Winchell is the only identified typeface designed in Buffalo, NY prior to the formation of P22 type foundry. It was created by Edward Winchell of the Matthews-Northrup Printing Works and released by the Inland Type Foundry in 1903. The Winchell typeface was also made in Wood by the Hamilton Manufacturing company in the mid 20th Century. The Winchell typeface is a Clarendon styled slab serif that clearly has the look of a pre-modernist design. E.E. Winchell’s Arts & Crafts tendencies show through in this design

Around the turn of the 20th Century, the Inland Type Foundry produced a display face named Studley. It was a variation on a design by another foundry called Florentine. A condensed face with a bold, clean look, the design resembled the warmth and feel of a classic wood type. Best applied to headlines and titles, the font reads amazingly well at even 18 point renderings. Jeff Levine had added his own personal touch to his digital version of this old favorite and renamed it Bayview JNL.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here's my new experiment, Second Song. This font breaks the boundaries even more. Now the inscription looks as authentic as possible. Includes: Regular Script Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures

Chyletoon, a hand crafted cartoon font consisting of 24 styles. Crafted from childish mind, the cartoonish characters of this font are suitable for many uses, the limit being the boundaries of your own imagination.

Aura was designed by Jackson Burke for the Linotype foundry in 1960. Aura is a sans serif display font, very similar to Helvetica Inserat. Use the Aura font for headlines and posters.

Designed by the swiss Haas'sche Schriftgiesserei, (Haas Type Foundry) Chevalier is a set of shaded capitals and figures, modern face or fat face in design. Ideal for business cards and classical letterheads.

Introducing Khat Jannah, a captivating and unique font that breaks away from traditional design conventions. This exceptional typeface pushes the boundaries of Arabic typography, offering a distinct and visually striking display font unlike any other.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les’ original drawings!

Glosilla Castellana is a classic font design remastered by the type foundry Intellecta Design. The letter forms of this traditional Roman type style make it ideal wherever a refined, classical appearance is desired.

This is Solotype's version of a popular mid-nineteenth century style explored by several early foundries. It reads surprisingly well in paragraphs, and is a handy font for work with a Victorian theme.

Maria-Ballé-Initials are derived from the Ballé series I made by the Bauer foundry. When set at 60 pt this font will match the size of the original 48-pt Didot design.

Catalog Sheet JNL is the digital version of an extra condensed serif typeface from the 1892 MacKellar, Smiths & Jordan type foundry specimen book. The font is available in both regular and oblique versions.

A classic and antique font design remastered by the type foundry Intellecta Design. Great display face for headers and antique-like projects. Contains a limited amount of letter designs, all uppercase letter designs.

inspired in classic wood type heritage fonts from old America's foundryes

TBS Greak is an All Caps bold round font for display purpose inspired from 60s to 90s vibes Retro font, this font support multilingual languages and free update feature. published by Typo Bureau Foundry.

Doppel Mittel Lapidar Azure is a decorative display font great for large header-like usage. A classic font design remastered by the type foundry Intellecta Design, inspired by wood types from the XIX century.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les based the design on a turn-of-the-century typeface of the same name. The foundry is believed to be Soldans & Payvers, circa 1904.

Oboe font family has been designed for Graviton Font Foundry by Pablo Balcells in 2012. It is display typeface with a geometric rounded look. Oboe consists of 6 styles, 2 of which are free.

The Bitstream version of Caslon 3 of the American Type Founders, 1905.

There are many Oriental-themed fonts, most without lowercase. This one originated in the German foundry of Schelter & Giesecke shortly before 1900. Use this font and an hour later you'll want to use it again.

With deliberately tight kerning, Lurline wears its retro vibe as a badge of honour. Lurline features extreme reverse contrast and stroke modulation and intentionally pushes legibility boundaries. Suitable for anything requiring a strident and flamboyant tone of voice.