A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-catching forms are an oblique tribute to the less-predictable style of brush lettering, and contain daring, elegant curves, economical proportions, and a slight top-heavy asymmetry. Its warmth comes from the subtle emphasis on the structures and details of individual letterforms, whereas its solidity is demonstrated through its balanced rhythm over long spans of text. Each font supports over 75 languages and is hand-tuned for a pleasing legibility and aesthetic both in print and on screen. This type family makes an excellent choice for presentations, articles, branding, and advertising. Available in 14 styles, Iskra represents a fresh, stimulating, forward-looking perspective on how we see both the vitality of the particular letter and the overall harmony of text. Iskra is available in three different character repertoires: Iskra, complete set — Iskra CYR, Cyrillic-based subset with a Latin supplement — Iskra Cyr, Latin-based subset. Both the LAT and CYR series conform to most standard codepages used by typical software covering their respective scripts. All three series have similar OpenType functionality."

Welcome to the world of Evensong—the perfect art deco geometric typeface for those who want to make a statement. With its dramatic and unusual contrast, this font is sure to catch the eye of anyone who sees it. One of the things that sets Evensong apart from other typefaces is its extreme thick/thin letters. But it’s not just that—it’s the way Evensong makes dramatic choices with its contrast that really makes it stand out. With Evensong, you can deliver your message with a stylistic flair that’s sure to get noticed. Whether you choose to use the Solid and Hollow styles independently or stack layers of Solid and Fill, you have the flexibility to experiment with different color combinations and layers to create the perfect retro-fashion look. Embrace the boldness of Evensong and make a statement that’s impossible to ignore. This font is perfect for those who want to stand out from the crowd and make a lasting impression. Try it out today and see how this one-of-a-kind typeface can take your design to the next level! Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

very traditional forms strongly slanted italic consistant proportions extraordinary ligatures swashes alternate letters alternate figures lower case l with a hooked “foot” Believe it or not, there are hardly any sans serif fonts in which the lower case letter l also has the hooked form of an l. Instead, we readers have to constantly distinguish whether we are seeing an uppercase I or a lower case l — just take a look at the word “Illinois”... The ingoFont Analogue was developed for exactly this reason. The intent: To create a pretty much »ordinary«, even classical font with its most striking characteristic being the inclusion of the “crooked l.” As a model, I used the »mother of all sans serifs«, Akzidenz Grotesk from Berthold, with its beginnings going back to the 19th century. Analogue is so to say a new interpretation of Akzidenz Grotesk from ingoFonts. All characters — following the model — have been newly designed. And if you want to emphasize the shape of the hooked foot even more, you can also activate the alternate styles for d, h, m, n (Style Set 1). Conversely, the alternate a somewhat softens the “hooked” impression (Style Set 2). The slanted versions — it isn’t truly a real cursive font — are noticeably stronger with 13° than the italics in comparable fonts, and were given a round e with a mind of its own which distinguishes itself considerably compared to the upright characters in the overall appearance of the font. More modern and formal solutions in detail were chosen for some of the characters, for example the M was given lightly slanted sides; the a reflects the curves of the s; the “feet” of a, l and t match; the flared legs of K and R became a “foot”, too. General proportions were carried over almost completely with no changes from Akzidenz Grotesk as well as the slanted trimming on the open forms of a, c, e, s; in comparison, C, G and S were given straight endings. Analogue contains many ligatures, even discretional ligatures, plus proportional, old style as well as tabular figures. All in all, at first sight Analogue brings back memories of the charm of its well-known predecessor; and yet, many small differences give Analogue an unmistakable certain something...

A friend of mine says that sports are the ultimate popular drug. One of his favorite things to say is, “The sun’s always shining on a game somewhere.” It’s hard to argue with that. But that perspective is now the privilege of a society where technology is so high and mighty that it all but shapes such perspectives. These days I can, if I so choose, subscribe to nothing but sports on over a hundred TV channels and a thousand browser bookmarks. But it wasn't always like that. When I was growing up, long before the super-commercialization of the sport, I and other kids spent more than every spare minute of our time memorizing the names and positions of players, collecting team shirts and paraphernalia, making up game scenarios, and just being our generation’s entirely devoted fans. Argentina is one of the nations most obsessed with sports, especially "fútbol" (or soccer to North Americans). The running American joke was that we're all born with a football. When the national team is playing a game, stores actually close their doors, and Buenos Aires looks like a ghost town. Even on the local level, River Plate, my favorite team where I grew up, didn't normally have to worry about empty seats in its home stadium, even though attendance is charged at a high premium. There are things our senses absorb when we are children, yet we don't notice them until much later on in life. A sport’s collage of aesthetics is one of those things. When I was a kid I loved the teams and players that I loved, but I never really stopped to think what solidified them in my memory and made them instantly recognizable to me. Now, thirty-some years later, and after having had the fortune to experience many cultures other than my own, I can safely deduce that a sport’s aesthetic depends on the local or national culture as much as it depends on the sport itself. And the way all that gets molded in a single team’s identity becomes so intricate it is difficult to see where each part comes from to shape the whole. Although “futbol” is still in my blood as an Argentinean, I'm old enough to afford a little cynicism about how extremely corporate most popular sports are. Of course, nothing can now take away the joy I got from football in my childhood and early teens. But over the past few years I've been trying to perceive the sport itself in a global context, even alongside other popular sports in different areas of the world. Being a type designer, I naturally focus in my comparisons on the alphabets used in designing different sports experiences. And from that I've come to a few conclusions about my own taste in sports aesthetic, some of which surprised me. I think I like the baseball and basketball aesthetic better than football, hockey, volleyball, tennis, golf, cricket, rugby, and other sports. This of course is a biased opinion. I'm a lettering guy, and hand lettering is seen much more in baseball and basketball. But there’s a bit more to it than that. Even though all sports can be reduced to a bare-bones series of purposes and goals to reach, the rules and arrangements of baseball and basketball, in spite of their obvious tempo differences, are more suited for overall artistic motion than other sports. So when an application of swashed handlettering is used as part of a team’s identity in baseball or basketball, it becomes a natural fit. The swashes can almost be visual representation of a basketball curving in the air on its way to the hoop, or a baseball on its way out of the park. This expression is invariably backed by and connected to bold, sleak lettering, representing the driving force and precision (arms, bat) behind the artistic motion. It’s a simple and natural connective analysis to a designer, but the normal naked eye still marvels inexplicably at the beauty of such logos and wordmarks. That analytical simplicity was the divining rod behind Fan Script. My own ambitious brief was to build a readable yet very artistic sports script that can be a perfect fit for baseball or basketball identities, but which can also be implemented for other sports. The result turned out to be quite beautiful to my eyes, and I hope you find it satisfactory in your own work. Sports scripts like this one are rooted in showcard lettering models from the late 19th and early 20th century, like Detroit’s lettering teacher C. Strong’s — the same models that continue to influence book designers and sign painters for more than a century now. So as you can see, American turn-of-the-century calligraphy and its long-term influences still remain a subject of fascination to me. This fascination has been the engine of most of my work, and it shows clearly in Fan Script. Fan Script is a lively heavy brush face suitable for sports identities. It includes a variety of swashes of different shapes, both connective and non-connective, and contains a whole range of letter alternates. Users of this font will find a lot of casual freedom in playing with different combinations - a freedom backed by a solid technological undercurrent, where OpenType features provide immediate and logical solutions to problems common to this kind of script. One final thing bears mentioning: After the font design and production were completed, it was surprisingly delightful for me to notice, in the testing stage, that my background as a packaging designer seems to have left a mark on the way the font works overall. The modern improvements I applied to the letter forms have managed to induce a somewhat retro packaging appearance to the totality of the typeface. So I expect Fan Script will be just as useful in packaging as it would be in sports identity, logotype and merchandizing. Ale Paul

New Slang is thin and spidery, a lightweight font that has more in common with a scrawl or etched graffiti, perfect for a nicely weighted ransom note or cry for help. Upper case, lower cases and various other glyphs (euro), I hope you like it.

Introducing by Balpirick Studio. Daisy Perfume is a Modern Calligraphy Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Melody Sunday is a Chic and Lovely Calligraphy font, described by an Love touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! "Melody Sunday" includes a full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Also it includes: Alternates letter for lowercase beginning and ending swashes, lowercase ending heart swashes, which serve to connect two words or letters (This is so perfect for invitations, monograms) Thank You, Subectype

Inspired by a set of vintage alphabet game tile pieces, Newark JNL has similar traits to other slab serif Romans, but enough 'quirky' letter widths to break the rules and have it stand out on its own merits. The name derives from font work files in progress, often saved as 'new work' until a fitting name is decided upon. It seemed only right that this phrase be turned around into a font name itself. Newark JNL is available in both regular and oblique versions.

Heshanty Typeface is a luxurious display serif font with classic forms and modern style. Perfect for a wide range of uses. From greeting cards to magazines, wedding invitations, logos to website etc. Elegant and sensuality didone serif enhanced by ligatures, alternates and swashes. Heshanty Typeface makes it easier for the user to generate different levels/layers of communication thanks to its variety of styles. With this font you can solve entire decorative pieces of design with just one font, and that was the aim of it.

Oxima font family has been designed for Graviton Font Foundry by Pablo Balcells in 2021. It is a technical sans serif typeface with rounded endings that provide a mixture between strong general aesthetics and soft elaborated details. Its strong and industrial, yet legible shapes make it perfect for contemporary and futuristic oriented projects and suitable to be used in any sizes, from headlines to body text and everything in between. Oxima consists of 8 styles, each containing small caps and glyph coverage for several languages.

Introducing by Balpirick Studio. Hillary Kimber is a Modern Handwritten Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Introducing our new retro style font, designed to take you back to the good old days. With its bold and playful design, this font is perfect for creating eye-catching designs that evoke nostalgia and fun. Inspired by the groovy typography of the 60s and 70s, this font features thick and rounded letterforms, playful curves, and a distinct retro feel. Its versatility and legibility make it a great choice for a wide range of projects, from branding and packaging to posters and social media graphics.

Sweet Husky is an original and cute display font. The unique style makes it incredibly fitting to a large pool of designs that will take your crafting projects to the next level! Your imagination and this font will make a perfect combination. Get inspired by its unique charm and create amazing greeting cards, apparel, book, logos, stationery, and much more! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

Monstera Jam is a Signature Script Font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, social media, magazines, marketing materials, and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Monstera Jam Features: Regular and Bold Version Uppercase and Lowercase Numerical and Punctuation Ligatures PUA Encoded Multilingual Language Easy To Use

Inspired by her Scandinavian heritage, Andrea Leksen created this modern geometric sans serif reminiscent of Scandinavian design and typography. With its tall x-height and monoweight strokes, Nordeco will be best showcased at large sizes, in headlines and other display uses. It contains 100 alternates with ornamental letters, borders, paragraph separators and seamless wallpapers for your designing pleasure. Designs include stripes, dots, art deco and leopard print. See some of the creative ways Nordeco can be used in this YouTube clip. Check out its cousin, Nordique!

Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s. Latin letters of the font have half-uncial forms, which makes it appropriate for the printing of the relevant content. Besides its decorative properties the font is easy to read and quite suitable for short texts. It is well suited for folk tales, Ukrainian and Slavic in general as well as Western European.

Introducing by Balpirick Studio. Hillary Austine is a Modern Calligraphy Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Whisky is a blackletter font family with a casual touch that makes it look friendly and current. The stroke varies its thickness and angle endings making it form very dynamic bodies of text. The family includes seven weights, each with a fill and a inline version that allow you to develope more colorful applications overlaping them as layers. Also by using Open Type features you can access to an extended set of characters wich contains swashes and alternative endings to make more playful compositions.

Ablaj, a typeface created for texts and titles, with a family of 8 weights. It is designed as a modern narrative of the ancient Kufic script by MhrfType. It is meticulously designed and continuously improved. The typeface supports a separate weight set, And the complete family is included in Ablaj Variable, containing all the glyphs and features. It provides designers with tools to create greater rhythm and design depth. Ablaj proportions are precisely aligned with the Sans assets, providing a perfect balance of positive and negative space.

Introducing by Balpirick Studio. Honey Secrets is a Casual Script Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Present Anthem is a modern handwritten script font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, branding, business cards, social media posts, magazines, marketing materials, and every other design that needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Present Anthem Features: Regular Version Uppercase and Lowercase Numerical and Punctuation Ligatures PUA Encoded Multilingual Language Easy To Use

Hécate is a contemporary serif typeface designed with sharp serifs, smooth and dynamic lines and high contrast. Inspired by the Garalde style with its tilted axis, Hécate brings uniqueness and modernity to this more traditional style. Its large variety of glyphs, including accents, old-style numbers and ligatures will give you freedom for all of your projects. It offers a large choice of uses such as magazine, branding, edition and so on. Hécate is available in 16 styles from thin to black, in roman and italic.

Formerly named Atlas, Fortis is a 21st century contemporary Latin. Also categorized as a Glyphic, the design was first introduced in the last half of the nineteenth century and is characterized by large, sharp, triangular serifs. Latins were very popular for posters and as a newspaper headline font. Fortis is a Latin with attitude. It is bouncy and much more animated than its predecessors. As a display font, it brings motion and playful personality to a design. Great for party invitations, packaging, headlines, and children's books!

Orange Street - Rounded Modern Sans Font is an all-caps sans-serif typeface that offers three distinct versions: clean, rough, and textured. With its versatile character set, this font seamlessly adapts to various design themes. Its flexibility is further enhanced by the range of available versions, making it a valuable asset for design projects spanning modern, retro, classic, and playful aesthetics. Whether it's for logos, branding, posters, titles, headlines, printing materials, quotes, or more, Orange Street lends itself perfectly to an array of creative applications.

Introducing by Balpirick Studio. Vintage Paradise is a Handwritten Script Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Franko Luin, Carniola's designer, on this typeface: Carniola is a pastiche of different type designs from the beginning of the 20th century, mostly American. I am not very fond of it, but was convinced to release it by someone who needed a typeface with a time typical feeling. On the other hand: why not use the original typefaces from that period? Carniola has its name from the Latin name of Kranjska/Krain, a principality in the former Habsburg monarchy (Austria-Hungary), now part of modern Slovenia.

DrivEddie was an attempt to create a rough, hand-drawn typeface that was quirky but easily readable. It has a few serifs so it is almost but not quite san serif. All vertical stems are curved. For almost 25 years DrivEddie was a one-font family and one-font families often have limited applications. In 2020 I returned to this typeface to increase its possible uses by adding five new styles: italic, semibold, semibold-italic, bold, and bold-italic. I also corrected mistakes and added characters.

Rilke, is the lettering used by Gustav Klimt on the 1st Vienna Secession poster in 1898 and is named for Klimt’s contemporary the poet Rainer Maria Rilke. The Vienna Secession was a group of artists whose motto was "to every age its art and to art its freedom." Their goal was to create a new style not based upon any historical influence. Its subtle curving strokes and the idiosyncratic set of the various characters create an elegant lightness which lends itself well to poetry, inscription

Introducing by Balpirick Studio. Royale Kingdom is a Modern Calligraphy Font that's perfect for adding a touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Richford is a signature script font, described by an elegant and modern touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, social media, magazines, branding, marketing materials, and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Richford Features: Regular Version Uppercase and Lowercase Numerical and Punctuation Alternates and Ligatures PUA Encoded Multilingual Language Easy To Use

Introducing Holakia, a monoline script font based on the condensed style that is trendy, elegant and stylish. Supported by many OpenType features such as discretionary ligatures, swashes, contextual alternates etc. It has the potential to create interesting, beautiful and eye-catching typography combinations. Halokia is available in upright and italic versions. This font is perfect for use on packaging designs, quote prints, wedding invitations or personal logos. It is ideal for displaying something that is old-fashioned to make it look more modern and bold.

Berkut This is a military font family inspired by the military and aviation style, including Six styles: regular, rough, printed, stencil, stencil rough, stencil printed. This font is a wide specialization, it will be an excellent option for creating projects in the military style in both modern and vintage versions. It is great for creating logos, labels, branding projects, magazines, mugs, flyers, posters and much more, and it is also perfectly readable in the text. This font is easy to use has OpenType features.

Introducing by Balpirick Studio. Salvador History is a Handbrushed Script Font that's perfect for adding touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Heartfilia, this font is as elegant as its name. It’s unique look makes it incredibly authentic serif font. The font gives off an elegant and classic feel, while still appearing modern and in line with the current design trends. Orchestra is a well- suited font for a high-end design, makes it more eye-catching. Orchestra will make your designs, such as invitations, posters, product package design, and many more, looks more exclusive and luxurious. Enhance your design by the elegant yet classic appearance of Orchestra.

A funtastic and playful typestyle, Wintermint started as a digitization of a film typeface called Lori by LetterGraphics. This font is filled with bounce and liveliness taken from its original limited character set and fleshed out to a fully functional typeface. Flare serifs along with the occasional weird and wonderful curl gives this typeface a festive holiday vibe, but it could easily blend into a psychedelic design space, or just an all out wacky groove. Give it a spin, and see where Wintermint takes you.

In Dutch, a Mandarijn is a Tangerine. I found out that it is called a Mandarin in Australia as well! I really like Mandarins, so I thought I’d give them their well-deserved place in the spotlights by naming a font after them. The whispers part - well, that’s just because it sounded good. Mandarin Whispers is a very nice brush font, which was actually not made with a brush, but with a cheapie marker pen. It comes with all the bells & whistles, so have a ball!

SK Mutka is a geometric sans serif made in the style of Art Deco. Its graceful forms are emphasized by the arched structure typical for the style and spirit of Art Deco. The typeface is suitable both for decorative work and for typing because it includes uppercase and lowercase. Moreover, it supports a wide language range. SK Mutka typeface supports extended Cyrillic, Latin, as well as an extensive character set. SK Mutka is perfect for bold and classic designs, for print and web works.

Dosky is a groovy, retro, bubble font. It have a big and bubbly anatomy. Inspired by 70s vibe and culture. The font is perfect to create a project that have a retro feeling but have a little bit modern and modest on it. Dosky support multilingual language also came with 6 font style : Reguler, Condensed, Expanded and Oblique styles. Dosky can be used as a fun or a formal kind of project. It can easily be matched to your projects, and good for communicating your brands.