Corporate design and branding across global markets requires a universal typographic identity. The timeless, world-famous classic Neue Helvetica® typeface is now available as World fonts in the six most important styles. With support for a total of 181 languages, Monotype’s Neue Helvetica® World typeface family is suitable to meet the typographic and linguistic demands of large international brands, corporations, publishing houses, and software and hardware developers. Neue Helvetica World’s language support covers the pan-European area (extended Latin alphabet, Cyrillic and Greek) as well as Arabic, Hebrew, Armenian, Georgian, Thai and Vietnamese. The Cyrillic alphabet contains not only the standard options, but also the complete Unicode block u+0400. In addition, a large number of new global currency symbols have been included such as the Russian ruble, Turkish lira, Indian rupee and Azerbaijani manat. Neue Helvetica World is offered as OpenType font with TrueType (.ttf) or PostScript CFF (.otf) outlines. The files size are reasonably small, ranging from 140 to 270 KB depending on format and style. The uprights each include 1708 glyphs and the italics have 1285 glyphs (some scripts, such as Arabic, do not have an italic design). Typeface pairings for further global support Should the language support of Neue Helvetica World still not be sufficient for your markets, there are numerous other typefaces available which perfectly complement Neue Helvetica World. These are our recommendations for South and East Asia languages: - Devanagari: Saral Devanagari - Japanese: Tazugane Gothic or Yu Gothic - Korean: YD Gothic 100 or YD Gothic 700 - Simplified Chinese: M Ying Hei PRC or M Hei PRC - Traditional Chinese: M Ying Hei HK or M Hei HK Please contact a Monotype representative for other pairing recommendations or typographic consultations.

Say hello to Hello Radio font, the perfect font to add a touch of vintage charm to your designs! With its monoline stroke script style, this font brings back the good old days with a fun and quirky twist. The best part? It supports multilingual characters, so you can spread the retro vibes in any language you desire. Every character in Hello Radio font has a delightful imperfect shape, giving your designs a natural and handcrafted feel. It's like having your vintage radio station right at your fingertips! This font is a true team player, cooperating effortlessly with other elements in your design. Whether you're creating traditional-style logos, labels, package designs, or awesome lettering for t-shirts, Hello Radio Font has got you covered.

Despite being drawn digitally, Angeletta is a typeface in the hand-lettering tradition. It draws on designer Rob Leuschke's three decades of experience with pen and ink, including his time creating scripts for Hallmark Cards. Spontaneous and energetic, Angeletta is satisfyingly inky – with strokes almost spilling into one another. Its quirky personality and titling version makes it a good choice for packaging and social expression, while its distinctive character could work well in branding, perhaps paired with a more sedate sans serif. The Angeletta typeface is a calligraphic script designed by Robert E. Leuschke exclusively for Monotype. It is available in OpenType OTF and TTF fonts formats. Angeletta has 900 glyphs with OpenType typographic features like contextual and stylistic alternatives, swashes, ligatures and fractions.

Say hello to Grande Sans—a geometric typeface that features highly stylized capitals with sharp corners, circular forms and generous proportions. Specifically created for visual impact—use Grande Sans when you want your words to stand out from the rest of the crowd. The concept is modern, futuristic and non-traditional. Perfect for display text, logos and headlines. The development of Grande Sans started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. Grande Sans is specifically introduced here as a black weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Grande Sans—check out Alex Kaczun’s Decrypt fonts as well as all of Type Innovations fonts here.

**Authortscript** is a versatile handwritten font with an easy flow movement that captures the essence of classic calligraphy. This elegant and professional-grade font is perfect for a variety of projects, including book covers, invitations, and branding materials. Its effortless strokes and natural curves create a unique and authentic feel, adding a touch of personality and charm to any design. AuthorScript is designed to be both stylish and legible, making it suitable for both digital and print applications. With its modern twist on traditional calligraphy, AuthorScript is sure to make your designs stand out and leave a lasting impression --- Thank you for let us be your design partner, If you have any questions please don't hesitate to drop me a message

Shine Pro is the quintessential sans serif gentleman you’ve been looking for all your life. It doesn’t confuse, confound, or complicate - it politely offers up what it has as though your fontal satisfaction is the most important thing in the world; and to Shine Pro, it is. The Regular weight is subtle, gentle - his softer side; while the Bold weight has impact and creates an imposing, important air.. In order to please everyone, Shine Pro has an impressive 10,000 kerning pairs and extensive language support, including cyrillic. Designed with traditional influences but with a contemporary coup-de-grace, the clean, smartly turned out, and oh-so-reliable Shine Pro is ready to become your new go-to font for all matters.

BoiTu is a typeface in the BoiTu project designed by Vei Vei. BoiTu has a strong contrast between bold bars and long sharp hook strokes inspired by pheasant feathers on the hat in Hat Boi costume. "Tuong or Hat Boi is a form of Vietnamese classic opera, combining various elements of arts such as stage, music, fine art, literature, dancing, and martial arts. Older Tuong plays are usually about historical events or tales. Allegories, melodramas, soliloquies, modes of expression, forms of performance, repartee singing and recitative conventions, etc., are constantly updated and elevated, and are quintessential elements in the art of Tuong." Boi Tu is a classic design to bring traditional art and culture closer to everyone. Boi Tu is a Vietnamese font that supports multiple languages.

Weaving is a family in which the letters fit together so that wavy lines separate them both horizontally and vertically. It creates this effect by alternating letters on upper-case keys with those on lower-case letters and this alternating is done automatically in applications that support the OpenType feature of contextual alternatives (calt). (The upper-case can be used alone but it unlikely that the lower-case characters could be used by themselves.) The family is a thinner and condensed version of the typeface Woven, but in condensing it, the tessellation properties that a were in Woven are lost. It is a decorative display face but because there are few typefaces similar to it, it is hard to predict what uses it may have. Be creative!

Gaultier is the result of over 5 years of work on a typeface inspired by my favourite creators in European typography – Claude Garamond, Robert Granjon and Eric Gill. The main idea of the project was to create a sans-serif antiqua with all features reserved for serif typefaces. In addition to the rich set of characters, Neuropa includes: Small Caps, Superscript, Subscript, Ligatures, Discretionary Ligatures, Contextual Alternates, Swash Variants and 5 different styles of digits. Upright styles with delicate contrast corresponds with the expressive form of italics inspired by Granjon italic construction. Gaultier will work wherever we want to emphasize modernity without forgetting tradition. The sharp character of the whole family is perfect for longer texts, visual communications and branding purposes.

Floriste is an elegant, stylized and expressive script font inspired by those beautiful calligraphies of yesteryear, but with a modern point of view. Its informal and friendly appearance refers to traditional flowing writing. Floriste includes many stylistic variations, swashes, stylistics sets, ligatures, contextual and stylistic alternates to create more authentic and varied connections between letters and to assure almost infinite combination possibilities. In addition, the font includes a set of very useful ornaments to combine and give an ornamental aspect to the calligraphic text. It has Central European language support to suit your design. Floriste works perfectly on greeting cards, invitations, weddings, posters, magazines, fashion world, brands, logos, packaging, etc. Floriste is friendly, cool and fun to use in your works. Enjoy it!

Beauville Script is a handmade pen font with a touch of comfortable elegance, inspired by the script headings of the 40s and 50s. Beauville is an upright, condensed and soft vintage script with a modern and contemporary twist. Its main characteristics are the bouncy baseline, round forms and bumpy stems. These qualities give Beauville it’s casual, friendly look and makes reference to traditional fluent handwriting. Beauville font is equipped with contextual and stylistic alternatives, swash alternatives and ligatures to create more authentic and varied connections between the letters. It has a Central European language support to fit your design. Beauville Script works perfectly in greeting cards, invitations, weddings, posters, magazines, fashion world, branding & logos, packaging, etc. It is friendly and lovable, fresh and fun to work with.

This dynamic athletic block has the need for speed. VT Gladius is a display typeface loaded with energy and ready to take off. Each letterform is built on a system of angles that generate a distinct rhythm, drawing the eye through the shape, making every word feel more dynamic. Further reinforcing this are the slightly thicker baseline-adjacent horizontal stems — alluding to the ink-pooling that lower strokes have in traditional penmanship — creating a “bounce” that gives each letter that much more personality. For further customization, the “Disable Speed Cuts” OpenType feature and discretionary ligatures serve as another fine-tuning tool. With five weights, a stencil version, and oblique styles for each, this 12-font family is ready to kick things in to another gear.

The Face2Face (F2F) series was inspired by the techno sound of the mid-1990s, personal computers and new font creation software. For years, Sibylle Schlaich and her friends formed a unique type design collective, which churned out a substantial amount of fresh, new fonts, none of which complied with the traditional rules of typography. Many of these typefaces were used to create layouts for the leading German techno magazine of the 1990s, Frontpage. Schlaich and her fellows would even set in type at 6 points, in order to make it nearly unreadable. It was a pleasure for the kids to read and decrypt these messages! F2F Styletti Medium is one of 41 Face2Face fonts included in the Take Type 5 collection from Linotype GmbH."

Caligraf is a classical calligraphy script. It was drawn and created by Måns Grebäck during 2019 and 2020. The character design blends traditional soft flowing handwriting with a modern, sharp look, and its angle and weight balance gives it a determined and progressive pace. Caligraf is a multistyle font family, composed of Thin, Light, Regular, Bold and Black. Its range ensures usability in any context, while also giving the ability to emphasize phrases or words. Use it in an invitation, a diploma, a logotype or in a decorative body text. Being a font with over 850 glyphs, it is guaranteed to contain all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering European and Asian Latin scripts.

Jheronimus is a neo-humanistic grotesque. A font with an open aperture. It has straight terminals and a moderated height of the lowercase characters. Jheronimus is a font with a uniform ordered rhythm. Well readable on the screen in small size. Consistent letter proportions. The rounded elements are pill shaped and the font has pronounced connections strokes. Punctuation marks are well decorated. Jheronimus will satisfy the demanding typographer. There are oldstyle figures in the best traditions of humanism. The bright recognizable character is combined with a clear form. This creates a sharp, crystal impression. Jheronimus is suitable for the design of an ambitious, temperamental text. It is stylistically similar to the paintings of the Dutch artist Hieronymus Bosch. From this comes its name.

Flasher is a display font, all caps, traditional tattoo style, simple doodle line with vintage feels,

A handwritten font loaded with extra botanical elements that allow you to create beautiful logos and floral compositions for any project! Create stationery, quotes, logos, etc. all packed together in a family.

Argumend | A Humanistic Slab Serif Typeface Argumend is a versatile slab serif typeface with a wide range of Opentype features. Create strong and eye catching headlines with its upper case ligatures or make use of its many weights and true italics to create mindful body copy; either way, Argumend is rich with typographic options to help create attention worthy text.

SUSHI is an unusual font family (2 styles), created by Bartosz Panek. The idea was created while working on the design of a certain logo. With time, a whole font was created from modular elements, which in its form brings associations with food, fish and sushi. The font contains uppercase characters, numerals and a large range of punctuation (over 220 glyphs).

Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The original typeface on which this one is based is JetJaneMono.

Many years ago I created two upside-down typefaces, UpsidedownJJ and UpsidedownTOC. They were based on monospaced or typewriter fonts, and were rotated 180 degrees, which is the same as a vertical flip followed by a horizontal flip. Recently I was reminded that this way of creating an upside-down typeface is not the only way to create an upside-down typeface--a simple vertical flip creates a different one. That is what this typeface is, a simple vertical flip. The unflipped typeface from which VerticalFlipTOC is derived is TiredOfCourier.

Modakshar was inspired by traditional Indic handwriting scripts which ‘hang’ from a common upper horizontal bar. Adapting this motif to Latin letterforms was challenging. The typeface was first conceived in the 1970's as a design project in school. The current digital design was completed in 2002. Basic motif was inspired by traditional Indic script handwriting.

As its name suggests Captions is a font created to mimic the small legible bodies of text that often accompany pieces & productions. The letters were originally created with spray paint & rendered solid & smooth.

Love Affair is an art nouveau vintage style font. It's an old-school typeface, perfect for creating some classic lettering compositions. Love Affair includes lots of ligatures to create more organic text shape.

A contemporary serif font family. The design takes influence from traditional serif forms to develop a precise, highly functional text face with a low contrast. Smooth radius details are blended with carefully drawn angles that give a crisp, distinctive aesthetic when used across body copy. Modum is a stylish modern day serif with great charm, harmony and practicality that is best suited for complex hierarchical projects, such as editorials, newspapers and text based books. Details include 8 weights and true italics, over 800 characters with alternative lowercase a, e, g and y. 7 variations of numerals, true small caps with accents, ligatures, manually edited kerning and Opentype features.

Thanks for checking out Winter Glows! A fabulously fun yet elegant script font with tons of energy, allowing you to create beautiful hand-made typography in an instant. With extra bouncy curves & loops, Winter Glows is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, headers and whatever your imagination holds. What's really awesome is that Winter Glows comes with a complete set of lowercase alternates, which allows you to create even more authentic custom-feel text. Another great feature is the bonus ornaments font, which allows you to add some really unique and elegant finishing touches to your script text. Winter Glows Family includes 5 font files; Winter Glows • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. Winter Glows Alt 1 • This is a second version Winter Glows, with a completely new set of both lower and uppercase characters. this versions do not contain as many glyphs as the Regular style. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Winter Glows Alt 2 • This is a second version Winter Glows, with a completely new set of both lower and uppercase characters. this versions do not contain as many glyphs as the Regular style. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Winter Glows Alt 3 • This is a second version Winter Glows, with a completely new set of both lower and uppercase characters. this versions do not contain as many glyphs as the Regular style. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Winter Glows Extras • A set of hand-drawn swashes & doodles, the perfect finishing touch to underline your Winter Glows text & doodles for perfect lettering logos. Simply install this as a separate font, select it from your font menu and type any A-Z, a-z & 0-9 character to create a swash & Doodles. Standard Ligatures • Are also available for several lowercase characters (double-letters which flow more naturally). Ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.

Tradition and romance joined in the beautiful typeface, inspired by old hand drawn signs in Tel Aviv.

Inspired by traditional old Biblical type, this font has a rich and unique style, with modern touch.

Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed à la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.” The great hype of Swisspalooza '07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales rep for the Haas foundry until 1956, after which time he was a freelance graphic designer — rather than the full-time type designer most Helvetica enthusiasts presume him to have been. It was under that freelance capacity that he was commissioned to design the regular and bold weights of Neue Haas Grotesk typeface. His role in designing Helvetica was never really trumpeted until long after the typeface attained global popularity. And, again surprisingly, Miedinger designed two more typefaces that seem to have been lost to the dust of film type history. One is called Pro Arte (1954), a very condensed Playbill-like slab serif that is similar to many of its genre. The other, made in 1964, is much more interesting. Its original name was Horizontal. Here it is, lest it becomes a Haas-been, presented to you in digital form by Canada Type under the name of its original designer, Miedinger, the Helvetica King. The original film face was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This face is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces four new weights, ranging from Thin to Medium, alongside the bold original. The Miedinger package comes in all popular font formats, and supports Western, Central and Eastern European languages, as well as Esperanto, Maltese, Turkish and Celtic/Welsh. A few counter-less alternates are included in the fonts.

INTRODUCING THE GEMINI TYPE FONTPACK, an industrial-strength OpenType font bundle inspired by and optimized for dimensional type. Chank Co is proud to introduce the new “Gemini Type Fontpack,” a collection of ten fonts available for use on your desktop computer or web pages, but also optimized for use as exterior cast-metal signage in bronze or aluminum in collaboration with Gemini, a family-owned industry leader in the wholesale manufacture of dimensional letters, logo and plaques based in Cannon Falls, MN. Gemini collaborated with Chank Co to assemble a line of fonts that would work well as dimensional, cast-letter signage for use on the sides of buildings, in stores, and other public spaces. The fonts included in the “Gemini Type Fontpack” are reinterpretations of previous Chank Fonts, now optimized for dimensional signage display, but then also repackaged and presented for your use as an OpenType desktop computer font collection: GT-Adrianna DemiBold GT-Adrianna Bold GT-Adrianna ExtraBold GT-Fairbanks GT-Forward Thinking GT-Hydropower ExtraCondensed GT-Kegger GT-Shopaganda GT-Shopaganda Condensed GT-Timeless Geometric. This is a multi-purpose collection of heavy-lifting fonts to convey your message strong and clearly, full of legibility and clarity, but also displaying personality and distinction. You can purchase and download these fonts in OpenType format for your desktop computer right now via MyFonts. Get it today and you'll also get a great introductory special sale price. These exclusive typefaces are also available as dimensional letters, manufactured by Gemini in bronze or aluminum, from 6" tall up to 18" tall, with a variety of finish options, for use in public signage and wayfinding systems. Gemini manufacture their products in 20 plants through out the US, Canada and Mexico, and all their products are backed by a lifetime guarantee. Chank Co is excited to offer these ten strong, industrial font designs in durable cast metal format via Gemini. ----- More about the fonts in the Gemini Type Fontpack: GT-Adrianna DemiBold, Bold, and Adrianna ExtraBold Clear, invisible, no-nonsense, multi-purpose. A versatile sans-serif heavy-lifting font family. GT-Fairbanks Vintage, silent film, speedball, old-timey, old-fashioned, retro. Based upon the lettering in the 1914 silent film, “The Good Bad Man.” GT-Forward Thinking Futuristic, semi-serif, clean, distinctive, contemporary, idiosyncratic. A font for tomorrow and the future. GT-Hydropower ExtraCondensed Extra-condensed, compressed, strong, rigid and concise. GT-Kegger Strong, sporty, collegiate, athletic. Nothing says “GO TEAM” quite like a big, bold slab-serif font. GT-Shopaganda and GT-Shopaganda Condensed Industrial, geometric, constructivist, propaganda, oh there’s so much to love about the strength and clarity of these two fonts. Based on Chank’s Liquorstore and Nicotine fonts, which have been married and unified here, with a few new twists and turns to their letterforms. GT-Timeless Geometric Bauhaus, anyone? The geometric and minimalist alphabet here is about as clean and straight-forward as a semi-condensed sans can get. ----- All of the fonts in this package are available individually, or save money when you purchase all ten of them as a collection. Download this digital font package from MyFonts today and you'll receive both OpenType and TrueType formats in your download for your desktop computer. Webfont format is also available. (If you'd like to use these fonts as cast-metal letters for exterior, architectural purposes, visit the Gemini website to learn more about how you can find a signage retailer near you.)

Bolognaise is a relaxed and flowing handwritten font, created with the help of a beautiful brush pen. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Donuto is a bold rounded font. It's suitable for create logos and branding of food, children's and eco-products. The font contains a number of alternate characters, which allows you to create unique combinations.

Bookseller Bk is a typeface designed for books and legible text at a small sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Bk includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Bk is also available in Caption size. 12 fonts for legibility at smaller sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.