Amongst a number of items for sale in an online auction was a font of metal type featuring a thin, condensed serif font with decidedly Art Deco styling. This was the inspiration for Department Store JNL, which is available in both regular and oblique versions.

The unusual hand lettering found on the 1945 sheet music for “Chinese Song” provided not only the design inspiration but the font’s name as well. A hybrid of Asian and Art Deco influences, Chinese Song JNL is available in both regular and oblique versions.

An example from the vintage lettering book "100 Alphabets Publicitaire" ("100 Advertising Alphabets") provided the inspiration for French Lettering JNL. This stylized Victorian [or Western] type face evokes the era of fanciful lettering design from the late 1800s. Available in both regular and oblique versions.

Proudly present the newest modern serif font called Zamon. This font is elegant and perfect for the headline, title, logotype, fashion, quote text, publishing, etc. Zamon also comes in an oblique style so you can pair it to make contrast and to highlight purpose.

The titles in various sections of an 1890 catalog for stencil manufacturing supplies were set in metal type that closely resembled the lettering found on a typewriter. These examples became the basis for Victorian Typewriter JNL, which is available in both regular and oblique versions.

"Baker’s Showcard Book" (1916) was an early 20th Century instructional book on sign lettering. One of the sample alphabets entitled “Decorative Roman” was a spurred serif, Art Nouveau design that has been recreated digitally as Elegant Showcard JNL in both regular and oblique versions.

The 1911 sheet music for “A Hot Time In Monkeytown" is an example of Art Nouveau hand lettering that could not be ignored as a typographic design source. The end result is Nouveau Moon JNL, which is available in both regular and oblique versions.

Parenting JNL is a stylized Art Deco sans serif type design originally found on a vintage WPA (Works Progress Administration) poster designed by the Federal Art Project and touting the topic of "The Job of Being a Parent". Available in regular and oblique versions.

CASKIER Caskier is a whiskey inspired layered typeface. With 10 font files, you get access to a variety of potential aesthetics ranging from clean, layered or roughened. What's Included? Regular, Bold, Outlined, Shadow, Roughened + Oblique Versions Western European Character Set A variety of ligatures

Inspired by the hand lettering found on a 1930s travel poster promoting visits to India, this bold sans serif Art Deco type design feature incised lines and a stylized A,E,F and S. World Travel JNL is available in both regular and oblique versions.

Gary Miska is a cute font with two style neu and regular fun happiness look and will makes this font suitable for your any project design. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

The cover of the 1929 sheet music from the First National/Vitaphone picture “The Girl from Woolworth’s” had its title (“Someone”) hand lettered. This single word title was the model for Store Clerk JNL, which is available in both regular and oblique versions as well as solid and solid oblique versions (without an inline). A bold, casual sans serif with rounded ends and an inline, Store Clerk JNL is perfectly suited for projects where a strong, yet playful title is necessary to grab the reader’s attention. For those old enough to remember, Woolworth’s was a leading “Five and Dime” store chain, especially in the days when a nickel or a dime actually could purchase something.

Introducing Marleone Brando - Condensed Sans, created by ikiiko. Marleone Brando is a bold-sturdy font with strong character, inspired by the typeface in mafia films. Marleone Brando has two types of letters, regular and oblique. A simple font with a bold size with shadow line inside, make this font look elegant and classy impression. This typeface is perfect for an elegant logo, branding, movie poster, layout magazine, sport wear, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? 2 Weights Regular & Oblique Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

The design of Rosenbaum started with the idea of an eclectic merger of didone stroke pattern and contrast, uncial letterforms and blackletter appearance. It was a destillation experiment. It happened around christmas in 2011. The result is a unique typeface which strongly evokes a peculiar pastiche mood without being any historical in the strict sense of the word. It’s all about the fun to mix ingredients and to freely create reminiscences in a new way. Rosenbaum is a typeface like a fairytale – one of a kind, strangely poetic and incredibly true at once… Use Rosenbaum for emotional typographics, for fairytale books and stories, for headings and invitations, for distinctive labels or menu cards, for Wave Gothic publishing … you will know best! Both Rosenbaum Eins and Rosenbaum Rose contain all characters needed for any European language. They both contain the same range of additional symbols and ornaments, some of them are zero-width calligraphic embellishments designed for direct combination with the letters, even inside of words.

VLNL TpDuro was designed by chef Martin Lorenz and Juanra ‘Wete’ Pastor. Its concept was inspired by an Albrecht Dürer design from 1525, which shows a system to construct a gothic lowercase letter. Following the logic of this lowercase construction, but not the traditional uppercase letters of regular fraktur (brokenscript) alphabets, some brand new upper case letters were designed. The 45 degree tilted square that forms the basis of the letters, is as square and hard as a cracker. And we love crackers. You can put cheese on them. The ‘pixel’ feeling of the downstroke was intensified by repeating the rotated square module as often as they could. All this resulted in a strong, dark typeface with a steady rhythm, with one foot in history and the other in modern times. It works well as a display typeface for short texts, headlines and logos. Music festivals and heavy metal bands should also pay attention. This is hard stuff.

Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic). Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to meet all the requirements of a legible typeface for newspapers in paper and screen, as they were manually hinted. It also has a few new features, such as the outstrokes of the roman ‘l’ and the italic ‘a’, which bring a subtle calligraphic feel to the text flow.

Finally the time has come to publish our new ‘BlackHand’ font. It is a bold and upright handwritten font featuring 150 ligatures, which make for a credible handwritten look and feel. The ligatures will appear quasi random without the user having to search for the right alternate character in a list of glyphs. As you will notice, the font does well in both headers (it even has an ‘instant logo’ quality) and in plain text. The font finds it’s origin in handwritten notes which were done without paying attention to aesthetics. The regular characters and the ligatures were handpicked to form an organic and natural, very readable result. The original writing was done with an Edding 1340 brushpen, giving the font frivolous thick/ thin strokes. We hope you enjoy using the font as much as we did creating it. As an introduction offer, you can get it now at 50% off in the first month after publishing.

Akagi started as a rough sketch while on a really long plane ride to Tokyo in 2007. I wanted to develop a sans that was a complete departure from my successful Aaux Pro (now Aaux Next) sans serif family. Whereas Aaux and its siblings are rather unforgiving and stark in their presentation, I wanted this new sans serif to "smile" at you when it's on the page. When the plane landed and I realized I did not sleep through the 15 hour trip, my brain shut off, the laptop closed and I hopped in the car to the hotel—forgetting the "new sans" folder on my desktop. Fast forward a few months and I found myself seeing a lot of crisp, rigid, robot-like sans serif typefaces everywhere... I enjoy these new crop of faces but wanted to see something "friendlier" and remembered my earlier sketch work. The groundwork was there screaming at me to complete and Akagi arose from the ashes. To be truly satisfied with it personally, a great deal of time was spent trying to create a harmony between line and curve in an attempt to show that you can be crisp, clean and legible and still keep some personality. The Light and Fat weights (regular and italic) are my favorites and I hope to see them as the workhorses of the typeface.

The Cabrito family is back again to make a statement. Released as a complement to the children's book, The Clothes Letters Wear, the original Cabrito is light-hearted, fun, and easy to read. Now, balancing this friendliness with a new elegance, Cabrito Contrast steps forward--a handsome typeface with an extra-sophisticated sensibility injected into the design. Still bright and playful in its Cabrito ancestry, this new Cabrito member approaches the field with a cleaner, more reductionist form, ensuring that its polished look retains the readability. Regular features and Italic forms of the 54 fonts include upright alternates, ligatures, and old figures. A range of weights include extended and condensed variants. To preview any of these interactive features, see the PDF manual. The family also includes language support for 72 Latin-based languages, and there are over 600 glyphs for further refining your work. Cabrito Contrast is best used for logos and packaging as well as flyers and websites, though its readability makes it a great option across a wide variety of works. In short, it’s well-designed just for you. Take a stroll with Cabrito Contrast, and see how much fun refinement can be. Along the way, take a look at a few other members of Cabrito, too and see how well the likes of Original, Inverto or Didone can pair with the new Contrast.

If you think nostalgia isn't what it used to be, this will change your mind. A ritzy new font family from Studio K that will transport you back to the era of afternoon tea dances performed to the strains of the Palm Court Orchestra or the Bath Pump Room Quartet: a celebration of the golden age of dance from Busby Berkeley to Fred Astaire and Ginger Rogers. Enjoy!

Barata Display is an all caps script family font inspired by the street vendors and informal commerce in Latin countries. A condensed defined and thick stroke evokes the chalk signs that are made in "tianguis", markets, greengrocers, barbecues and flea markets from Los Angeles to Buenos Aires. It is a typeface that "SCREAM" buy me, save money, discounted, almost Free, opportunity!. What distinguishes the New Barata Display from Estudio Arellano Type Foundry is the expressive power of its structure. The Alphabet is built on the geometric principle of free traces from freehand writing. Composed of 236 capital Roman characters, Barata Display includes most common accents and diacritics. Barata Display can be used in any kind of commercial or personal promotion, in graphic design, web, print, animation, etc. Perfect for price labels, tags and other applications such as posters and t-shirts. It is a typeface ideal for headlines and Lettering.

Mingolia Display - A modern serif font family (Variable Font) with a unique and classy style. It looks amazing at display size and is easy to read in text size. Mingolia Display comes in 8 weights from Extra Light to Black with matching Oblique. Mingolia Display also offers many alternative fonts and beautiful ligatures, which allow you to replace standard fonts with alternative fonts/ligatures to make your designs more unique and attractive. Mingolia Display is a display font created primarily for headlines, titles and other short text and is perfect for advertising, vintage mood boards, branding, logo type, packaging, titles, editorial design, and modern and vintage designs. Feature · All Uppercase and Lowercase · Alternates and Ligatures · Numbers & Symbols · Supported Languages · Substitutes and Binders · PUA Encoded Have fun using Mingolia Display!!! I really hope you enjoy it! Feel free to follow, like and share. Thank you so much for checking out my shop!

Simplo: the ‘Italian Futura’. Simplo is a geometric sans serif typeface, built in sixteen styles. It is a tribute to the 1930s typeface Semplicità, designed by Nebiolo’s Alessandro Butti. Although many details of Simplo differ from Semplicità, it preserves the spirit of the original. Simplo is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. The most notable characteristics of this typeface are the ‘t’ and the ‘f’. The ‘t’ is the culmination of simplicity: a vertical line with just a simple right-side crossbar. The ‘f’ also has just a right-side crossbar, and is really tall: it reaches both the highest and lowest vertical position of the typeface. The top of the distinctive ‘s’, is much narrower than its bottom. The ‘a’, ‘b’, ‘d’, ‘g’, ‘p’, ‘q’, and ‘u’ are spurless, and show a family resemblance with Hans Reichel’s 1990s typeface Dax. However, these letters are rounder and more geometric than Dax’s counterparts, because of Dax’s higher x-height and narrower design. In Paul Shaw’s Imprint article about typefaces that have been overlooked and/or underappreciated, “Overlooked Typefaces”, he concluded his discussion of Semplicità as follows: “These idiosyncrasies suggest that Semplicità might find a warm reception today, given the current love affair with Gotham, Neutraface and Proxima—and the resurgence of ITC Avant-Garde Gothic.” Free demo font available. For more information about Simplo, download the PDF Specimen Manual.

Kwersity is a boxy, geometric, slab-serifed typeface with strokes of uniform weight. Its circular elements are almost rectangular. The narrower style has a high x-height. Both the narrower and wider variants come in three weights, regular, semi-bold, and bold. (In its original, pre-2020 form, what is now semi-bold was bold. What is now bold is new as of 2020.) There is also a shadow version; Kwersity-semibold can be layered on top of it to color the interior of the letters.

INSPIRED BY THE LOVERS OF LETTERS AND ANCIENT ANIMATED DRAWINGS: We present one of our most desired typographical tools of 2019: NUTCAKE CATCH-WORDS! Designed and produced by #carlosfabiancg and #a_freitez at different times and places in Venezuela and Colombia. Each word design was like “travel to the old school of hand lettering of 1930” due to the number of options and alternatives we discarded to solidify meticulous researches and Bezier drawings, based on analysis and synthesis of empty and full calligraphy, first done with a round brush and then perfected with pencil and paper. For this reason, each NUTCAKE CATCH-WORDS design contains a high dose of cursive expressiveness, apparently handwritten, and that is why our customers can take advantage of more than 160 words compiled in a single OTF file. NOTE: if you need any new word with the NUTCAKE CATCH-WORDS style, please write us and we will gladly design it to include it in your file. Below the list of 160 catch words: and, An, All, As, After, Ante, Avec, Break, Bright, Big, Back, Both, Best, Body, Butter, Breakfast, By, Bajo, Coffe, Café, Closet, Can, Cocktail, Cookies, Custom, Cabe, Con, Contra, Could, Crisp, Candy, City, Chocolate, Chocolat, Come, Del, Don't, Deliver, Desde, Di, Durante, Enjoy, Eat, Example, El, En, Entre, Front, Fire, Free, Fashion, For, Fresh, Friday, Family, Going, Great, Go, Heres, Here, Hand, Hacia, Hasta, Have, I'm, It’s, Imagine, It, Join, Just, Jam, Kitchen, Kiss, Know, Keep, Like, Life, Lady, La, Las, Les, Los, Le, Love, Money, More, Master, My, Mediante, Now, now, New, new, next, nuevo, nueva, Off, out, ofertas, oferta, offer, offers, Please, Para, Per, Page, Quality, Queen, Question, Valley, Queso, Right, Road, Save, See, Show, Something, So, Según, Sin, So, Sobre, Sale, Shop, Style, Styles, Sweet, Special, To, the, The, Theres, There, To, This, Three, They, That, Tras, Think, Time, Take, Transfer, Until, Vacation, Value, Vote, What, Hats, With, Welcome, Which, You, Y, You're, you, Zip, Zoom, Zombie.

Introducing "Glize" – a dynamic and bold oblique typeface designed to infuse your projects with an unmistakable sense of speed, strength, and sharpness. Crafted with precision, this font exudes a powerful and energetic vibe, making it an ideal choice for projects centered around superhero themes, sports, esports, and other high-energy contexts. The bold strokes of "Glize" create a commanding presence, instantly capturing attention and conveying a sense of forceful momentum. The oblique angles add a dynamic slant, enhancing the font's overall sense of motion and agility. Each character is meticulously shaped to embody a sleek and streamlined aesthetic, contributing to the font's ability to convey a feeling of speed and intensity. Whether you're designing a logo for an esports team, crafting promotional materials for a high-impact sporting event, or working on a project that demands a bold and powerful visual identity, "Glize" is the perfect companion. Its bold oblique design ensures that your message is delivered with vigor, leaving a lasting impression on your audience. Elevate your designs with the striking and forceful character of "Glize" – where bold meets speed, and strength meets style.

A beautiful and stylish pen lettered alphabet appears within the pages of the 1921 publication “How to Write Show Cards” and its Art Nouveau stylings made it a perfect candidate for a digital revival. Pleasant Show Card JNL is available in both regular and oblique versions.

The font Antique Slabserif JNL was run through a filter to create a design that looks like worn type at smaller settings or jaggedly distressed lettering in larger type heights. The end result is Radio Interference JNL, which is available in both regular and oblique versions.

Antobe is a serif font with a modern & elegant touch. The thin character is perfect for the design needs of a modern & elegant layout. There are 2 styles, regular and oblique. Equipped with multilingual tools to make it easier for you to use various design purposes.

Township JNL is based on French Antique Condensed [a classic wood design] and is available in both regular and oblique versions. Reminiscent of Old West wanted posters and circus broadsides, this ultra-condensed typeface allows for more word copy to fit into a single line’s space.

In a vintage photograph, promotional signage outside an old theater for the 1929 early sound film “The Doctor’s Secret” had lettering in a wide, bold Art Nouveau slab serif design. This was the model for Talking Picture JNL, which is available in both regular and oblique versions.

Ruberoid is a squarish geometric sans-serif family reminiscent of Italian designs of 1950s and 1960s, but featuring considerably rounder shapes to give it a more contemporary feel. The typeface comes in 9 weights with companion oblique styles and contains support for Latin, Greek, and Cyrillic scripts.

Office Staff JNL is a version [with serifs added] of Popularity JNL – a condensed Art Deco design based (for the most part) on a popular typeface known in some foundry books as ‘Radiant’ with some reinterpreted characters… and is available in both regular and oblique versions.

Köhler Köhler is a Condensed Headline Type Family. Köhler comes complete with 6 OTF files. Regular, Rough, Clean & Textured with Oblique counterparts. Köhler is a super condensed typeface with a vintage aesthetic but also doubles as a great modern typeface depending on the final use. Thank you!

On page 45 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign” is a multi-line alphabet of Art Deco elegance that perfectly captures the spirit of the Streamline era. The digital version is available as Showcard Multiline JNL in both regular and oblique versions.

Modeled from an example in the book “Lettering” by Harry B. Wright (1950), the poster alphabet shown was reminiscent of the kind of style used in the early 1900s by sign painters and show card artists. Vintage Poster JNL is available in both regular and oblique versions.

An example of hand lettering from a vintage instructional book was the basis for Fashion Statement JNL; available in both regular and oblique versions. This extra-wide "thick and thin" design is perfect for replicating the classic signage and print work of the Art Deco era.

Craggy has a narrow, spidery, irregular set of letters. Its creepy, Halloween spirit makes it ideal for scary stories and similar uses. The family has three base styles: condensed, regular, and bold. Each comes with an oblique and backslanted version yielding a complete family of nine members.