Environment is an geometric, minimalism and elegant sans serif font. It perfectly used for product presentation, elegant logo design, packaging or invitation cards Four weights, four very different personalities. Environment Bold Environment Bold Italic Environment Italic Invorenment Regular Features Four weights/ Numbers & Punctuation / Extensive Language Support/Alternate

Have a great day! My new font was present, Night Michy!! Night Michy is a Bold vintage style serif font with strong character and soft features. modern and classic serif font with a clear and bold look. It’s a very versatile font that works great in large.

Amient is a modern, experimental, display typeface inspired by contemporary typography. It has a very eccentric and expressive character. The letterforms are eclectic but consistent at the same time. Amient is a bold choice for bold projects. It will work well on posters, covers, titles, and logotypes.

EGOSTA is a complete sans serif family. The letterform and sharp variations characterize a bold and playful typeface in a graphic layout, making it perfect for modern and futuristic visual needs, EGOSTA complete family contains 10 styles with two axes; Weight and Width, from Thin to Bold.

Grub is a bold, playful and fun typeface, it is ideal for branding, logo, title, headlines, poster and many other projects that needs an attention grabber. Use it on your projects to give that free spirit and bold look. Also include opentype features: ligature and alternate

Jumbo Sale is a bold and comical display font designed and published by Eko Bimantara in August 2022. This font has fun, bold and loud characteristics. Fit for titles, brand, product packaging and big size display. It has more than 300 glyphs which cover broad latin languages.

Broost is a groovy font that gives you a bold feel with sharp, bold strokes at each end of the letter. This font also gives a relaxed and cheerful impression to each of your works. very suitable for holiday design materials, parties, music, games, and more.

Polke is a single weight display face brimming with style and charm but simultaneously exuding impressive core strength and a vibrant personality. Floating ball terminals rub shoulders with contrasting sharp and rounded letterforms to produce a distinctively decorative headline font built on robust foundations. Polke's name is derived from the striking terminal dots which dominate the character set, creating a Polka-Dot effect throughout. I also had the artist Sigmar Polke in mind which explains the spelling, and so the two ideas simply morphed together.

Note: the 'Phone Pro Hebrew' typeface, includes just the Hebrew characters of the comprehensive "Phone Pro" family font, sold separately [on this MyFonts site], so they are economical for those interested just in the Hebrew Characters. And regarding the “Phone Pro” project in general, this is what I wrote: 'PRISTINE'; this font is—neither beautiful nor ugly, neither vigorous nor weak, neither traditional nor modern, neither serif nor sans serif, neither script nor printable, neither a text font nor a display font—it is rather all of the above, which makes it a more versatile typographic tool—[handwritten] characters that are well-suited for a wide variety of applications—from editorial design, [friendly] greeting cards... to branding, advertising, publicity and digital. Each glyph design combines its unique shapes and stylish ink-traps with parabolic curves. Each glyph design has been treated as an 'individual character'—the way I would treat a breathing, living, vulnerable and courteous human being; looking after each and every character as if it was my only child — bringing to light the authenticity and uniqueness of each individual, as well as my objective to bring about peace and harmony between them all as a whole. Designed with the intention of harmonizing between four scripts — Latin, Cyrillic, Greek and Hebrew; the whole family has a comprehensive set of characters—in addition to the Latin letters, the Phone typeface also has a full set of characters for Vietnamese, partially extended Cyrillic, Greek and Hebrew (sold separately). The t_t ligature is something unique to Phone, as well as the t_z ligature, among others and extras. A distinctive trait of the Phone typeface, is a high x-height combined with relatively short ascenders. The Phone typeface is in a way evoking the feeling of some Gaelic font and of the [Egyptian] Papyrus font (by Chris Costello, though, not being based on neither of those), having an exotic and an exquisite look, under the category of "Soft Fonts & Friendly Faces".

One menorah that I have long found particularly appealing was named The Tree of Life Menorah, a replica of which I gave as a gift one holiday to a kindly old couple who were neighbors and became friends. It had a simple, organic elegance that I see in the best of Art Nouveau sculpture. To me personally, Judeism is a celebration of life, like the triumph of the flower that blossoms in the crack of the city sidewalk. Just as Hanukkah celebrates the rededication of the temple and the miracle of the oil, it celebrates the victorious quest for freedom of the Hebrew people led by Judah Maccabee. Hanukkah represents determination and courage and faith — and it represents the presence of God in the lives of His people. It is interesting to note that the founding of the Albanian nation in the early twentieth century grew out of the resistance of the Albanian people to the imposition of Greek language and culture in the aftermath of the dissolution of the Ottoman Empire. The typeface, HADASSAH, designed by Henri Friedlander (1904-1996), is my favorite Hebrew typeface. Thirty years in the crafting, I believe it is unsurpassed for its shear beauty, combining a subtle modulation of stroke with a simplicity and clarity of form. No doubt, that is why it has become so popular. For me, the Sîyn/Shîyn characters are especially satisfying. For a Hanukkah message in Hebrew, I would choose HADASSAH LIGHT for a headline and print it as large as I could. If, however, you are looking for a friendly, warm face for a seasonal message in a roman-letter based language, may I suggest BETHLEHEM EPHRATH. It will be as comfortable as a bulky, hand-knit sweater on a frosty afternoon and reflects the solid, encompassing, family orientation of this holiday. It was on the way to Ephrath that Jacob’s beloved wife Rachel gave birth to Benjamin and then died from her labor. It was to Ephrath that Naomi and Ruth returned and in Ephrath that we have the wonderful, heart-warming story of the marriage between Ruth and her Redeemer-Kinsman, Boaz. And it was to Ephrath that prophet, Samuel, went to find a new king and there in Ephrath that the prophet annointed a small shepherd boy named David. The Proverbs tell us to seek wisdom. Never underestimate the impact you have on others. Words of kindness can change people’s lives. The Talmud says that the highest form of wisdom is kindness. Be wise this holiday season. The font BETHLEHEM EPHRATH is based on the typeface Accent with the permission of URW++ of Hamburg, Germany. Like most display fonts, it is most effective at 18 points and larger. Like most script fonts, it is most effective when set with both upper and lower case. Although this font is readable in all caps (many scripts are not), that does not make it a good idea. Do so only with caution.