Egyptian Ornamented is a decorative font based on the shapes found in a French Clarendon. Serifs are chunky and bifurcated, and “spurs” have been added to the strokes. This font emits the feeling of Old West wanted posters, rodeo broadsides, etc. It was first introduced by William H. Page & Company in 1870.

Megiday is a elegant handwritten font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Megiday (OTF) Features: Beautiful Ligatures Stylistic Set Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type

Meet Strangeways! A cute handwritten font in 2 weights, bold & italic, with: A-Z, a-z, 0-9, accents punctuation and symbols Ligatures Extra squiggles that can be used to underline, strike through or decorate your text. New! Cyrillic alphabet Strangeways great for any of your cute designs, in quotes, postcards, logos.

Chunky Nouveau JNL was inspired by a circa-1928 water applied decal for the Top Most Insulated Jug. The plump, rounded hand lettering of the brand name was given a slightly thicker treatment to create a more poster-oriented display design. Chunky Nouveau JNL is available in both regular and oblique versions.

In 1915 the Leipzig based foundry Heinrich Hoffmeister released the bold condensed version of its Sensation font family which is the most outstanding. The letters f, l and the long s have stylistic alternatives. To get access to all ligatures it is recommended to activate both OT features Standard and Discretionary Ligatures.

Maristand is a beautiful brush font. It brings a elegant and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Maristand (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type

Watterline is a elegant signature font. It brings a modern and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Watterline (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing Galvitra Display Typeface! A modern display typeface take on a grotesk style, comes in 5 weights and it has opentype features. Galvitra typeface have unique shape and serif on selective characters, that's sure make your design stand out. Use Galvitra for most any aspect of graphic design, from logo to display designs.

A 1930s menu from a restaurant with locations in both Long Island and Miami Beach called the “Roadside Rest” sported on its cover some very unusual Art Deco outline lettering. Adapted and slightly modified for typographic purposes, the font is now available as Dining Menu JNL in both regular and oblique versions.

Comicraft's President and Tiger Rank-and-File (recently demoted from First Tiger for kissing a girl) stayed up all night with a big box of crayons and created a unique series of illustrations which, we confidently predict, will be widely known as the last word in comic book lettering fonts... 'NUFF SAID!

Arco Star is a beautiful font made entirely of tiny stars, arriving with a family of styles so many different effects are possible. Arco Star is extended, containing European accents and ligatures so it is perfect for international publications. Arco Star pairs well with Arco Web and Arco Crayon from Okaycat fonts.

Meet Ollie, a casual signage script whose friendly, bouncy exterior belies a heart of sophisticated OpenType programming. This font is designed to make the most of OpenType savvy applications, and as such is recommended for professional design use. Or to put it another way: Make sure that contextual alternates and ligatures are always turned on! Ollie includes about 900 glyphs, many of which are automagical substitutions to keep the text flowing smoothly, and to pseudo-randomly pick different glyphs to avoid repetition. With contextual alternates turned on (as they should be by default), most lowercase letters will alternate between at least two different forms. The powerful OpenType programming makes the font itself ‘look back’ (up to eight characters) on previously used letters; typing “banana” will give you three different a’s and two different n’s (the last a is a special ‘end form’ character). The calt feature controls many other ‘special effects’ which all add together to give a smooth-flowing, hand-lettered look. These effects include start and end forms (and indeed, ‘loner’ forms) of many letters, which are automatically substituted in at beginnings or ends of words, or when the previous or next letter doesn't connect. Another special feature tests to see if there is room for the crossbar of t (or tt ligature) to extend further over the previous or next letter, or both, as is often the case. The last main effect of the calt feature is to substitute certain letters typed before any ‘e’ character, to make for a more natural connection (see the pe combination in ‘Eclectotype’ in the first poster). Ligatures should be on by default, for a much nicer looking tt combination, and a few others besides. The swash feature should be used sparingly (one glyph at a time, really) to apply a more extravagant look to g,j and y in the lower case, and quite a few of the upper case too. Oldstyle figures are included, as well as the lining defaults. Now to delve into the stylistic alternates... These are all included in the salt feature, or for uses of applications that support them, separated into stylistic sets thus: ss01 - (with swash feature on) L and G swashes get even swashier. ss02 - standard s changes to a connected script s form. ss03 - r takes on a script form. ss04 - z also gets a scriptier look. [the previous three sets also change any versions of s, r or z with diacritics] ss05 - a useful underline function. When enabled, typing two or more underscores will extend a cool underline under the previous letters. More underscores = longer underline. ss06 - the Polish script lslash changes to its more standard form. ss07 - E, S and B change to a more top-heavy alternate form. ss08 - An alternate form for A characters. ss09 - Alterative rounder forms of M and N. ss10 - An alternate ampersand. That about wraps up the features. Now all that’s left is for you to license the font and get experimenting!

I'm letting my inner nerd show through on this one: "Chaotic Neutral" is a Dungeons & Dragons thing. But the name applies to this font, too! Chaotic: This font has all sorts of built-in irregularities. Some variation in letter heights and letter widths, and the stroke widths are all over the place. It's all about the hand-written messiness. Neutral: And yet! I've smoothed the strokes a bit, and gone for as few nodes on each letter as I can (while still keeping a bit of roughness), so this font can be used for any kind of purpose -- not just print, but cutting out as well! Chaotic Neutral also comes with over 300 extended Latin characters for language support, and is fully PUA-encoded for easy access no matter what program you're using.

Buffalo Bill is a revival of an old favorite font that’s been around since 1888, the James Conner’s Sons foundry book of that same year is the oldest source I've seen for this old classic. If you're looking for the font used as the logo for Buffalo Bill’s Irma Hotel in Cody Wyoming please refer to the FontMesa Rough Riders font. New to the Buffalo Bill font is the lowercase and many other characters that go into making a complete type font by today’s standards. The Type 1 version is limited to the basic Latin and western European character sets while the Truetype and OpenType versions also include central and eastern European charcters. William F. (Buffalo Bill) Cody called America’s Greatest Showman was one of the United State’s first big celebrity entertainers known around the world, millions of people learned about the Old West through Buffalo Bill’s Wild West shows which traveled throughout the United States and Europe. William Cody, at age eleven, started work on a cattle drive and wagon train crossing the Great Plains many times, he further went on to fur trapping and gold mining then joined the Pony Express in 1860. After the Civil War Cody went on to work for the Army as a scout and hunter where he gained his nickname Buffalo Bill. In 1872 William Cody started his entertainment career on stage in Chicago along with Texas Jack who also worked as a scout, the Scouts of the Prarie was a great success and the following year it expanded to include Wild Bill Hickok and was eventually named The Buffalo Bill Combination. By 1882 Texas Jack and Wild Bill Hickok had left the show and Buffalo Bill conceived the idea for the traveling Wild West Show using real cowboys, cowgirls, sharpshooters and Indians plus live buffalo and elk. The Wild West shows began in 1883 and visited many cities throughout the United States. In 1887 writer Mark Twain convinced Cody to take the show overseas to Europe showing England, Germany and France a wonderful and adventuruos chapter of American history. The shows continued in the United States and in 1908 William Cody combined his show with Pawnees Bill’s, in 1913 the show ran into financial trouble and was seized by the Denver sheriff until a $20,000 debt (borrowed from investor Harry Tammen) could be paid, Bill couldn't pay the debt and the loan could not be extended so the assets were auctioned off. William Cody continued to work off his debt with Harry Tammen by giving performances at the Sell’s-Floto Circus through 1915 then performed for another two years with other Wild West shows. William F. Cody passed away in 1917 while visiting his sister in Denver and is buried on Lookout Mountain joined by his wife four years later. Close friend Johnny Baker, the unofficial foster son of William Cody, began the Buffalo Bill Memorial Museum in 1921, over the years millions of people have visited William Cody’s grave and museum making it one of the top visitor attractions in the Denver area. William F. Cody romantisized the West creating the Wild West love affair that many still have for it today through books and cinema.

Typesetter Trinkets JNL adds more classic typographic gems to the Jeff Levine Fonts library. Re-drawn from vintage source material, the font has numerous cartoons, pointing hands, embellishments and stock printer's cuts for a myriad of uses.

Dusty and charmingly rustic, Bandoliers is a hand-drawn family of eight loud speaking fonts. Not quite sure which one to pick? Ask the dust... Or just take them all! (Be sure to put your earplugs in!)

Niederwald is a hand-drawn font based on samples of turn-of-the-century hand lettered signage. It has a fanciful character, but great readability. Excellent for decorative titles or captions. Includes a number of alternate characters.

Coreopsis is a family of fonts that combines mathematical precision with a hand-drawn feel. Versatile enough to be applied to an attention-grabbing headline, or to blocks of paragraph text. Coreopsis is available in three weights.

Oro de Maya is a hand drawn ancient sans serif / display typeface. Oro de Maya font was inspired by the Maya civilization culture, their marvelous art, architecture and glyphs. This fantastic ancient font has a bold character.

Vivala Line is a real italic, and it was inspired by old Polish children's books with its charming hand drawn lettering titles. Fields of application are posters, magazines, packaging design, books, corporate design up to consolidating reading.

Underground Pro expands on the historical design by Edward Johnston, licensed exclusively to P22 from the London Transport Museum. The overall design of Underground Pro is kept as intended by Johnston and remains within his system of proportions. Additional OpenType features, such as Small Caps and Petite Caps, are included in all 6 weights. A Titling option that mimics London Transport signage is offered in the medium weight. The addition of many Unicode ranges for unprecedented language support makes this the most expansive P22 font family ever. Each Pro font weight collectively contains over 5000 glyphs, covering most Latin based languages, with separate Greek (polytonic) and Cyrillic versions. The outlines of the original Regular and Bold have been subtly redrawn and expanded, they are now available as Medium and Heavy respectively.

Revolution Gothic P font family is designed based on Revolution Gothic and a distressed offshoot from the original. Revolution Gothic is an arranged and extended version of PAG Revolucion released from Prop-A-Ganda type foundry in 2008. The original font is inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s. And the original PAG Revolucion is the most popular font from Prop-A-Ganda. The glyphs that damaged by printing the original had been tweaked by hand work with great care to be looked like natural damaged effect. This Revolution Gothic P family contains basic Roman, Italic, Bold and it’s Italic to suit a wide range of your creative works and it will be one of the most powerful solutions for printing and web.

Do you remember a typeface called Meccanica? I didn’t think so. Well, it was pretty unique – too unique for most people’s tastes it seems. Anyway, this is Technica, Meccanica’s more conservative little brother. Essentially, this typeface is a geometric sans that retains the structure of Meccanica, but tones down most of the hexagonal elements. The chamfered terminals are retained, but sharpened, and a more technical approach is instilled with each glyph being fine-tuned for optimal performance and aesthetics. The result is a refined sans serif that has enough personality to differentiate itself from the myriad of others available – undoubtedly, Technica will deliver a distinctive tone to your own typographic designs. Key features: • 9 weights in Roman and Italic • Western European character set (Adobe Latin 1) • 250+ glyphs per font.

Be the center of attention through your sophisticated design with the awesome Mostly Bright. It is a serif font. While it’s easy, there are also a little bit curvy strokes for generates modern and elegant vibes. Slay your design with Mostly Bright’s best features so you’ll look your best on what ever your design is, all the time. Features: Alternates Ligatures Swash Lower and uppercases Numerals and Punctuations It is perfectly used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

My family and I are stuck in quarantine for a week; my eldest son tested positive for Covid19 (but everyone else tested negative), so we can’t go out. That means that the kids follow classes online. I noticed their notebooks and suddenly realised that a notebook used to be called a ‘cahier’, which is a French word meaning the exact same thing. I guess it sounded sophisticated at the time. Mon Petit Cahier (meaning: My Little Notebook) is a handmade script font. It is not meant to be awe-inspiring, nor do you want to use it for headlines or posters. It is a nice little font that feels at home wherever an unobtrusive script is needed. Comes with all the diacritics you want and a set of cool double letter ligatures.

With the help of the distinctive decorative typeface Yella Delisa, you may create the appearance of handmade lettering. Greek (of course), a Latin character set, and diacritics are all included in the multilingual lettering font Yella Delisa. Your modern graphic design requirements are best served by this distinctive style. If you want to add some flair to long text, choose this font because it has a really good flow. It can be applied to packaging, branding, and social media content. Additionally, Yella Delisa is the best typeface for branding and packaging organic products. Additionally, you can design invitations for weddings and baby showers using this typeface's romantic emotions. This typeface is perfect for you, especially if you're seeking one for Instagram quote posts or any other social media content!

Poster artist A.M. Cassandre designed one of the most evocative typefaces of the Art Deco era, Bifur. This type was unusual in many ways, but one of the most distinct features was that besides a regular one-color font, it was also available as a two-part font for a chromatic treatment which was highly unusual for metal typefaces. This "bifurcated" type is almost impossible to find in print shops or even in specimen form. It has however become recognizable as a true icon of the Art Deco genre. The IHOF version of P22 Bifur features the addition of a lower case alphabet as well as multiple options for the shading layer, allowing for a wide range of design applications from straight-forward Deco headlines, to abstracted and de-constructed experimental design.

Asherah - Serif font family - Multilingual support, 12 Style - OTF Asherah is a modern serif font family. This font family is multilingual supported and 12 different styles. With different character designs in its structure, it can meet your needs in innovative pursuits. It has a timeless structure where you can create your modern-elegant or classic design alternatives. Well suited for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. Asherah font family can meet your needs in all modern and classic creative projects. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms With this font you can create your unique designs. If you have a question, please contact me. Have a good time.