfect for valentine’s day and wedding media, book covers, greeting cards, and certificates, in fact for any design work that requires a romantic or opulently elegant look. The range of stylistic alternatives and swashes enable users to create a wide range of moods in their work. In many ways it is a calligraphy toolkit. Lovers contains the accented characters used in the major European languages. What sets it apart from most other calligraphic fonts is that it appears so genuinely handwritten and avoids the uptight formality that characterizes so many of the fonts in this genre. Try Lovers, enjoy its wealth of OpenType features and let its vigorous yet elegant exuberance delight you and enhance your creativity!

This set of decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of "Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France orientale[...]" Author Symphorien Champion, unknown printer. There were three sorts of initials family, but only one complete and clear, except a very few characters. The printer used some letters to represent others, as V, turned over to make a A, D to make a Q, M for E, So, the reconstruction was a little less difficult. Thorn, Eth, L slash and O slash were also added. The original font's letters was only drawn in white on a black background only, but it was tempting to propose a negative version in black on white. A few letters have multiple appearance, but only the A was clear enough to be reproduced. It can be used as variously as web-site titles, posters and flyer design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font... This font supports strong enlargements revealing its fine details and remaining very smart. Its original medieval height is about one inch equivalent to about three to four lines of characters. This font may be used with all our blackletter fonts, but as well with "1543 Humane Jenson", "1557 Italic" and "1742 Civilite", without any fear about anachronism.

This is a cute story about a mother and her son. :) About a decade ago my own mother got very interested in my work. She used to say my letters had so many swirls and dazzling swashes, and suggested my job seemed to be very fun. She wondered if she could ever try to make her own alphabet... Well, she is a civil engineer and a maths teacher, and appeared to be a little tired of exact sciences... I remember answering this, while she was listening with her typical tender look: -"Mamá... While type-design may be a really enjoyable thing to do, it also involves having a great eye and knowledge about the history of letters: nice curves and shapes require a meticulous study and, like it happens in many fields, practice makes perfect"-. Well, she raised her eyebrows at me. -"and so what?"- She didn't have any experience neither in the field of art nor in the field of graphic design so, I told her that if she really wanted to get into this she should borrow some of my calligraphic books from my beloved shelves in my office. So... she did. Some weeks after that, she came to me with many sketches made with pencils and markers: some letters where very nice and unique while others naturally needed some work. I remember she added ball terminals to all of her letters (even if they didn't need them) because that was one of the rules she imposed. After some back and forth, we had the basis for what would be today, ten years later, the seed of this lovely font Girasol. Her proposal was nice, something I was not accustomed to do, that’s why many years later I decided to watch it with fresh new eyes and finished it. While she was in charge of making the lowercase letters, I helped with the uppercase and also added my hallmark in the alternates, already seen in others of my expressive fonts. The result is an upright decorative font that follows the behavior of the copperplate nib with a naive touch that makes it really cute and useful for a wide range of products. Many alternates per glyph make Girasol a very fun to use font which will delight you. Above posters are a proof of that! This font is a gift for my mother, Susana, who, in spite of her exacts academic background, taught me that beauty can also be found in the imperfect. 1 NOTES (1) In my fonts I'm always in seek of the perfect curve. When I designed Erotica and Dream Script, I read about Fibonacci’s spirals!

If you want to write something sincere and genuine but not too formal then this is the font for you. It is based on real handwriting, not some artificial calligraphy made to be either too haphazard or spiky or have loads of elegant flourishes but an ordinary person's writing, and designed to look as natural and as close to the original lettering as possible. Like any person's writing it is individual and distinctive, but so easy going on the eye those differences sit comfortably with you. It is friendly and open with easy to read glyphs both as lowercase and uppercase. The letters are relatively wide with clearly shaped distinct outlines. This font may be ideal for projects where you expect a wide readership with different reading abilities from young to old. When you are using this font a slightly bigger point size usually gives a better result so for a standard letter or similar you should size up to 15 points or more. Maree has been individually crafted to the smallest detail. To create a realistic handwriting font that looks relatively simple but works in a wide variety of languages requires a complexity and attention to detail most fonts will never require. This font in any ordinary business environment would never have been made, the effort required to make it too great, the length of time too long. There have been no shortcuts in this font, no automatic scanning or tracing, no automatic generation, no class kerning. Not only is each glyph individual but the width of letters, the height, the accents and the positions of the accents are all different. Even the line weight of the letters is designed to have natural variation but yet similar enough that the font appears as though it were written effortlessly in the same pen. And in order to keep the spacing consistent even though the letters have different widths, heights, lengths of descenders and so on, there are a vast number of kerning pairs, letter to letter, number to number, letter to number... All kerning has been individually assessed with an eye to proportionality taking in character shape, size and weight. For instance if you write a telephone number the numbers all sit close together but if you write a number before a letter such as in a UK post code or before a unit of measurement an extra little bit of space has been added which makes the number more distinct and therefore readable. That space is so natural to the eye that you don’t even know it is there. However even in the spacing allowance has been made for the fact it can’t be too perfect because when you write by hand the spacing is inconsistent. There have to be some letters which are too close or far apart otherwise the font would look artificial. For similar reasons if you are going to print out this font for a letter, etc, check the print version before you make any letter spacing changes because with the zoom functions in modern applications that uneven spacing and lettering can seem more pronounced than it actually is. When this font is printed out you will find it is surprisingly neat. This font is what it is, simple clear handwriting. You will not go wow. But if you want something unique and different and looks good on the page you won’t be disappointed. This font is not a work of art but it is a work of love. This font has a soul. How many fonts can you say that about?

Augify Display s a sophisticated serif with unique letterform. It has many beautiful ligatures which you can play around to match your project, whether for a standout headline, or for a tagline, you name it. The unique letterform makes this font one of a kind! Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

The German designers Gerd Sebastian Jakob and Jörg Ewald Meißner developed the Linotype Puritas family in 1999. The family, which has six text styles as well as a ornament set, displays a very geometric design, which harks back to the German modernist experiments with typography and lettering from the 1920s. The letters in Linotype Puritas Light, Linotype Puritas Medium, and Linotype Puritas Bold all have a slight slant to them. Not to be confused with an italic-grade slant, which may be found in the Light, Medium, and Bold Italic styles, these acute slants add a dynamic quality to text. The Linotype Puritas Ornaments font contains several dingbats and border elements, all drawn in the same line style as the companion letters. The entire Linotype Puritas family is included in the Take Type 4 collection from Linotype GmbH."

Puppy Love Brush is a new font inspired by a couple who is in love, and it illustrates the power of love that radiates strongly. It is completely perfect for Valentine’s Day designs, and more! What’s included: 1. Works both on Mac & PC 2. Simple installations 3. With Extras 4. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 5. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ 6. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Sinete, besides being and elegant and charming typeface, is also an extraordinary monogram set. You can create any 2 letter combination with its more than 350 handmade interlocking monograms. There is also the possibility of creating stylish 3 letter combinations. But that is not all, Sinete provides you with 30+ numeral ligatures and a variety of frames to combine with the monograms. This font also gives you the ability to create many text textures with its 4 case design approach (Uppercase, Small Caps, cantered Small Caps and “Opulent” Case). This gives you plenty of versatility. Make sure you play with the 9 Stylistic Sets provided. Sinete is all about creating wonderful words. Perfect for wedding invitations and other events as well as for refined logos and branding. This is also a great typeface for titles due to its delicate design and captivating look.

It all started with making of a simple all-caps font. I drew the whole alphabet, numbers all else needed - but something wasn't quite right...the lettershapes were fine, but quite boring. Then I took a drastic decision: I started all over again ... meaning, I printed the whole thing, messed it up using a wet cloth and wrinkled the paper - then scanned it all again, and imported all the graphics yet again. A lot of work, yes - but personally I think it was worth it! But anyway, that's the story of how Primitivus was made ... well, almost, but not quite ... but that's another story! Use Primitivus for anything that needs that special kind of look were handdrawn letters meets grunge! Play around with the 4 different versions of each letter to make your text look even more random and natural!

Maithe is an incredibly sweet and delicious handwritten script with a lovely feel. Whether it’s Valentine’s Day or Christmas, this the ultimate font for turning any romantic crafts idea into a stunning piece of art! Maithe works both on Mac & PC and it simple to install. This family contains Swashes , Titling, and Ligatures. Multilingual Support (ä ö ü Ä Ö Ü ß ¿ ¡). Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest releases, follow me and let’s be friends because there will be many promos.

The Mutamathil type family is the mid-size member of the Mutamathil type style. It has only one glyph for every basic Arabic Unicode character or letter. With each glyph being semi-symmetrical around its vertical axis, this family is mainly suitable for right to left ordering. The Mutamathil family includes all required Lam-Alif ligatures and uses ligature substitutions, and marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand alone isolated glyphs. The Mutamathil Taqlidi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

This is a series that takes unfinished typefaces that were either previously ideated but not realized or were close to completion but left incomplete due to dissatisfaction with certain aspects, and brings them to completion. "Oorrnnoott" was originally a project named "Petitgothiquemignon" or "Sangoth". In the process of refining "Kropotokin", several ideas were incorporated into the design. Well, I say "incorporated," but it was designed on a whim, as usual. After all, it was started around 2005, and I don't usually leave notes or anything (which isn't the best habit), so I don't remember the emotions or thoughts behind its creation. Please consider this typeface as a very typical sans-serif font, as that is what I was aiming for when I excavated it this time. Please use it for body text, headlines, eye-catching designs, or whatever you like.

Quinter is inspired by the writing on the vintage beer labels from the good old days, but still has a strong modern appearance. It come with 2 types of styles. Each combination has been carefully crafted to make your design look better. Ideal for product names, packages, labels, old-fashioned coffee shops, bars and everything with special characteristics in the past. This combination allows you to easily build beautiful vintage designs in a short amount of time. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at picatypestudio@gmail.com. Thanks for purchasing and have fun!

Glamour Brains is a contrast serif display style with unique anatomy every letter. Provide variant ligatures make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging and much more. Font Features : Character set A-Z in uppercase and lowercase Ligatures in Uppercase Numerals & Punctuation Accented Characters Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Haksen

Konrad Kachelofen was a printer in the city of Leipzig beginning around 1483. He printed many works by contemporary authors and also many of the classics. He acquired an unusually large amount of typefaces for his shop, a place that included a wine bar and book store. This type face is based on Typ.11:340G GfT510 Gesamtkatalog der Wiegendrucke and is similar to Proportional Lime’s “Kachelofen'' font. The major differences are that the whole miniscule set is slimmer and the majuscule set has different style glyphs and this face was used solely for titles and section headings because of its sharper and clearer appearance at large point values. Konrad probably died in 1529 after passing his business on to his son-in-law Melchior Lotter, who also went on to fame as an industrious and illustrious printer.

Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”. As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.

Northstream is a Neo-Grotesque in motion. The typeface was inspired by an attempted photograph of an interesting shop sign that was interrupted by a passing truck. The resulting effect was a blur of movement and designer, Hendrik Weber, wanted to capture that feeling within the typeface. The result is a whirlwind of a design and the shadow behind the letterforms creates a very interesting effect. This typeface is meant for graphic designers to enjoy and play around with, and it is best suited for display text and large sizes such in posters and billboards. Northstream was designed as part of the Font Marathon that was run at the Monotype London office in November 2016. This version is available for free and because of the short time frame is supporting a Basic Latin character set and a few alternates.

Bert Watson is a beauty script based on a modern calligraphy with natural hand writing look and feel. It can be used as digital signature as well. It has many alternates and ligatures which contain many swashes that you can play with. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

As part of the day job I had to trace an old hand drawn logo of a Masonic Lodge from a very poor scan. When I finally got to the end of it I had almost a whole alphabet and I really liked the hand drawn uneven quality, so I made up the rest of the letters and set about making it into a font. I roughened up all the edges for an even older look, added a host of OpenType features and hey presto, Masonic Lodge was born. There are two versions of each letter and number which automatically alternate when contextual alternates are set, more alternates for O and o characters, a good amount of interlock style L and T ligatures (uppercase) and a square & compass ornament. Use it for pub signs, secret society meetings, monster movie titles and pub menus.