A mild grunge, a simple distressed gothic with just enough roughness to be cool.

Hermit was born like a modern and personal reinterpretation of Gothic-style alphabets, where improvisation and personal taste have led the design towards a new aesthetic mix between gothic and modern typefaces, creating new glyphs with tweaked strokes to achieve a good level of legibility. Hermit is a modern gothic font designed for brave designers and for epic designs, available in three weights and variable fonts. It is good to use for Branding and Editorial projects with texts not too small, Advertising, Packaging, Labeling, and Book or Magazine titles.

Introducing “Avilusia”, a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. With its unique character and versatile design, “Avilusia” is poised to make a bold statement in a variety of design projects. The design concept behind “Avilusia” revolves around merging the timeless charm of semi-gothic typography with contemporary design sensibilities. The goal was to create a typeface that reflects the rich historical roots of gothic letterforms while infusing it with a fresh and modern edge. “Avilusia” aims to be a versatile tool that empowers designers to explore new creative territories while honoring the legacy of classic typography. While “Avilusia” draws inspiration from the semi-gothic tradition, it is not based on any specific historical design. Instead, it pays homage to the stylistic traits of semi-gothic typefaces while embracing the demands of contemporary aesthetics. This approach results in a typeface that is both captivating and adaptable, suitable for a wide range of design applications. “Avilusia” is a captivating semi-gothic typeface that seamlessly blends tradition with a modern twist. Its distinctive design, versatile nature, and extensive character set make it an excellent choice for creating visually engaging designs. Whether you're working on branding, editorial layouts, or display graphics, “Avilusia”'s unconventional elegance will leave a lasting impression on your projects.

I've heard it described as "Copperplate Gothic" on LSD. It's broad, funky and dangerously pointy.

David Berlow drew Romeo Medium Condensed during winter of 1990, basing the design on the Estrecha Fina weight of Electra, a spectacular art deco sanserif with an unusually fine condensed series. Carlos Winkow designed it circa 1940 for the Nacional typefoundry of Madrid, the leading typefoundry in Spain. Jill Pichotta drew the ultra-light Skinny Condensed, a digital tour de force released with Medium Condensed; FB 1990–91

Introducing Gyoza - Font Family (4 Fonts) Gyoza - was designed in late 2022 and published on January 2023. The Typeface was inspired by the 90’s playful cartoons and comic books. This font comes with 4 weights; Regular, Semibold, Bold, and Black. Gyoza - available with the variable fonts in weights and the Ink Trap. With the regular style, you'll have the correct anatomy of the fonts. with the Ink Trap style, it added more extreme space on the Ink Trap. Gyoza - contains everything you need to create stunning typography – from headline fonts to body text fonts - all in one place. Whether you're starting out or you've been designing for years, Gyoza has everything you need. Can be used for modern and vintage designs, and also can be easily paired with some graphic elements (Illustration, Photography) this font is perfect for, Logotype, Branding, Title, and Packaging. So take your design skills up a notch and get started on some fresh new projects with Gyoza today! Similar Item: Gunydrops : LINK HERE Kelpo : LINK HERE Swipe : LINK HERE Replay : LINK HERE What you get : Gyoza Regular Gyoza Semibold Gyoza Bold Gyoza Black Features : Ligatures Instructions ( Access special characters, even in circuit design ) Letters, numbers, symbols, and punctuation No special software is required to use this typeface even work in Canva Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Please contact us if you have any questions. Enjoy crafting and thanks for supporting us! Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Regards, Dharmas Studio

Abbatya is a serif typography of medieval design, inspired by Gothic architecture and slightly Celtic oriented.

Tazugane Info is a Japanese typeface family developed by the Monotype Studio, an alternative set of kana designed to match the kanji and Latin alphabet which retains the original form of the Tazugane Gothic. In contrast to the Tazugane Gothic, the kana of Info family is more systematically designed in order to give the text a calm, restraint look.

Kali Maya is a modern variable gothic font consisting of 5 weights and 2 types, regular and sharp. Simple and Plain Gothic combined with a square curve stylistic alternates is ideal for use as title, logo text, t-shirt designs, posters, and more. Comes with a variable format as well as multilingual support, numbers, and currency symbols.

Othelie - Fashionable Gothic Font Bold and Beautiful Othelie comes in Regular & Line version with tons of alternates. Othelie is Perfect for Heading, Logo creation, Clothing design, Tattoo Lettering, Advertisements, Labels, Halloween concept, Poster and much more! Get inspired by its Gothic appeal! To access alternate: Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs

Rawuh is a unique gothic blackletter for your designs. If you want to stand out from the crowd and add a touch of elegance, then this is the font you need. The blackletter style works perfectly for any Gothic themed tattoo, label, packaging, branding or project! use this font right away to make awesome projects happen!

AEONUS is a gothic font, an attempt to combine a wide-edged and pointed pen, while giving the font a readability that many gothic fonts lack. Angular shapes made strictly in 45 degrees and straight lines give the font a touch of futurism. A gothic, futuristic font that retains readability and makes a unique impression is the goal that was followed when creating the font. Aeonus also conveys the spirit of the occult and something dark. Aeonus is good for prints on clothes, posters, packaging, tattoo, merchandising, large headlines, logos, product design, and any other large font compositions.

Bebas Neue is a free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. - Bebas Neue Pro has lowercases and Italics. - Bebas Neue SemiRounded are some derived, Semi rounded fonts from this Bebas Neue. - Bebas Neue Rounded are some derived, rounded fonts from this Bebas Neue. - Mocha Mattari is a distressed, vintage-effected font based on this Bebas Neue. When you need more impact for titling, please try our Kaneda Gothic, Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Widwinter Fire: A Gothic Fantasy Font A decorative serif font inspired by tales of gothic fantasy and horror. Inspired by gothic cathedrals, ancient myths and campfire horror stories, Midwinter Fire is a font for the coming of Autumn when our days become shorter, darkness closes in and the snow begins to fall. It's for those chilling tales of terror and fairy tales that caution us not to go into the woods. Midwinter Fire is a versatile serif font, classical in style that can be applied to book covers, movie titles, rock albums, arcade games or even a vintage ale! It's the perfect choice for a decorative gothic look that remains readable at smaller sizes. Midwinter Fire is an all-caps serif font that includes lots of alternative characters and underlines along with numerals, punctuation and language support.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces. Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Neue Helvetica® is a melding of aesthetic and technical refinements that result in superior design proportions, improved legibility and an expanded range of uses beyond the original Helvetica typefaces Neue Helvetica World fonts enable the setting of pan-European languages, in addition to Arabic, Armenian, Cyrillic, Georgian, Greek, Hebrew, Thai and Vietnamese. The Cyrillic fonts include full support of the Unicode block, including characters for Bulgarian, Mazedonian, Serbian and Ukrainian. Other Monotype global fonts can be paired with Neue Helvetica World to create a more comprehensive global typographic solution. A few examples follow: Devanagari: Saral Devanagari Japanese: Tazugane Gothic or Yu Gothic Korean: YD Gothic 100 or YD Gothic 700 Simplified Chinese: M Ying Hei PRC or M Hei PRC Traditional Chinese: M Ying HK or M Hei HK Click here to download a brochure with more information on Neue Helvetica World.

Introducing Navigated, a captivating script font that seamlessly combines boldness with balance. Navigated showcases a unique connected letterform design, where each letter is expertly linked, resulting in a fluid and harmonious appearance. With consistent proportions and a low-contrast style, Navigated offers both stability. Adding a touch of flair to Navigated, you'll find striking swinging endings on select letters. These graceful flourishes bring an element of charm and sophistication to your words, making them stand out with a captivating visual appeal. Navigated fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Oksana Sans is a gothic sister of the Oksana Text typeface. Supports all European Latin and Cyrillic codepages.

Tomahawk - american authentic layered typeface. A typeface inspired by American ethnic motives, with a touch of gothic spirit.

The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified) Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries. The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase. Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.

I like strange words. Widdershins is one of them: it means ‘to go counter clockwise’ and I picked it up from a book I am reading at the moment. Widdershins font was created using a broken bamboo satay skewer and Chinese ink. It is a little messy, uneven and maybe even unnerving, but I am sure you’ll find a way to put it to good use.

An animated gothic with just a slight bounce, a nice fun font with many applications from headlines to text.

Black Scream is a spine-chilling serif display font designed to send shivers down your spine. Set in uppercase, each letter is meticulously crafted with a haunting ink dripping effect, adding an eerie and nightmarish vibe to your horror-themed designs. The letters of this font exude an unsettling aura, as if they were dipped in darkness and let ink slowly bleed down the page. The ink dripping effect adds a touch of realism and dread to the font, as if it were forged from the depths of a chilling nightmare. On the other side, the serif details of Black Scream add a sense of elegance to the font, contrasting with its nightmarish appearance. The fine lines and precise curves create a mesmerizing yet unsettling effect, making it a unique and captivating choice for horror-themed designs. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Black Scream fits in headlines, logos, horror movie posters, haunted house flyers, Halloween party invitations, any spine-tingling project, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Enjoy is a font family designed by CFCG. Its 5 fonts work in groups or independently. When used to complement illustrations or spontaneous projects requiring organic fonts, in Enjoy you will find expressive attributes reflected in uppercase, lowercase and numbers written with brush and fluid ink. Its strategies were carefully written providing greater handcrafted realism in its bonds and alternatives to create with eloquent letters at the beginning, middle or end of the word without losing order and readability. Enjoy contains many special textures to maximize its typographical benefits activating opentype buttons. Enjoy contains an authentic worn texture reflected in a variety of alternate characters and ligatures. Due to its maximum and coordinated cursive logic, captivates the interest in graphic design or advertising for cafeterias, sales of plants, bakeries, etc. When complement illustrations or spontaneous projects requiring organic fonts, with Enjoy you will find expressive attributes reflected in uppercase, lowercase and numbers written with brush and fluid ink.

Handel Slab, designed by Ralph M. Unger, is a new offering which ideally enhances and extends the existing Handel Gothic family. Even so, Handel Slab can very well be used on its own. Obviously, Handel Slab is closely based on Handel Gothic, which was designed by Don Mandel in the mid 1960s and which has been popular and successful amongst users from day one. Even today, it is a futuristic sans serif, and it is used for a wide range of typographic tasks, for example in computer games. Handel Slab provides a perfect enhancement to Handel Gothic, and the combination of both families offers more flexibility to designers and typographers.

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

A casual gothic easy-to-read font. Relaxed Fit works for so many applications: text, Headlines and anything in between.

Take a deep breath and tink in a deep and extrange galaxy where texts and signs are extrange for a first human look, with unrecognocible letters standing alone but readables all togheter... this font plays around this idea. Thin lines and simply curvatures define this rare group of characteres, ready to be used to challenge the capacity of adaptation and recognition of readable signs of the human brain. Are you ready to take the trip? Find it out!

Wittenbach is based on lettering by Rudolf Koch which really embodies the essence of classic gothic-style poster lettering of the 1920s. It brings together the traditional style of gothic lettering and a strong, more modern sensibility characteristic of Koch's work and his era. It is very vertical and stylized, but also extraordinarily attractive without the harshness of many of the designs of that period.

Shàngó, inspired by the initials from Professor F.H. Ernst Schneidler's classic design released in 1936 as Schneidler-Mediaeval mit Initialen, is an elegant design that looks best when used at large sizes, as the original name suggests. Shàngó is available in two styles: Classic, available in 3 weights, and Gothic, available in 4 weights. Shàngó is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).

Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights – thin, light, regular, bold, extra bold and black, along with corresponding italics. Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use. All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.  Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows. The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings. Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task. Combine them both for the best results – multi-pack available for a no-brainer price.