Kataleya - this is a beautiful handwritten font filled with charm and romance. It will fit perfectly into any project, and thanks to alternative substitutes, you can make your design unique, try playing substitutes, and you will get different options for your design. All characters in this font support PUA encoding.

miss you is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It has a casual, yet elegant touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Files Include : - Multilingual Support - Ligature Character - Alternates Character Thanks

While watching a movie filmed on location in New York, one scene stood out with a classic neon sign for a neighborhood restaurant. Ridgewood JNL is based on the lettering from that sign, and emulates many of the Art Deco elements that was so unique to sign work of the day.

The movie poster for the 1936 film “Dodsworth” had its title hand lettered in a thin Art Deco sans serif with a mix of both stylized and squared characters. Expanding on this unusual lettering combination, the final results became Drama Deco JNL, which is available in both regular and oblique versions.

Take Charge JNL is based on the opening title card for the 1936 film "The Charge of the Light Brigade" starring Errol Flynn and Olivia de Havilland, Donald Crisp and David Niven. The typeface is a simple, bold titling font with the slight feel of Art Deco influence in its design.

Class, with a punch. It's rare to find fonts that are refined without being too delicate, stylish while still being bold and impactful. Guildhall is a heavy rectangular flared serif in face widths with matching italics. Suitable for film posters, rock concerts and band logos, beer labels, packaging and magazine headlines.

Sweet azalea is an all rounder font, very easy to adjust following your needs, it can be used as signature, branding, web design and of course used as casual script font to add a handwriting touch, all is available in just one file. Plus featured with ligatures and swash alternates.

With Marithan, every character is a hunk of hero inspiration. This superhero-style display font is the answer for projects that need great visual flair. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Hand lettering from the title credits for the 1950 film “All about Eve” were the inspiration for Evening Event JNL, which is available in both regular and oblique versions. The font’s name is an (unintended) double-homage to the film’s title, for the first part of both words include “Eve”.

Allow me to introduce Hello Blushberry - Font Duo is a playful script containing many choices of alternative characters to choose from as well as ligatures that look natural to add to the authenticity of letters. A collection of strange and initial swash tips is also included to add finishing touches or fill the design space in your type design. Hello Blushberry a modern handwriting fonts, loaded with awesome opentype features, and full alternative upper and lower case character sets. make custom letters a dream thanks to all the extra decorative choices you can enter for beautiful and unique customizations - swash, endings, alternative letters and ligatures all make it the prettiest little thing since tutus and tiara. Designed to work harmoniously, this duo font consists of super fine and casual signature scripts and a complete and clean set of all sans serif letters. Sans Serif fonts consist of two outline fonts of different weights, and a regular version. Layer them with different colors and turbidity to get a million different views. This font is perfect for branding, logos, web and editorial design, branding, prints, invitations, crafts, quotes, and more. Includes Files: • Hello Blushberry Script • Hello Blushberry Script Capitals Need help? If you need help or advice, please contact me by e-mail at Greatstudio92@gmail.com.

Taco is a new Mexican style font family based on our Tavern and Algerian Mesa type designs. When I finished the extra heavier weights for Tavern I decided to play around with a decorated version, the extra bold letters allowed for much more room to work with an inlay pattern. After experimenting with several designs I decided on a Mexican pattern because the original base font is very popular in Mexican restaurant logos and menus plus it's frequently used on Tequila bottle labels. I originally planned three weights for the Taco font family, however, after completing the bold weight I've decided to release it now so you may put it to use while the regular and extra bold are being produced, sorry I can't estimate a release date for the two other weights. To use the fill font layers you'll need an application that allows you to work in layers such as Adobe Creative Suite products. The Taco Fill Uno font may be used as a stand alone font, however, we recommend searching for our Tavern font family where you'll find three different bold weights of this same design. Opentype features aware applications are also needed for accessing the many alternate glyphs in Taco, all the alternates that you love in our Tavern fonts are also available in Taco. While the fill font layers are in registration with one another some applications may throw them out of alignment by changing the spacing. Custom inter letter spacing in Adobe Creative Suite may also throw the fill fonts out of alignment. We recommend doing your custom spacing first then duplicate the type layer and change to the next fill font and color. The inspiration for the Taco name of this font family was from a homemade Taco dinner I made for a guest at my house, after dinner I searched to see if there was a commercial font named Taco. There was no such font named Taco and the rest is history. The old Stephenson Blake Algerian font has come a long way since 1908, and we're not done with it yet. We hope you enjoy our Taco font family, we're looking forward to see it in use.

Fantini is the revival and elaborate update of a typeface called Fantan, made in-house and released in 1970 by a minor Chicago film type supplier called Custom Headings International. In the most excellent tradition of seriously-planned American film faces back then, CHI released a full complement of swashes and alternates to the curly art nouveau letters. Fantan didn't fare much among the type scene's big players back then, but it did spread like electricity among the smaller ones, the mom-and-pop type shops. But by the late 1980s, when film type was giving up the ghost, most smaller players in the industry were gone, in some cases along with little original libraries that existed nowhere else and became instant rarities on their way to be forgotten and almost impossible to resurrect for future technologies. Fantini is the fun and curly art nouveau font bridging the softness and psychedelia of the 1960s with the flirtatious flare of the 1970s like no other face does. Elements of psychedelia and funk flare out and intermix crazily to create cool, swirly letters packed with a lot of joy and energy. This is the kind of American art nouveau font that made its comeback in the late 20th century and is now a standard visual in the branding drive of almost every consumer product, from coffee labels to book and music covers to your favorite sugar or thirst-crunching fix. Alongside Fantini's enormous main font come small caps and three extra fonts loaded with swashy alternates and variations on plenty of letters. All available in all popular font formats. Fantini Pro, the OpenType version, packs the whole she-bang in a single font of high versatility for those who have applications that support advanced type technologies. In order to make Fantini a reality, Canada Type received original 2" film specimen from Robert Donona, a Clevelander whose enthusiasm about American film type has never faltered, even decades after the technology itself became obsolete. Keep an eye out for that name. Robert, who was computer-reluctant for the longest time, has now come a long way toward mastering digital type design.

The FF Meta® design is a sans serif, humanist-style typeface that was designed by Erik Spiekermann for the West German Post Office (Deutsche Bundespost). It was subsequently released in 1991 by Spiekermann's company FontFont The FF Meta family, initially released as a commercial font in 1991, now comprises over sixty fonts. The FF Meta 2 family was released in 1992, the FF Meta Plus family in 1993, and in 1998 a facelift of the complete font family reclassified the FF Meta series and combined them into family-sets named FF Meta Normal, FF Meta Book, FF Meta Medium, FF Meta Bold and FF Meta Black. These are all available in Roman, italic, small caps and italic small caps. Between 1998 and 2005, further light stroke weights and a condensed family were introduced by Tagir Safayev and Olga Chayeva and were named: FF Meta Light and FF Meta Hairline. The last addition to the growing FF Meta font family is FF Meta Serif released by FSI in 2007. FF Meta Variable Roman is a single font file that features two axes: Weight and Width. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum. FF Meta Variable Italic is a single font file that features an italic design with two axes: Weight and Width. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. This Italic font is provided as an option to customers who do not need Roman (uprights), and want to keep file sizes to a minimum. FF Meta Variable Set is a single font file that features three axes: Weight, Width and Italic. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. The Italic axis is a switch between upright and italic

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Subhanahu Wa Ta'ala" because we have added "Subhanahu Wa Ta'ala" to each and every name. The first "Alef" has a "hamzit wasel", this indicates that the name can be pronounced both as "AR-RAHMAAN" or "R-RAHMAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The calligraphy is rectangular shaped, and the "fatha" is big and covers almost the entire name, in most of the names. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Ta, Kaf & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran.

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Kids" because it looks as if a child is writing the names. The first "Alef" has a "hamzit wasel", this indicates that the name can be pronounced both as "AR-RAHMAAN" or "R-RAHMAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). Some of the letters in the calligraphy are unusually big, they look as a child is writing them. No decorative letters are used in this calligraphy. Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran.

Ana is a chromatic typeface consisting of 26 uppercase Latin characters, inspired by arabesque patterns from the nineteenth century. Programmed to enable users to easily create multicolored drop caps and initials, this decorative display typeface features a different ornament for every letterform, which fits perfectly with its glyph shape. This ornament is usually more luxurious on the left side of the letter, while on the right it is scarce, so that the body text can be placed close to the initial. These initials are valuable for use in large sizes, like posters, magazines, packaging design, fairy tales, and so on. The final forms of the initials consist of 5 parts which can be individually colored. There are 5 font files named Ana Layer A, Ana Layer B, and so on. A font user can manually create a multicolored initial with these font files, if there is no possibility to use the Contextual Alternates option. To do that, it is necessary to make 5 layers in the page layout software. Then, the corresponding character should be placed on each layer, so that Ana Layer A is on the lowest layer and Ana Layer E is on the highest one. Note that the glyph shapes are contained in the lower case positions. In contrast, the font file named Ana is programmed, so it is possible to create a multicolored initial with the Contextual Alternates command. There is no need for additional layers, everything happens on a single layer. First, the Contextual Alternates command (usually under OpenType menu) should be disabled. Then, using lower case key, type the desired character 5 times and apply color to them. Select them all and turn on the Contextual Alternates. Also, the font file Ana comes with a set of ‘black’ initials that can be used just like any other non-color typeface. The ornamental versions are contained in the uppercase positions, while the letters without the ornaments are in the lower case. With the font file Ana Monochrome one can only get the monochrome initials. Ornamental letters are contained in the upper case positions, while the letterforms without the ornaments are in the lower case.

Very close thematically and in style to the rest of our “whimbats” (the Absurdies, Bizarries, Illustries, Genteta and Whimsies series), the Ombres contain a number of peculiar silhouettes and illustrations of people that range from cute to scary, with everything in between. Ombres offers152 pictures in 3 files. These imaginary characters were produced with different techniques: quick pencil sketches, ink, watercolour, though once digitized and simplified to bring them into the font files there is little apparent difference. The silhouettes, rather than flat shadows are more dimensional in their look, because they have been digitized retaining the original brushwork or pencil strokes of their source drawings. Some of them remind of the venerable tradition of metal stock cuts from vintage type foundries. The digitized results are quite different, but the energetic nature of the subjects has been mantained. Their vectorial file format means you can use them at any size with no loss of quality. Every Ombres dingbat offers ready-made images for a variety of creative projects. They can be used as they come or easily customized in any graphics program. At small sizes they are ideal spot illustrations with a whimsical touch; at large sizes they can bring a whole page, a spread or even a big poster to live.

American type designer Jim Parkinson created this display FontFont in 1996. The font is ideally suited for advertising and packaging, festive occasions, film and tv as well as poster and billboards. FF Motel Gothic provides advanced typographical support with features such as ligatures and stylistic alternates. It comes with proportional lining figures.

HT Trattoria is a lovely brush script with authentic and organic feel.It works best for packaging, magazines, marketing, labels, film and clothing. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

A graffiti display font with free style font that has the characteristics of street art that shows freedom and is filled with unique characters. Feature : * Symbol * Number * Punctuation * Multilingual support * Support in Mac and Windows OS * Support in design application (photoshop, illustrator, and more) * Upper Case I really hope you enjoy it.

Dragrace Futuristic Sport Display Typeface Strong & unique characteristic combined with modern style, Suitable for headline, film/games cover, logotype, label design and automotive purposes. Features : Simple installations Alternates, ligatures & multilingual support Modern, sporty & techno futuristic theme Font Feel free to get in touch if need any help or special request about our fonts.

Caupako is a display font. Inspired by the shape of the axe. Nostalgia on the legendary old action film. A young man armed with a deadly axe. Comes in two font styles, regular and oblique. Caupako comes with 400+ glyphs, which also include multilingual languages. It's perfect for headlines, branding, and many more.

Comicraft's President and Tiger Rank-and-File (recently demoted from First Tiger for kissing a girl) stayed up all night with a big box of crayons and created a unique series of illustrations which, we confidently predict, will be widely known as the last word in comic book lettering fonts... 'NUFF SAID!

A graffiti display font with free style font that has the characteristics of street art that shows freedom and is filled with unique characters. Feature : * Symbol * Number * Punctuation * Multilingual support * Support in Mac and Windows OS * Support in design applications (photoshop, illustrator, and more) - All Caps I really hope you enjoy it.

We're introducing our new product that we named Green Nature..... this font is inspired by leaves, so it gives a beautiful and natural impression. This font is very suitable for clothing, logos, magazines, banners, etc. With natural touch, this font is the best choice for your natural business. Files included: green nature.otf

Futura Display was designed by Paul Renner in 1932. Its original German name was Futura Schlagzeile, which means “headline”, alluding to its suitability for display use. Its forcefulness and robustness have made it a widely used typeface in film posters, advertising, logos, and music covers. Futura is a Trademark of BauerTypes SL

The title and credits for the 1951 Dick Powell and Rhonda Fleming film “Cry Danger” were hand lettered in a freehand brush lettering often seen on store signs and show cards. Serving as the model for Show Card Freehand JNL, this pleasant and casual typeface is available in both regular and oblique versions.

The July 26, 1934 of the movie industry trade paper The Film Daily contained an ad for Paramount promoting its most recent releases. Hand lettered in an ultra bold Art Deco sans serif style, it was the working model for Self Promotion JNL, which is available in both regular and oblique versions.

An advertisement in a 1936 issue of “The Film Daily” for the movie “Mr. Deeds Goes to Town” had much of its copy set in an extrabold typeface similar to the Beton/Stymie/Karnac group of slabserif designs. This is now available digitally as Serif Formal JNL in both regular and oblique versions.

The CourtGesture family fonts are zany, absurd, whimsical typefaces that were inspired by nineteenth century faces that have one style on the top and another on the bottom. They are rather crudely drawn. The CourtGestureInside style was designed to be layered over letters of CourtGesture to fill in the tops with color.

British type designer John Critchley created this display FontFont in 1995. The family has 6 weights, and is ideally suited for festive occasions, film and tv as well as poster and billboards. FF Bull provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Rundo is all-caps decorative font family available in 5 styles: Fill, Inline, Decline, Stencil and Partenon. With wide proportions and serifs characteristics for slab serif fonts, Rundo is lively family intended to be used for product names on packages, big titles and outdoor graphics. Comes with standard ligatures as OpenType features.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for film and tv and music and nightlife. FF Overdose provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Spread a little love with the Be My Valentine display font. These capital letters are filled with love. 82 Glyphs. Letters A-Z, Numbers 0-9, Punctuation!?.’ In both Black & transparent (white) and black with colored heart. A-Z glyphs with colored heart are in lower case, check compatibility for colored fonts.

American type designer Jim Parkinson created this display FontFont in 1996. The font is ideally suited for advertising and packaging, festive occasions, film and tv as well as poster and billboards. FF Matinee Gothic provides advanced typographical support with features such as ligatures and stylistic alternates. It comes with proportional lining figures.

Legendaria is a very sophisticated and elegant connected script font. Its more than 1300 ornamented characters make it incredibly versatile. Most lower case letters have at least 15 different options, including tails and flourishes. For Open Type users “Legendaria OT” is the best choice instead the separated files of ornamental complementary fonts.

A slightly offbeat latin typestyle, Screwby started as a digitization of a film typeface called Surf by Lettergraphics. From there, this wonderful typeface was expanded into a giant family of fun widths and weights to play with: from spindly thin and light weights, to chunky bold and blacks. An all-around fantastic treat!