32 illustrations of 15 Frames and 17 Banners. Most are line drawings with a reverse version. Lots of dots and grids, scallops and stripes to mix and match. Quick way to add some punch to your layouts. Great for mailing labels, labeling for jars, borders for this and that. Nice scrapbook additions too. Take a look at Rae's other frame fonts... Frames & Borders and Frames & Borders Too.

Friedel Thomas’ 1957 Typoart font, redesigned and extended, for vintage use.

Voltage is an unexpected and energetic standout in the world of script fonts. Evocative of the metal lettering on automobiles of the past, Voltage references the late days of the Industrial Age; its structured lettering emphasizes practicality and uniformity that is assertive, yet down-to-earth. Voltage provides 154 unique swash designs (a total of 348 swash variations), 39 alternates, and 15 ligatures. See what’s included! http://bit.ly/1wsNonR These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Presenting the 🎃 The Crots Typeface 🦇 by alitdesign. The Crots typeface is designed for the needs of design concepts themed about Halloween and events in October and November. The Crots font has a horror character with a character shaped like dripping blood, making the horo or Halloween themed design concept even better and unique. The Crots font also gets a bonus character of 150 Halloween-themed illustrations that make creating designs even easier. Simply by downloading The Crots font, creating a Halloween themed design is very quick and easy. The Crots Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with halloween and dark concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Crots Typeface contains 557 + 150 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Stana is all caps, clean and tall display font. There are more than 150 glyphs included.

A collection of 197 graphic, pointer, numbering, leaf sun and arrow illustrative and printer cut designs.

Sunshine Daisies Hand Lettered collection brings 15 handwritten fonts infused with fun and sunshine. All of them, including sans serif layered font, can be combined in many ways. The script is full of alternates and the layered font has a pseudorandom function embedded that means two letters will never look the same when placed next to each other. To add even more fun we’ve included a special Sunshine Daisies Extra font that has 150+ doodles with 2-color fills. Perfect for quotes, t-shirts, book covers, posters, packaging projects, all Sunshine Daisies fonts are fully unicode mapped so you can use them in any application. Enjoy!

Northfork JNL is based on a William H. Page wood type alphabet called Parisian, circa 1857-58.

Science Noire is a special font with more than 154 glyphes, upper and lower case, punctuation, number and special characters.

Selfila is an incredibly stunning script font featuring beautiful and rich swashes. It will elevate any design idea! Containing 150+ OpenType feature.

Changaa is the name of a beer in Africa, the local people call them "drink of the dead". UPPERCASE 
lowercase 
Numerals 
Punctuation 154 characters

Günter Gerhard Lange designed this “fun” typeface for Berthold in 1957. Although a departure from his more serious designs, Champion shows Mr. Lange’s diversity.

Gvonz is a volitional innoxious tech display typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions.

Shout is a “Hey, Look at ME” font. It is an attention-getting font for posters, flyers and ads. Its lineage includes the Haas Type Foundry’s 19th century advertising font, Kompakte Grotesk, which Jan Tschichold (1902-1974) dryly described as “extended sans serif” and which graphic designer Roland Holst (1868-1938) would have disapprovingly referred to as a “shout,” as opposed to the quiet presentation of information that he believed was the proper function of advertising. In 1963 Letraset released what appears to be an updated variation in multiple weights designed by Frederick Lambert called Compacta. Shout draws heavily on Compacta, as well as other similar fonts of the 50s and 60s like Eurostile Bold Condensed and Permanent Headline. In weight, it falls about halfway between Compacta Bold and Compacta Black, but with a relatively heavier lower case that is not so easily pushed around by the upper case. After all, one can shout while sitting down. Shout is the first font released with our new encoding, as noted in the All_customer_readme.txt. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, Shout has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, a long s instead of the Greek mu and our usual Hand-in-Hand symbol. There are also left and right glyphs of a big mouth ]ing (135/137) and left and right glyphs of an angry man shouting (172/177). Please use Shout with discretion. Folks get tired of being yelled out. After awhile, they stop listening. Shout ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Add glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 355 glyphs. 2. Added OpenType GSUB layout features: pnum, ornm, liga, hist & salt. 3. Added 266 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Revised hyphen, dashes & math operators. 6. Minor refinements to various glyph outlines. 7. Inclusion of both tabular & proportional numbers. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Funny Book Sans includes these codepages: 1252 Latin 1; 1250 Latin 2: Eastern Europe; 1251 Cyrillic; 1253 Greek; 1254 Turkish; 1255 Hebrew; 1257 Windows Baltic; 1258 Windows Vietnamese.

Bloc Boy is a handwritten typeface by Måns Grebäck.  Its 150+ alternates and swashes gives it great variety, and the contextual alternates ensures the font a genuinely handwritten look.

Live long and prosper. Barnhart Brothers and Spindler. 1884. Originally named Vulcan. Enough said. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

It is not really a font, they are more icons. Based on a grid of seven circles al 127 possibilities – filled an unfilled. Use it decorative or just for fun.

Rboca is a revolve consolidated unicase sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

What else is there to say? Children's wooden blocks inspired this playful face. Use and enjoy! Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Goelt is a rigidity contrast linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Uegor is a roundel compact linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 150+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Moonthy is a beautiful and elegant script font. It features more than 150 alternates that are PUA encoded. This gorgeous script is widely suitable for graphic designs and any other creative projects!

Here's something you don't see every day—Italian Art Deco woodtype. It's suave but unsophisicated, an unpretentious charmer. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Another Speedball pen alphabet from master draftsman Ross George, this face is bold and lively. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A simple stylistic device gives this clean, bold sans serif face a slightly spooky feeling. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Plain and simple, here's a faithful reproduction of the Advocate font for IBM Selectric typewriters from the 1960s. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Another William H. Page classic, Gothic Dotted, provided the pattern for this bold and brassy typeface. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

London's Reed and Fox 1874 specimen book featured two faces, Viennese and Corinthian, combined here in one elegant decorative face. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.