The Wild West meets Russia and India in this heavy duty display face. Although it's uppercase only, most of the characters vary between the uppercase and lowercase alphabets, so it's easy to give your text a hand-made feel by mixing up your cases. OpenType savvy applications can really exploit the extra features of this font. Engage contextual alternates, and G, C, L and alternate form of E will change when placed before a letter with a crossbar to create some cool effects (see the CK and LE combinations in the poster). There are standard ligatures for ff and FF combinations, and discretionary ligatures for 'and', 'the', 'No', 'Mc' and 'Co'. Engage stylistic alternates for a reversed 3 version of E, and the obligatory backwards R for that faux-Russian effect. Also included in the font is a host of ornaments. This font is perfect for wanted posters, heavy metal band logos, Communist propaganda leaflets and no doubt a load of other things too.

The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S™ , which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG’s DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype’s Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text.

Finocchio (yes, we know — wink) has the playful, round shapes of a French Ronde with the sharp angles of Italian Futurism. It's a bold, fun, excellent branding face — wherever you need some gusto or brio or forza! Finocchio comes with a large number of ligatures for fluidity. It also comes with a solid, readable set of non-script small caps, so all you need for that sign is one coordinated font! It also comes with loads of fun alternates! Finocchio is made with love in The Ampersand Forest.

Finally, a font that’s ready for your pixel adventures. Johto is a hand-crafted, pixelated font that captures the excitement of 1990s Tokyo for today’s developers, designers, and video-game makers. We all love the pixelated games we played as kids. Now, as programmers, video makers, and creators of side projects that make our hearts pound with passion, there is nothing more satisfying than imagining ourselves in the shoes of the people that inspired us. We want to feel like we're right back there in the excitement of 1990s Tokyo, as an artist or engineer. Johto was created because of our disappointment with the pixel fonts we found online. And for people like us, who care deeply about the quality of our work - especially the work we do for ourselves - we realized we needed a high-quality pixel font to give our work the look it deserves. With over six hundred characters plus support for dozens of languages, including Japanese, tons of fun hand-crafted ligatures to get the look right, Johto is an authentic nostalgia trip. It has all those missing details you didn't notice, but your brain did.

Estilo Text is the best companion to the multi award-winning Estilo.

Round script typeface, perfect for headlines and logos.

Fresh round strokes look so childish and happy.

a round sans serif with optical art effects

Progeny is a single-stroke freehand informal script that began life as a logo for a fast food company. That logo was rejected but when I added a suite of swash caps and a few extra ligatures and my trademark underlines it all started to come together as a font. Then I used it successfully for another logo and I proceeded to complete the weight variations that emerged during the first logo design, rounding the lighter weights to give a more friendly, softer look. That treatment didn't suit the bold weight but sharp corners did not detract from the robust, legible headliner that emerged. All weights work in all-lowercase, all-capitals, lowers with swash or regular initial caps and surprisingly – in all-caps with swash initials.

Hennigar is a Neo Grotesque sans serif especially useful for display text and headlines. Many of the rounded letters are based on the appearance of the letter O with very little variation in width. Because of it's condensed nature the apertures are narrow with extenders that dip well below the base line. Similarly many of the lowercase characters are based on the lowercase o. Terminals and tails always point east/west giving the entire alphabet a very uniform appearance. Basic Latin, extended Latin, diacritics, punctuation, math symbols, symbols,Greek, Cyrillic, ligatures, fractions, alternates, and kerning are included. Kerning support for Macedonian and Serbian is included via alternate substitutions along with proper italics for Russian. Use Hennigar for a poster, web graphics, or book title.

Linotype Sangue is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Gabriele Laubinger. The most distinguishing characteristic of Linotype Sangue is the contrast between the wide, rounded capital letters and the tall, narrow and pointed lower case. Another factor which makes this font so unique is the way Laubinger worked with stroke contrasts, using heavy strokes in the top third of the characters and diminishing to extremely light strokes at the bottom. Linotype Sangue makes a mysterious, secretive impression. It is best used for headlines and displays and shorters texts with point sizes of 12 and larger.

Haakke (or Håkke) - a casual, hand drawn (Stabilo OH pen, Fine) font with 4 alternates to all upper and lower case letters (a-z + å ä ö) as well as numbers for a realistic hand written look and feel! “Ligatures” have been created for double letters (TT, tt, ff, ll & LL (open type version of the font and open type compatible layout application required). Of course it holds all(?) the special characters that you will ever need. 451 glyphs... Haakke also includes symbols. Zodiak signs (letter a-l, upper case A-L write the corresponding name of the sign), planet signs (m-z, upper case M-Z write the corresponding name of the planet) triangles, squares and stars (from pentagrams (5 pointed) to Dodecagrams (12 pointed). (Write a 4, or shift-4 ("euro-sign", european keyboard, or "dollar sign", american keyboard) before your star or triangle and you will get a circle around it).

Pedantic it's a classic, delightful and charming, sounds like a perfect melody, flows like water,working with her is a pleasure. This font duo includes a monumental serif and a calligraphy script. The Serif font is contracting and elegant, will emphasize your taste and impress with its sophistication and simplicity. The calligraphic Script is elegant, beautiful and carefully assembled, he includes many alternates for uppercase and lowercase as well as swashes. Script and Serif looks great both separately and together and they will be a wonderful addition to your font library.This font is easy to use has OpenType features and all characters in this font have PUA encoding. Includes: Full alphabet with Uppercase and Lowercase A-z for Script Full Capital alphabet A-Z for Serif Numbers, fractions for Script and Serif Punctuation and symbols for Script and Serif Alternates for Serif "Q, K, R, ampersand" Alternates uppercase for Script Alternates lowercase for Script Ligatures for Script "ff, oh, ol, ok, or, os" Swashes for Script

A personal handwriting done in pencil. Conté Script is a computer font but has the extraordinary look of handwriting. The typeface is exceedingly lively, diversified and distinct thanks to more than 300 different ligatures, i.e. letter combinations. In addition to the letter combinations in Conté Script, there are also double letters and figures included (aa, ff, AA, MM, 22, 66…) as ligatures with stylistic alternates. Type set in Conté Script appears remarkably similar to a text actually handwritten with a pencil. The typical style of the pencil — crumbliness where pressure lessens and the deep darkness where the pressure of the graphite in it's fullest denseness smudges — is another earmark of Conté Script. The font appears to be written quickly, fleetingly, casually, as if not really to be taken seriously, and as if it would be written one minute and erased the next. Conté Script looks most ”authentic“ around the point size of 18 to 22.

Blimone Inspired from beautiful Art Nouveau styled and pop culture, Blimone approach with geometric shapes and dynamic humanist blends several calligraphic concepts to create a modernist style but with a strong and unique look. The subfamily Blimone ink-traps and the italic characters to appear monumentally "Sharp" in large sizes and jaggedly imperfect in small sizes. The Bilmone font family includes 24 fonts, Support for the variable version of the font, you can choose the individual thickness and the slopes. Support has many fancy ligatures, common standard ligatures are found in some fonts include fi, ff, ffi, fy, ti, tt, ty, tti, ttl , ffk, ft and the discretionary ligatures are gi, ggi, gt, gk, gj, gl, ggl, gh, gti,ct, cti, cty, et, eti, ety, st, and more. all intended to create a natural look that imitates the flow and spontaneous joins of handwriting.OpenType also supports tabular lining numbers, fractions, Numerator and Denominator.

Take a trip to a tropical paradise. This brush style font has an exotic appeal with alternate uppercase characters borrowed from the font, Babylonica. The OpenType Pro version offers extra alternate characters.

Tobi Next is the improved version of Tobi pro, which in the extended version contains 213 ligatures, contains Greek and Cyrillic, as well as contains its basic version at a lower cost

Only You Icons, with more than 300 options between icons, ribbons and frames that will make your project very attractive and romantic. Only You Icons is brilliant. Also available Only you Pro.

Colour is more fun than black, but multicolour is even better. Let me introduce URLOP, a wide type family suitable for your fancy posters, headlines, covers, illustrations, websites, initials, blackmails, chronicles, signboards, poems and many others. Twelve basic styles, which make the overall construction, give a wide range of opportunities. All of them, being able to mix with each other, vary from a thin INSIDE, through a medium FILL, to a double-stem PLUS styles. And then comes a range of colour fonts, so you don’t have to waste any of your precious time for experiments, because I’ve already done it for you! URLOP is an all-caps display collection consisting of three sub-families of fonts, divided by the usage they are designed for. First of all, there is a wide range of alphabets made in the new OpenType-SVG colour fonts format. This is quite a novelty and a very promising technology at the same time. It allows designers to store colour information inside the font. Due to my experience with layered colour thinking that I explored in my first family - Epilepsja , I decided to make several preset layer combinations in this auspicious format. This sub-group is tagged RGB. Make sure that your field of usage and software support OT-SVG format. However, if you feel a need to experiment in the old-fashioned way, you may buy separate layers under the DIY tag. The last group is very similar to the DIY, but it was optimized to look better when standing without other layers. It’s called PRO*. All styles cover Latin alphabets of Europe, basic Cyrillic and Greek sets. Have fun! Before using the font, read the instructions and specimen attached to font files in the purchased package or download them from the Gallery tab on this site. This will help you avoid making unexpected mistakes when combining layers. *PRO subfamily release planned in 2019.

MayPole is a contemporary, 21st century, sans serif font, that contains an eclectic mix of elements from the 20th century. It combines gentle curves with base and caps-line transgressions but is substantially more rounded than in most commercial-style sans serif faces. Terminal strokes are slightly rounded and occasional elements are strongly rounded. MayPole is readable and can be successfully used for presentations, magazines etc, and for display use in newspapers, advertising and promotions.

This is a unique design by Elyahu Koren. He wanted to design another version of his Koren Tanakh sacred font that was for Biblical use only. So he designed Koren Siddur to be used for page numbers etc. OpenType Pro Excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. OpenType Pro includes new advanced features like Dagesh Hazak, ShevaNa, Qamatz Katan, Holam Haser and wide letters. Best used with Adobe InDesign CC that support complex Hebrew text. Please check these advanced features in this link: tinyurl.com/2fbkuy95

P22 Civilite is a historic font revival. The font is a non-connecting upright handwriting script based on 16th century sources with a lineage going back to Robert Granjon in France and from early Dutch type specimens from the Enschede and Sons Foundry. The P22 Civilite suite of fonts includes the 6 basic Dutch versions of Civilite in both "historical" and "modern" styles in basic OpenType format and Pro versions that combine the historical, modern & sorts into one OpenType font with alternates, expanded language coverage and pro features.

Introducing Baedar – Bold Rounded Sans Serif Font Baedar – Bold Rounded Sans Serif, a font designed to captivate your attention, is both inviting and approachable. Its rounded corners create a warm and friendly vibe that instantly draws in readers. Eye-Catching Appeal Baedar’s boldness immediately grabs your eye, making it perfect for headlines and attention-grabbing text. Whether it’s a poster, website, or marketing material, this font ensures your message unequivocally stands out. Versatile Usage Furthermore, with its rounded edges, Baedar exudes friendliness. Consequently, it suits a wide range of projects, from branding to social media posts, adding a touch of approachability to your content. Readability and Impact Moreover, Baedar combines readability with visual impact, making it ideal for conveying important messages with flair. Its boldness ensures crystal-clear clarity, while the rounded corners gently soften the overall look. In Conclusion Baedar – Bold Rounded Sans Serif Font strikes the perfect balance between eye-catching design and friendliness, making it an excellent choice for various creative endeavors. Therefore, seize your audience’s attention and convey your message effectively with this versatile font.

Euroscript Pro is the handwriting of Ralph M. Unger, a very talented and hard-working German type designer. Unger has redesigned a large number of beautiful ancient typefaces during the last few years. Peter Rosenfeld of profonts persuaded him to try and produce his own very beautiful handwriting. Kind of hesitant at the beginning of the design process, Unger's joy and excitement about the project was continuously growing during the design process. He designed not only the standard character complement West, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Th�ringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic). Euroscript Pro is a very beautiful, casual, informal and modern handwriting of a contemporary type designer. Even though a digitized handwriting, it keeps a very natural and pleasant look, at the same time being generous and well-readable. The individual characters combine quite easily and perfectly with no need for extra variants.Euroscript Pro is well-suited for plenty of applications, e.g. personal correspondence, invitations, greeting cards, headlines etc.Euroscript Pro is supplied in the complete Latin character set (West + East) plus Cyrillic.

Continue your branding with the ever popular Viva Beautiful font. A new hand-painted brush script collection by Cultivated Mind. Viva Beautiful is back with nine new fonts that include six scripts, a caps font, free words font, free extras and plenty of alternates/ligatures. There are five sets of alternates for every letter adding to the uniqueness of your designs. The new Viva Beautiful scripts are a much cleaner brush script than the original. All scripts come in pro and regular versions. Both versions are Latin Pro. Pro scripts include 260 alternates and 8 common ligatures. Ligatures are programmed to pop up when specific letter pairs are typed. Try the alternates and ligatures together to give your designs a realistic hand-painted look. The all caps font is a basic version that includes 5 common ligatures and looks great paired with the scripts. Regular versions include Latin Pro characters but do not include alternates and ligatures. Viva Beautiful Collection works best for beauty products, music branding, film, television, cookbooks, book covers, food marketing, magazines, and websites. Check out Cultivated Mind Type on Instagram for fun Viva design ideas. Bring beauty to your designs with Viva Beautiful! Fonts designed by Cindy Kinash. Poster designs by Corinne Alexandra.

Chercán is a spirited typeface created with a delicate sense of how readability doesn't need to be dull. Chercán wears a uniquely friendly voice, and its mature design makes it highly legible in small bodies as well as in the distance. Its balanced rhythm is the result of a slow pairing of qualities found in old classics admired by Gálvez, such as Copperplate by Frederic Goudy (1905) and Antique Olive by Roger Excoffon (1962). Chercán occupies a unique place in the contemporary type design shelf, by exquisitely combining versatility and elegance. Due to the delicate grey colors it gains within long texts, Chercán is good for immersive reading, where one wants to avoid readers’ eyes fatigue. It can be a great choice for setting texts that require a slightly informal atmosphere without losing authority. Chercán is the Chilean name for the melodious little bird Troglodytes aedon usually found all across the Americas. Available in Std and Pro versions with all the usual OT features, Chercán addresses all modern needs of the demanding typographer.

Aromática—designed by Sofia Mohr—is a rounded typeface with a simple and clean look that reminds us of those strokes found in handwriting while providing functionality and readability. Aromática consists of 7 fonts: a monolinear Script, a Sans-serif of 5 weights, ranging from Extra Light to Bold, and a Patterns font, inspired by aromatic herbs and spices, which is the perfect companion to the Script and Sans faces. Aromática was specially designed for branding and packaging, but it may also be used for headlines, publishing and advertising. The family comes with a character set that supports 207 different languages.

Informal does not have to mean aggressively modern or casual. Helenium is inspired by some hand drawn capitals that I found added to a 19th century map. It's a great font for informal titles and headings that still keep an air or regularity and ever so slightly period elegance. It manages to be formal and casual all at once, as well as classical and modern. Helenium's range of different weights and drop shadow effects make it useful for hierarchical titles and headings. Helenium miniscule adds greater flexibility by extending the family with a fun range of rounded lower case forms.

I seem to be in my comic book font fase. It's not that I have tons of comics lying around (I actually have none), but when I was a kid, I used to read them all the time. Laser Eyes is a handmade comic book font. It is a little rounded, a little fat and very useful. You don't really have to put it to work in an actual comic book; it will feel at home just about anywhere. Laser Vision comes with two sets of alternate glyphs that cycle as you type, plus extensive language support, including Cyrillic and Vietnamese.

Tautier is a display font based on the specimen of Enge Mediaeval-Antigua, published in 1900 from the Bauer Type Foundry. It is intentionally redrawn to keep its overall narrow proportions. Based on the existing basic alphabets, Tautier is redrawn to appear more classical and friendly, as you can notice in the rounded corners around the beaks, as well as the lachrymal terminals in lowercases. Tautier is a display typeface suitable for large applications, for example, headlines for editorial design, branding, webpages, and environmental design. It currently comes as a single-styled typeface disposed to extend with an italic version.

Ballasticus is a controversial bold grotesque for logos, big headlines, posters, signage, gyms, and bodybuilders. The outer contour of the beech is rounded, while the inner space is square. The font contains two barbell icons that can be immediately inserted into your company logo. The character of Ballasticus is honest, stable, open, grounded like a weight. Ballasticus contains extended Latin, Cyrillic, ligatures, barbell and peace sign, as well as alternatives for some letters, the total number of glyphs is more than 700. It contains OpenType functions: liga, numr, dnom, calt, ss01. The font is also case sensitive, has fractions, currency signs, and arrows.

Hammer & Tongs works great for all kinds of branding projects, advertising, websites, packaging, and posters – essentially anywhere you need bold, strong communication. Inspired by the lettering found on military vehicles, this font works great for headlines and is effective for short blocks of body copy. H&T also has a strong retro industrial/athletic vibe and works well for modern-vintage style designs. This font is available in two styles: a Hard version with sharp, crisp edges and a Soft version with rounded corners. Both styles include a complete set of numbers, punctuation marks, and extended characters.

On occasion, one type design's influence can result in a completely different end result. Take the hand lettering found on a 1920s piece of sheet music for the song "Let Me Call You Sweetheart". The simple sans with a few Art Nouveau-inspired characters started out as the basic design of Concierge JNL, but shortly after beginning the project, the lettering took on more of an Art Deco flavor. Add to this the many rounded-edge characters that have a bit of a techno look to it and the typeface takes on many different design characteristics.

Blackstock has a distressed alternate for every capital letter, consecutive characters are controlled with the OpenType Ligature feature. Blackstock Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

In the pre-computer, pre self-adhesive label era of office supplies a number of companies (including Dennison, Maco and Denny-Reyburn) manufactured a wide variety of gummed labels for just about any use or purpose. Blank labels, specialty labels and decorative holiday seals were just a part of this line. One popular style was that of labels with parallel thick-and-thin borders of red lines and corners chamfered, rounded or straight cut. Occasionally, one could find similar labels with blue, green or gold borders but red was the mainstay, hence naming this typeface Red Border Labels JNL. Presented in this font is a collection of twenty-six standard and specialty shape label borders on the capital (A-Z keys) and twenty-six solid panel versions on the lower case (a-z) keys which can be used as backfills for the borders or as stand-alone labels.

Since many years I live in Munich and read the daily newspaper Abendzeitung. One morning they had redesigned the paper, using Eric Gill's Joanna for the body copy and a tweaked version of Franklin Gothic for the headlines. Since both typefaces are my all-time favorites, I was very pleased. The old hand-lettered title lettering designed by in-house designer Ernst Friedrich Adler around 1947 or 48 was untouched as it always was. Adler had worked for the newspaper an incredible 47 years! Ernst Friedrich Adler celebrated his 100th birthday in the summer of 2007 looking very healthy. But someone had adapted his title lettering for use in the chapter headings, and I did not like the way that was done. Every morning I saw those letters and thought "one day I have to clean that up". About 15 years later I finally did it! Being at it, I designed the whole typeface and added a second fancy cut. And, what do you know, the people at the Abendzeitung called me up and said they liked what I did and started using it. So since that day in 2005 I can read my morning paper without having to wonder about the chapter headings. Well maybe one day they will do another redesign and maybe they will use another one of my fonts. Your editorial typeface designer, Gert

Go, team, go! Fight, team, fight! Win, team, win! Here’s a family of typefaces based on typical athletic jersey lettering, in sans and serif styles, with inlines and an extrabold Letter Sweater treatment. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.