Introducing Larques One, a display sans-serif typeface that brings a fun, friendly and delightful vibe to your projects. Larques One is not too serious and has a touch of playfulness that makes it perfect for branding, packaging, headlines, posters and more. Larques One is also equipped with multi-language support and offers excellent versatility and customisation.

This font was inspired by the Cancellaresca pattern (look at our 1491 Cancellaresca and 1610 Cancellaresca), in particular Spanish one, from Francisco Lucas, who was working in the late 1500s. It is a modern variation, including West European accented characters and a lot of initial and final alternates (not in the Mac TT version for technical reasons).

HansHand started out in 2003 as a simple free font, the adaption of my grimy handwriting. For its 10th anniversary it got a complete overhaul and lots of new characters. Now also available in BOLD for the first time, featuring scribbles, strokes, circles and boxes to underline the fast taking-notes-while-on-the-phone look!

Have you ever been drawing out the letters for a font, then you start making some multi-letter ligatures? Then you think up some more to make, and you make those too? And you keep making them, until you have over a hundred of them? No? Just me? Boisterous Fun is a font that started out simple -- a nice handwriting style with a single stroke width. But add in the ligatures, plus a dozen single-letter alternates and my usual crowd of accented characters for language support, and this baby has grown to over 600 characters total. It's a great casual font for branding or packaging, but it's also smoothed so it's easy for cutting. Boisterous Fun includes: - The usual A-Z, a-z, 0-9, and lots of punctuation; - Over 300 extended Latin characters for language support; - 140 alternates and ligatures for variety, all PUA-encoded for easy use! I had a ton of fun making it, and I hope you have a ton of fun using it!

The history of Able’s connection with the Harry Potter phenomenon is really up in the air. It’s a catch-22 in this business - you either promote your own work and negotiate expensive exclusive licenses, or you work with a promoter and sell your designs to anyone and everyone. It could have been an in-house designer at Rowling’s publisher, Scholastic, or a freelancer who proposed Able for the headings and such. The responsible party licensed it from T26, and JK Rowling’s storytelling made it a star. (I suppose it’s ironic that there’s a whole lot of unwritten history in the typography business.) Able’s rise to fame really is a classic love story between reading and type design. If the books weren’t so popular, Able might still be waiting for some Mexican fast food chain to pick it up for packaging design. The movie deal certainly made the font all the more recognizable, what with its merchandising campaign. Popularity can also cripple a great decorative face. It’s always being recognized as “The Harry Potter Font.” It might just have to wait a few decades for the Potter phenomenon to subside to be freed from the “Chamber of Pigeonholed Fonts.” In the meantime, I’m sure that a lot of fledgling graphic design apprentices are reading their new Potter books, being charmed by the idea of type design when they’re not turning the pages too fast to notice.

Make no mistake, Maritime Champion is not simply seaworthy. This peacoat-grubbing, all-hands-on-decking, accordion-serenading font is not for the faint of heart. He’s all caps all the time. Even the lightest of his six weights is enough to anchor a man-o-war in any Caribbean maelstrom. This 10-font family includes six weights and a Shoreline style that comes in four weights. It’s an all-caps family that includes lots of language options and OpenType fractions.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! If you are looking for a font that is perfect to make your designs look hip and fresh, go no further. Jorge Jenks has got it all. It’s simple, organic, versatile, and super modern – but not too futuristic. It will set you above the rest of the market. Jorge Jenks is an urban brush font reflecting the urban freedom and organic flow of city life. it has strokes that are made of multiple connected nodes and his forms are unique and imperfect. This makes him a great match for both display and text typography, as well as logo design. A Million Thanks www.colllabstudio.com

Now here's a font that is named Like Butterflies, but has got nothing to do with butterflies! What? Why? Well, I recently heard the song "Even flow" by Pearl Jam and took a trip down memory lane - back to my early twenties. I remember how the lyrics affected me, and had an impact on how my life changed the years to follow. Maybe the style of the font does not reflect the inner meaning of the song, but it does reflect a look back in time for me - and the change that took place. Nevertheless, I hope you enjoy the somewhat simple, handmade style of Like Butterflies and the 4 versions that works very well together! Please notice that each letter has got 5 slightly different versions to choose from!

KnockType is based on the concept of braille notation in Japanese. It does not support braille notation in other languages. KnockType is not necessarily aimed at facilitating “braille transcription”. It is designed so that someone who understands the grammar of “braille transcription” can instantly transliterate into braille text that was previously transcribed to kana characters, etc. In addition, it allows ink characters to be converted to braille using OpenType features. It is recommended for use in applications that are compatible with OpenType features. If they are not compatible, KnockType is “simply a kana font”. To be a little more specific, it is assumed that KnockType will be used in Adobe’s InDesign and Illustrator applications. If you don't have them, you will not get satisfactory results. Four types of font are available. There are “hasBox&Line”, “hasnotBox&Line”, and the reversed font of each. When displayed on a convex surface, the assumption is that they will be used mainly for printing applications. When displayed on a concave surface, the assumption is that they will be used mainly for writing on braille boards, etc. By printing, you can get a rough idea of the dot positions. It is more effective to match them to the grid size of the braille board.

The letters of Bihext fit into the trapezoids formed by bisecting hexagons from the top corner to the bottom corner. Because these trapezoids have two orientations, there are two sets of characters and the typeface was designed assuming that the user would want to alternate these two character sets. The alternating of characters is done automatically with the OpenType feature of contextual alternatives (calt) in applications that support it. The typeface is monospaced with very tightly letter spacing. If the letter spacing seems too tight, consider alternating colors to make the individual letters stand out as an alternative to loosening the letter spacing. Almost certainly the user will need to adjust line spacing if more than one line of text is used. The family includes an outline style that can be used in a layer above the filled style. A decorative, display face, Bihext is too difficult to read to be used for long text.

I decided to draw the Regular style of Trivia Humanist not too light and the Bold not too dark. Delicate anatomy and moderate contrasts of serifed humanist typefaces aren’t usually born by interpolating between extremes, but rather by meticulous care for each individual letter. A delicious blend of a trace of punchcutter’s tool and calligrapher’s hand with as few historical reminiscences as possible. It stays away from any strong aesthetic colorations as well, which is a common feature of the Trivia family system. I wanted a clear and majestic typeface for book jackets, LP cover designs, posters, exhibition catalogues and shorter texts. But at the end it turned out excellent for largest books as well.

Introducing our new Lincoln Road Font Collection. Deco, but not too Deco. A Lincoln Road is a family of 9 fonts including 2 weights of Deco and 6 weights of a coordinating Sans and an Elements font that contains the frames and elements you see used in the previews. Each Deco weight has a corresponding Sans weight. Lincoln Road was inspired by art Deco styles, but is a modern interpretation - in other words - not too deco. It works for modern projects that need a hint of a decorative look and can also be used for a more vintage vibe. Check out the previews to see some of the ways you can use this family.

Découpé Based on a French children’s play from 1906. In a car boot sale André Toet found a funny looking box containing a lot of cut out cardboard figures, in fact it looked a bit like a geometric puzzle! He played around a bit and succeeded to create a workable typeface with it ! The interesting thing about this particular font is, that in fact it’s organized chaos. The 26 letters of the alphabet are a mix between caps and lowercases, so within one word caps and lowercases will be used next to each other. It’s a very useful font for different projects. Concept/Art Direction/Design: André Toet © 2017

We have been in lockdown for a long time now. The schools were also closed, meaning my kids had to stay at home. This week the schools reopened (not a day too soon!), which means my kids can play with their friends again and learn something too! My wife and I pack their lunchboxes every day and always add some fruit for snack time. That fruity snack inspired me to create this rather messy font! Fruity Snack is a handmade display font. It looks wobbly, comes with awkward angles and rough bits. It also comes with extensive language support (including Vietnamese) and 2 sets of alternates for the lower case letters.

Glad to introducing you Hickory Dickory - a stylish serif with an eighties mood. I really love this old advertising from those magazines. It was a new era of minimalism in photography and typographic design. The playful, stylish and modern. This font will fit perfectly not only this type of design - you may use the alternates characters and get a really playful typography at your project. Hickory Dickory has a lot of alternates, some letters have them up to 17. More than 620 glyphs total! Also, there is a true italic for perfect pairing. Normal & True Italic A lot of stylistic alternates 620+ Glyphs total Decimal and fraction figures

In March 2011, the Society of Typographic Aficionados began organizing a collaborative project that would unite the typographic and design communities. The goal of Font Aid V: Made for Japan was to raise funds to expedite relief efforts after the devastating earthquake and tsunami in Japan. Nearly 300 contributors from 45 countries sent in over 500 glyphs in a single week. Behind the scenes, volunteers Neil Summerour, Silas Dilworth, Delve Withrington, and Grant Hutchinson were up to their elbows in Adobe Illustrator and Fontlab assembling the typeface. The sheer number of submissions coupled with the complexity of some of the designs caused unforeseen delays in completing the typeface. The team not only managed the immense influx of submissions, it also had several technical hurdles and multiple content reviews to mitigate before the final font could be produced. Several months after the project was initiated, Font Aid V: Made for Japan was finally ready for distribution. With the help of Sogo Japan, all proceeds from sales of this typeface will be delivered directly to organizations in Japan, such as Second Hand and AMDA International (Association of Medical Doctors of Asia). Sogo Japan strives to help circumvent regular international charity channels and the inefficiencies associated with them. Thanks to everyone who participated and helped us spread the word about the Font Aid V: Made for Japan project. In particular, we would like to acknowledge the following individuals and groups for their participation and involvement: Jonathan Abbott, Rui Abreu, Frank Adebiaye, Tim Ahrens, Anonymous, Eero Antturi, Leonardo Aranda, Hector Carrillo Aspano, Danielle Atnip, Alejandro Cabrera Avila, Christophe Badani, Joanne Gyo Young Bae, Ben Balvanz, Cynthia Bataille, Priyanka Batra, Donald Beekman, Hannes Beer, David Berlow, Kevin Beronilla, Fabian Bertschinger, Nicole Bittner, Bart Blubaugh, Dathan Boardman, Andrew Boardman, Joel Vilas Boas, Konstantin Boldovskiy, Scott Boms, Michael Browers, Vickie Burns, Matt Burvill, Daniele Capo, Seymour Caprice, Mauro Caramella, Matevž Čas, Eli Castellanos, Sarah Castillo, Tom Censani, Pinar Ceyhan, Ivette Chacon, Hin-Ching Chan, Sarah Charalambides, Karen Charatan, Sinde Cheung, Todd Childers, Justin Chodzko, Felipe Coca, Antonio Coelho, Jefferson Cortinove, Alan Lima Coutinho, Nick Cox, Nick Curtis, Girish Dalvi, Christopher DeCaro, Thomas C Dempsey, Matt Desmond, Chank Diesel, Anum Durvesh, Suzie Eland, Engy Elboreini, Craig Eliason, Emi Eliason, James Elliott, Grace Engels, Exljbris, Hillary Fayle, Carol Fillip, Jeff Fisher, Scott Fisk, John Foley, Stuart Ford, Mathias Forslund, Brock French, Anina Frischknecht, Eric Frisino, Chiyo Fujimori, Kaela Gallo, Ayesha Garrett, Harald Geisler, Alfonso Gómez-Arzola, Adriana Esteve González, Richard Gregory, James Grieshaber, Grupoingenio, Kemie Guaida, Carlos Fabián Camargo Guerrero, Rachel Han, Erin Harris, Stefan Hattenbach, Magnus Hearn, Marissa Heiken, Georg Herold-Wildfellner, Jamie Homer, Ed Hoskin, Dav[id Hubner], Jonathan Hughes, Rian Hughes, Grant Hutchinson, Xerxes Irani, Masayuki Izumi, Jan Janeček, Hyun Kyung Jang, Julien Janiszewski, Dušan Jelesijevic, Cal Jepps, Meghan Jossick, Evamaria Judkins, July Twenty Fourth, Erica Jung, William K, Claes Källarsson, Kapitza, Asutosh Kar, Arno Kathollnig, Sami Kaunisvirta, Hajime Kawakami, Scott Kaye, Richard Kegler, Anna Keroullé, Bizhan Khodabandeh, Lara Assouad Khoury, Ilona Kincses, Becky King, Sean King, Megan Kirby, Max Kisman, Keith Kitz, Romy Klessen, Akira Kobayashi, Kokin, Kozyndan & Silas Dilworth, Atushi Kunimune, Andreas Kuschner, John Langdon, Ray Larabie, Jess Latham, Kelly D Lawrence, Matic Leban, Chien-Hao Lee, Bryan Levay, Enrico Limcaco, Andreas Lindholm, Andrew Loschiavo, Chris Lozos, Ian Lynam, John Lyttle, Gustavo Machado, Jonathan Mak, Ricardo Marcin, Jeannie Mecorney, Steve Mehallo, Cristina Melo, Martin Mendelsberg, The Midnight Umbrella Studio, Goro Mihok, Ojasvi Mohanty, Ahmed Mohtadi, Alixe Monteil, Veronica Monterosso, Dani Montesinos, Masanobu Moriyama, Misa Moriyama, Pedro Moura, John Moy Jr, Marc Marius Mueller, Shoko Mugikura, Joachim Müller-Lancé, Diane Myers, John Nahmias, Yoshihisa Nakai, Hiroshi Nakayama, Reiko Nara, Nathoo, Titus Nemeth, Nathanael Ng, Ngoc Ngo, Antoninus Niemiec, James Ockelford, Kunihiko Okano, Naotatsu Okuda, Toshi Omagari, Onikeiji, Ozlem Ozkal, Jason Pagura, Hrant Papazian, Brian Jongseong Park, John Passafiume, Patrick Griffin, Alejandro Paul, Vian Peanu, Dylan Pech, Rebecca Penmore, Peter Brugger, Jean François Porchez, Carolyn Porter, Andrew Pothecary, James Puckett, Rachel Hernández Pumarejo, James Random, Liam Roberts, Tom Rogers, David Jonathan Ross, Sumio Sakai, Sana, Stuart Sandler, Rafael Saraiva, Riccardo Sartori, Ai Sasaki, Yee Wen Sat, Agnes Schlenke, Giovanna Scolaro, Roland Scriver, Alessandro Segalini, Shawn Semmes, Jane Sheppard, Josh Sherwood, Paulo Silva, Mark Simonson, Luis Siquot, Greg Smith, Owen Song, James L. Stirling, Nina Stössinger, Tanya Turipamwe Stroh, Kevin Strzelczyk, Neil Summerour, Superfried, Shiho Takahashi, Shuji Takahashi, Yusuke Takeda, Naoyuki Takeshita, Bruno Tenan, Chung-Deh Tien, Tom, Ryoichi Tsunekawa, Alex Tye, Matthew Tyndall, TypoVar, Virginia Valdez, Beatriz Valerio, Tom Varisco, Brayden Varr, Catarina Vaz, Andy Veale, Yvette Claudia Velez, Marie-Anne Verougstraete, Abbie Vickress, Ray Villarreal, Pat Vining, Courtney Waite, Hoyle Wang, Viola Wang, Jim Ward, Grace Watling, Terrance Weinzierl, Robert Weiss, Stuart Weston, Kevin Wijaya, Dave Williams, Beau Williamson, Delve Withrington, Katherine Wood, Neil Woodyatt, Jesvin Yeo, Yokokaku, Kazuhi Yoshikawa, YouWorkForThem, Matt Yow, Charlton Yu, Yuriko, Ron Za, Jayson Zaleski, Víctor Zúñiga

Proudly present new our font Satnight Brush. Satnight Brush is a Handwritten Font with less texture. I made Neutral Autumn on smooth paper, so that the texture that is produced is not too much. This is perfect if you don't really like texturing fonts too much. Satnight Brush suitable for various projects such as stationery invitations, social media, logos, weddings, branding, graphic design with the addition of several binders and swashes. and can be combined with various types of serif fonts to perfect the project you want to work on. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me. Thanks for purchasing and have fun!

Southern Belle, a cute little handdrawn font with a ton of character and a slow, southern drawl, was inspired by sweet tea and southern blossoms. Its uppercase letterforms would be a great fit for logos, envelope addresses, and more! This Southern Belle font features repeating borders, and a ton of cute little doodles. (try using + + +, = = = , and _ _ _ to see borders repeat). To access all of the characters in this font, we recommend using the glyphs panel in Adobe Illustrator. This font works best in open type aware software. Comes as an .otf font file. NOTE: To access all of the cute extras in this font that are not accessible from your keyboard, you will need software with open type glyph capabilities such as ADOBE ILLUSTRATOR or ADOBE INDESIGN.

First things first: I am really not a Star Trek fan. I did come up with this name, which I thought had a good ring to it. When I checked whether the name was already taken, I found out that Black Cluster is a term from Star Trek. Now you want to know what a Black Cluster is, so just check out poster 2 and read all about it. For me, Black Cluster is a handmade ink font, with a lot of jumping glyphs, a lot of diacritics and a handful of ligatures. It may be rough, but you will be pleasantly surprised by what it can do to a design! May the font be with you. Oh, no, that was from Star Wars…

BIRTGOCHE is a serif font with long, thin hooks, it's beautiful because it's quite formal and manly. Attractive fonts to support elegant art designs. A fairly standard serif font because there are not many changes from the basics of the previous serif fonts, only the modifications to the hooks are not too significant and some letters have their body part below the baseline. For media, it will also be very suitable for the headline of a magazine or poster because this font has a strong character supported by this font, which is an all caps font. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

The Pommes font originates from my mid seventies potato punchcuttings at artschool. Since I’m living in a potato republic (NE of the province of Groningen) I got inspired to continue. I prepared this culinary alphabet as a tribute to this wonderful allround vegetable. Belgian and French recipies helped me in selecting and cutting/cooking the 6 styles. The Pommes-Dauphine Ultra Heavy (too much eggs added) can be used as a layer behind the Pommes-Dauphine.

I don't know what other typedesigners call those long swirling embellishment, but I call them "Monkeytails". So when I decided on this version of my good old Royal Bavarian, I decided to call the new font "Monkeytails". I just fell in love with this name. Monkeytails and Royal Bavarian should be used together, in order not to have too many embellishments. That's why I offer the two together for a good price. Your swinging typedesigner Gert Wiescher

Knip, in Dutch, means ‘cut’. You can tell by the glyphs that I made this font by cutting out the shapes from black paper, gluing it onto white paper and photographing the result so I could digitalise it! I don’t make too many cut out fonts, as it is a lot of work and it often leads to nothing. Besides that, I depend on the paper supply from my kids and they happened to have black paper this time!

Devil Kalligraphy was performed by Argentina Lián Types in 2007. The shapes of each caracter have a strong personality. It was based on antique writings. Devil Kalligraphy was inspirated in calligraphy styles. Gothic and Uncial themselves. A mix with lots of personal qualities. Devil Kalligraphy has ligatures which look evil. Ascendents and descendents were designed to look that way too. Kerning was designed taking into account the way calligraphers used (and still use) to write: Pattern looking.

Life’s always more fun when you reverse the stress. The same goes for the new member of the Cabrito family. Cabrito itself is a recently developed slab serif made for the kid’s book The Clothes Letters Wear. Cabrito proved to be more popular than I thought, and I promised I would create an inverted style for this new addition to the font world--a variant that would pair well with the original or even stand well on its own. And so now, here it is. Cabrito Inverto, which features the reversed stress of the strokes from a font’s “normal” traits. Inverted stress fonts are most often associated with cowboys and the Old West. The inverted stress gives it a happy-go-lucky appearance, not to be taken too seriously. It’s a pleasantly rounded, not-so-strictly geometric typeface with handwriting-inspired forms. Whew, that’s a mouthful! Inverto’s bundle of alternates is accessible in any OpenType-enabled program. It contains a workforce of alternates, swashes, and alternate titling caps to embellish the font. Also bundled are swash alternates, aged design and style figures, and compact caps. Peruse the PDF brochure to examine out these solutions in action. OpenType-enabled purposes such as Adobe suite or Quark will allow ligatures and alternates. This font family also includes the glyphs for 72 different languages. Cabrito Inverto does pair well with Cabrito. There is even an extra font weight, Black, for when you want to punch it up a bit. Jeremy Dooley designed Inverto to be a welcoming, day-to-day font family. Use it to express friendliness on just about anything, from candy to food to children’s toys. Cabrito Inverto’s one-of-a-kind visual appearance brings a bundle of fun to the party. Buy Cabrito Inverto to give a boost to your designs every day of the week.

I seem to be in my comic book font fase. It's not that I have tons of comics lying around (I actually have none), but when I was a kid, I used to read them all the time. Laser Eyes is a handmade comic book font. It is a little rounded, a little fat and very useful. You don't really have to put it to work in an actual comic book; it will feel at home just about anywhere. Laser Vision comes with two sets of alternate glyphs that cycle as you type, plus extensive language support, including Cyrillic and Vietnamese.

My handwriting with a speedmarker turned into a font - well, not really, to be honest! Personally I did do all the writing of letters, but in order for the letters to fit perfectly together, I manipulated them - just a tad! But the result is a hasty set of letters! When I say I wrote all the letters, I mean it literally!!! All letters are unique, meaning all the accented characters are unique! On top of that, Laxory comes with ligatures for both double lowercase letters and numbers! You will need to use OpenType supporting applications to use the autoligatures.

Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Wonderbar 2 is wacky, retro, and not to be taken too seriously. The wavy nature throughout the characters ensure that you're in for a wild ride. Alternating between upper and lowercase letters is like shifting gears. Uppercase characters take on a more undulating flow with stems that reach out to tickle you. Because of this slight overlap should be expected. In addition to Latin this childlike display font is equipped with Extended Latin for many European languages as well as Cyrillic. Try it in a children’s book, poster, or birthday invitations.

The design of this display face is based on the hot metal typeface Acropolis, issued by the German type foundry Ludwig Wagner in Leipzig in 1940. To further increase its usefulness a Cyrillic was added to it: URW Akropolis, redrawn and digitally remastered by Coen Hofmann for the URW Font Forum, is a true display design that should not be set below 48 point if you want to preserve it's fine details like the open triangular sections, e.g. in L, G, S, T etc. and gain the full typographic splendidness of this beautiful typeface.

Say Hello to Magenta - luxurious and carefree signature script font that was lovingly created by hand. This font is perfect addition to the professional designers font. Magenta has 2 version, signature and monoline script, It's perfect fit for signature logos, printed quotes, blog , social media headers, product packaging and a lot more Whats Included ? Magenta Regular Magenta Bold Magenta Monoline Regular Magenta Monoline Bold This font has given PUA unicode (specially coded fonts). If you've got any questions feel free to leave a comment or send me a message. Thank you

Rough Riders, along with our Rough Riders Redux font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

With Outbacker you're not just getting a typical a-z font. You're getting a font that has over 100 alternate glyphs, so that you can use the font to write phrases a ton of different ways. So, if you're looking for the perfect 'R', you have 6 additional options to choose from in addition to what's programmed for the default uppercase and lowercase characters. Choose more sharp characters if you're going for something more aggressive, or more rounded characters if you want something with more of a laid back flow.