Archemy is a restricted and obscure branch of Alchemy that deals specifically with the life, generation and transmutation of Metals. The Archemy font is primarily a magical and alchemical alphabet. It was created on initiative of Senior Zadith, in order to properly quote older alchemical manuscripts, without the need to insert handwritten symbols. The font combines a unique and elegant Roman alphabet with a set of the most frequently used planetary and alchemical symbols that are common in the Western Mystery Tradition, and as used by those involved in the Royal Art. The Archemy font contains a selection of symbols that are still used by practitioners of the Art today, and for the sake of completeness, a selection of less used and more arcane symbols that can be found in older alchemical texts. In addition a Hebrew Alphabet is included, which will supply practitioners of the Art with the glyphs related to Cabalistic studies. The Hebrew Alphabet in this font does not include vowel points, since they have no place in ancient Hebrew, nor in the Western Mystery Tradition. A selection of the most distinct glyphs as used in the Antediluvian font family - the Alphabet of the Ancients - is included for those that wish to include the archetypal and arcane quality of these glyphs from the dawn of history. By our knowledge there exists at this time no font that includes a selection of Alchemical symbols, let alone combines all of the above mentioned archetypal symbols of occult language in a single package. In that respect Archemy can be considered to be an “Arch” font.

I’d been thinking for a while about making a serif font with ball terminals: big fun round ends to the letters anywhere I can squeeze them in. So I made Breakfast Pastry! I started with a hand-drawn set of basic letters, then went hog-wild making alternates and ligatures galore with fun swirls, curls, and even more balls! I’ve cleaned the letters up significantly to make them smooth and easy for any cutting or printing you may want to do, but I’ve also left in some of the hand-drawn character so that the letters are warmer and not too formal. Then I took the first font, and made a second solid version without the cutouts. After that I thought: I tend to make plumper fonts ... why not make an even thinner version? So I did! All three versions have the same character set (over 700 glyphs total), which means they all have the same extras and alternates. All three fonts have over 300 extended Latin characters for language support, as well as over 200 bonus items: alternate letters, letters with swashes, two-letter ligatures, small caps, catchwords, and even some bonus ornaments and elements to make the fonts even more flexible. (After all, if one swash on a letter is good, two or three might be great!)

Gidglet is a serif font highlighting the height differences of the letters’ thick and thin parts, and has elegant, clear letters. Little hooks and lines on the letter edges show classical, traditional nuances to your designs. Moreover, the thick and thin letter parts are clearly seen in a high contrast serif font. The thin letter lines show elegant characteristics, while the thick ones express firm, clear nuances. Such high contrasts between the thick and thin parts add dimensions and prominence to the designs. As a result, such a font is perfectly applicable for designs with formal, elegant, professional impressions in big text sizes in order for the beauty and the contrasts of such thick and thin parts to be clearly seen. In addition, you may enjoy the available features here as well. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Gidglet fits best for various design projects, such as brandings, quotes, invitations, name cards, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

The design of Gondolieri has its origins in an experiment to combine aspects of Didone and Tuscan typefaces. The result has a continental 'Italianate' feel. If you wonder what lies behind the name, just look at the lower case 'f'...definite overtones of a Venetian Gondola here, and throughout the design. Gondolieri is offered in regular and bold weights, as well as a simplified form for smaller text use. All of these are available in three widths. The Gondolieri family has a lovely Didone, 'Belle Epoch' feel for use in design, posters, book covers and so forth. An extensive range of Opentype features, including ligatures and terminal forms is included in the regular and bold faces.

Clearface Gothic first appeared in 1910, designed by Morris Fuller Benton, the world-famously prolific typeface artist. In addition to Clearface Gothic, Benton also designed classics like Franklin Gothic, Century Expanded, and many other types. Clearface Gothic is a sans serif face with light forms displaying the Zeitgeist of the turn of the 20th century. Distinguishing characteristics are the open forms of the a" and "c," the arched "k," and the upward-tilting horizontal stroke of the "e." The relatively narrow typeface, with its open inner white spaces, is extremely legible even in small point sizes. There is no accompanying italic. This digital version of Clearface Gothic was made in 1984 by the Linotype Design Studio."

Nemade is a modern and elegant display font. Its unique, clean, and flowing letterforms add a luxurious and striking impression to every design project. The perfect choice for logos, branding, posters, magazines, printing, advertising, packaging, headlines, titles, web design, etc.

Tropicollo is a handwritten mono weight cursive font. Its super clean and tidy design will turn any idea into a true standout end result! Works great applied to logos, prints, quotes, magazine headers, clothing, advertisements, product designs, labels, and much more!

Goodbees is built from a bold base, unique combinations, smooth curves, and sharp edges. Goodbees is best uses for headings, Logo types, quotes, apparel design, invitations, flyers, posters, greeting cards, product packaging, book covers, printed quotes, album covers, movies and more.

Quintton script is a casual clean brush stroke font, perfect for logo design, branding, invitations, t-shirts print, mock up, magazines, signage and so much more. With its handmade feel, Quintton is perfect for your upcoming projects so don't miss out.

PUJI is an experimental sans serif perfectly suited for graphic design and any display use. It could work for web, print, motion graphics etc. PUJI has the other version "PUJI narrow" which has different letter's width in "A","V","W".

Auther is a modern design with a vintage feel. A monoline display font that combines classic & modern styles. Includes OpenType features with Stylistic Alternates and ligatures. Auther is suited for various print and digital designs, including logos, stationery, posters and more.

The Heista Killer – Handwritten Brush font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc.

Buttercell Script is a hand brush script available in clean and rough edge versions. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc.

Franie is a variable geometric sans serif font family with 72 styles. Fully customize the width, weight and italic angle. This modern clean typeface is perfect for contemporary layouts for print, magazines, posters, web, social media, branding logos, or whatever.

Selenic is a solid typeface with a clean look, interesting texture and quick impact. Friendly but also aggressive it is best suited for massive headlines, fashion photography, album covers, logo design or any other typographical work on digital and print.

Rits Calltown is casual script typeface. Perfect for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. FEATURES : – Uppercase – Lowercase – Number – Multilingual – Opentype FILES INCLUDED : OTF., TTF WOFF file

Wingfead is a bold and thick lettered serif font. It is perfect for any branding project such as logos, t-shirt printing, creative products, and more. Wingfead is PUA encoded which means you can access all glyphs and swashes with ease!

Sweet Fig is a bold script. This font is suitable for any design like branding especially for food packaging, quotes, printing, etc. The design can elevate your design project. Features: Beautiful Ligatures Stylistics Set Many Swashes Multilingual Support Numerals and Punctuation

Introducing a new layered typeface called Dreadful. Inspired from classic horror movie and vintage comic. Dreadful typeface best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc.

Baksoda is a handlettering script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc.

TOMO Bossa is a cartoon inspired sans serif, ideal for kids related stuff, in print or digital, like posters, video, websites or books! This beauty also speak Cyrillic! The complete family comes with a Black and Black Rough style. Enjoy!

Stavol is a rough brush script font with a clear style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc.

"Dragon Empire" is a unique and elegant graffiti font. This font is very suitable for comic titles, logos, banners, posters, prints, banners, branding, stickers, tattoos, games, Halloween, Christmas, and others. Equipped with lowercase letters, uppercase letters, punctuation, numerals, and multilingual support

Trona is a retro-modern condensed serif. Inspired by the typefaces used in print media headlines in the 20th century and with geometrical sharp terminals. Trona comes in 5 weights and with 375 glyphs (covering the major latin based languages)

The Blackheads - Authentic Bold Script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc.

"Winter Graffiti" is a unique and elegant graffiti font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Very suitable for Christmas, winter, banners, posters, prints, branding, stickers, valentines, mugs, logos, tumblers, tattoos, t-shirts, and others.

Okaycat Font Foundry proudly presents "Lawson"! A retro classic style font, perhaps futuristic, containing European accents. Beautifully connected cursive with high legibility and style for your design, great for print and publication. See the new textured version Lawson Vintage please.

Matching is a beautiful, casual script adds a custom and organic feel to any design you need! Use this font for: Branding, Invitations, Stationery, Logos, Print Materials, Watermark, Label, Wedding designs, Social media posts, Products, Desktop Programs, Canva , Websites and more.

Morris Sans is a newly revised and extended version of a small geometric family of typefaces originally produced by Morris Fuller Benton in 1930 for ATF. His initial design consisted of an alphabet of squared capital letters with a unique twist that characterized its appearance: corners with rounded exteriors and right-angle interiors. The types were intended for use in the fine print found on business cards, banking or financial forms, and contracts. But over the ensuing decades, this design became a popular element in all sorts of design environments, and several foundries revived the typeface in digital form. Since digital fonts are bicameral, with slots for both upper and lowercase letters, new cuts of the type opted filled the lowercase slots with small caps. In 2006, Linotype commissioned its own version of the typeface-an extension for 21st century use. Under the advisement of Linotype's type director Akira Kobayashi, Dan Reynolds redrew the uppercase and added an original lowercase for the first time. Additionally, a number of extras were brought into the fonts, including six figure styles (tabular and proportional lining figures, tabular and proportional oldstyle figures, and special tabular and proportional small cap" figures). Small caps, which have become an iconic element over time, are accessible in each font as an OpenType feature. To differentiate this version from the original, Linotype's new family is named Morris Sans, in honor of Morris Fuller Benton. All fonts in the Morris Sans family are OpenType Com fonts; they include a character set capable of setting 48 European languages that employ the Roman alphabet, including all Central and Eastern Europe languages, those from the Baltics, and Turkish. This glyph coverage extends to the small caps as well. Morris Sans is a wide typeface, especially in its regular widths; the condensed faces set a more conventional line of text. The new lowercase letters are less geometric than the uppercase, except for those that share the same basic forms (e.g., c, o, and s). Instead of following this geometric trend, the new lowercase tends to strengthen the humanist elements that were present in several characters from the original type, including the uppercase D and the figures 5, 6, and 9. Morris Sans also sports a number of glyphic flares, like the stroke found on the original uppercase Q. Morris Sans is a clean, modern design best suited for headlines, advertising, posters, expressive signage (especially on storefronts), and corporate identity work."

Spiral Ornaments are of varying complexity with positive and negative variations. There are a total of 48 ornaments.

Is your branding missing something wonderful that makes people going crazy impressed? Have you thought about how you can add that touch of something to your branding and projects? Want to transport your audience to a world of gorgeous, elegant, wonderful, versatile, yet modern? Then, we have the solution for you. Introducing Metrovia, An Elegant Font duo Giving you a simple, yet wonderful solution to your branding. This font is more than just another font duo. It encapsulates the essence of modernity and elegance. With elegance and passion edged into every curve and twist of this font – you’ll be sure to boost your sales and make the best impressions. Features: Beautiful Ligatures Stylistic Sets Multilingual Supports (69 languages) PUA Encoded Numerals and Punctuation Metrovia fits best for any design projects, such as posters, banners, logos, book covers, album covers, quotes, invitations, greeting cards, name cards, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Hopefully, you enjoy your experience in using our font. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

The Cavolini™ typeface family, by Carl Crossgrove, is unique to handwriting fonts. It is a family of several designs, and it was developed for imaging on small screens. While drawn for a specific use, the family is also equally at home in many interactive and print applications. Cavolini has all the casual charm and immediacy of handwriting, while maintaining high levels of typographic clarity. Cavolini’s large x-height, open character spacing, clearly defined apertures, and easily differentiated forms enable high levels of legibility and readability at small sizes, while the family’s multiple designs of roman, bold and italic in regular and condensed proportions enable breadth of choice for creating emphasis, hierarchy, and typographic diversity a wide variety of environments. A large character set enables the setting of most Western European and many Eastern European languages, including Cyrillic and Greek – and adds to the family’s broad range of uses.

Love is in the air—or at least it should be! Get that perfect, happy feeling with Heart Grow. This font is great for adding some personality to all your occasions, making it perfect for logos, cards, labels, and more. So what’s included : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!