Please note: the wispy effect in the illustrations were applied to characters from the font but is not part of the font itself.

An art deco style typeface inspired by the poster from the 1971 film, Velvet Vampire. Such a playful font for a horror flick!

Most of the letter keys are from animal drawings done by a six or eight year old child who has now grown up.

How much more multi-cultural can you get, than a Japanese-style Roman font from Denmark? Looks like an LCD font gone awry!

Breesh font is a dancing handwriting, quickly trace with a pointed brush. The inspiration come from both asian calligraphy, italic and copperplate alphabets.

Brownies script will be a good thing for your design and matches well for uses ranging from wedding invitation, bakeries, and much more.

Scat Dingbats from Laurie McCanna is a set of eclectic icons originally offered with the Scat typeface but useful as general purpose symbols.

A page from an old manual for sign painters yielded the hand-lettered alphabet that served as a model for Claim Check JNL.

RiptCure is a futuristic, but usable typeface for everything from logotypes to magazine headlines. Several weights are included, including an interesting Ultra Light.

Thomas Maitland Cleland’s careful and scholarly creation of a typeface from 15th Century Florentine inscriptional capitals; designed for the Bruce division of ATF.

Kylemott was developed from an earlier font called Quadlateral. It was a look at the curve and line used in an angular fashion.

RendtPhysic. Exactly what’s needed for your next starship lettering job. RendtPhysic is designed to be used in conjunction with RiptCure also from DooleyType.

Paramilitary JNL from Jeff Levine was modeled after a set of brass interlocking stencils and offers another choice in digital stencil typeface design.

Introducing Bronc Stomper; Bronc Stomper got its start from an old logo design used by the New York and Harlem Railroad in 1904.

PL Brazilia from Albert Boton is an elegant extended sans serif face in two weights. Usable in headlines on books, journals and posters.

Social Gathering JNL is modeled from the Art Deco hand-lettered title of a vintage piece of sheet music entitled "Three of Us".

Geometric forms make this elegant font family a great companion for invitations and signs, indoor and outdoor. Proportional figures added, perfect for signage.

A second VGC face, this one by S. Biggenden, borrowing from the structure of MICR figures to lend computer associations to the page.

More cartoon illustrations, sales builders, ornaments, embellishments and miscellany come your way with Message Helpers JNL; all re-drawn from vintage source material.

The Vtg Stencil series of fonts from astype are based on real world stencils. Have a look at the Vtg Stencil Ornaments A .

Daily Tabloid JNL was redrawn from a set of wood type that was popularly used for newspaper headlines, posters, broadsides and the like.

Blackwood is a sans serif headline face with a woodgrain effect. Based loosely on Grotesk, it has strong, solid forms with distinctive style.

A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages.

Inkpad Letters JNL joins a number of fonts that were reproduced by Jeff Levine from inked impressions of various rubber stamp printing sets.

Dangits JNL is another collection of images from Jeff Levine's early dingbat fonts, all cleaned up and improved for the professional designer's needs.

“Vacation Monogram” is a script font combined with a monogram. This monogram is decorated with forms of tourism and traveling around the world.

This cute font create with love and inspired from cute moment. Let's try this font for your colourful moment and cartoon style. Cheers

Portmeirion No.6 started life as an experiment by our designer, who was exploring the possibilities of a completely 'over-the-top' display Roman face, bringing in elements of Tuscan and 'Circus' design, along with anything else he felt like. He's instilled a little more discipline in the finished result...but just ever so little. We have Fred Stevens, a regular reader of our website to thank for the name. He's comment on seeing a preview of the design was 'Over the top, Italianesque decorative and intriguing. add some 60's TV and voila Portmeirion.' Why No.6-well you'd need to know a bit about 1960s television to understand that, but we'll give you a hint..."Where am I?"..."In the village".