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  1. PointerSistersSeparated - Unknown license
  2. D3 Euronism Bold italic - Unknown license
  3. D3 Archism Italic - Unknown license
  4. D3 Digitalism Italic - Unknown license
  5. Reclame - Unknown license
  6. SoleaLight - Unknown license
  7. Romantik - Personal use only
  8. Cavalier - Personal use only
  9. D3 Egoistism extra - Unknown license
  10. Petiote - Unknown license
  11. sunnyday - Unknown license
  12. D3 LiteBitMapism Bold-Selif - Unknown license
  13. Campanile - Personal use only
  14. D3 Skullism Alphabet Bold - Unknown license
  15. Brouss - Unknown license
  16. D3 Digitalism Round - Unknown license
  17. D3 Coolbitmapism - Unknown license
  18. D3 Radicalism Katakana - Unknown license
  19. DDD Round Square - Unknown license
  20. MigraineSans - Unknown license
  21. Phonetica - Unknown license
  22. D3 Egoistism leaning - Unknown license
  23. FT Tantor by Fenotype, $9.95
    FT Tantor is a heavy weight font from Fenotypes basement.
  24. Otostrada MF by Masterfont, $59.00
    Legible yet elegant font family with a variety of weights.
  25. KG Sorry Not Sorry by Kimberly Geswein, $5.00
    A neat blocky solid font for headlines. In two weights.
  26. Warp by Intellecta Design, $9.00
    inspired in the idea of traveling in the light velocity
  27. Balladeer by profonts, $51.99
    Balladeer is an elegant, classical script available in several weights.
  28. Penta by Wiescher Design, $29.00
    »Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.
  29. Arbotek by Type-Ø-Tones, $60.00
    Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three basic styles - Thin, Light and Light Rounded - try to approach the cartographic technique annotations and their output on plotters. The voluptuous style, Ultra, keeps the same structure of the Light versions, but develops as a historic Art Decó variant of this 20s and 30s graphic style.
  30. Neonoir by phospho, $25.00
    Neonoir is an homage to neon lettering craftsmanship of the mid 20th century. The beautiful futuristic grace of wall-sized bent-glass hand-writing is distilled into a three-weight connected script that’s on the button for headlines, logo­type and branding designs. Its Slim and Bold weights are formal monoline scripts, while the medium weight mimics the rough edges of ink on paper. Neonoir is available as an Open Type font that features alternate endings and lots of ligatures.
  31. Kin Grotesque by wearecolt, $14.00
    Introducing Kin Grotesque Kin Grotesque has been created to be your new go-to grotesque font that will work well for copy text and headline titles. With carefully crafted letterforms, ligatures and stylistic alternatives, Kin Grotesque is perfect for brand identity and logo design. With nine standard weights in standard and italic families. Features: 9 separate font weights + variable weight font for compatible software Standard and Italic Upper and lowercase Numerals Trial versions are available from www.wearecolt.com
  32. ND Gambit by NeueDeutsche, $9.00
    ND Gambit is a quirky sans serif with an unusual variation between back slant and upright glyph by glyph. It comes in 9 weights. Watch out, the regular weight is free of charge, so you can use it to your heart’s content. Each weight includes extended language support (Latin + Cyrillic + Greek), arrows, fractions, old-style figures, ligatures, and more. It is perfectly suited for graphic design and will work for web, corporate as well as for editorial design.
  33. Artigua by Picador, $29.00
    High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings. Whole family contains small caps, subscript, superscript, italics, fractions old style and tabular figures. Over 1100 glyphs and 18 fonts makes a perfect match for clean and minimal projects. With Artigua it’s super easy to prepare adverts, books or web headings.
  34. Bogart by Zetafonts, $39.00
    All the nine weights of Bogart, as well the matching true italics forms, feature an extended charset of over 1600 glyphs, covering 219 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features. To add flexibility for editorial usage, a text-oriented Bogart Alternate set of nine weights was added to the family keeping the design more similar to its modern old style model and allowing for a heavy readable mid-weight range.
  35. Almarena Neue by Almarena, $29.00
    Introducing Almarena® Neue Variable, the evolution of Almarena® Typeface, which we created in 2020. Almarena® Neue is a modern sans serif typeface that combines legibility, impact and contrast. This new version of Almarena is variable with 3 axes: Weight - Display - Slant. It is also available as a static version in 9 weights (+ italics) for each style (Classic & Display) with several alternatives. Almarena Neue® supports 94 languages and contains 565 glyphs for each weight.
  36. Rider Wide - Personal use only
  37. Nymph's Handwriting - Personal use only
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