Groovecore is a modern bold serif display font with an unmistakable 1970s vibe. This is a design that is equally at home on a retro t-shirt logo as it is on a stylish fashion headline. The combination of plump rounded serifs and pointy curls sets up a nice graphic interplay of shapes. You'll find Groovecore to be carefully and extensively kerned, with even color weight that's makes it shine even in small extended text passages. Quirky but legible, Groovecore is a great choice in many contexts.

An update and extension to the popular September family. An authoritative and robust design for headline and shorter texts in the lighter weights, this modern family has all the necessary weight and presence for corporate and academic use, company brochures, branding, sport packaging, television idents, posters, packaging and film titles. This all-new version includes: Six extra weights in both upright and italic, bringing the full family to nine weights Extended character set Old style numbers Numerators and denominators Superior and inferior numbers Alternate glyphs

Klartext [plain talking, clear words] A modern monospaced type family of 10 weights. Klartext Mono combines a classical monospaced font and modern monolined sans-serif with a humanistic touch. It is characterized by a large x-height, slightly condensed glyphs with well shaped curves and soft strokes. As a special feature, Klartext contains a bunch of uncommon glyphs like the German capital sharp S, a nice arrowset and a basic phonetic alphabet (20 letters in IPA Extensions, some more in Latin Basic thru Extended B).

Supra Rounded is the newest addition to my big SUPRA-family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages (except Greek and Cyrillic). Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.

SK Mutka is a geometric sans serif made in the style of Art Deco. Its graceful forms are emphasized by the arched structure typical for the style and spirit of Art Deco. The typeface is suitable both for decorative work and for typing because it includes uppercase and lowercase. Moreover, it supports a wide language range. SK Mutka typeface supports extended Cyrillic, Latin, as well as an extensive character set. SK Mutka is perfect for bold and classic designs, for print and web works.

The fonts in this family of six files contain 62 original dingbats in 5 variants, and 26 original dingbats in 2 variants plus 10 tilable patterns (Glitter Medley). For best results use layered. Note: Please be aware that you may need to prepare those patterns in order to work with them in CAD-CAM or if you intend them for bolt cutter etc.

Compilation Grotesk is a variable font concept that includes 9 sort of adjustable heights inspired principally on Matterhorn Headliners 2. The "height" axis allowes the glyphs expand along the Y-axis upward from the baseline as the values increases from 700 to 1100. Due to it, the system adapts keeping the contrast and the original proportions. Don't stretch it out, just adjust it!

Novin Font family is designed by Naghi Naghashian. This Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. Novin supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Novin Font is available in Light, Regular and Bold. Novin design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. Novin is based on Aldo Novareses Eurostile Extended. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Novin’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Novin was developed for multiple languages and writing conventions. E The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

Thicker is a type-family designed for Zetafonts by Francesco Canovaro with Andrea Tartarelli. A geometric sans typeface on steroids, it was first designed in the muscular Extrablack weight with the aesthetics of high-power dynamic typefaces used in sports communication, and then developed in the lighter weights where the shapes show some vintage-inspired proportions and the slightly squared look that nods to Novarese famous Eurostile, eponymous with retro-futurism. With these diverse influences the typeface allows for both impressive display use and effective logo design as well as more fine-tuned editorial use in body text - with a natural inclination for effective and powerful advertising. Sports typography usually uses italics to add dynamism and impact, and Thicker complies with this by offering a choice of three alternate italic forms with different slant, made even more customizable by the inclusion of variable font technology that allows fine tuning of the weight range as well as precise choice of typeface slant. In each of the 44 weights of the typeface family (as well as in the all-in-one variable type solution) Thicker offers a extended charset of over 900 latin, Cyrillic and Greek glyphs, covering over two hundred languages and including useful Open Type features (Alternate forms, Positional Numerals, Small Caps and Case Sensitive Forms) for flawless typesetting.

Each year whalers from Japan kill more than 1000 whales. Japan says that the killing of whales is a 'cherished Japanese tradition', and that it is taking 'scientific data'. A portion of the whale meat is canned and marketed as 'traditional food'. How sad is that? A huge whale being reduced to a chunk in a can… Canned Whale is a hand drawn, outline style font with a cartoonesque twist to it. It can be used in ads and posters, it can be filled in with color, or kept as an outline. Canned Whale comes with extensive language support.

Known to many eastern artists as the California Poster Letter because it originated in the West, this old 1930s style has reappeared in digital form. Carl Holmes, in his wonderful book on old lettering styles, pays tribute to this uniquely American design. Faintly reminiscent of the lettering of Fred G. Cooper, California Poster Bold is at times wildly exaggerated and boisterous. Letters appear to be inflated and loopy. The design might aptly be described as a kind of rollicking Cooper Black (Oswald Bruce Cooper). An extensive range of alternates and figures has been provided for your convenience. California Poster Bold is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Veranda Poster was derived from a European art supply manufacturer’s logotype done in the Vienna (Wien) Austria style. This distinctive classic style was used by artists such as Julius Klinger and Willy Willrab in the 1920s. Two new faces have been added to the original version - Veranda Poster Small Caps and Veranda Poster Alternates. Here is an extensive collection of capital and small cap alternates plus a wide selection of figures for almost any use. The contemporary alternate additions have a slightly Russian flavor. The combination of all three styles makes for striking logo and display settings. All three styles are now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Cheddar Gothic Sans Two is a hand-drawn, multi-weight display family. An all-caps, sans serif typeface with condensed proportions that works great for a variety of display uses. The uppercase characters add distinction with extended crossbars and chiseled terminals, while the lowercase provides a more classic sans serif appearance. This family is an expanded version of the original Cheddar Gothic Sans, with more weights and even broader language support.

Quebra Cond is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

This font is fast. Carving apexes, drafting competitors, and breaking away for the finish line. This is a sleek and extended font family designed for top speed while squeezing into tight places. Zoom is intended for display and would be right at home, nested gently on a carbon fiber bike frame, forged as the nameplate on the back of a vehicle, or printed stoutly on any number of sporting products.

VG Sans is a distinctive grotesque font that preserves the features of old grotesques while incorporating new conceptual solutions. Working on the font, its shape has been completely transformed, corrected, and the glyph set has been expanded. The font has a light contrast that increases with weight. VG Sans includes 5 weights, 670 glyphs, an extended Cyrillic/Latin character set, multiple stylistic sets, ligatures, numeral sets, and more.

Looking for a tall, skinny, rounded serif font, with a fun hand-written feel? Look no farther than Garrulous! Garrulous is a mixed-case font, with the lowercase letters standing just as tall as the uppercase, so you can mix and match uppercase and lowercase in the same word for an extra fun look. It also comes with 32 double-letter ligature pairs, 17 uppercase and 15 lowercase, so you won't have the exact same letter twice in a row. As usual, the letters in Garrulous have been cleaned up extensively, to make everything sharper and easier for crafters and for any print projects. And I've included over 300 extended Latin characters for language support. Garrulous includes: - Standard characters A-Z, a-z, 0-9, and punctuation - 32 double-letter ligature pairs - Over 300 extended Latin characters for language support

An unnamed historical font, scanned and patched. Originally upper and lower case only. I have extended it to include numbers, symbols and extended ascii characters.

Meet Pawl, an affordable 48-font squarish sans family with a little grotesque in him! Oh, you may think you’ve got him pegged at first glance, but he’ll surprise you with his versatility. AND he's just been totally refurbished from top to bottom and boy, did he need it! Pawl lives in the same visual landscape as fantastic modular superfamilies like Eurostile, Agency, Geogrotesque, Barlow, and even the great American Gothics. Unlike those faces, though, he's nimble enough to switch between looks effortlessly. Pawl is energetic, aggressive, strident, and structural. Depending on how you use him, his voice can be retro, futuristic, industrial, or sleek. He can be sober or splashy, techy or oldschool. Use his alternate characters and stylistic sets to create looks ranging from Streamline Moderne to Futurism to Brutalism to Swiss. He works from small paragraphs all the way up to monumental signage. This guy is smart and useful, with a lotta looks! How many times have you needed multiple weights, styles, and widths for your hierarchy, but standard type families were either shockingly expensive or couldn't deliver? Pawl delivers. Give him a shot!

This modern slab serif typeface expands on the phola type family and complements it's siblings with style. Phola is a geometric san-serif display type family. It consists of 64 fonts and includes an extensive character set and multilingual support. Crafted with love this font family offers a numerous styles (Regular, Solid, Square, Diablo, Oblique, Outline, Clean) the family allows for extensive use cases. This OpenType font offer a fantastic options for users to create some unique artwork. Perfect for branding, Logos, displays, posters and other related projects.

A completely square typeface. And wide. It is all futuristic and fast. I have redesigned the uppercase D (which was identical to the O), V and Y - and also a couple of the lowercase letters: a narrower r, a more identifiable t and f and weight corrections to the v, x and z. This font only had a very basic ASCII character set, so I have created a large amount of glyphs, and expanded it with the usual multilingual support. The future is now. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "Western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This cool techno font is easily recognizable with its quite unique stroke endings. I have increased the ascenders and descenders slightly (so they would work better with the new diacritic letters) and introduced a few alternate letterforms in addition to generally expanding the character set. A totally enjoyable reworking of an original design. Now also with a Bold and a brand new Light variant! Please note that these variants are made by adding/removing from the regular shape, so the letters no longer sits on the baseline. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Funtastic is a carefully crafted fun font. Multilingual: It has Extended Latin and Extended Cyrillic letters. It's created for games, web design, branding and social media works.

Saltbush is a collection of 3 hand made fonts following Pistacho's design line. Through an intelligent ligatures system we could design a typeface that imitates the strokes of a round brush pen and generates a flowing and organized writing. Saltbush contains 3 variables: 2 scripts, regular and bold, each one has 776 glyphs and; a beautiful display font. This typefamily has an extended characters set to support the languages in central and east Europe, as well as the ones used in west Europe. Keeping in mind the particularity of Saltbush design, it is possible to create beautiful graphics with a "hand made" look.

Gang is a 2 - style display font family designed by Ani Dimitrova. Both weights contain a set of extended Latin and Cyrillic, as well as all sorts of open type features: standard ligatures, proportional figures, numerals, arrows, matching currency symbols, and fractions. In both styles, the font is well-suited for large headlines, word emphasis, and different types of advertising. The fonts' wide proportions make them a perfect choice for screen usage. This style palette offers a flexible range for display typography. The Gang type family is ideally suited for magazines, branding, posters, as well as web and screen design, and more.

Fall in love with Adore you, a new script font designed with dry-brush. These original letterforms were created by the expert hand of calligrapher Giuseppe Salerno. A fresh expressive and playful calligraphic approach, then digitized keeping textured strokes and the feeling of dry ink on paper. 2 versatile fonts, upright and slanted, and a set of strokes and lovely decorations which works on very diverse circumstances… beauty care, food, fashion, health, publishing, stationery and so many other uses. It includes opentype features - stylistic alternates and an extended set of Ligatures to customize your text. More About Opentype Features: https://bit.ly/opentype-rsz

This is the elaborately expanded version of what is arguably the most classic and popular of all historic Dutch faces: Sjoerd Hendrik de Roos's Hollandse Mediaeval from 1912. Over the decades, many pressmen and typography connoisseurs have gushed loving prose about this typeface. An extended family of two weights, corresponding italics, small caps, four condensed fonts, four book fonts, a set of initials and some very Dutch ornaments, Dutch Mediaeval is a versatile workhorse that flows comfortably and artistically, with the elegance of the main weights nicely complemented by the sturdiness of the bolds. Very few text faces are this clean and inviting while being crafty as well. The Dutch Mediaeval family comes with quite a few OpenType features and extended Latin language support.

This is the elaborately expanded version of what is arguably the most classic and popular of all historic Dutch faces: Sjoerd Hendrik de Roos's Hollandse Mediaeval from 1912. Over the decades, many pressmen and typography connoisseurs have gushed loving prose about this typeface. An extended family of two weights, corresponding italics, small caps, four condensed fonts, four book fonts, a set of initials and some very Dutch ornaments, Dutch Mediaeval is a versatile workhorse that flows comfortably and artistically, with the elegance of the main weights nicely complemented by the sturdiness of the bolds. Very few text faces are this clean and inviting while being crafty as well. The Dutch Mediaeval family comes with quite a few OpenType features and extended Latin language support.

Brix Slab Condensed and Brix Slab is an extended family of 24 fonts. It was designed by Hannes von Döhren & Livius Dietzel in 2011. Brix Slab Condensed is a robust slab serif family with subtle details. It's optimized for longer texts and highly readable in small sizes. Brix Slab Condensed is intended to be used in applications like magazines, newspapers and digital devices. It also works great as a corporate typeface. With more than 700 glyphs in each font, Brix Slab Condensed is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Pandtos is a clear sans serif typeface based on geometric shapes. Precise lines and accurate curves are the main characteristics of this fresh and modern font family. While unique letterforms constitute Pandtos’ distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Pandtos is suitable for almost any type of analogue and digital application. The Pandtos font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Pandtos comes in four weights with matching italics.

One font family to cover it all. Resolve Sans is an extensive super family of 124 fonts: from compressed to extended, thin to black. Resolve Sans perfectly balances a universally neutral appeal with a distinct level of sophistication. Effortless to adapt to any contexts of use, Resolve Sans is both a workhorse and a display font with impact and flair. As expected, all Resolve Sans fonts come with clever Open Type features such as built-in small capitals and multiple numeral styles. Gladly use it for everything, all day, everyday.

Jarvis is a hybrid. Not a pure grotesque, not a humanist sans, but the best of both worlds. Its open counters and strong geometry, coupled with smooth curves and features give it a unique personality. Very legible even at small sizes, instantly recognisable at large sizes, it is an ideal candidate for corporate identity as well as print and digital communications of all kind. Its wide range of weights (from Thin to Black), extensive OpenType features, circled numbers, and extended character-set are the hallmark of the highest technical level.

Cy Grotesk is the result of combining the clear forms of mid 20th-century European neo-grotesks and the expressiveness of the 19th-century grotesques. It is display typeface with an eccentric character and a special rhythm. Symbols have sharp long angled spurs and large wedge incision between the bowl and the stem, diluting it with smooth curves and the tight aperture. Built like a multifunctional workhorse that has a wide range of font uses. This type family consists of 27 styles that are adjustable in weight and width. Or one variable font with 2 axes. From pure thin to radically black. From roomy key to catchy grand. All styles include an extended set of Latin characters and a basic Cyrillic. Features: – Total glyph set: 676 glyphs; – 27 styles (3 widths x 9 weights) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic. OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01-ss10); – Ligatures; – Case-sensitive forms.

A free flowing and loose handwritten style, with the occasional double lines - and with quite elaborate and decorative initials. Feminine, but sloppy - an interesting combination. I have regularized the stroke thicknesses and modified a couple of the letterforms to make them less ambiguous. Some kerning and spacing completes the workover, together with our extensive language support. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Originally ZionTrain was built as a Cyrillic typeface for public transport navigation system. We wanted comprehensible, distinctive letterforms, that can help everybody on the way from Babylon to Zion. Here, on MyFonts, we present the ZionTrain STD versions with western latin including smallcaps and oldstyle figures in some faces in TrueType format; also western, central, baltic and turkish latin charsets, smallcaps, oldstyle numerals, few alternates, some arrows and fractions in ZionTrain OT OpenType format.

Astroph - Retro Slab Serif Font Astroph Slab Serif font is perfect for your upcoming projects. Such as logo branding, editorial design, fashion, adventure apparel, stationery design, sport design, blog design, modern advertising design, card invitation, badge, art quote, home decor, book/cover title, special events, and more. Astroph is coming with 3 Styles: Astroph Regular Astroph Rough Astroph Aged That's it! Have fun with Astroph Slab Serif Font. Thank you! Figuree Std