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  1. Donnager by Harvester Type, $15.00
    Donnager is a rough, hard and futuristic typeface. It is inspired by square shapes, dystopia and futurism. The name is inspired, like the font itself, by the Dead Space universe. I can just see this font on the cover of some dystopian comic book! The font has alternate glyphs. The uses are unlimited, as there are different styles, weights, and even a variant version. Logos, posters, headers, branding, prints and more!
  2. Hungry Zombie by Hanoded, $15.00
    I’ve never been one for zombies and all that. I did watch a couple of seasons of The Walking Dead, but after the 2.000.000th zombie got whacked, I had enough. When I made this font, it gave me a zombie feeling. One thing I learned from watching TWD was that zombies are always hungry. There you have it!
  3. Ray Johnson by K-Type, $20.00
    The Ray Johnson font was inspired by the Father of Mail Art. It's based on the block lettering style used by Ray to add the names of his correspondents to their bunny head portraits (the film How to Draw a Bunny is a superb introduction). The font includes blank bunny heads and other Ray Johnson graphics as scalable vector images, and separate bitmap images are also provided as jpegs and gifs.
  4. Colgent by Great Studio, $15.00
    Colgent is a modern serif font with a unique style, a light and high contrast font perfect for feminine logo signs, fashion heads & editorial designs. Colgent is perfect for branding projects, Logo design, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Colgent is also included full set of: Uppercase and lowercase letters multilingual characters numerals punctuation If you have any questions, don't hesitate to contact me.
  5. Octavus Caps Black - Personal use only
  6. Octavus Black - Personal use only
  7. Zebrra - Unknown license
  8. Lastman - Unknown license
  9. Chizz - Unknown license
  10. Whackadoo Upper - Unknown license
  11. Control Freak - Unknown license
  12. Eskargot - Unknown license
  13. Intermediate JNL by Jeff Levine, $29.00
    The letters and numbers of a home movie titling kit from circa the 1950s or 1960s called the Magna Tech Titler Number 312 were die-cut from cardboard with a magnetic backing and were styled after Futura Bold. The user of this set composed the desired title or phrase onto a metalized board and the result was photographed with their 8 or 16mm camera. Because the dies of the characters were handmade, very slight variations in the shape and stroke width of the lettering would occasionally occur. These variations were incorporated into the design of the digital type face. Intermediate JNL is available in both regular and oblique versions.
  14. Homenko by Apostrof, $35.00
    Homenko was the only Ukrainian typeface for metal type casting developed in the last century. It has already become a 'classic'. Vasyl Homenko worked on it from 1964 to 1967. The typeface successfully combines the qualities of lineal humanist typefaces with the Ukrainian tradition of asymmetrical slab serif. The works on its digitization and further development has been in progress since 2000. The present version contains Latin Extended characters, Cyrillic with stressed alternates and several ornaments based on Vasyl Homenko's works. It works perfectly for books for children and is ideal for publications related to culture, history, literature and traditional art of Ukraine and other nations of Eastern Europe.
  15. Stamped Brass Stencil JNL by Jeff Levine, $29.00
    Up until the advent of modern packing and shipping methods, the common way to mark merchandise or other items to be transported was through the use of a brass stencil. These marking devices were hand stamped (or punched) using metal dies that were struck against sheets of brass to create the letters, numbers and other symbols [unlike the steel rule die cutting method used for manufacturing paper stencils]. One such example of an antique marking stencil had letters and numbers approximately one quarter of an inch in height, and Stamped Brass Stencil JNL recreates the design complete with the unusual variations of character shapes and widths.
  16. LTC Camelot by Lanston Type Co., $24.95
    Camelot was the first of over 100 typefaces designed by Frederic Goudy. The upper case characters were drawn in 1896 for the Dickinson Type Foundry. Goudy was so encouraged by his check for $10 (double what he asked for the drawings), that he spent the next 50 years designing type. The lower case was added by the Dickinson foundry. This Lanston digital release includes a Text version based on the smaller point sizes of the metal type and a Display version based on the larger sizes. The two appear different in size but share the exact same line weight when at the same point size.
  17. Goudy Trajan Pro by CastleType, $59.00
    Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.
  18. Sassafras by Monotype, $49.00
    Arthur Baker's display script Sassafras, designed in 1995, is based on the natural inline effect created when writing with a split-metal nibbed pen. Black and white are nicely balanced, giving this calligraphic face a remarkably smooth appearance. The regular and italic versions of Sassafras include two alternate faces: one with long, tall ascenders and regular-length descenders, and one with shortened ascenders and descenders that allow it to fit where its companion might not. In both, the ascenders increase in width as they move upward, while the descenders taper to a fine point. This variety of form makes Sassafras a very flexible choice for display work.
  19. Cruisader II by ARToni, $14.00
    Cruisader II is a cool, fresh and bold display font. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.
  20. Hamidah by IbeyDesign, $18.00
    Hamidah Modern Calligraphy Font is a gorgeous and bold handwritten font. It reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.
  21. Frunch by Nasir Udin, $22.00
    Starve for tasty bold font? Say hello to Frunch! A delicious bold script font with a vintage vibe. Frunch comes to you with several alternate letters for you to play with and the complete set of lowercase-letter swashes that make your words look delicious and stand out. It's especially created for food & beverages branding as well as product packaging typography (e.g.: snack, honey, breakfast meal, milk, bread and cake). It's also perfect for poster, business cards, headline, restaurant menus, and much more. Have fun with Frunch!
  22. 1312 Sugoi by Ezequiel Filoni, $10.00
    Sugoi means super in Japanese, which it's what the design tries to show as well. A strong, easy-to-read, tittle font. *Uppercase
  23. Concinnitas by Corien’s Handwritingfonts, $24.00
    Concinnitas (Latin for 'neatness') is a very neat print handwriting script. It's a light weight very easy to read, yet elegant handwritten font.
  24. Garden Gnome by Hanoded, $15.00
    I am not really fond of Garden Gnomes, but this font is kinda cute and I figured it'd be a nice name. Garden Gnome is a very happy, easy to read Children's Book font. It is bouncy, rounded and comes with all the diacritics you need.
  25. Lady Copra - Unknown license
  26. Lady Copra Alternate - Unknown license
  27. Heidorn Hill - Unknown license
  28. Control Freak Upset - Unknown license
  29. Lady Copra Narrow - Unknown license
  30. Asenine Super Thin - Unknown license
  31. Pamelor II - Unknown license
  32. Pamelor I - Unknown license
  33. Control Freak Offset - Unknown license
  34. Sabril Species - Unknown license
  35. Marcel Merlina by Pixesia Studio, $16.00
    Introducing Marcel Merlina - A Lovely Chic Script Font Marcel and Marlina is now released as beautiful as romance is. This font-type gives you the vibe of an elegant and the classic-yet-so fresh kind of feeling. The curves and the flexibility of the fonts provide you the warm and familiar sense—as if you are reading letters from your beloved ones. Marcel and Marlina is meant to be endearing—portray the warmth of love. This font is designed to be used in such occasions which require high involvement of delightful emotion. This font would be best to be used in wedding invitations, love letters, and sincere greeting cards for someone so dear to you. FEATURES - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.
  36. F2F Czykago by Linotype, $29.99
    The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alexander Branczyk and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Branczyk and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! The three fonts in the F2F Czykago family, F2F Czykago Light, F2F Czykago Semi Serif, and F2F Czykago Trans, were all inspired by the Apple system font Chicago. The F2F Czykago family, along with 38 other Face2Face fonts, is included in the TakeType 5 collection from Linotype. Branczyk designed 16 of these himself."
  37. F2F Mekanik Amente by Linotype, $29.99
    The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Alessio Leonardi and his friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Leonardi and his fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Mekanik Amente appears as if it had once been a normal font whose letters were horribly attacked by a pair of scissors. This font could be a very creative choice for headlines. F2F Mekanik Amente is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH. Leonardi designed 11 of these himself."
  38. Pepino by Robert Petrick, $19.95
    Pepino is loosely based on the classic font Hobo but Pepino is a completely new and original drawing. The font is bold, fun, casual, easy to set and read.
  39. Crow Bait by Typefactory, $14.00
    Crow Bait is an incredibly elegant, bold and vintage display font. This font reads as strong, confident, and dynamic and can add tons of nostalgic character to your designs.
  40. Banana Milk by wearecolt, $19.00
    Inspired by coffee shop chalkboards, Banana Milk is a bubbly font with a hand-drawn feel. A fun display font for logos, headings, books, posters and other cool stuff.
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