It is crucial to pick a perfect font for your project designs as they should be as great as your fonts to help you deliver your messages and feelings accurately. We would like to introduce you to our display font to help you create dazzling, unique designs. This is the Scream Explode. It is designed in firm characters and unique styles to help you deliver your messages quickly. This capitalized, thick weight font creates a bold, prominent display. Moreover, the uneven edge lines on our display font will give extra creativity touches to show a unique, attractive display. In addition, you can apply this font for big text sizes to be legible and you can enjoy the available features here as well. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Scream Explode fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Art deco The inspiration for FS Blake’s elegant, lightly geometric forms can be traced back to design of the 1930s; designer Emanuela Conidi was influenced by the typography of cool, European, art deco posters. FS Blake bears traits of the art deco style, from its thin weights to its heavy weights, giving a set of faces each with their own distinct character, but still with a strong family resemblance. Mechanical type Mechanical and organic shapes combine in FS Blake to create a harmonious whole of generous curves and cursive spikes. A strong, punchy contender in display sizes, it’s also got a gentle touch with small text in lighter weights. Lively, versatile and with plenty of character contrast between weights, the FS Blake family offers impact in whatever task it’s given.faces each with their own distinct character, but still with a strong family resemblance. Sketch book Great fonts still emerge from a combination of hand, paper and pencil. After filling her sketch book with ideas, Emanuela and Jason extracted the elements that both felt could work in a font. The process yielded a whole crop of starting points for future designs as well as a focus for FS Blake as a striking, characterful, almost industrial font.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Bion is a contemporary geometric sans serif with a down-to-earth attitude. It is distinguished by a high x-height, vertically cut terminals, and a minimal stroke contrast, giving it a distinctive, sharp look that is both timeless and universally appealing. Bion comes with 40 weights in a single variable file, ranging from Hairline to Black. We also included Upright, Italic, and Condensed variations to give you a fresh and diverse look for poster and title designs. Whatever message you want to get across, Bion has you covered - with support for 220 languages and 1,220 glyphs in total, as well as Extended Latin, Cyrillic and Greek scripts and an exhaustive list of typographic symbols. Our latest typeface also arrives packed full of OpenType features, including an alternative glyph set that will transform the way your text looks, giving it a more squarish appearance and offering additional visualization options. The Bion type family also includes an extensive set of standard and discretionary ligatures, tabular and small figures, fractions, and language localizations. These features work in static and variable fonts alike, providing a ready-made solution to all your advanced typographic needs. This functional, pragmatic typeface is clean and easily readable, making it an ideal choice for both print and on-screen media.

Kate Slab Pro Expanded is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro Expanded is its biggest asset in world of uniformity. Ranging from “100 Thin” all the way to “900 Black” makes Kate Slab Pro Expanded such an amazing and versatile font family that stands out. Kate Slab Pro Expanded doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer’s needs, Kate Slab Pro Expanded comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro Expanded manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro Expanded.

German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic, Greek, and Hebrew writing systems. FF Meta Variable are font files which are featuring two axis and have a preset instance from Hairline to Black and Condensed to Roman In 2011, FF Meta was added to the MoMA Architecture and Design Collection in New York. This FontFont is a member of the FF Meta super family, which also includes FF Meta Correspondence , FF Meta Headline , and FF Meta Serif . FF Meta® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Resumes

Yekow is a typeface with a Japan Style motif, making it ideal for projects that require a distinctly Japanese and Asian aesthetic. This font’s elegant and unique design will add an authentic and appealing vibe to your work. The Yekow font family includes a wide range of characters inspired by traditional Japanese characteristics, combining beauty with a contemporary touch. Each character is rich with delicate and vivid features, creating an enticing environment and exuding Japanese culture’s charm. You may add a genuine and distinctly Japanese ambiance to your advertising materials, posters, websites, and other projects by utilizing the Yekow font. This font will make an immediate impression and capture the attention of potential customers. Make your project stand out by using Yekow as the main typeface. With its rich detail and distinctiveness, this typeface provides a spectacular visual experience. Get on Yekow and take your designs on a memorable cultural tour. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Visible is a dynamic typeface family designed by CFCG @andinistas. Visible Script has narrow horizontal spacing between lowercase, while Visible Script 2 has generous and wide horizontal spacing. Mixing both styles you will achieve italic designs loaded with speed and strength to communicate aggressiveness, nervous and sanguine temperament. Visible Caps contains capital letters derived from the font's writing, but drawn aggressively and slanted 15 degrees to the right. This type of visual characteristic is typical of very fast and nervous writing that is performed with emotion without sacrificing harmony. a monolineal and condensed version is the Visible caps 2, allowing for significant horizontal space saving economies. Used Visible Caps 1 and 2, become much more than just an expressive and functional artistic tool. In short, by combining their expressive writing or Visible Caps & Script lettering styles, they make words and phrases appear to be written with a brush and ink-filled calligraphic strokes and with eye-catching qualities, their design is the perfect choice for distinctive headlines and brand identities. for music, movies, video games and more. A special thanks to the Venezuelan artist for his impressive illustrations @franciscomarin_artistaplastico ENJOY more than 1100 glyphs: + Visible Script: 398 glyphs + Visible Script2: 221 glyphs + Visible Caps: 222 glyphs + Visible Caps2: 298 glyphs

Parkour Brush Font takes the repertoire of moves and free spirit of this modern sport and bring it to a graphic definition. Handwritten with authentic dry brush imperfections and a bouncy baseline to evoke the energy of this urban sport discipline which emphasizes the athlete to be strong and flexible as to be able to move quickly and efficiently through any given environment. Sounds like a fun game, right? This font comes with a full set of upper and lower case characters - giving you the extra freedom to turn your text into authentic custom-made hand lettering. Parkour Marker font Includes a large range of glyphs including numerals, punctuation & multilingual support. It comes with a perfectly paired handy set of bonus Swashes and extras perfect to complete and customize your layout. Perfect for branding, social media, stationery, advertising, logos, handwritten quotes, product packaging, header, poster, merchandise & greeting cards. Features: - OTF Font file - Punctuation & numbers - Splashes & Splatters - Alternate letters - Uppercase letters - Multi Language To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

The core design of Pepper family, designed by VIDI Visual Design Studio, is the fingertip handwriting style inspired by children’s writings on windows. This distinctive low-contrast typeface combines characteristics from neo-grotesque and organic models. Warmer than most Helvetica inspired typefaces, Pepper has organic shapes, playful strokes, rounded endings, and a generous x-height which makes Pepper easy to read. This family could be used well for food packagings, content aimed for children, book covers, branding, high-impact titles and small body texts, advertising, editorial design and more. What makes Pepper Sans Vol.1 competent and more spicy then some other fonts is that it contains a set of more than 900 characters for each of 5 weights that support many Latin-based languages, Greek and Cyrillic. As the weight decreases, the typeface gains impact with becoming elegant, giving titles in (Hair, Thin or Light) a breath of fresh air. We derived a typeface family consisting of Hair, Thin, Light, Regular, Semi Bold in this Vol.1 edition. Typeface features: • 5 weights: Hair, Thin, Light, Regular, Semi Bold • Latin, Greek & Cyrillic multilingual support • More than 900 characters for each of 5 weights Font Specs: • Created: August 2020 • Files type: .ttf

Ahmed is a modern Arabic headline face, first produced by Linotype-Hell Ltd. in the early 1980s. Originally developed as a simplified face, its design recalls the inscriptional and decorative tile work lettering of the medieval period. The strong treatment of the tails of certain characters departs from the more traditional style of tapering these finials, introducing a modern feel to the design. The contrasting proportions of the tall vertical strokes and the rather elongated counters lend a monumental look to Ahmed, allowing its effective use in titling. During the later 1980s Ahmed was developed into a traditional typeface, with the introduction of medial forms to improve character spacing and balance. Recently, Ahmed has been converted into the OpenType font format, ensuring its continued popularity as a heading face for newspaper typesetting. The Ahmed typeface contains two weights, Ahmed and Ahmed Outline. Both of the OpenType fonts include Latin glyphs from Clearface Gothic Roman inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The two Ahmed fonts include the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Audacious is a quirky, confident and adorable serif type family across five weights in both text and display styles. This attention-grabbing retro typeface has an imperfect nature that embraces its quirks and irregularities, giving each font a distinctive and somewhat oddball personality. Its defining characteristics include large open counters, awkward stresses, large exaggerated wedge serifs, and voluptuous teardrop terminals. Whatever typographic compositions you create, Audacious will demand attention, making it perfect for titling, headlines, logotype, and branding projects. Take advantage of the 182 stylistic alternates to embellish your type and add that touch of class to titles and logos. Display weights work really well with close line spacing and stunning headlines are a breeze to create. Text weights make for a pleasant reading experience while packing all the punch and versatility found in the display variants. There are 20 fonts altogether, in Text and Display styles with weights from Regular to Black in both roman and italic. Audacious has an extensive character set that covers all Latin European languages. Key features: 2 Styles in Roman and Italic 5 weights: Regular, Medium, SemiBold, Bold, & Black 182 Alternates Full European character set (Latin only) 1100+ glyphs per font.

Bernyck is a vintage fonts inspired by bold advertisers hand lettering styles, popular in the late 1940s through the early 1950s. It has the same charm as his brother “Cinefile”, but, this time, connected and with more alternates. The Bernyck family is integrated by Bernyck and Bernyck Extrude to interact together. To this we add a beautiful set of 131 ornaments, Bernyck Ornaments and of course, Bernyck Ornaments Extrude. The Open Type features include a full international character compliment, standard and contextual alternates, swatches, stylistic sets, initial forms, standard and discretionary ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. A total of 634 glyphs to offer you many more options for your designs! Bernyck, like all our fonts, was carefully designed, controlled and tested in both aspects: readability and technical aspects. We take care of the kerning pairs, hinting and the precise programming of the Open Type functions; as well as the final touch of each glyph. Bernyck adapts well to titles, packages, invitations, greeting cards, magazines and book covers, children's material, fashion, logos and, posters and wherever you need a fun and sympathetic display font.

Wicked Hearts Is a chunky Serif font with an edge - it's a cool modern take on a retro classic, and it's ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements and much more. It's packed with plenty of alternates and ligatures to really bring it to life, and give you a wide range of customisation options. FAQs; Accessing Alternate Characters • Many letters of this font have multiple alternate versions (see image). In order to access each one, simply make sure 'Standard Ligatures' are enabled, and follow your letter with a number. For example, typing 'A1, A2, A3, A4' will generate the 4 alternate versions for capital A. Accessing Ligatures • There are 12 lowercase ligatures (double letters) included. In order to access these, simply make sure 'Standard Ligatures' are enabled, and the ligatures will automatically generate as you type. Standard Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Language Support • Wicked Hearts supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Large font sizes are often hard for the eyes to see and difficult to read. As a consequence, you have to give a lot of extra effort just to find out the right, legible font type with a great weight for your brand. Restages is a capitalized display serif font with less thickness for an effortless readability. This font type is perfect for formal contents because of its stylish, elegant characters to strengthen the impressions delivered. Furthermore, this font is truly legible due to its simple, regular serif forms to ease readers to recognize each letter correctly. Make use of the font features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Restages fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can be seen in the contrast between curves and straight lines in some characters such as ’n’ and ‘h’ unlike rounded ones such as ‘a’ and ‘d’; details of some display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra a strong personality—a sans serif typeface that ‘gives you the chills’. Fibra was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

Introducing the CA Superpilot Sans & Script family pairing - the ultimate package designed specifically for creatives and designers. The CA Superpilot Sans font family, with its contemporary take on Futura, is the perfect choice for those seeking a sleek and modern typeface. With five weights and italics, this font is flexible enough to be used in any project. In addition, it includes an extensive Central European character set and alternate characters, ensuring that your designs will stand out in any language. On the other hand, the CA Superpilot Script font family is a monoline script font that takes inspiration from vintage camera equipment logos and type designations from the 1950s. The result is a unique and retro-inspired typeface that adds personality and charm to any project. With regular and italic styles, you have plenty of options to work with. Despite being a script typeface, its bold strokes and clean lines make it ideal for captivating and impactful headlines in uppercase. Using these two fonts together gives you unmatched flexibility for any project, whether it's branding, website design, or print design. Don't miss out on this essential font pairing - get it today!

Magola is a creamy flavor font family whose purpose is to season with emotions the reading of words and phrases formed by puffy glyphs coated with a caramel of empty spaces external and internal. Independently or in groups, members of the family serve to decorate and organize packaging or advertising material in letters apparently crafted for food or entertainment contexts. Its starting point was to draw letters like a ballon fish evolved into a black version with empty areas and microscopic contrasted with colorful inflated and filled areas. Then the challenge was based on the sum transferred between full and empty into a lighter caliber. In that vein, its overall design adapted skeletons of italics and Roman calligraphy. Therefore, its regular, bold and black files have great height "x" with upwards and downwards extremely short and large internal counterblocks to facilitate reading. In this regard, to strengthen its objective and capture the reader's attention, its kind of contrast and simulated auctions flat tip brush strokes, and amount of contrast between thick and thin in the black version is slightly inverted. Its sizes, smooth strokes and irregular lines reinforce its traditional spirit, so it is favorable to shine the information on posters or large-format media. In short, its optical conformation based on a non-literal way, in metrics similar in all family members to be easily exchanged without changing the ìxî height. It is therefore a striking and versatile tool, that besides being useful in large sizes, can be used in small sizes as well. And more importantly, its general concept is more profitable when its members are mixed to nest headings, subheadings and short paragraphs, designed according to size, position, color and location in logos, covers, posters, ads and flyers.

Project Of Code - Display Sans Font. Project Of Code a contemporary, Display Sans inspired display typeface full of character, quirky ligatures, and glyphs to keep your designs fresh. Project Of Code is a display font that we recommend using in the following types of work; magazines (titles and layouts), logos and branding, invitations, quotes, blog headers, posters, and advertising. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

The Vtg Stencil DIN fonts were developed to made the most common stencil type of Germany available in digital type. Of course there are several, slightly different stencil designs from different manufactures in circulation, but all share the typical design of DIN type. » pdf specimen « Vtg Stencil DIN comes in many styles – Regular, Alt, Fabric, Halftone and Rough. The Alt style features older designs of letter “a” and figures “6” and “9”. Fabric, Halftone and Rough styles have an eroded, weathered look using up to four glyph variations of each letter. For an random effect an glyph rotator is programmed into the fonts opentype-code and applied by typing in opentype-savvy application.

These six faces are interpreted from examples shown in Rob Roy Kelly's "American Wood Types" They are not merely scanned copies, but have been redrawn from scratch with various optical adjustments. Kelly points out that the true glory of the American Wood Types are the negative spaces, which are, in their dynamic active forms, the antithesis of the anemic flimsy letters produced by type foundries in the 19th century. The Alphabets Wood Types are designed with digital manipulation in mind. Stretch, curve and distort at will! These designs were released prior to similar revivals from Adobe. Each font has two full alphabets (one full height, one smaller) and numerals. However, certain points and accents will not be found.

LTC Kaatskill was made specifically for use in an edition of Rip Van Winkle for the Limited Editions Club. "I feel that Kaatskill owes nothing in its design to any existing face, and the type therefore is as truly an American type as anything so hidebound by tradition as type can be."- F. Goudy This face was one of the first digital typefaces released by the Lanston Type Co. Ltd. Jim Rimmer took painstaking measures in his faithful revival. Goudy had never designed a specific Italic to accompany this face. The Italic completed by Rimmer is a variation on Deepdene Italic. The font set was re-mastered in 2006 by Colin Kahn.

Rounded Keys is a type font with a smooth, modern feel.

Based on custom design work by DTP Types Limited in 1992.

Based on custom design work by DTP Types Limited in 1992.