6,011 search results (0.042 seconds)
  1. The "Ming" typeface, designed by Keith Bates, is an evocative fusion of cultural elements and typographic innovation. This font is a homage to the Ming Dynasty, which ruled China from 1368 to 1644 an...
  2. The font "Odstemplik" by Gluk is a unique and visually engaging typeface that captures the attention of both designers and viewers alike. Its creator, Gluk (whose real name is Paweł Burgiel), has mas...
  3. Outlaw by Billy Argel is a distinctive font that embodies a bold and rebellious spirit. It is a typeface that immediately captures attention due to its unique style and character. The design of Outla...
  4. The font named "Wankstaberg Battles" is a distinctive creation by Måns Grebäck, a renowned typeface designer known for his craftsmanship in script and calligraphy fonts. This particular typeface stan...
  5. Roycroft Initials, crafted by the talented Dieter Steffmann, is a font that harks back to the charm and distinctiveness of the Arts and Crafts movement. This font category, known for its artistic bea...
  6. Ballade, a captivating typeface designed by Dieter Steffmann, is a font that transports its audience back in time through its stylistic elements and ornamental flair. Steffmann, known for his prolifi...
  7. Europe Underground, crafted by the talented Måns Grebäck, stands as a testament to the harmonious blend of modernity and historical influences, embodying the rich tapestry of European culture and aes...
  8. The Illuminati font by Iconian Fonts is a unique and intriguing typeface that seems to possess a certain mystique, reflecting the mystery and secrecy often associated with the name 'Illuminati'. This...
  9. DrumagStudioNF, a font crafted by Nick Curtis, is a true representation of vintage charm meeting modern design sensibilities. This typeface stands out for its bold and distinctive character shapes th...
  10. The Asrafel font, crafted by the talented David F. Nalle in the late 20th century, is a remarkable creation that beautifully bridges the gap between history and modernity. This font takes its name fr...
  11. As of my last update, there's no widespread recognition or detailed information about a specific font named "Oktober." However, in imagining a font with such a name, we might envision a typeface that...
  12. GrekoDeco is a captivating typeface that draws its inspiration from the Art Deco movement, blending the geometric shapes and precise lines characteristic of the early 20th-century design philosophy w...
  13. TT Hoves Pro by TypeType, $39.00
    We've upgraded TT Hoves Pro with 20 new fonts and Vietnamese! TT Hoves Pro useful links: Specimen | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org TT Hoves Pro is the studio's bestseller, one of the top three universal sans serifs along with TT Norms® Pro and TT Commons™️ Pro. TT Hoves Pro has a neutral yet recognizable character suitable for use in any modern project. The font has a large character set, including extended Cyrillic and Latin, as well as a large number of styles. TT Hoves Pro was already perfect, but we made it even more functional! Updated TT Hoves Pro: supports more than 200 languages, including Vietnamese; contains 4 widths: Compact, Normal, Condensed, Expanded; consists of 83 styles, 20 of which are new Compact fonts; includes upright and italic Outline fonts, each with 672 characters; contains an improved variable font that varies in weight, width and slope; includes 1573 characters in each style, except for Outline versions; contains 41 OpenType features, including many ligatures and stylistic alternatives. The geometry of the TT Hoves Pro has remained unchanged. The font lacks pronounced contrast, all terminals are on the same level, and there are wide horizontal strokes in triangular characters. TT Hoves Pro is ideal for web design and use in applications. Perfect for branding, packaging design and printing. TT Hoves Pro OpenType features list: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, tnum, onum, lnum, pnum, c2sc, smcp, dlig, liga, salt, calt, case, zero, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, ss13, ss14, ss15, ss16, ss17, ss18, ss19 TT Hoves Pro language support: English, Albanian, Basque, Catalan, Croatian, Czech, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Maltese, Moldavian (lat), Montenegrin (lat), Norwegian, Polish, Portuguese, Romanian, Serbian (lat), Slovak, Slovenian, Spanish, Swedish, Swiss German, Valencian, Azerbaijani, Kazakh (lat), Turkish, Acehnese, Banjar, Betawi, Bislama, Boholano, Cebuano, Chamorro, Fijian, Filipino, Hiri Motu, Ilocano, Indonesian, Javanese, Khasi, Malay, Marshallese, Minangkabau, Nauruan, Nias, Palauan, Rohingya, Salar, Samoan, Sasak, Sundanese, Tagalog, Tahi- tian, Tetum, Tok Pisin, Tongan, Uyghur, Afar, Afrikaans, Asu, Aymara, Bemba, Bena, Chichewa, Chiga, Embu, Gusii, Jola-Fonyi, Kabuverdianu, Kalenjin, Kinyarwanda, Kirundi, Kongo, Luba-Kasai, Luganda, Luo, Luyia, Machame, Makhuwa-Meetto, Ma- konde, Malagasy, Mauritian Creole, Morisyen, Ndebele, Nyankole, Oromo, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Swahili, Swazi, Taita, Teso, Tsonga, Tswana, Vunjo, Wolof, Xhosa, Zulu, Ganda, Maori, Alsatian, Aragonese, Arumanian, Belarusian (lat), Bosnian (lat), Breton, Colognian, Cornish, Corsi- can, Esperanto, Faroese, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Interlingua, Judaeo-Spanish, Karaim (lat), Kashubian, Ladin, Leonese, Manx, Occitan, Rheto-Romance, Romansh, Scots, Silesian, Sorbian, Vastese, Volapük, Võro, Walloon, Welsh, Karakalpak (lat), Kurdish (lat), Talysh (lat), Tsakhur (Azerbaijan), Turkmen (lat), Zaza, Aleut (lat), Cree, Haitian Creole, Hawaiian, Innu-aimun, Karachay-Balkar (lat), Karelian, Livvi-Karelian, Ludic, Tatar, Vepsian, Nahuatl, Quechua,, Russian, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Macedonian, Serbian (cyr), Ukrainian, Gagauz (cyr), Moldavian (cyr), Kazakh (cyr), Kirghiz, Tadzhik, Turkmen (cyr), Uzbek (cyr), Azerbaijan, Lezgian, Abazin, Agul, Archi, Avar, Dargwa, Ingush, Kabardian, Kab- ardino-Cherkess, Karachay-Balkar (cyr), Khvarshi, Kumyk, Lak, Nogai, Rutul, Tabasaran, Tsakhur, Altai, Buryat, Dolgan, Enets, Evenki, Ket, Khakass, Khanty, Komi-Permyak, Komi-Yazva, Komi-Zyrian, Manci, Shor, Siberian Tatar, Tofalar, Touva, Aleut (cyr), Alyutor, Even, Koryak, Nanai, Negidal’skij, Nivkh, Udege, Ulch, Bashkir, Chechen (cyr), Chukchi, Chuvash, Erzya, Eskimo, Kryashen Tatar, Mari-high, Mari-low, Mordvin-moksha, Nenets, Nganasan, Saami Kildin, Selkup, Tatar Volgaic, Udmurt, Yakut, Uighur, Rusyn, Karaim (cyr), Montenegrin (cyr), Romani (cyr), Dungan, Karakalpak (cyr), Shughni, Mongolian, Adyghe, Kalmyk, Talysh (cyr), Russian Old, Vietnamese
  14. TT Autonomous by TypeType, $39.00
    TT Autonomous useful links: Specimen PDF | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Autonomous: The idea was born in Amsterdam when one of our colleagues took the official electric taxi at the Schiphol airport. At the moment we were thinking about creating a new wide sans-serif, and an interesting question emerged during the trip: what font would be associated with autonomous electric transport. Then we thought it would also be nice to expand this theme visually. This is how the font family TT Autonomous came about. It is a modern brutal technological sans-serif. The basic visual characteristic of the typeface is the noticeable squareness of the characters and angular internal space. In addition, the typeface proportions tend to appear monospaced, but they are not really monospaced. The width of the characters is inspired by automobile logotype proportions, which are mostly rather wide. We could not disregard the fact that code lines in software for autonomous cars are traditionally typed using monospaced fonts and added a special monospaced subfamily to the TT Autonomous typeface. Thanks to the squareness of the characters inherited from the main family and the real monospace properties, the character forms in the subfamily turned out very specific and interesting. This is especially true for oblique monospaced fonts, which are true italics. In addition, we created a couple of outline styles which are great for use in titles and large inscriptions and perfectly match the basic family and the monospaced family. As opposed to outlines that can be created in graphic editors, in TT Autonomous Outline we worked through the narrow and questionable spots, thanks to which the font looks professionally complete and harmonious. As from the very beginning, the font was developed with tomorrow's technologies in mind, we could not miss addressing variability and creating a variable font. TT Autonomous has variable versions for both the basic and the monospaced subfamilies. TT Autonomous is a complex font family that consists of 32 fonts intended to solve a broad range of design tasks. Overall, the font family features 14 regular styles, 6 monospaced styles, 7 reversed styles, 2 outline styles and 3 variable fonts. The number of glyphs varies from 630+ in the monospaced font to 790+ in the basic styles. The basic subfamily has alternates, ligatures, old-style figures, slashed zeroes, and many other useful features. FOLLOW US: Instagram | Facebook | Website TT Autonomous language support: Acehnese, Afar, Albanian, Aleut (lat), Alsatian, Aragonese, Arumanian, Asu, Aymara, Azerbaijani, Banjar, Basque, Belarusian (cyr), Belarusian (lat), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chichewa, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Dutch, Embu, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Ganda, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Number, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Silesian, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Superscripts and Subscripts, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Talysh (lat), Tatar, Teso, Tetum, Tok Pisin, Tongan, Tsakhur (Azerbaijan), Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Valencian, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh, Wolof, Xhosa, Zaza, Zulu.
  15. The Enchanted Land II font is a visually striking display serif typeface that is highly decorative. It clearly falls into the old-english or medieval style, evoking...
  16. October Crow by Chad Savage is a true embodiment of the haunting charm that one associates with the fall season, particularly with the anticipation of Halloween. This font dives deep into the aesthet...
  17. The "Argor Priht Scaqh" font is a distinctive creation by the talented Jean-Pierre Mallaroni. This font stands out for its enchanting blend of medieval inspiration and modern flair, making it particu...
  18. Lusitania is a font that evokes a sense of timelessness and classic beauty, perfect for those who aspire to craft designs with an air of elegance and a touch of historical allure. Designed by Harold ...
  19. Yanone Kaffeesatz is a distinctive and versatile typeface that carries a unique blend of modernity and nostalgia. It was first created by Yanone, a German type designer, in 2004. The inspiration behi...
  20. Queen Empress is a font that belongs to a category of typefaces crafted by Paul Lloyd Fonts, a foundry known for creating highly detailed and decorative fonts that often draw from historical and Vict...
  21. Aon Cari Celtic is a distinctive font that captivates the essence and tradition of Celtic culture through its typography. This font is characterized by its intricate knotwork, stylized animal motifs,...
  22. Victorian Initials One is a captivating font that immediately transports you back to the elegance and intricacy of the Victorian era. Created by Dieter Steffmann, a typeface designer known for his pa...
  23. The Old Town font by Dieter Steffmann is a captivating typeface that seems to transport its audience back in time. This typeface embodies the charm and flair of the old Western and circus signage tha...
  24. The Rivanna font, crafted by the talented Nick Curtis, is a unique amalgamation of historical elegance and contemporary flair, making it a standout addition to any typographic collection. Named presu...
  25. The "Decaying" font, as its name vividly suggests, embodies a visual essence of decomposition and agedness, meticulously crafted to convey a sense of historical wear, tear, and a passage through time...
  26. Sure! The Caliph font is a unique and visually compelling typeface that hails from the calligraphic and decorative script family, bringing with it a strong artistic flair that sets it apart from more...
  27. Perestroika, masterfully crafted by Clément Nicolle, is a typeface imbued with historical context and a modern flare, harnessing characteristics that reflect transformation and rebirth. The name itse...
  28. The Pilsen Plakat font, crafted by the talented Dieter Steffmann, is a remarkable typeface that stands out for its distinctive characteristics and historical connections. This font manages to capture...
  29. The "Etaoin Shrdlu" font, crafted by the designer known as SpideRaY, is a compelling tribute to the history and legacy of typographic design and typesetting. The name itself, "Etaoin Shrdlu," origina...
  30. The Rolling No One font, meticulously crafted by the renowned typeface artist Dieter Steffmann, stands as a testament to the intricacy and charm that typefaces can bring into the realm of design. Thi...
  31. The "ROSETTA STONE" font, crafted by the designer known as SpideRaY, embodies a unique blend of historical allure and modern design sensibilities. This font is named after the ancient Rosetta Stone, ...
  32. AnglicanText by Dieter Steffmann is a captivating font that seems to bridge the old with the new, wrapping centuries of typography tradition in a package that's both accessible and enchanting for con...
  33. Ah, Flaemische Kanzleischrift! If fonts were a party, Flaemische Kanzleischrift would be the mysterious character in the corner, sipping a fancy cocktail and regaling tales of medieval adventures. Cr...
  34. Absolutely, I'd love to talk about the Royal Initialen font created by Dieter Steffmann! Picture this: a typeface that feels like a journey back in time, capturing the elaborate and ornate style of h...
  35. Gommogravure, crafted by the talented type designer Keith Bates, is a distinctive font that stands out for its remarkable design and evocative aesthetics. This particular typeface embodies a blend of...
  36. As of my last update, the "British Outline Majuscules" isn't a universally recognized or widely used font name in the vast world of typography. However, given the descriptive nature of the name, we c...
  37. Ubahn is a distinctive font that echoes the spirit and aesthetics of urbanity with a nod to the historical context of metropolitan transportation systems, particularly inspired by the signage and typ...
  38. The DS CenturyCapitals font, designed by Nikolay Dubina, is a distinctive typeface that captures the essence of classical and contemporary design elements. This font is characterized by its clean lin...
  39. The Minster No 1 font, by Paul Lloyd Fonts, is a distinct and beautifully crafted typeface that exudes an aura of both historical gravitas and whimsical elegance. This font captures the essence of tr...
  40. WinterthurCondensed is a captivating typeface designed by the accomplished German type designer, Manfred Klein. This particular font is named after the Swiss city of Winterthur, suggesting a connecti...
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