Deco is a minimal, easy-to-read gothic without fuss. Geometry is sharp, strokes are uniform throughout, and characters are slightly condensed. This version is based on wood type of unknown origin, but the design was likely based on lettering from the Art Deco period of the 1920s and '30s.

The Ugaritic alphabet is a script with ancient letters that was used around 1400 BC. Ugarit is an Old Southwest Semitic language and was found in Ugarit, a place in Syria. It has 30 letters. Other languages ​​(especially Hurrian) are sometimes written in the Ugaritic script in the area around Ugarit

Yard Goods JNL is another typeface derived from a sign making outfit consisting of a series of stencils manufactured by the Display Material Company of St. Paul Minnesota. This clean and casual sans design embodies the hand-lettering of 1920s and 30s era show cards, price tickets and display signs.

Mugio is the latest addition to our San Serif font family. Mugio is a one-of-a-kind font that can be used for any project. It includes a lot of qualities that make it particularly powerful and handy for making elaborate designs. This font’s slanted letters and curves make it ideal for logos, flyers, posters, and a wide range of other typographic projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Here comes Rambuk! (Well ... it's Danish for rambuck) Rambuk is not a silent font! It’s big and noisy! The font is designed to be used in magazines, as an expressive poster font, for book covers, logotypes and much more! This font is bold, and it fits your style! The font is also handy when it comes to having big letters to fill with art or pictures. Rambuk comes with specific numerals for its small and big letter as well as carefully designed superior and inferior numerals. Make your design count — knock in some doors!

This sans-serif type family of two weights plus matching italics. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Vitage has a functional look with a warm touch. It is manually hinted and optimized for screens, so it will be a good choice for Websites, eBooks or Apps.

A flat pen script font face with a fairly elegant look to it. The design of this script was intended to be used anywhere a well legible script is called for. A heavy stout script is the perfect display face which has a 30s and 40s flair that will add class. Suitable for applications such as captions, fashion headlines, packaging, invitations, cards, posters, ads, book jackets and covers.

Chank worked with Josh Eshbach, an intern from Minneapolis College of Art and Design, to create Cocaine as the Chank Font of the Month for November 2000. Inspired by Speedball type designs of the ’20s and ’30s, Cocaine has been redrawn and streamlined for use in the digital age. Curvy and round and relishing in its idiosyncrasies, Cocaine recalls vintage French wine posters and antique sheet music covers.

A collection of 30 retro illustrations of cocktails, drinks, beer, champagne, appetizers, canapés, candy, corkscrew, ice bucket, decanters, and 5 background graphics. Perfect for your next party flyer or invitation. Inspiration for the font came from a set of illustrations created for a Cocktail themed fabric contest on spoonflower.com. I also made a postcard for my etsy store. Then I expanded the set and make Happy Hour Doodles.

This playful offering, suggestive of Cooper Black on some serious drugs, is based on the so-called “California” style of lettering used extensively in travel posters of the 30s to the 50s. This version is based on its interpretation by Carl Holmes in a Walter T. Foster artbook entitled ABC of Lettering. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Ainsi que le considérait Geoffroy Tory, typographe et philosophe de la Renaissance, chaque lettre de l'alphabet peut être dessinée à partir d'un cercle et d'un trait. La fonte "cyclo" actualise et radicalise ce principe graphique visionnaire. Le pack contient une version "regular" assez sage et une version "alternate" plus fantaisiste dans les accents et des signes de ponctuation. La fonte cyclo est dont adaptée à tous les usages (titres, sous-titres, chapitres et blocs de text), et peut servir efficacement l'identité visuelle de votre projet.

Chewy Bubble is a fat and handy font, a fun typeface that adds a cheerful and vibrant touch to your designs. This font features bold and rounded letterforms, reminiscent of fat bubbles floating in the air. Carefully crafted curves and generous spacing create a sense of fun and whimsy, giving your text a lively and interesting look. Whether you're designing a logo, poster, or children's book cover, this fat and cheerful font is sure to grab attention and add some fun to your designs

The hands in this font are the pointing, counting, threatening, signaling, demonstrating and playing hands I use in my own design projects. I have drawn them all with a felt-tip marker, scanned and digitized for use in a font. This picture font is more user-friendly than having single ps-files. I usually convert the letter to paths once I have decided which one to use, because I might want to fill the lines or background with different colors. Yours very handy, Gert Wiescher.

Introducing our new brush exploration, Insider. A signature brush font made with the high attention of the brush details. Inspired by the dry brush lettering and signature logo. This font has the feel of handwriting and energetic, which absolutely handy to create a casual and elegant design. Insider complete with alternates characters, ligatures, and swashes that you can apply on T-shirts, labels, titles, books, quotes, logos, logotypes, packaging, and much more! That's all, folks! Thank you for watching and keep it up!

Freely hand-painted with a flat brush, this font conveys spontaneity both through its typeface design and the numerous alternates it delivers. There are four different glyphs for each lower and uppercase letter and two variations for figures (and yet some punctuation marks). All these alternates are programmed to easily cycle at the click of a button - yes, the absolutely amazing Contextual Alternates one. Brushtones, a bold brush font, nice and handy, just perfect to color your message.​ ​Give it a try!

Northwoods is a simple, handwritten sans serif font family designed by Cindy Kinash. This family includes five weights and italics. Northwoods is a little different than most sans serifs being that it’s handwritten. You can use the fonts in multiple ways such as in design or textually. Try the bolder weights for display text and the lighter/italic weights for textual purposes. Northwoods is great for packaging, magazines, layouts, web design, corporate identity and marketing. Posters designed by Henry Barros.

Neue Frutiger Devanagari was created by Mahendra Patel and Kimya Gandhi and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 5 weights from Light to Extra Black, with matching italics to support the Devanagari script and languages such as Hindi. Neue Frutiger Devanagari embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Bricola (rhymes with Nicola) is a condensed display face that contrasts soft curved outlines with sharp cuts and counters. Sturdy and idiosyncratic, Bricola is an eye-catching blend of functional and funky, appropriate for headlines, labels and branding. The licensed family includes Regular and Bold weights that both pack a punch, and also two handy italics (obliques).

Manaline includes a hand lettering look that is attractive and natural. Every single letter has been carefully crafted to make your text look beautiful. This font includes over 233 glyphs, including over 30 alternate characters with swashes. It has over 60 extended Latin characters for language support. This font is suitable for invitation, branding, advertising, classic design, poster design etc, and also this font is PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

[D]ONLINE is the first font family designed by Don Citarella for his blog, [D]ONLINE, and was created to provide a signature feel for its namesake. It combines a strong, medium stroke with arching end caps to embue the typeface with a futuristic curvilinear feel. This display font is best used for headlines, identities, wordmarks and other instances involving minimal copy and maximal whitespace The typeface includes 300 characters, including 45 accented glyphs and 30 ligatures.

Antikka draws some inspiration from the style of the Art Deco movement of the 1920s and 30s. The vision behind making Antikka was to revitalize the style of this bygone era -- making it funky and relevant to our 21st century times. Antikka is a minimal font, clear and geometric, yet highly stylized. Comfortable in a business setting - or just about anywhere. Antikka arrives as the business casual of fonts - giving it a wide range of use.

Super clean, yet sophisticated! Astaneh with its 2 weights brings a modern and clean sans serif Arabic/Persian typeface to life! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Familiar, yet eye-catching! Hezareh with its 2 weights brings a modern and clean serif Arabic/Persian typeface to life! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Hezareh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Proudly present a pretty bouncy font called Delighted. As the name suggests, this font will make your project more enjoyable because it will make your project more beautiful and stand out. Delighted font comes with several alternates, so you can switch on for the alternate, stylistic alternate, and terminal form. This font is perfect for logo font, branding, greeting cards, cut files for quotes, silhouette font design, monogram font, etc. The packages and features Delighted font PUA encoded Multilingual support in more than 30 languages Thanks, and have a nice day

A classic Art Deco period style inspired by Samuel Welo, circa 1930. Letters are widely spaced to allow the subtle beauty of the letters to shine. Includes over 30 bonus alternates and two sets of small caps which are designed to be used at the cap height rather than sit on the baseline.

Airbuzz is a typeface created by Spinefonts in Warsaw, Poland. The idea was to create something between grotesk and 'lcd' typefaces; something which is strong and condensed. Airbuzz looks best in large sizes (30+ pts). You may find it useful for posters, titling, infographics, signage and corporate identity. Airbuzz features only uppercase characters.

True North is back but now in a distressed version and new styles! True North Textures is a vintage typeface with 18 fonts and a monoline script. True North Textures comes with distressed labels, extras and free banners. Extras include wild animals, catchwords, numbers, mountains, symbols, tools, leaves and trees. True North Textures is a headline font with alternate capitals. Combine all 18 styles with the script, banners, labels and extras and you get a wonderful distressed vintage design.

Penitentiary Gothic is a digital recreation of the letters used on California state license plates, designed in order to make props for movies and television shows. The regular style is meant to be used on its own, but the other four styles are meant to be used one on top of another in different colors to create an embossed 3D effect. For best results, use the fill style in a dark color on top of a light colored background. Put the lolite style directly on top of the fill style in 10 - 30% of the background color. Put the hilite style directly on top of that in 10 - 30% of your fill color. Put the shadow style directly on top of that using your background color plus 50 - 80% black.

The font family KK30/45 is available in 3 weights: Light, Regular, and Bold. Type Designer: Kuncho Kunev The name of family - KK30/45 is from the first letters of the designer's name (K)uncho (K)unev and from the main angles of the slanted stems - 30° and 45°. Release date: December, 2001 HermesSOFT Ltd. The design of КК30/45 incorporates a geometric variety of shapes, and have been originally designed in such a way that all slanted stems are 30° and 45°, The very high x-height and low bottom parts allow typesetting with almost 100% leading. КК30/45 is a display face suited best to sizes 16-18 point and above. There are included also all Cyrillic vowels with accents that are really necessary for the professional typesetting in Cyrillic languages. Supported Languages: Western Europe (Greek not included), Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic. Supported Code Pages: Macintosh and Windows, any for above languages. Opentype features includes kern, fractions, ordinals, superscripts.

Hedgehock Script Inspired by Sign painting style and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Opentype Feature Stylistic Alternate Alternative Character Ligature Swash Extended Latin Pro

The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller and designed by Seymour Chwast. Included in the font are several handy ink blots (section mark and superior numbers positions), a stylish tailpiece (florin position), and a couple of ink bottles patterned after those on the bookcover (bar and broken bar).

Lenga is a kind of beech originally from South America. The explorers who discovered this beech in Tierra del Fuego, thought it looked like a tree from their home country and named it 'Lenga'. Like many of southern hemisphere beeches, the Lenga beech is fast growing and hardy, making it an ideal timber tree. It regenerates easily after fires. The wood has good quality, moderate durable, and easy to work. The Lenga fonts were inspired in the nobility, robustness and flexibility of those trees. They have a distinctive personality within contemporary atmosphere. These fonts are quite appropriate for headlines, subheadings and with its text flow works very well for long texts. Their legibility is suitable for editorial purposes mainly in newspapers and magazines. Lenga comes in 16 styles carefully done in OpenType format. All styles contain standard and discretional ligatures, proportional lining figures, lining old style figures, scientific superior/inferior figures. The complete set supports Western European, Central and Eastern European languages.

Autobats is a set of over 100 different car and truck icons, minimal silhouettes that can be adapted to whatever context your design flings at them. The mystery of why this font has been so popular was solved when one of our customers said, “I always use this thing, because the name starts with A, so it’s one of the first fonts I see in my slap-a-logo collection”. To see all the icons available, a glyph palette would be come in handy while using the font. Honk if you like convenience. Beep beep!