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  1. Caligula - Unknown license
  2. Elegant Capitals - Unknown license
  3. Oldchristmas - Unknown license
  4. Tannenberg Fett - Personal use only
  5. Crumble - Unknown license
  6. Claudius - Unknown license
  7. Gringo Nights - Unknown license
  8. Wallau Zier - Personal use only
  9. KoenigsbergerGotisch - Unknown license
  10. Thannhaeuser Zier - Personal use only
  11. HappyFraxx - Unknown license
  12. RikyTiky - Personal use only
  13. TypographerFraktur - Personal use only
  14. Theuerdank Fraktur - Personal use only
  15. GingkoFraktur - Unknown license
  16. CrappyGothic - Unknown license
  17. Dearest - Unknown license
  18. BlackCastleMF - Unknown license
  19. Tyrfing Demo - Unknown license
  20. Bayern - Unknown license
  21. Sauerkraut - Unknown license
  22. Uberhölme Light - Personal use only
  23. Moderne Fraktur - Personal use only
  24. TypographerFraktur - Unknown license
  25. Ysgarth - Unknown license
  26. Gebetbuch Fraktur - Unknown license
  27. Monumental Gothic Demo - Unknown license
  28. Zenda - Unknown license
  29. Gutenberg Textura - Unknown license
  30. MonAmourFraktur-Broken - Unknown license
  31. CuxhavenFraktur - Unknown license
  32. Cadeaulx™ - Unknown license
  33. Faustus - Unknown license
  34. Chopper by Canada Type, $24.95
    In 1972, VGC released two typefaces by designer friends Dick Jensen and Harry Villhardt. Jensen’s was called Serpentine, and Villhardt’s was called Venture. Even though both faces had the same elements and a somewhat similar construct, one of them became very popular and chased the other away from the spotlight. Serpentine went on to become the James Bond font, the Pepsi and every other soda pop font, the everything font, all the way through the glories of digital lala-land where it was hacked, imitated and overused by hundreds of designers. But the only advantage it really had over Venture was being a 4-style family, including the bold italic that made it all the rage, as opposed to Venture’s lone upright style. One must wonder how differently things would have played if a Venture Italic was around back then. Chopper is Canada Type’s revival of Venture, that underdog of 1972. This time around it comes with a roman, an italic, and corresponding biform styles to make it a much more attractive and refreshing alternative to Serpentine. Chopper comes in all popular formats, boasts extended language support, and contains a ton of alternate characters sprinkled throughout the character map.
  35. Full Neue by Bülent Yüksel, $19.00
    Full Neue is the younger brother of original Full Sans, Full Slab and Full Tools. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding and signage as well as web and screen design. Full Neue provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Full Neue LC 50 Book” forms the central point. The first figure of the number describes the stroke thickness: 10 Thin to 90 Bold. Full Neue LC comes 5 weights and italics also Full Neue SC comes 5 weights and italics total 20 types. The family contains a set of 485 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Full Neue is the perfect font for web use. You can enjoy using it.
  36. Full Slab by Bülent Yüksel, $19.00
    Full Slab is the younger brother of original Full Sans, FullNeue and Full Tools. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. Full Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Full Slab LC 50 Book” forms the central point. The first figure of the number describes the stroke thickness: 10 Thin to 90 Bold. Full Slab LC comes 5 weights and italics also Full Slab SC comes 5 weights and italics total 20 types. The family contains a set of 485 characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Full Slab is the perfect font for web use. You can enjoy using it.
  37. FF Tsunami by FontFont, $41.99
    Dutch type designer Donald Beekman created this display FontFont in 1999. The family has 8 weights, ranging from Regular to Bold in Normal and Expanded (including italics) and is ideally suited for music and nightlife and poster and billboards. FF Tsunami provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.
  38. Queen Mestalla by ZetDesign, $17.00
    Queen Mestalla is a sherif font in gothic style with a good thickness making this font look bold and eye catching. This font is perfect for designing t-shirts, posters, music albums, magazines, billboards, and graffiti. This font is available in 2 style options, regular and italic, also comes with many alternative style options making it easy to create more awesome designs.
  39. NorB Scribe by NorFonts, $28.00
    NorB Scribe is a handwritten text font witch can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 6 weights featuring Light, Normal, Bold with their Italic version.
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