Grosball is a display font devoted to sports design. This font is devoted primarily to football design. Grosball fonts can also be used to design logos, posters, magazines, jerseys, t-shirts, and others.

Voklea is a cool, bold and trendy looking display font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation.

Quantum Quill - A Experimental Unique Display Typeface Quantum Quill font, classic clean and thoughtful, combined in one font, use this font for any beauty spot for logos, titles, cover books, magazines and more.

Faqro is a cool and casual looking display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Stallman Round is a Display font family containing 98 Fonts (Regular, Oblique). It's a perfect font for titles There are also 6 OpenType features (Numerator; Denominator; Fraction; Case Sensitive; Ordinals; Access All Alternates)

Vessagio is an elegant and modern sans serif font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Hyang soo type face is a collection of fonts with the theme of love and affection, this font is made like handwriting in everyday life, which makes this font close to our lives.

In 1955 the Czech State Department of Culture, which was then in charge of all the publishing houses, organised a competition amongst printing houses and generally all book businesses for the design of a newspaper typeface. The motivation for this contest was obvious: the situation in the printing presses was appalling, with very little quality fonts existing and financial resources being too scarce to permit the purchase of type abroad. The conditions to be met by the typeface were strictly defined, and far more constrained than the ones applied to regular typefaces designed for books. A number of parameters needed to be considered, including the pressure of the printing presses and the quality of the thin newspaper ink that would have smothered any delicate strokes. Rough drafts of type designs for the competition were submitted by Vratislav Hejzl, Stanislav Marso, Frantisek Novak, Frantisek Panek, Jiri Petr, Jindrich Posekany, and the team of Stanislav Duda, Karel Misek and Josef Tyfa. The committee published its comments and corrections of the designs, and asked the designers to draw the final drafts. The winner was unambiguous — the members of the committee unanimously agreed to award Stanislav Marso’s design the first prize. His typeface was cast by Grafotechna (a state-owned enterprise) for setting with line-composing machines and also in larger sizes for hand-setting. Regular, bold, and bold condensed cuts were produced, and the face was named Public. In 2003 we decided to digitise the typeface. Drawings of the regular and italic cuts at the size of approximatively 3,5 cicero (43 pt) were used as templates for scanning. Those originals covered the complete set of caps except for the U, the lowercase, numerals, and sloped ampersand. The bold and condensed bold cuts were found in an original specimen book of the Rude Pravo newspaper printing press. These specimens included a dot, acute, colon, semicolon, hyphens, exclamation and question marks, asterisk, parentheses, square brackets, cross, section sign, and ampersand. After the regular cut was drafted, we began to modify it. All the uppercase letters were fine-tuned, the crossbar of the A was raised, E, F, and H were narrowed, L and R were significantly broadened, and the angle of the leg and arm of the K were adjusted. The vertex of the M now rests on the baseline, making the glyph broader. The apex of the N is narrower, resulting in a more regular glyph. The tail of Q was made more decorative; the uppercase S lost its implied serifs. The lowercase ascenders and descenders were slightly extended. Corrections on the lower case a were more significant, its waist being lowered in order to improve its colour and light. The top of the f was redrawn, the loop of lowercase g now has a squarer character. The diagonals of the lowercase k were harmonised with the uppercase K. The t has a more open and longer terminal, and the tail of the y matches its overall construction. Numerals are generally better proportioned. Italics have been thoroughly redrawn, and in general their slope is lessened by approximatively 2–3 degrees. The italic upper case is more consistent with the regular cut. Unlike the original, the tail of the K is not curved, and the Z is not calligraphic. The italic lower case is even further removed from the original. This concerns specifically the bottom finials of the c and e, the top of the f, the descender of the j, the serif of the k, a heavier ear on the r, a more open t, a broader v and w, a different x, and, again, a non-calligraphic z. Originally the bold cut conformed even more to the superellipse shape than the regular one, since all the glyphs had to be fitted to the same width. We have redrawn the bold cut to provide a better match with the regular. This means its shapes have become generally broader, also noticeably darker. Medium and Semibold weights were also interpolated, with a colour similar to the original bold cut. The condensed variants’ width is 85 percent of the original. The design of the Bold Condensed weights was optimised for the setting of headlines, while the lighter ones are suited for normal condensed settings. All the OpenType fonts include small caps, numerals, fractions, ligatures, and expert glyphs, conforming to the Suitcase Standard set. Over half a century of consistent quality ensures perfect legibility even in adverse printing conditions and on poor quality paper. RePublic is an exquisite newspaper and magazine type, which is equally well suited as a contemporary book face.

Calligrapher Roman Capitals Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Imperial (Roman) calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains Small Caps and all the Latin glyphs.

Hi, presenting a vintage "Spirit board" font set. It has decorative old-school look with four font layers (one font file for each layer). This combination allows easily to recolor lettering and create an interesting effects. Also one font file is availeble with all shapes in one. Thank you & have a great day!

Introducing vintage label font duo named Muscle Cars. These two fonts has an additional characters and multilungual support (check out all available characters on previews). Bold and Script fonts has two styles: Clean and Aged. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

The font collection is called "Hittedal", it is a display font for logotype. These collections contain bold script and sans serif font. This script font includes some alternates and ligatures. The Hittedal matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design.

Fox Single is a strong and incredibly cool Sans Serif Fonts. For publications, logos, business cards, or printed on t-shirts, this font will look outstanding on everything, no matter the topic. This font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

Bolboreta Hollow is a revival of "Decorativa" font of Richard Gans Foundry .We've expanded the family with padded versions, striped versions (gray on other Gans fonts, in keeping with the days of lead fonts), and those same fills in separate font files, for graphic designer layered play. In addition to Bold versions.

Meet our newest product, this product we call Rochalle font. Rochalle font is a cute typeface font A little unique and firm touch. The Rochalle font is great to use on: fashion magazines, logos, and photography, landing pages, flyers, What is included? -multilingual support - alternative - . fastener Thank you, greetings Ali Sifak Muftar

Breakneck Font Duo includes Breakneck and Breakneck Italic fonts. The fonts are excellent for expressing motion; ideal for racing themes. The sharp angles combined with the bold sport style create the expression of speed. Each font contains all basic Latin characters that includes uppercase, lowercase, numbers, punctuation plus much more (130+ characters).

Chubby Melisa is a Cute and Thick Handwritten Font with a relaxed theme, featuring a lovely style. No matter the topic, but this font is awesome for every kids or child project, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

Murisa Rania is our next very attractive font. Have you ever imagined a font that is formed from brush strokes whose ink is almost dry? That's what this font is made of. Murisa Rania combines elements of art and high technique in its creation to create a unique, attractive and beautiful font.

Hello Font lovers, I just released my new font with the name "Amellia" "Amellia" is one of beauty script font with many alternate fonts. WHAT YOU GET? - Amellia otf with many alternates. As You can see in the preview. You will make many of version in every letters. Thanks for visited. Happy Designs

Introducing a vintage look layered label font named "Wanted Denim". This font was inspired by classic slab serif fonts from denim labels and logos. Typeface includes six styles (including effect styles), for sample look at 3rd preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Easter Sweet is a fun, quirky, and sweet serif font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Introducing our newest gothic font called Kirha blackletter font, presenting a vintage and elegant style. With a classic typeface, this font evokes confident elegance with striking details on each side of the lettering. Use this font to enhance visual projects that require a bold classic look that exudes style, elegance, and strong personality.

Introducing original label font named Bistro. This font has a wide languages support with west european characters (check out all available characters on previews). The font family has four styles: Regular, Shadow, Rough, Rough Shadow. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

is a font from the sans serif family that is bold and bold and has character, an update from the previous “Akira Monoletter” font. This font was made to support the languages ​​of countries that require a dialogue arrangement of letters that have special marks. thus forming this special font. thank you