Flighter is a bold sans-serif typeface, in a somewhat geometric and balanced style.  It has speed and stability and should bring the thoughts to a mid 20th century traveler.  Created by Måns Grebäck in 2017-2018, this high-quality font has support for hundreds of languages.

Komorebi consists of handmade letters made with just a Stabilo pen. It is perfect for large scale texts and headlines. This font is suitable for posters, flyers, business cards or just a beautiful visual with a signature word. The family consists of three styles with both lower and upper case letters, accent characters and special characters. Though I personally recommend using all caps to give your words that bold touch, lower case works just as well!

A bold, vivacious and rough font that includes six weights for widespread use. Bamberger balances the eccentricity of hand-drawn letters with the stability and readability of a basic and neutral sans font. This combination radiates warmth and boldness appeal. It works great on packaging, viral campaigns, restaurant menus, children's books and digital applications.

Hallandale JNL is versatile enough to be a headline font as well as a text font, without a loss of style or integrity.

Based on “Rough” lettering, by Ross F. George

Turn on the mirrored ball, and haul out the gold chains and white suits! This Disco dazzler is a new take on Bass Rainbow, designed by Saul Bass in the 1970s. Hip, hot and heavy, this typeface is ready to get down. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The Tape Back family comes in three weights. Each are monoline in weight and have a modern yet slightly quirky appearance. It is informal but has some stability with its linear forms. The slant backwards makes it unique, and it displays well even for body text.

Tzur is a Hebrew sense-serif font with a nostalgic scent. The shape of the letters has two qualities - Raw and processed - and they are combined without canceling each other out. The resulting product is a font that conveys power, stability, and prominence, and echoes typographic values that correspond with the graphic/visual language that was accepted in The early years of the State of Israel.

A charming font inspired by the Brazilian beloved album for children by Vinicius de Moraes, author of the bossa nova classic 'Garota de Ipanema' (Girl from Ipanema) with his partner Tom Jobim. The font has a cheerful cutout look, as does the original album cover designed by Elifas Andreato in 1980. Arca font is loaded with alternates for a nice natural look and has yet quite cool interlocks. Its complementary font brings handsome graphic elements to add some bossa here and there. Now let's dance!

Sagasti is a font family that contains two weights: Regular and Bold, with their corresponding Italics style. These fonts are characterized by a straight and generous serif that provides consistent stability. We have focused on controlling vertical, horizontal and oblique strokes thicknesses, as well as curved strokes. All glyphs were carefully drawn and precise kerning control has been made, providing optimal readability for texts and the beauty of the headlines.

Kwaliteit is the result of a love story. The love story between a font designer and an old embossing label machine. The big bold letters produced by such machines are wonderful to convey a big bold message (big bold messages are fun!), but sometimes you just can't walk around with one of those antique label machines… That's why this font can come in handy! Its uses are numerous… be the boss of emboss!

The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn't enough, Brian then felt the need to distort it in various ways, creating Broken, Eroded and OverGreased. A little something for everyone.

A short font for short people* La Jefa is very, very loosely based on a Christmas card I received years ago from my boss at the time. Designed to capture that personalized touch, it's a hand lettered font with a short x-height and ample spacing. Although all of the letters are lowercase, the uppercase provides a unique set of characters that can be mixed in for a more natural handwritten feel. *also people of tall or average height

Crossfit is a new headline font family, designed by Anita Jürgeleit at TypeThis!Studio. It’s suitable for big sizes and titles, such as big movie posters, advertising or editorial headlines. Matching topics might be adventures, sports, strong nature and all kind of challenging life events. Its bold stability transformes your creation into a non questionable design. It is bold, clear and also friendly thanks to its rounded corners. www.typethis.studio

An offbeat, fun, and frightful serif typeface inspired by the 1969 Rankin Bass animagic classic titled, Mad Monster Party.

Another Speedball pen alphabet from master draftsman Ross George, this face is bold and lively. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Based on Placard typeface (Hermes Grotesk) of the Lange type foundry (St.-Petersburg), an adaptation of Hermes Grotesk, of the Woellmer type foundry (Berlin, middle of the 19th century). This sans serif with its old-fashion stability looks well in advertising and display typography.

Crossfit is a new headline font for great sizes, such as big movie posters, advertising or editorials. Matching topics might be adventures, sports, strong nature and all kind of challenging life events. Its bold stability transforms your creation into a non questionable design. It is bold, clear and also friendly thanks to its rounded corners. www.typethis.studio Thank you for checking out Crossfit font family. If you have any questions, please send us an email: hello@typethis.studio