Morthern is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font. With both weights you have two different shapes in terms of uppercase letters that aim to distinguish between title of the letter and the paragraph.

Quirky Sands lives up to its name. This fun, hand-drawn, handmade ampersand font is a sure fit for save the dates, wedding invitations, and other fun design projects requiring a quirky & sign. The uses for these little “sands” are virtually endless! Included are 57 different ampersands with a unique, imperfectly handmade feel. These pair well with Fonted House’s Canoe font and other hand-drawn typefaces. Perfect to add that hand lettered touch to your next design project.

Introducing Astro, a charming serif font designed to bring an elegant and classic touch to your designs. Crafted with meticulous attention to detail and inspired by mid-millennium Serifs, Astro seamlessly blends traditional sophistication with contemporary elements, making it suitable for a variety of design projects, both print and digital. Enchanting Letter Shape Designs: Astro exudes charm with its letter design that is heavily inspired by the mid-millennium Serifs often found in European and American designs. Each letter is carefully carved to create a charming and luxurious impression. Unique Alternative Glyphs: Astro is not just a font; it is a standout typographic masterpiece. By offering several unique alternative glyphs, such as the letters a, g, and k, Astro gives designers the freedom to express their creativity in a unique and personal way. Mid-Millennium Serif Elegance: Astro features smooth lines and proportions, creating an elegant impression characteristic of mid-millennium Serifs. This design provides a timeless classic touch making it suitable for a variety of design needs, including books, magazines, posters and other printed materials. Ease Readability: While the Astro exudes striking elegance, its design also prioritizes readability and comfort. Each letter is created with balanced proportions and optimal contrast, ensuring text appears clear and easy to read, whether on a large or small scale. Flexible Use: Astro is designed to provide flexible use across a variety of design platforms. From the logo design to the magazine layout, Astro adapts beautifully, maintaining a consistent feel that enhances the aesthetic quality of the design. European and American inspiration: Astro creates a bridge between European and American typographic styles, combining the best elements of both traditions. This makes it the perfect choice for projects that combine elements from both continents. Astro is more than just a font, it is an artistic statement that leaves an unforgettable impression on any design project. Suitable for designers who appreciate classic beauty and modern uniqueness, Astro brings a special and charming feel to every character it creates.

"Giant Boys" is a cute display font characterized by thick and rounded letterforms, making it a great choice for design projects aimed at children, such as children's games, book covers, and any projects related to schools. With its playful and friendly appearance, this font adds a touch of whimsy and charm to your designs, making them more engaging and enjoyable for young audiences. The simplicity and clarity of "Giant Boys" make it easy to read and understand, making it an excellent choice for educational materials and other projects aimed at young learners.

"Bolde Galde" is a cute display font characterized by thick and rounded letterforms, making it a great choice for design projects aimed at children, such as children's games, book covers, and any projects related to schools. With its playful and friendly appearance, this font adds a touch of whimsy and charm to your designs, making them more engaging and enjoyable for young audiences. The simplicity and clarity of "Bolde Galde" make it easy to read and understand, making it an excellent choice for educational materials and other projects aimed at young learners.

"Back Jones" is a cute display font characterized by thick and rounded letterforms, making it a great choice for design projects aimed at children, such as children's games, book covers, and any projects related to schools. With its playful and friendly appearance, this font adds a touch of whimsy and charm to your designs, making them more engaging and enjoyable for young audiences. The simplicity and clarity of "Back Jones" make it easy to read and understand, making it an excellent choice for educational materials and other projects aimed at young learners.

The Manus font family is extended with a new relative: Manus Smooth. Some major and minor adjustments were made, but it still has the look & feel of the original.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

With a stylish Dutch accent, this font draws inspiration from a 1935 brochure by the talented graphic designer and artist Dirk Hart. Carrying different hand-drawn lettershapes on upper and lower case slots despite being a unicase typeface, this font also brings a nice set of ornaments and complete sets of initial and terminal swash forms. When working with OpenType savvy applications these can conveniently be applied at the click of a button, thanks to the smart swashes programming, which will change the first and last letters in words with its corresponding initial or terminal forms. There are also some stylistic alternates for a (yet) more decorated look. The black version, with a somewhat art-deco feeling with added boldness, is also very decorative and contains the same features as the regular cut: smart swashes, different letterforms on upper and lowercase slots, ornaments and stylistic alternates.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

Eydis Regular is a casual script font that retains the original texture of the stroke on the paper. This font has good legibility as body type and strong expressiveness to be used as headlines or logotypes in all media requirements. These calligraphy fonts have already an extended character set to support Central and Eastern, Cyrillic as well as Western European languages. It has several especial alternatives for all letters that offer an infinity of design’s combinations. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords and much more. You may enrich your design using the Eydis Ornament set, with his 91 glyphs, tails and ornaments, whatever allows even more combinations. Eydis was made for turn your project more expressive, beautiful, and attractive! Have fun and be successful with it!

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

Bristers is a font duo package contain a hand drawn monoline script and sans serif which looks great to be paired especially for vintage and adventure theme! It also comes with extra illustration and premade logo! This font duo is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : - Bristers Sans & Script - uppercase & lowercase - numbers and punctuation - multilingual - alternates & ligatures - PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Say hello to Kokomo Breeze - A deliciously bold and nonchalant casual marker font. Kokomo Breeze was designed to keep a naturally handwritten marker-style look , while still maintaining some subtle inky marker imperfections on its edges , to keep in line with a more realistic, yet very legible look. Great for headlines, bold branding, classy packaging, eye-catching callouts and stand-out advertising, Kokomo Breeze is designed to be your jack of many trades. Be sure to turn on your OpenType features when type with Kokomo Breeze - it’s packed with natural-looking ligatures and alternate characters for both upper and lower case - all of these opentype extras make your type design look mush less mechanical, and much more like naturally formed words as you type. Pair it with a bold tall sans serif font, or a classy serif to add another whole new dimension to this very versatile marker font. Great as large and small sizes, Kokomo Breeze is perfect for any size design.

Say hello to our new classy font duo "Karme"- a combination of all-caps serif and stylish handwritten script! Karme Serif - Due to its extraordinary and eccentric characters, the serif can be more suitable for displays, headers, and short logos rather than body or long texts. Not all but some of the letters have alternatives in stunning lowercase forms. You can play with 92 different fascinating ligatures with the Karma Serif. While using the serif, we would recommend turning off the automatic ligatures and accessing them manually through the Glyphs panel (or copy/paste) so that from several options you can choose the one that fits your text best. Karme Script - a modern and realistic handwritten font with a natural flow. Featuring 112 playful and groovy ligatures, the font can be well paired with serif, sans serif, and display fonts. Works great for stationery, websites, packaging, and many other handwritten style designs.

XComputerBugs is a pictorial font of insects, mostly butterflies and moths. A few are based on actual species, but most are fanciful and meant only for decoration.

ZT Frimpong is a sans serif look made by hand, all the letters are drawn one by one, so that no one line is exactly the same. This is a closed, low contrast typeface with an emphasis on connecting strokes. Sensational style, potentially unique atmosphere, ZT Frimpong comes in three thicknesses, and each type has a different feel, namely each weight of the font texture is getting denser, so there are fewer cavities. It can be used to create almost any type of design project such as Poster materials, logos and web designs. Just use your imagination and your project will come alive and alive than ever with the ZT Frimpong Font. I hope you have fun using ZT Frimpong Thanks for using this font ~ Khaiuns X zelowtype

Here’s a different kind of font for the hand lettered look! Use Your Words is a catchwords font family consisting of 3 fonts: 1.) Use Your Words Circles 2.) Use Your Words Arrows 3.) Use Your Words Banners It’s all hand drawn and hand lettered in a monoline script font with a shadow effect to boot. This font will be perfect to include on designs such as mugs, t-shirts, bags, notebooks, inspirational quotes for the home and office, and more. There are 215 words (no more than 4 letters per word) in both upper and lowercase, plus numbers, ampersand, question and exclamation marks in all three styles. There are 444 glyphs per font. I love using this font in my hand lettering designs and I hope you will too!

Introducing a funny, playful doodle font with soft sloppy glyphs. Easily turning text into handwritten. Font family is cool for complementing a design with a doodle or sketch illustration, the font does not have complex spelling of letters, therefore it is suitable for a children's audience and will complement a children's book, as well as fit into any design with a playful holiday theme, and much more. Family has 2 font styles with different interchangeable letters (different only uppercase and lowercase, other glyphs are identical) - can be used as alternate's. Family of 6 fonts is divided into 3 types: regular/basic, italic and outline. Features: 6 fonts 2 styles (Regular, Medium) with different interchangeable letters (different only uppercase and lowercase, other glyphs are identical) 3 types: Basic, Italic, Outline Kerning ld.luxfont@gmail.com

Our fonts are supported by most design software, please make sure it can read the OpenType fonts to be able to access all ligatures. Please be informed that while our font works well in Canva, but Canva itself doesn’t support advance opentype features such as special characters.

The Azbuka™ typeface family has its roots in a fairly pedestrian source. “The idea came in part from an old sign in London that read ‘SPRINKLER STOP VALVE’,” says Dave Farey, designer of the typeface. Like all good sign spotters, Farey took a photograph of the sign and filed it away for possible use in a lettering or typeface design project. In Prague a number of years later, the street signs reminded Farey of the London signage - and his camera came out again. Comparing the two back in his studio, he realized that the signs from London and Prague were not as similar as he initially thought. However, they were enough alike to serve as the foundation for a no-frills, 21st century sans serif typeface family. “I wanted to draw a wide range of weights, italic and condensed designs all in one go,” recalls Farey, “rather than add on to the family later.” His goal was to create a family that could be used for text and display copy, with sufficient weights to provide a broad typographic palette. Indeed, the completed design, created in collaboration with fellow type designer Richard Dawson, consists of twenty typefaces in eight weights ranging from extra light to extra black. The five mid-range designs have complementary italics. Seven condensed designs round out the family. Azbuka’s lighter weights perform remarkably well in blocks of text composition. “They’re clean and legible - and perhaps a little boring,” says Farey, “but they are perfect for copy with a down-to-earth, yet contemporary flavor.” The heavier weights are equally well suited for a variety of display uses. The designs are authoritative but not overbearing and will readily make a strong statement without calling attention to themselves. The condensed weights of Azbuka are ideal for those instances where you have a lot to say - and not much room to say it. The name Azbuka? It’s Russian for “alphabet.” And what more appropriate name could there be for this utilitarian, industrial-strength type family than alphabet? The Azbuka family is available as a suite of OpenType Pro fonts. Graphic communicators can now work with this versatile design while taking advantage of OpenType’s capabilities. The Azbuka Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages

Fashion Country is a outline style handbrushed font, meticulously crafted to deliver a distinct and captivating visual impact. With our outline style handbrushed font, each letter is carefully hand-drawn, capturing the essence of the brush strokes to create an effortlessly stylish and modern look. The outline style adds a subtle yet striking touch, making your words stand out with an air of sophistication. The unique characteristics of our handbrushed font make it ideal for a wide range of applications. Whether it's crafting eye-catching logos, designing captivating posters, or composing inspiring quotes, our font seamlessly integrates into your creative endeavors, leaving a lasting impression. This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Is it necessary to tell the Gutenberg story? 1456 Gutenberg Pro is the second Gutenberg typeface produced by GLC foundry (look at our 1456 Gutenberg). This font was created from the so called "B42" character set used for the two Gutenberg Latin Bibles (42 and 36 lines), but with a better and finer design than in our first version, more faithful to the finest original printed books appearance. We offer also now a larger choice of the original ligatures and Latin abbreviations, as complete as possible to be usable with OTF specifications. The complete basic alphabet (with "long s" naturally)is strictly looking like the real one (including the curious twisted "X"). We have only recreated the capitals W and J, who was not existing in the time. The numerals, no more existing in the original type set, were inspired from those in use a few years later by early following printers, but matching with the Gutenberg font's pattern. The font includes West (including Celtic), East, Central European, Baltic and Turkish glyphs.

It can be a real challenge to deliver messages through designs due to the very ordinary display fonts lacking prominent characters. Let us present you the Happy Land, a prominent display font to add firm touches to any of your designs. The letters made all in capital can enhance certain effects on your designs. The font’s simple shapes with strong contrasts affect the legibility. As a result, it is suitable to apply for big text sizes. In addition, this font provides a clipart bonus for you. Enjoy the available features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Happy Land fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Say hello to 'Filiya'! This is a funky hand-drawn handwritten font, perfect for all your holiday designs!! Add some retro fun using the 'Filiya' font inspired by the 70s font! This font is perfect for all your retro designs, procreate designs, social media, shirts, stickers, branding, logos, prints, Cricut designs, svg designs and more! This font includes a basic set of retro letters from A to Z, as well as some fun festive Christmas themed letters. Create, enjoy and create your own unique image! 'Filiya' is available in five versions! The kit includes - regular, contour, shadow, luminous and doodle!! Font Features: - A-Z; a-z character set; - 1 language (English); - numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Hops And Barley - a Vintage Font Collection. Hops And Barley includes following: • 6 fonts - a textured and clean version of each • Catchwords, textured and clean version • Ornaments, textured and clean version Hops And Barleys’ core is four font styles. Fonts are designed in the same proportions and they have the same soft edges so that they work great together. Here’s a short introduction to the fonts • Hops And Barley 1 -A Connected Script with Contextual, Swash, Stylistic and Titling Alternates • Hops And Barley 1b -A Bold version of Script • Hops And Barley 2 -A Serif vernacular Swash, Stylistic and Titling Alternates • Hops And Barley 3 -A sturdy Sans Serif with a wide character. • Hops And Barley 3b -A Bold version of Sans Serif • Hops And Barley 4 -A Condensed Sans Serif • Hops And Barley 5 -A set of 61 Catchwords • Hops And Barley 6 -A set of 71 Pictograms Hops and Barley fonts have rugged outline and eroded texture inside the letters. Hops And Barley C stands for Clean - they are an identical set of the styles but they come with straight and clean outlines and softened edges. Hops and Barley fonts work great together or on their own. They’re a fantastic choice for any display use and when paired they can cover the whole display part in any project from website to packaging and from poster to logo.

Onion Mill is based on my own handwriting, when I want to mimic the classic letters from comics. This type of texting can be super useful when you have a massive amount of text that needs to be good looking, as well as legible! You have 4 different versions of each letter to choose from - enough to randomise the appearance of your text!

Get your Aussie on! The new typeface, Ainslie, with its mix of influences from Oz, makes its mark as the first semi-serif from insigne Design. Ainslie, named for Mt. Ainslie and Canberra’s inner suburb of the same name, was originally developed for the Canberra Australia Centennial Typeface Competition. Canberra is Australia’s capital, and it’s a planned city designed by American Walter Burley Griffin, a contemporary and one-time associate of Frank Lloyd Wright. Griffin’s plan involved a distinctly geometric design with several focal points--one of which was Mt. Ainslie. This same purely geometric scheme is now the basis for insigne’s new release. Similar to the Chatype project in its scope, its challenge, and the way its concept was developed, Ainslie incorporates influences from Canberra and surrounding areas to form a font that is uniquely Australian. In comparison, Chatype was developed for the city of Chattanooga, Tennessee by insigne in conjunction with designer Robbie de Villiers. Chatype took elements from Chattanooga’s industrial character and Cherokee past and merged them with the area’s technological influences. Likewise, Ainslie takes Canberra’s distinct, geometric design and blends it with the organic, flowing effect of aboriginal art. Add in touches from the smooth, aerodynamic design of the boomerang and Ainslie gives you a look uniquely Australian yet usable in a wide range of applications. The fashionable typeface includes a multitude of alternates that can be accessed in any OpenType-enabled application. These stylish alternates along with a number of swashes as well as meticulously refined details with ball terminals and alternate titling caps keep the font well accessorized. Also included are capital swash alternates, old style figures, and small caps. Peruse the PDF brochure to see these features in action. OpenType enabled applications such as the Adobe suite or Quark can take full advantage of the automatic replacing ligatures and alternates. This family also offers the glyphs to support a wide range of languages. While Ainslie wasn't selected as the final font in the Canberra competition, the outcome allowed for additional adjustments to the typeface. Several approaches were attempted for the final product including a technological hexagonal concept, which may still be developed to another form later. Some of the organic forms were removed and substituted with more abrupt endings, leaving the face looking pretty spiffy and a fair bit more legible. In the end, Ainslie was pulled back to the basic forms from which it was started. Give it a go for your next project. It’s guaranteed to be anything but a barbeque stopper.

Happy Fingers are a truly mad font! The font contains 10 different versions of each letter - and no two letters are the same - it's a lovely mix of upper- and lowercase, serfifs and sans, grunge, comic, sci-fi, fantasy, computer ... everything you can imagine. And they are all handmade! Of course there is multilingual support and I have even added a black version, for you to use as massive fill, or perhaps a cool shadow! Go crazy, go Happy Fingers!

Arnold Boecklin is a true Art Nouveau font, evocative of outdoor cafes in the years prior to World War l. Arnold Boecklin seems to be telling a story, with its decorative curves and varying emphasis of strokes. The Arnold Boecklin font should be used for specific copy as in headlines or advertisements, bearing in mind its strong design. Arnold Boecklin is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

In its original form Coma was designed for use alongside Japanese typography. The uniform shape of Coma's letterforms allow it to be set horizontally or vertically with equal ease. With a striking profile, modular form and contemporary character, Coma can be used in myriad configurations. The name Coma refers to the perplexity of contemporary existence, to be assaulted by an endless stream of news and stimuli, and to feel paralysed and exhausted by it all.

Abakadabra is a headline typeface inspired by sans-serifs of the first half of the twentieth century, as well as by the tricks of fakirs, illusionists and charmers. The gently playful manner of the font can be exaggerated to a more pretentious and grimacing one, or can alternatively be calmed to a neutral appearance. Abrakadabra supports most European languages and has thematic emoji symbols. The text can be customized by using stylistic sets or the Swashes and the Stylistic Alternates buttons in the OpenType panel.

The Madison Ave. family started from Madison Ave. at Fontstruct.com. As my most downloaded font, this was an easy, although not necessarily logical choice to make – regarding taking an existing free font and attempting to offer it for purchase. The font is very basic and simple in its layout, but has achieved popularity over at Dafont with almost 80,000 downloads with its cool, understated nature and inherent sophistication. The original Madison Ave. is now 95 Madison Ave. A couple of glyphs have changed from the original, but mostly the set is the same. The big news here is the availability of multiple variations on the original. Ninety-five refers to the filter settings used to achieve the faint cross lines in the font. The sequence 95-100 provides a gradual fade to solid effect when used together. The other versions use variations on the filter settings that allow each its own distinctive flavor, while at the same time maintaining inherent characteristics of the original. Ninety-five is now joined by 55, 75, 97, 99, 100, 102, 105, 155, 175, 201, 202, and 275. 100 is the solid version which doesn’t contain the trademark lines found in 95. In 95-99, the line width varies to achieve subtle effects. 50 and 85 are distorted by reducing the filter settings in a somewhat minimizing fashion. In 102-205, these are distorted by increasing the filter settings above the normal which is what 100 represents. While some of the effects are extreme and challenge the legibility of text, these can be fun or edgy. They offer a cohesion that can be used to advantage for different projects that require the use of a modern font family.

Legendary Legerdemain’s lovely assistant, Leggy is just that -- she’s tall, dazzlingly attractive in her tight-fitting clothes, and has legs right up to her neck! She looks good, strikes attractive poses, and gives LL room to make magic. Gasp as Legendary Legerdemain saws her in half! Cheer as she floats in the air! Look Away as Legendary Legerdemain makes her the target of his knife throwing act! See the families related to Legendary Legerdemain Leggy: Legendary Legerdemain.