Jh Fares is a modern / simple Kufic style font. The user may notice plenty of white space around the text leading to a highly readable font. The Kufic script is one of the oldest Arabic Handwriting, first appeared in el Koufa - Iraq. The original calligraphy was derived from the Aramaic letters; later it went thru lots of enhancements. Its typical uses include decorative writings for Mosques / palaces, Magazines / Newspapers / Books titles and Greetings.

Espect Retro beckons to the discerning eye with its harmonious blend of the modern and the classic. Its wide, yet hairline-thin structure gracefully extends into elongated serifs, giving it a poised and elegant stance. The extended x-height isn't just noticeable; it's a celebration of design that evokes charm and cuteness in every curve and counter. Espect Retro's lightness radiates a fashion-style sophistication, making it a go-to for classy projects.

Spooky Party is a unique and very unique display font. Add to your creative ideas and notice how they make them stand out! This will take all crafts to the next level! Spooky Feast is perfect for logos, quotes, posters, clothing, and any other design that requires a strong and unique touch. To stay up-to-date on my latest work, follow me and let's be friends because there will be many promos.

The light Roast font is a fun, friendly, and hand-drawn vintage style. Inspired by the cafeteria and eatery vintage era, this font is available in regular and italic font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! This font is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, album covers.

Dilan Whemsy is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Spooky Frights celebrates all things scary: It’s the ideal display typeface for any spooky Halloween-themed creative project. Add it to your most creative ideas and notice how it makes them come alive. This is an installable font that will work great with your Halloween party invitations, web graphics, and other halloween decor. This font is cuttable! what’s inside : Uppercase & Lowercase Numerals and Punctuations (OpenType Standard) Accents (Multilingual Characters) PUA encoded Ligatures

The cool, the sans and the light: Mudstone fonts are proudly packed with nice oddities and quirks. These are definitely fonts for getting noticed, in an affirmative, authentic way. Mudstone fonts are all caps, each with at least 2 sets of uppercase letters that will cycle at the command of the contextual alternates feature. There are also stylistic alternates in each font, for that extra something. Critically cool, seriously creative, dangerously unique. Definitely trying? Cool!!

Enstars Is Beautifull Handwritten Font that has a distinctive character that is very thick and elegant to use Enstars is a relaxed and flowing handwritten script font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Feature A-Z Character Set Numerals & Punctuations (OpenType Standard) Stylistic Alternates Multilingual Ligatures

Calorie Suit is a clean and super sharp comic font. Actually the use of Calorie Suit is quite wide. I'd like to dare you to use this font for massive texts, even though the real force of the font is for one liners or catchwords. Originally drawn in hand, and then cleaned up beyond recognition - but keeping the characteristics of the original sketch. You may notice influences from graffiti here and there too! :)

Osande is a modern sans serif font with neo-Grotesque touch, more homogenous forms with minimal stroke contrast. Osande the font family contains 3 basic forms: italics, obliques, and upright. Each of which has 7 different weights ( Thin, Extra Light, Light, Regular, Medium, Semibold, and Bold ). Osande can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! Thank you.

Sweet Aloha is a cool and fashionable handwritten font. It is defined by smooth curves and is perfect for packaging or editorial designs. but also It’s ideal for branding and decorate your projects. Add this chunky lettered font to your designs and notice how it makes them come alive!. This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

“Victoria Underwood” was found within the pages of the 1923 American Type Founders specimen book. It was one of many printing fonts faithfully replicating those used on various makes and models of actual typewriters. The purpose of such type was to allow mass production of letters or notices that could appear personalized rather than shop printed. Antique Typewriter JNL is the digital version of this design, and is available in both regular and oblique versions.

Kersa is a stylish handwritten brush font. It is a nice choice for creating eye-catching logos, branding, and quotes. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! You’ll get : Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Swashes & Ligatures Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

Parula is cool and lively like its sweet warbler namesake. Hand-drawn with lots of unique personality and line variation, Parula lends itself to any creative project requiring youthful energy. With double-letter ligatures and more, Parula has lots of charming options, easily turned on or off. Whether creating a look for a fun family game or the cover of a new children's book, Parula will be noticed. Parula pairs beautifully with Turmeric!

Skidproof Is Beautifull Handwritten Font that has a distinctive character that is very thick and elegant to use Skidproof is a relaxed and flowing handwritten script font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Feature A-Z Character Set Numerals & Punctuations (OpenType Standard) Stylistic Alternates Multilingual Ligatures

Dramatic Style is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Fukushima is a script font that has a distinctive character that is very thick and elegant to use Fukushima is a relaxed and flowing handwritten script font. It's incredibly versatile and this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Features A-Z Character Set Numerals & Punctuations (OpenType Standard) Stylistic Alternates Multilingual Support Ligatures

Shooting star is a cool and playful handwritten font. It is defined by smooth curves and is perfect for kids theme or cheerful designs. but also It’s ideal for book, packaging and logo projects. Add this lettered font to your designs and notice how it makes them come alive!. This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

Summering is a fresh, sweet, and friendly handwritten font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Its distinct and well-rounded letters make this font a masterpiece. Add it to your creative ideas and notice how it makes them stand out! This font is PUA encoded which means you can access all of the awesome glyphs with ease! It also features a wealth of special features including ligatures.

Jerhiyof is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Massillo is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Smelly Blood is a bold and quirky display font. Add this font to your creative ideas and notice how it will make them stand out! Smelly Blood is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Smelly Blood.otf - Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu)

Introducing Wheaton, the bold and striking headline typeface that brings together the best of retro and techno aesthetics. With its softened letterforms and classic electronic vibe, Wheaton will transport your message into the future while invoking a sense of nostalgia for the past. At first glance, Wheaton’s design may seem like a throwback to the 1980s, with its clean lines and futuristic curves. But upon closer inspection, you’ll notice the subtle details that give it a contemporary edge. Its softened edges and fluid curves evoke a sense of modernity and sophistication, while its retro digital gloss adds a touch of nostalgia to your message. But Wheaton isn’t just about looks. Its scientific elegance and industrial wonder make it the perfect typeface for conveying a sense of technological progress and innovation. Whether you’re designing a website, creating an advertisement, or crafting a presentation, Wheaton is the perfect choice for making a bold statement. In the world of graphic design, standing out is key. With Wheaton, you can be sure that your message will be noticed and remembered. Its unique blend of retro and techno aesthetics gives it a distinct personality that will set your work apart from the rest. So why settle for a boring, generic typeface when you can have Wheaton? Let its futuristic assurance and industrial wonder take your message to the next level, and discover a new world of creative possibilities. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

“Designers can’t help but be inspired by the things that surround them,” says Massif’s designer Steve Matteson. An avid mountain climber, Matteson found his inspiration for his text face family in the dramatic granite formations of North America’s Sierra Nevada Mountains. Most of Matteson’s type designs are custom projects designed with an end use or customer in mind. Massif, which had no customer or specific purpose, was probably his most personal typeface to date. “My goal was to embody, in Massif’s two-dimensional letterforms, the angular tension and smooth curvature characteristic of the rugged terrain of Yosemite National Park’s Half Dome, which was formed by eons of glacial and tectonic activity,” Matteson explains. The typeface’s striking design echoes the faults and fissures that define a massif formation, resulting in a rich texture when used for body text and revealing distinctive shapes and proportions at display sizes. The Massif family comes in six weights, from Light to ExtraBold, each with an italic companion. The OpenType Pro suite contains small caps, ligatures and old style figures, and offers a small set of decorative ornaments. Pro fonts also include an extended character set supporting most Central European and many Eastern European languages.

I arrived this concept as a means to fulfil a need for a simple yet radical semi-sans with rounded terminals. My concept called for a modular approach so a single weight font family resulted, the monoline stroke weights being one-eighth of the cap height and the x-height five-eights, the descent two units. Within these constraints I found it was simple to devise an alphabet which met my need for quirkiness whilst retaining its legibility. As for the outline, shadow and contour variants - well they just seem to work. If you are wondering - and you don't hail from the "Land Downunder" - Canberra is our nation's capital; Bondi - "water breaking over rocks" a beautiful beach in Sydney; Uluru is the name given to the world's largest pebble, (formerly known as Ayers Rock); Kakadu is a national park in the "Top End" and Koomerang means "hill of clouds" - all place names in their respective Australian indigenous languages. Come on down - the natives are friendly.

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

A long lost Art Nouveau wood type from the Hamilton Museum Collection evokes the excesses of Victorian design and the equally quirky 1960s Psychedelic era revival of the Victorian type styles. Free flowing organic designs that flourished with Art Nouveau in the late 1800s were directly referenced and further distorted with with phototype in the late 1960s. This design, known as Arabesque, was produced by the Morgans & Wilcox Co. and the Wm. Page Co. as almost identical designs. Both manufacturers were acquired by Hamilton and offered briefly by Hamilton as design #618. This curious wood type defies most of the basic tenets of type design and what comes to mind when one thinks "wood type". Many characters have a lively eccentricity that were all left true to the original design. Additional characters were designed to fill out the standard range of characters found in digital fonts. This font includes over 280 characters for full unicode support of Western and Central European Latin characters.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Goldplay is based on Isidora Sans design yet features rounded shapes. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. One of its key features is a large x-height which make it look elegant and classy. Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts. The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design. The Alt semi-serif display version—more expressive and modern—is ideal for logotypes, branding, packaging, and use on web and Tv. Goldplay contains a set of 540 characters that support over 200 Latin-based languages.