Introducing an elegant bouncy font that every strike the shape brings the vibes of beauty, pretty, elegant, and aesthetic. Aesthetica font comes with several of alternates, so you can switch on for the swashes, stylistic alternate, alternate, initial and terminal form (SS01-SS02). This font is perfect for logo font, branding, greeting card, cut files for quote, silhouette font design, monogram font, and etc. The packages and features Aesthetica font PUA encoded Multilingual support for 17 languages If you have any questions about technical support and others, don't hesitate to drop me a message. Have a nice day, stay safe and healthy.

Give your designs an authentic brush handcrafted feel. Asterica is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, flyer, clothing, branding, packaging design and more. Thanks for use this font. MaulanaCreative

This beautiful font explores 3 very individual styles of one typeface. Each style pays homage to classic sans serif typefaces while adding contemporary flair to its characteristics. With both formal and informal styles, Aestetico explores how the shapes and curves of letters change their perception and focus. The informal letters are rounder and more quirky while the formal style utilizes more traditional sans serif letterforms. The whole set (54 styles) consists of 3 sister families, each in 9 weights with matching italics. The 3 variants ensure every design project is covered by Aestetico; its versatile nature is perfect for a huge variety of applications from editorial design to branding, advertising, publications and digital. As you would expect from Latinotype, this font comes with a standard character set (395 glyphs) and supports over 200 languages.

Extatica is an eclectic geometric display sans-serif typeface with narrow capitals. It comes in 8 weights with corresponding italics, enriched with several stylistic alternates and OpenType features. The glyph set includes all European Latin-based languages, as well as major languages that use Cyrillic script. Despite being created as a display font family, Extatica also works well in small text sizes, which makes it perfect for stylized captions and subhead paragraphs.

Typography inspired by ancient medieval writings from texts and wordings of Spanish scriptures.

A heavy serif grunge font with a western feel, great for that extreme look for today..

Just one is a fun and friendly handwritten font. Its casual charm makes it look very simple, easy to read and, ultimately, very versatile. This font will look amazing in any context, whether it’s used on a DIY, outdoor project or as a main title!. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : • Regular version • Character set A-Z in uppercase and lowercase • Numerals & Punctuation • Accented Characters • Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. If you have questions, just send me a message and I'm glad to help.

One Mith is a combination of two languages namely One (English) and Mith (Albanian) which means a myth which is a hope of the creation of this font which is no longer a myth anymore that we can make serif fonts. This font is included with a style signature font that will complement your design. This font is also very suitable in various types of designs especially designs that require feminine signature fonts such as designs for brand perfume, cosmetics, fashion, as well as women's magazines. Thankyou Abdul Azis

Ruina One is a Rough and distressed font, but at the same time very gestural. It is especially great for youth and child graphics, but can be applied in many other domains too. Ruina One contains various ligatures.

Introducing Beauty One, a stylish monoline script style font. This beautiful script font offers your personal touch to your latest art project with fresh, curvy and beautiful look. Beauty One offers is perfect for many different project such as logo, branding, invitation, flyer, posters, social media posts, advertisements, product packaging, product designs, label, photography, special events or anything that need monoline script taste.

One Code was made in the end of 1998. Original naive character was specially created for an unique design project, but now it is ready for use as an ordinary typeface.

Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from Schism One to Schism Three. The different versions explore how this change in contrast between thick and thin strokes changes the character of the letterforms. The shape is maintained, but the emphasis shifts from rounded to angular, elegant to incised. Schism One has high contrast, and the same weight of thin stroke from Light to Black. Letter endings are at horizontal or vertical, giving a pinched, constricted shape for characters such as a, c, e and s. The h, m, n and u have a sharp connection between curve and vertical, and are high shouldered, giving a slightly square shape. The r and y have a thick stress at their horizontal endings, which makes them impactful and striking at bolder weights. Though derived from an elegant, classic form, Schism feels austere rather than flowery. It doesn’t have the flourishes of other modulated sans typefaces, its aesthetic more a kind of graphic-tinged utility. While in Schism Two and Three the thin stroke gets progressively heavier, the connections between vertical and curves — in a, b, n etc — remain cut to an incised point throughout. The effect is that Schism looks chiselled and textural across all weights. Forms maintain a clear, defined shape even in Bold and Black, and don’t have the bloated, wide and heavy appearance heavy weights can have. The change in the thickness of the thin stroke in different versions of the same weight of a typeface is called grading. This is often used when the types are to used in problematic print surfaces such as newsprint, or at small sizes — where thin strokes might bleed, and counters fill in and lose clarity, or detail might be lost or be too thin to register. The different gradings are incremental and can be quite subtle. In Schism it is extreme, and used as a design device, giving three connected but separate styles, from Sans-Didot to almost-Grotesk. The name Schism suggests the differences in shape and style in Schism One, Two and Three. Three styles with distinct differences, from the same start point.

One Day is a new modern script font with an irregular baseline. A contemporary approach to design, handmade natural, suitable for use in title design such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T-shirts, packaging designs, posters, and more. Complete with uppercase and lowercase letters, as well as multi-language support, numbers, punctuation. Also provide some ligatures and swash. Thanks so much for looking and please let me know if you have any questions.

Magelove a handlettering font is a natural & beautyful handwritten font to get natural and natural writing. I'ts Perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything INCLUDED FEATURE: - Stylistic Sets (SS01-SS08) & Ligature - PUA Encoded open - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) Thanks and Regards Garisman Studio

Is a comic display font with distinctive handwritten characters perfect for branding projects, logos, clothing designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Feature : Symbol Number Punctuation Multilingual support Support in Mac and Windows OS Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

BuckOne is A Retro Display typeface. Reverse-Contrast letterform kinds unique shape,Retro vibe and psychedelic atmosphere. The Typeface comes with Stylistic Set and Ligature Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set (ss01, ss02) - Ligature - PUA encoded inumoccatype

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

Retro One is a lovely mono-line font which includes 5 alternate, which you can combine to make amazing letter form! Retro One is perfect for branding, logos, invitations, stationery, wedding designs, social media posts, handwritten quotes, product packaging, merchandise, blog designs, book and cover titles and more. Thank you for your purchase! Hope you enjoy with our font! Attype Studio

This family is intended to be a universal font generator for languages of unknown civilizations or simply a tool for creating graffiti-like ornaments. Inspired by both my own paintings and drawings and graffiti. Set of 107 glyphs, available in 3 styles - thin, regular and black rounded. Picture font recommended for use as a decorative element and for creating new alphabets.