VOIX Regular and Italic is a stylish, modern & monospaced font ready to make your work hard for you! It has several unique glyphs that create a unique style. VOIX is not your typical monospaced boring font - from the outset the goal was to develop an exuberant, dynamic and contemporary mono-spaced font. Ideal for coding, writing and has plenty of attitude to stretch into display formats!

Slabton is a font family in the slab serif style. There are six defined weights, from thin to black, and six italic weights as well as a variable font. All latin small caps are integrated and the font contains a lot of useful open type features and options. Also, there is an additional shaded decor style for decorative matters and elements like headlines and initials.

Katieya is a handwritten font set. Great for logos, name tags, handwritten quotes, product packaging, merchandise, social media & greeting cards. It saves a lot of time in designing a product. This font will add a fun and friendly touch to any of your projects! This font is PUA coded which means you can easily access all the glyphs and strokes and much more. Have fun using Katieya.

this is a simple and elegant Slab serif font full of modern style. This font is very suitable for you to use for many purposes such as branding, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, stationery, and any project. This font is complete in many other languages. you will not be disappointed with the results. thank you

Roughpen is a bold, hand-drawn brush typeface. With this font you can create stunning custom hand drawn brush looks. Roughpen also includes lots of binding characters which make the project even more amazing. You can use this font for making an awesome logos, header, titles, prints, apparel, logotype, quotes, packaging, flyer, poster, cover & other creative process possibilities. This font also support multi language.

This decorative, headline or logotype geometric font consists entirely of uppercase letters. The glyphs of uppercase are rounder than their lowercase counterparts, allowing playful interaction within words, contrasting round and square shapes. The font is an extension of the Paragraph fonts family, however the capitals of ParaCap and lower case glyphs of Paragraph are not designed to be used together. That said, you are welcome to try :)

I have actually never had a sherbet. When I made this font family, I wish I had one, as it was a whopping 38 degrees (Celsius, not Fahrenheit…) outside. Raspberry Sherbet is a cute little font family, consisting of a rounded fat kids font and an inline version. Comes with all the bells & whistles, plus a super duper cooling effect when you use it!

this is a simple and elegant Slab serif font full of modern style. This font is very suitable for you to use for many purposes such as branding, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, stationery, and any project. This font is complete in many other languages. you will not be disappointed with the results. thank you

Folio was designed by Konrad F. Bauer and Walter Baum and appeared with the Bauer font foundry (Bauersche Gießerei) in 1957. The designers based their ideas on Helvetica but Folio did not turn out to pose the competition they had hoped. The font has the same applications as Helvetica and is an extremely legible font. Folio is particularly good for text and has an objective, neutral character.

TT Autonomous useful links: Specimen PDF | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Autonomous: The idea was born in Amsterdam when one of our colleagues took the official electric taxi at the Schiphol airport. At the moment we were thinking about creating a new wide sans-serif, and an interesting question emerged during the trip: what font would be associated with autonomous electric transport. Then we thought it would also be nice to expand this theme visually. This is how the font family TT Autonomous came about. It is a modern brutal technological sans-serif. The basic visual characteristic of the typeface is the noticeable squareness of the characters and angular internal space. In addition, the typeface proportions tend to appear monospaced, but they are not really monospaced. The width of the characters is inspired by automobile logotype proportions, which are mostly rather wide. We could not disregard the fact that code lines in software for autonomous cars are traditionally typed using monospaced fonts and added a special monospaced subfamily to the TT Autonomous typeface. Thanks to the squareness of the characters inherited from the main family and the real monospace properties, the character forms in the subfamily turned out very specific and interesting. This is especially true for oblique monospaced fonts, which are true italics. In addition, we created a couple of outline styles which are great for use in titles and large inscriptions and perfectly match the basic family and the monospaced family. As opposed to outlines that can be created in graphic editors, in TT Autonomous Outline we worked through the narrow and questionable spots, thanks to which the font looks professionally complete and harmonious. As from the very beginning, the font was developed with tomorrow's technologies in mind, we could not miss addressing variability and creating a variable font. TT Autonomous has variable versions for both the basic and the monospaced subfamilies. TT Autonomous is a complex font family that consists of 32 fonts intended to solve a broad range of design tasks. Overall, the font family features 14 regular styles, 6 monospaced styles, 7 reversed styles, 2 outline styles and 3 variable fonts. The number of glyphs varies from 630+ in the monospaced font to 790+ in the basic styles. The basic subfamily has alternates, ligatures, old-style figures, slashed zeroes, and many other useful features. FOLLOW US: Instagram | Facebook | Website TT Autonomous language support: Acehnese, Afar, Albanian, Aleut (lat), Alsatian, Aragonese, Arumanian, Asu, Aymara, Azerbaijani, Banjar, Basque, Belarusian (cyr), Belarusian (lat), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chichewa, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Dutch, Embu, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Ganda, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Number, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Silesian, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Superscripts and Subscripts, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Talysh (lat), Tatar, Teso, Tetum, Tok Pisin, Tongan, Tsakhur (Azerbaijan), Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Valencian, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh, Wolof, Xhosa, Zaza, Zulu.

Rifton is a heavy display typeface designed for use in large sizes. It is available as a regular and italic font or as one Variable Font with an italic axis. Installing the Variable Font offers users additional benefits because, in addition to the pre-defined “upright” and “italic” instances, the interpolations between them can be used. That allows you to have slanted text – but just a little less slanted than in the italic. Rifton is an all-caps design, but the letters mapped to the lowercase keyboard do not always have the same forms as the uppercase. That is most visible when it comes to the “s”, which takes a Star-Wars-style form (think of the Star Wars logo). The Rifton fonts also include OpenType features like ligatures – including some exciting discretionary ligatures – and super-wide alternate glyphs for several letters, including “B”, “E”, “F”, “H”, “L”, “N”, “P”, “R”, “T” and “Z”. Rifton is ideal for making a bold statement in headlines, poster designs, or logos. -

Hello, all. I Want To Introduce New Fonts Maudhia Script Maudhia Script New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more !! Maudhia Script The comes with 331 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers. Maudhia Script Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-6 Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows). Thanks and good luck :-) Thank you for buying!

Introducing Elegant Serif Font Allogist is a new elegant serif font that will add a touch of luxury and sharp diamond dots add a slick yet legible Persian style. This versatile font is Perfect for editorial projects, magazine headers, Logo designs, Clothing Branding, product packaging, and showcases masculine and feminine qualities. Allogist is equipped with uppercase, lowercase, numbers and full punctuation + Multi language support and PUA-encode. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Features: • 3 Font weight • Uppercase & Lowercase letters • Alternative & Ligature Styles • Numbers & Punctuation • Characters with accents • Supports Multiple Languages This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it!

Typefaces, like most other works of art, provide a small window into the personalities and sensibilities of the artists who create them. ITC Panache not only provides this window, it is also aptly named. Mr. Edward Benguiat the dreator of ITC Panache, has all the dash, verve (and panache) hinted at in the design, Creative, capable and prolific, Ed Benguiat has drawn hundreds of exciting and popular typeface designs. Benguiat's design goal was to create a sans serif typestyle that is versatile, utilitarian - and distinctive. We think he has succeeded admirably. ITC Panache's three weights mix exceptionally well to complement each other or provide emphasis where necessary. Extensive testing at text sizes and design fine-tuning has produced a typeface family which is remarkably homogenous and consistent in color. Text set in ITC Panache is inviting without dissapointment. It is exceptionally easy to read, even in long text blocks of copy or small point sizes. When set in larger sizes or used for headlines, ITC Panache's character traits becomes more apparent and pronounced to the reader. They help to create graphics with distinction and style. Big or small. a little or a lot. it's hard not to use ITC Panache well. If you could pigeonhole ITC Panache, it would probably be classified as a stressed sans", but this would not completely describe, or do justiceto, the design. There is a slight contrast in stroke weight, which becomes more pronounced as the familiy weight increases; but there is a more to distinguish ITC Panache from ather sans serifs. Perhaps most obvious is its high waist and correspondingly slight condensation of the top half of the "round" capitals. Both of these traits link ITC Panache with the sensuous forms of art nouveau creations. In contrast are the typicall old style "e" found in designs like Cloister and ITC Berkeley Old Style, and the two storied "g" common to the early 20th century sans serif designs. The capital "A" even has the cupped top found in Caslon designs. Part of the beauty of ITC Panache is that all of these seemingly unrelated desig traits are melded into a design of exceptional continuity."

Do you want a handwriting style font in consistent, professional displays? Well, finding such fonts can be tough and time-consuming work. Therefore, Rough Hearts is here for your perfect choice. Rough Hearts is a font in a handwriting style with different, more natural shapes looking like spontaneously written letters. Each letter detail is made in swinging styles and this font also has high letter contrast, which means the thickness and thinness differences of the lines on each letter can be clearly seen. This font produces personal and creative impressions resulting in its legibility and attractiveness to apply for simply interesting design projects. You can use this font for big text sizes to be greatly legible and also enjoy the available features here. Features: Alternates Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Rough Hearts fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, invitations, greeting cards, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Welcome to Sunday Evening, a stunning display typeface that is guaranteed to elevate your designs to new heights. This typeface is not your typical typeface; it has a unique character that is sure to catch the eye of anyone who sees it. With its squarish letterforms and high-tech superelliptical style, Sunday Evening is perfect for anyone who wants to add a touch of sophistication to their designs. The reverse contrast of this soft sans-serif typeface gives it a one-of-a-kind look, while the high waistlines and curving ends are reminiscent of the Art Nouveau era. However, the elegant technical letterforms and sensual lines make this font anything but old-fashioned. It’s a perfect blend of vintage and modern design that will make your message stand out from the rest. But what truly sets Sunday Evening apart are the adorable heart symbols that have been included. Simply type [heart1], [heart2], and so on to add these sweet symbols to your designs. These little touches are what make Sunday Evening so special and unique. In summary, Sunday Evening is a display typeface that combines vintage and modern design elements to create a stunning and unforgettable font. With its unique character and squarish letterforms, this font is sure to add a touch of sophistication and elegance to any project. So why not give it a try and see how it can transform your message with exquisite accuracy and a truly unique personality? Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Can we get a drum roll please? It’s not every day that a new link in a best selling chain is forged. First, there was Nanami, a font which took the world of type by force, storming to the top of MyFonts Hot New Fonts list; then there was Nanami Rounded, the most successful follow-up since Terminator 2. Well, say Hasta La Vista to boring design because now, there’s Nanami Handmade. With all the geometric, Japanese inspiration and style of the first two iterations, Nanami Handmade carries a quirky, mischievous charm. The font has a charisma matched by roguish anti-heroes; bad guys you love to love and good guys the other good guys hate, but everyone knows they’re what the audience turns up to see. Nanami Handmade comes in two styles, a solid and a hand-drawn, each of which has eight weights. Mix and match between these options to create a balanced piece which makes good use of the tactile, warm, earthy nature of the font. With these sans-serif styles working well in small and large sizes, both on and off screen, Nanami Handmade’s applications are virtually endless. Get your own piece of typography’s elite now, with Nanami Handmade, by Thinkdust.

The Comic-Script by ingoFonts In the past cartoons used to be lettered by hand. Hardly anyone does this today. The reason is, because hardly anyone has nice handwriting these days, so there are practical advantages in having a special font. However the font should still look like it’s been written by hand. Well, most script fonts don’t meet this requirement. The LeDrôle Lettering is a computer font, but closely resembles genuine handwriting. The model for the LeDrôle Lettering is my personal handwriting, as can be seen on the example of the Biró Script, which is also an ingoFont. The habit of capitalization comes from the Romanic and Anglo-Saxon countries. Depending on the purpose they are designed in three significantly bolder weights. In order for the typeface to actually look handwritten, it needs to have clearly visible irregularities. These are not found only in the shapes of the individual letters. Even though LeDrôle Lettering is all in capital letters, the characters of uppercase and lowercase letters are clearly different. Additionally, many alternative shapes are used, which are automatically applied when the OpenType “Ligatures” feature is activated. Thus, there are no identical double letters or numerals, and many character combinations are defined as ligatures with alternative forms.

The careful balance between the emotional swings and shapes set in strong contrast such as the burly serifs, or generally vertical and orderly appearance within the Duwal Pro determine the special look of this Antiqua typeface. All characters of the Duwal Pro are designed to be open and accessible. The lowercase letters are designed with a large x-height, which is why they are ideal for small font sizes. Many striking details give Duwal Pro a defined and firmer appearance with increasing font size so it is also suitable for use in headlines and work marks. The deliberately constructed and emphasized design of the serifs give the font a strong position and at the same time force the reading direction. Using Duwal Pro in Bold weight, the serifs look clearly striking, the design language is concise and the typeface receives an additional sympathetic force. The Italic weight draws on the expressive but not intrusive design of the Regular, but appears sharper and is ideal for text passages. The font family contains italics, small caps, lots of ligatures, swashes, another format set, contextual alternatives and special characters as well as other open-type features which allow the use of Duwal Pro in 48 languages.

Vala™ dances across printed pages and shines on screen. This is a high-energy design that blends the grace of an English Roundhand script with the gravitas of an extra bold Bodoni. There is even a bit of romance in the design. Vala speaks with a resonant voice – and knows few bounds. The typeface enhances print headlines, subheads, cover art and packaging. The design also brings its distinctive melding of verve and poise to banners, headings, navigational links and branding in web sites, blog posts, games and apps. Oscar Guerrero found inspiration for Vala in shop window lettering near his home in Bogotá, Colombia. “The capital A, R and V caught my attention and I photographed the window for future reference,” he explains. “Later I started to draw more letters inspired by the ones in the window.” Guerrero admits that he has always admired the work of Giambattista Bodoni and allowed his classic Didone designs to infuse Vala. Striking contrast in stroke weights, lively ball-terminals and a large x-height give Vala the grace and force of a Waikiki wave. Not satisfied with just a basic character set, Guerrero also took advantage of OpenType’s capabilities and drew a complete set of swash capitals, a bevy of fancy ligatures, and a suite of lowercase alternative designs. The result is that Vala easily emulates custom lettering in posters, headlines and logotypes. The “romantic” part of Vala? Guerrero dedicated the design to his girlfriend, Valentina, and named it after her.

Vigo is a combination of both slab serif and sans serif elements, giving it a unique and dynamic look that’s perfect for any design project. The primitive lines and muscular serifs give Vigo its character, making it perfect for any design that needs a bold and powerful typeface. So why not hop on Vigo for a spin? With its distinctive style and retro flair, it’s the perfect typeface for any design project that needs to stand out from the crowd. Try Vigo today and give your project the vintage charm it deserves! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Mountogen Rounded Typeface Style which has a unique and very strong characteristic that makes all designs look unique and have a modern feel. Mountogen Rounded has its own charm, so it will be very suitable to be combined with any style. Has Lots of Alternatives and ligatures to add a great interactive feel to every design. Mountogen Rounded also comes with multilingual support and is very easy to use. Mountogen Rounded is interesting to use in designs such as books, movie posters, logos, branding, business cards, and more that can be combined with Mountogen Rounded. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window – glyphs Adobe Illustrator go to Type – glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Nikita is a very lively upright script with lots of 1950s flair.

Pure romantic and personal with lots of grace and tender designed curves.

Swirlies is a dingbat font with over 50 elegant vortex images ready to do gliphs. Ready to use.

Say Hello to Ballsye, a Superb bold display font. This font is a very bold font so it has a strong impression. But other than that, this font can also be a fun and playful font. Ballsye is perfect for branding design, posters, apparel, for logotype, website header, fashion design and any more. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Welcome to swash heaven! Since it’s been a few years that I made the very first heart swash font (featherly), I thought its time to create a new one and boy, this is massive! Made with love, I Heart It has over 2600 glyphs, is extremely smooth and is packed full of romance. There are 25 different swashes which connect to, not only, the lowercase alphabet but also on the left of the uppercase letters and the ligatures too. That’s not all! I’ve added 26 ornaments which will come in very handy for that additional touch of elegance and creativity in your designs. It’s all about the love, making this beautiful script font perfect for wedding stationery, engagements, and baby, family and friends orientated themes. Not only that - it can be used for logos, tattoos, delicious food and drink, mugs, clothing, the list is endless! They say that love conquers all and I Heart It will go a long way in expressing that through it’s illustrative design versatility, making it the perfect addition to your font collection. Once you’ve used it you’ll wonder how you’ve ever managed without it!

Hornbill is a soft serif font family that inspired by the 70's retro styles. Hornbill give a clean and versatile letterform that fit not only for display, but also for reading purposes. Hornbill consist of 18 styles from thin to black with each matching italics.

Estencil was inspired by the use of stencil fonts used as text knocked out of steel plates. Not suitable for long text, it works well for display, signage, and wayfinding applications., maintaining legibility from a distance. It includes the Western European character set, with 251 glyphs.

Honey Crafter is modern retro font. Made carefully with digital sketch and vectorizing one by one to get best shapes. Honey crafter comes with a lot of alternate that let you make great design composition. What is inside : Multilingual Support Stylistic Alternate, Stylistic set (01,02,03,04), Swash

Display Ardent is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Ardent has the lowercase alphabet only, there is no uppercase alphabet. For convenience, the lowercase alphabet characters were repeated in the shift set.

Koehler Sans JNL was inspired by a set of cardboard sign kit letters made by the Koehler Sign Company of Missouri (presumably) in the late 1940s or early 1950s. Not much is known about them, other than the letters looked interesting enough to turn into a font.

Simple, yet thrilling! Heart Strung is my handmade font! Useful for a wide range of things - such as invitations, greeting cards, headlines, notes and quotes ... and a lot of other things! Comes with swashes for uppercase and ligatures for double lettering - and some lovely swashy alternates! :)

My teacher used to say my writing looked like ‘hanenpoten’ (“rooster legs”). It is a Dutch expression for a scrawly script. When this script emerged, it had ‘scrawl’ written all over it! Scrawlerz is a messy script font with a lot of joie de vivre. Enjoy!

Introduce Bayle Daisy is a brush handwritten font to give an incredible impression for all your project design come with a lot ligatures and Alternative to make everything look realistic handmade handwritten. Included: Uppercase & Lowercase Number & Symbol International Glyphs Multilingual Support Ligature Alternative Hope you enjoy it.

Because we all need a "werk" horse font that is simple, useful and with just enough character not to be too dominant. Werk, as a family, attempts to meet that need with plenty of weights ranging from light to bold plus light condensed through bold condensed.

Tomoli is short for "things of more or less importance". In this dingbat font you'll find 52 stylized drawings of animals, food and lots of different stuff - that is of more or less importance! :) Furthermore, the drawings are made of remarkbly steady lines! - Go have a look!

Based on a disco-era typeface named—perhaps not surprisingly—Disco, this offering has strong geometric elements which blend together nicely to form tight, commanding healines. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.