Strijkijzer is a funfont. It originated as a joke between friends. Do not take too seriously for it. But it is complete. Download it for free and swing your iron.

Out from a turn-of-the-century cartoon, Pennywhistle evokes the silly symphonies and merry melodies of an earlier age, while playing footloose and fancy free for a modern age.

Free flowing legible connected-script with glyph terminals including all diacritics. Suitable for various applications such as captions, fashion headlines, packaging, invitations, cards, posters, ads, greeting cards and book jackets..

This series of free fonts features symbols and icons for use in information graphics. Glyphyx One includes symbols related to transportation, while Glyphyx Two includes symbols related to leisure activities.

Soft Garden is a collection of ornaments, available in font format. Good to use in arts and crafts works, books of arts, stationery, publishing stuff and many other applications. Another delicate collection by Iza W from Intellecta Design. Besides the font itself, buying SoftGarden you get FREE a special set of eps: 49 intrincated and feminine colored versions of SoftGarden by Iza W (see the banners at the gallery section with some samples of this collection). The EPS are ready to use and Royalty-Free licensed.

Waverly CF combines the tone and flow of art deco with updated, clean letterforms and a modernized construction. Variation in letter width creates a pleasant rhythm perfect for artwork and logos. Waverly CF offers wide language support across Latin and Cyrillic glyphs, and includes a host of swashes and alternate letterforms. Waverly CF is an expressive display typeface and pairs well with simple, elegant serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Criteria CF is a geometric sans, efficiently built from lines and circles. Its strong, thoughtful construction allows for cleanly-stacked lowercase text and stunning headlines and logotypes. Criteria CF pairs nicely with any serif. Typefaces designed for body copy, such as Artifex CF and Addington CF, are a great match. It also looks great with bold display serifs like Wayfinder CF, or a humanist sans, like Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Flowing like warm honey, Mielle® CF is a playful cursive script perfect for logos, signage, and posters. Automatic ligatures and contextual letters flow across Mielle's six weights. Mielle® CF pairs well with simple, elegant typefaces that won’t compete for visual attention, such as Artifex CF and Artifex Hand CF. Please note that some contextual glyphs may not appear in the generated previews, but will work correctly in the full typeface. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read !

Inspired by a famous vampire movie. This font is based on the character shapes of Free Serif, a sample font bundled with FontLab applications; it is quite similar to Times Roman.

This font family has derived from a lettering creation for my wedding stationery. One of the most significant momentos for me and my wife Xana (hence the font name - Xanas Wedding). I hope this typography can give a touch of informal elegance and discreet beauty to your projects. There can be multiple applications, since this font is flexible enough to appear as a custom text or a variable, organic, handwritten work. Initial and final swashes: you select a letter (like "a" of xanas wedding inicial swash) and then you type the other letters, but with another font (like xanas wedding bride, for example). In the final of the phrase/name, you type "a" or "d" and select this final letter and switch the font for xanas wedding final swash.

BLT Balfour : Art Deco Revival Font Balfour is a modern Art Deco typeface revival. Built from historic references in architecture during this time period, Balfour exudes class and elegance, yet still honors the style with unapologetic bold geometric forms. Pay close attention to the letterforms B and R, and how their extreme x-heights play off of the elongated strokes of C, D and G. Unique features throughout the character set make it less predictable and more unique than any Art Deco typeface before it. The geometry of this typeface plays from one letter to the next. Fill and Outline styles work well in headlines, logos and large type. The Line style is effective at all sizes and can be used in combination with other styles to achieve visual hierarchy.

I'm so excited to present my Coal Soul typeface. It has been inspired by underground music video and hand drawn with Sharpie marker. Coal Soul has very unique minimalistic low poly letter form, 3 styles, and illustrations which will allow you to create really outstanding designs. It's perfect to use in logos, posters, music covers, clothes prints and other stuff which needs crazy visual style. Coal Soul Features: Uppercase font Full set of alternates for each letter and number to create a more realistic look Bonus wide alternates for letters "B, C, D, E, F, G, O, Q R" Wide language support (Western European, Central European South Eastern European) Carefully tuned kerning Extra illustrations font If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using Coal Soul!

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then.