Brachella Drumal, a Graceful and Elegant Display Font Coming to you with 30+ stunning alternate and ligature to create a perfectly mystical, beautiful, classy, elegant design. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 B.2 k.2 etc. so you don't need special software. To get results like the preview just type B.2r.2ach.2ella.2 D.2r.2umal.3 Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Suit Sans ​STD is a typeface designed for multi-purposes with ​4 weights plus matching​ italics. The set of ​554 glyphs embraces a​ll European languages​, ​and it's perfect for branding, interfaces and everything else you could create on large and small sizes​. ​But if Suit Sans STD is not enough for you, take a look at Suit Sans Pro with extended weight range, character set and more cool features.

Based on a fifteenth century Textura Blackletter typeface, Octoberfest has a companion with Lombardic style capitals, Octoberfest Alternate. Both Octoberfest and Octoberfest Alternate use the OpenType ligature feature to automatically substitute a subtly unique pair of distressed characters when any lower case character is keyed twice in a row. The Pro versions of Octoberfest and Octoberfest Alternate extend the character set to support Eastern European and Baltic languages.

Geometric shapes are the building blocks the construct these 2 fonts.

As a family, we love to go camping. We have a big Norwegian tunnel tent (4 season - with room for a wood stove), some really warm down sleeping bags and a primitive field kitchen. Even though our camping trips are usually devoid of luxury, the kids love them! We always choose campsites that are close to nature, like a national park or in the mountains. A couple of years ago, we toured the southern part of England and one of our camping stops was in Exmoor National Park. Minehead is a small coastal town, not far from where we camped, so I named this font after a fond memory! Minehead is a handmade display font. It was loosely based on Haettenschweiler. Use it for your packaging, your tourist information leaflets and your book covers. And do visit Minehead one day!

Based on 10th century Carolingian scripts, Silentium Pro sparkles with a quiet but ebullient sense of the human hand. As a multi-featured Adobe Originals OpenType family, Silentium includes myriad alternate forms, ligatures, and titling characters that add an air of tasteful liveliness to contemporary graphic design and typography. Designed by Yugoslavian calligrapher and type designer Jovica Veljović, Silentium works well in both display sizes and text setting as small as 8 points. Silentium is the Latin word for silence, a discipline commonly practiced in the medieval European monasteries and court scriptoria where the Carolingian script flourished. Now, more than ten centuries later, Silentium Pro brings the fluid energy of their work to contemporary design and typography.

This font family is based on the alphabet designed by Frank Lloyd Wright for the "Eaglerock" project in 1922. The Eaglefeather Pro family features expanded OpenType font options. It contains 15 pro styles and 20 basic styles in 5 weights- Hairline, Light, Regular, Bold, and Black. In addition to small caps, italics, and a unique "informal" version (an upright italic.) There is coverage for Cyrllic, Greek and European Latin languages. Opentype features include automatic fractions, optimized kerning, and localized language features. Alternate forms of capitals A,H,N, & S are also included for added flexibility. The full range of weights and styles allows for expanded typographic possibilities in a wide variety of uses.

หวยและหวยไทย ฟอนต์ที่ออกแบบโดยพชร์ เอื้อเชิดกุล ผลงานการออกแบบที่แสดงให้เห็นถึงการค้นคว้าใน 2 พื้นที่ที่ส่งผลซึ่งกันและกัน ระหว่างลายมือแบบตัวไทยที่เขียนกันทั่วไปและตัวละติน ผลที่ได้คือแบบตัวอักษร ‘หวย’ ที่ให้ความรู้สึกเป็นกันเองแต่มีความโดดเด่นชัดเจน มีลักษณะที่ไม่ขัดกับวิธีการเขียนที่คุ้นเคยและภาษาไทยที่เป็นต้นทางของแบบ สำหรับตัวอักษรไทย ลักษณะของหัวสามารถแบ่งได้เป็น 2 ประเภท คือแบบมีหัวและแบบไม่มีหัว แบบมีหัวนั้นมีที่มาจากลักษณะการเขียนดั้งเดิมของตัวอักษรไทย ส่วนแบบไม่มีหัวนั้นเป็นการพัฒนาขึ้นมาใหม่เพื่อให้สอดคล้องกับแบบตัวละตินไม่มีเชิงฐาน (Latin sans serif typefaces) โดยในช่วงหลายปีที่ผ่านมา แบบตัวไทยไม่มีหัวนั้นได้รับอิทธิพลและค่อยๆ ปรับให้มีสไตล์สอดคล้องกับลักษณะของตัวละตินมากขึ้น มากจนถึงจุดที่เราสามารถนิยามแบบตัวไทยที่ได้รับอิทธิพลมานี้ว่า Thai Latinized ได้ ซึ่งความสงสัยต่ออิทธิพลที่เปลี่ยนแปลงไปนี้ เป็นเหตุของไอเดียในการพลิกมุมมองว่าอะไรจะเกิดขึ้นถ้าหากลายมือตัวไทยนั้นเป็นฝ่ายไปมีอิทธิพลกับแบบตัวละตินแทน ผลลัพธ์ที่ได้ก็คือ โลกด้านกลับของแบบตัวไทยที่ถูกทำให้เป็นละติน ไม่ว่าจะเป็นป้ายหน้าร้านต่างๆ หรือริมถนนในกรุงเทพฯ การเขียนทั่วไปในชีวิตประจำวันที่เขียนอย่างเร็วๆ เป็นเส้นลายมือที่ลื่นไหล ทัังหมดนี้ส่งอิทธิพลให้เกิดรูปทรงของแบบที่เป็น DNA ของฟอนต์หวยชุดนี้ พัฒนาแบบด้วยการเก็บรายละเอียดและปรับธรรมชาติที่เป็นอยู่ของลายมือให้มีระบบมากขึ้น และต่อยอดขึ้นมาเป็นสัดส่วนต้นแบบของการพัฒนาฟอนต์ละตินที่เข้าคู่กับชุดฟอนต์หวยไทย ฟอนต์หวยนี้ได้นำส่วนสำคัญของตัวอักษรภาษาไทยถ่ายทอดไปสู่ตัวละติน พร้อมกับนำวิธีการ (ตลอดจนจิตวิญญาณ) ของการเขียนในช่วงเวลาปัจจุบันของคนไทยให้เข้ามาอยู่ในรูปทรงของตัวอักษรด้วย

This font, was created -- inspired from the original manuscript of the French revolutionary song “La Marseillaise”, becoming later the French national anthem, composed in one night (1792 April 25th) by the 32 year old French captain, Rouget de Lisle. It is a “Pro” font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures make the font look as close as possible to the real historic hand. Using an OTF software, the features allow variations of each character without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.

P22 Slogan is a non-connecting script font that captures the essence of the lettering used in 1950s European advertising. Bold strokes of this brush-drawn face make this design a great choice for both retro design and contemporary work. The font is based on the 1957 design Slogan by Aldo Novarese for the Italian Nebiolo Type Foundry. At the time of its original release, it was touted for "striking publicity work". This new digitization accurately reproduces the outlines of the original not found in previous digital versions of this design. P22 Slogan is a non-Pro Opentype font that includes Central European characters.

Haettenschweiler™ is a very condensed, very bold alphabet. Haettenschweiler was derived from a more condensed typeface, called Schmalfette Grotesk, first shown in the early 1960s in a splendid book called Lettera by Walter Haettenschweiler and Armin Haab. Haettenschweiler became popularized by the Paris Match magazine. Use this distinguished face in large sizes for headlines. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Cirulis is a display sans family of two weights. Inspired by the lettering of Ansis Cīrulus (1883-1942) one of the first Eastern European designers. The artist’s heritage is characterized by letters with asymmetric widths, sliced cuts and various intrinsic features. By carefully studying forms and origins of the letters Asketic designed a new typeface that in a contemporary fashion relives early 20th century national romanticism of Eastern Europe.

Let Bronze Script take you back. Back to the golden age of vintage when hand drawn scripts appeared in every form of publication. A different time when everything moved slower, lettering was done with expertise, and every detail awarded care and attention. In our age of cold digital creations, you can rest assured that Bronze Script will give you that tailor made flare only a nostalgic font can offer.

Fanchy Created from our explorations inspired by retro 70s style and pop culture visual designs such as comics, cartoons, and old posters. Strong bold character with groovy style makes us feel the retro vibe and brings us to the 70s. Fanchy Comes with beautiful characters and curves consisting of 6 sets of styles. Contains 2 regular and italic styles, 2 shadow styles and 2 outline styles. This font is best used for headings, logotypes, quotes, apparel designs, posters, flyers, packaging, book covers, and much more.

The impulse behind André Maaßen’s design of the Anno typeface was the design of a New Year’s card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2 are sans serifs typefaces, but they each offer a new interpretation of the genre. The Anno typeface may be used in a number of applications and sizes. And it is naturally suitable for New Year’s greetings and other cards, of course!

The Vale Press was a contemporary of Willam Morris's Kelmscott Press. The types used by the Vale Press were designed by artist Charles Ricketts, who also supervised the design and printing of Vale Press books. The main type used, Vale, was based on the Jenson 15th century roman type style. The King's Fount was an experimental semi-uncial font based on the Vale type. The King's Fount was designed in 1903 for the Vale edition of the 15h century poem "The Kingis Quair". This semi-uncial font evokes old English and Anglo-Saxon lettering. P22 Vale Pro combines the two fonts P22 Vale Roman and P22 Vale King's Fount into one "Pro" font. This pro font also includes a Central European character set, old style figures, fractions, ornaments and a special faux "Middle English" feature to make "anee text appeer Olde." This feature is not known to exist in any other font.

Longa Iberica is a serif typeface inspired by ancient scripts (Visisigothic, Proto-Gothic, Gothic). It has a long ascender and descender, small x-height and low-profile lining figures. Include automatic ligature creation, stylistic alternates and historical letterforms, lining and oldstyle numerals, fractions, Roman numerals adjusted to figure height (lining and oldstyle) and ordinal letters. Character set contains the complete Unicode Latin 1252 (Western European; ANSI), 1250 Latin 2 (Central European), 1254 Turkish, 1257 Baltic. Supported OpenType features: Acces All Alternates, Alternative Fractions, Capital Spacing, Case-Sensitive Forms, Contextual Alternates, Contextual Swash, Fractions, Historical Forms, Kerning, Lining Figures, Localized Forms, Oldstyle Figures, Ordinals, Proportional Figures, Slashed Zero, Stylistic Alternates, Stylistic Set (1-20), Superscript, Swash, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.