Introducing Cruell Serif Typeface - 5 fonts Cruell is clean, luxury typeface with 5 fonts loaded with ligature glyphs, alternates and multilingual support to enchant your next project. Very versatile fonts that works great in large and small sizes. Cruell is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Light Regular Medium Bold Black ligature glyphs alternates Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

An experimental font designed by Viktor Kharyk in Op Art style. UniOpt is based on free brush technique similar to experimental lettering of the early decades of the 20th century; for instance to ‘Graficheskaya Azbuka’ (‘Graphic ABC’) by Peter Miturich and works by Victor Vasareli. The face is legible even at small sizes and quite useful to an original display matter, initials and logos. The rigid double-wide structure allows to create complicated decorative works using vertical composition. Interesting that diacritical marks are also placed inside of character square fields and don’t destroy geometrical order. The decorative abilities of the font are increased by inverted versions of characters that may be used in different combinations including in color. The character set contains expanded Latin, Greek and Cyrillic ranges. UniOpt was awarded for type design excellence at TypeArt’05 Contest in Moscow. Licensed by ParaType in 2006.

Introducing Magoa Serif Ligature Typeface - 3 fonts Magoa is feminine, vintage typeface with 3 fonts loaded with ligature glyphs, alternates and multilingual support to enchant your next project. Very versatile fonts that works great in large and small sizes. Magoa is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Light Regular Bold ligature glyphs alternates Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Lovebright is an expressive, untamed handwritten font, with exaggerated descenders and loops. It’s an engaging and charming choice for signature style logos, personable branding, display text, handwritten quotes & letters, and blog/social media posts. Lovebright includes a full alternate set of upper & lowercase characters, included as it’s own separate fonts. Use the alternate characters for a different text layout, or mix with the regular version to avoid repeating letters and recreate naturally inconsistent handwriting. Lovebright also includes 22 ligatures, these double letter combinations will help letters connect and flow more naturally. The ligatures will automatically generate when using the Lovebright fonts with most software. Please get in touch if you need any help with these. The Lovebright fonts contain language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Meet Slang, a Ligature Font in Regular and Outline. Slang is a bold, clean font with a regular and an outline version, loaded with alternate and ligature glyphs. It's a very versatile font that works great in large and small sizes. Slang is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation and Symbols, Alternate glyphs, Ligature glyphs and has Multi-lingual support. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs. In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions. Mock ups and backgrounds used are not included. Thank you and enjoy.

Groovy started out as a prospective variant in the ‘Flashback’ series but very quickly established its own distinct appearance, especially with the lower case letters blending into the format so well. There wasn't any preconceived idea to design a retro looking font in principle, it simply evolved that way, but I do think it has several characteristics reminiscent of style genres from the '70s. It’s probably quite subliminal and like me, you may find yourself thinking, what does that remind me of? The double-entendre'd title is quite apt too, not merely for reasons of its outwardly retro appearance but also because of the considered, rounded elements forming the negative spaces throughout. The font also has something of a chameleon-like personality, being both adaptable and capable of having a trendy / fun appearance, or alternatively something solid and stylish, depending on the use, as demonstrated in the banner examples here.

Matthew Carter designed the Shelley family 1972 for Mergenthaler Linotype to be used as a new script face for the photo typesetting machines. The basic idea was to create one script face that would offer dfferent elegant letterforms. Matthew designed Shelley in three different versions, Allegro which is in the style of Kuenstler Schreibschrift, Andante where the caps are less flowrish and wide and Volante where the letters have its most expressive and wide forms and the lowercase z in this font is in the french anglian double stacked form. All three versions can be easily mixed to give the text a more individual calligraphic look Besides Shelley Linotype Zapfino from Hermann Zapf shows similar basics, but in a totally different letterform. In Linotype Zapfino the individual lowercase letters from the four different versions have different letterforms which gives the text an even more individual touch.

Introducing Fika Display Typeface Fika is bold, fun typeface that contains 4 fonts to enchant your next project. They are loaded alternate glyphs, ligatures and multilingual support. Very versatile fonts that works great in large and small sizes. Fika is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Regular Outline Lines Rough Alternate glyphs Ligatures Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing Monday Boulevard - Art Deco Typeface - 4 weights Monday Boulevard is retro, Art Deco typeface with 4 weights, ligature glyphs, alternates and multilingual support. It's a very versatile font that works great in large and small sizes. Monday Boulevard is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Light Regular Bold Black Alternate glyphs Ligatures Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing French Serif Typeface - 4 weights French is luxury, clean typeface with 4 fonts to enchant your next project. They are loaded alternate glyphs, ligatures and multilingual support. Very versatile fonts that works great in large and small sizes. French is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase numeral, punctuation & Symbol Light Regular Bold Black Alternate glyphs Ligatures Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Something Exquisite is a cute but elegant font family which includes: - a script font with accents, numbers, symbols, punctuation, and ligatures for the double letters - an all caps font with different uppercase and lowercase letters - a small caps font based on the all caps - two sets of swashes, including 1 swash for each uppercase letter and 2 swashes for each lowercase - a set of ornaments and frames you can access easily through A-Z, a-z, and 0-9 (0b-9b for textured frames) keys respectively Something Exquisite is perfect for both short and longer texts, and can be used for making postcards and notes, creating logotypes, social media posts, branding and packaging. Please note: No special software is needed in order to access the small caps and swashes, as they are in different font files. You simply access them directly in your font bar.

Since I have my new logotype people are asking me about the typeface it is based on. But it did not exist and I did not believe that it would actually work. I still love my logotype and so I went on to try to make it work as a font. After many different versions and some doubts I am glad to present Jocham. It is the first typeface with my name. For an obvious reason. There is only one weight with an italic. I tried different weight, but they were all not as strong as the final.

Font has Industrial motifs and simple geometric shapes. Best suited for large lettering. Font contains characters for all occasions, many ligatures, alternatives and exotic.

Salty Cracker is a display font with Black Letter elements. The symbols have a nice shape and long ascenders and descenders. Display font Latin

An elegant sans serif typeface with style. Fashionable, classy but still modern! Designed and shared by Vikers | RerdSystems. Perfect for logos, posters and more.

Redgar is a weathered display family. It comes in four styles – regular, slab, stencil, clean and has a matching set of banners and shapes.

It is the 3rd inscription font I shared with Liljegren Runic, one of the inscriptions in America. I couldn't find much information about it.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

Illinoise is a mutation of one of the most beautiful screen fonts ever. But, there are no straight lines. Everything is shaking. Let's party!

DoctorBob is a so-called stencil font. Notice the difference between upper- and lowercase; the lowercase has incomplete shapes to vary your text with.

The influence for this font came from the Fred Africian's uppercase letter composition shapes, published in "The Art of Letter-type" album, Yerevan, 1984.

Breda is a Geometric Sans-serif; it is constructed from simple geometric shapes such as the circle and rectangle. This family of fonts starts from a very thin single-line face to a strong heavyweight, called Black Face. The Breda font is austere style, functional and clear, emerged from straight lines, primary shapes, which is now jumping into the typographic and graphic design scene. They are presented in six wights with their corresponding italics.

Hi, introducing an Amber Taste Pro font. It's a vintage typeface with classic shape. Seven weights variations from thin to bold is available. Actually this font set is a remastered version of my best selling font Amber Taste with lots of improvements. Pro version has much more characters, including multilingual west european support. All the contours was cleaned up and several glyphs has a new more organic shape. Thank you and have a nice day!

Boleo is a typeface designed to work in short texts such as headlines, banners, logos, signs, packaging and posters. It is a display font but has a good legibility thanks to well-proportioned shapes which let it works fine both on paper and screen. Boleo’s shapes remind to ribbons in motion, so that its lines, all curved, can be traced all at once. Boleo displays in three weights: regular, bold and black.

P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach to designing letterforms with a limited set of variables. Based on the American Type Founders 1944 modular metal type ornament system... you can have hours of fun building letters, patterns and more.

Pop Flowers is set of 64 cute graphic flower illustrations derived from Kapitza's graphic pattern font Pop. Pop Flowers marks a new direction in Kapitza's exploration of shapes in nature. While their projects such as Blossomy and We Love Nature Leaves are based on photographs of plants and flowers, Pop Flowers is constructed of graphic shapes. In moving away from 'realistic' forms, Pop Flowers creates a reality of its own that evokes a magical atmosphere.

Versatile pixel fonts inspired by underground LEDs in Vienna. 4 styles (Pro, Poster, Caption, Mosaique) with different shapes and proportions are bound to one pixel grid to be combined perfectly in 5 pixel shapes: Square, Rounded, Dots, Hatch, Polaris. Pro: strong emphasis, wide proportions, best for legible text. 400+ symbols, greek alphabet. Poster: strong + compressed for large text use. Caption: legibilty for small text use. Mosaique: monospaced tiles with letters and pattern.

FP Dancer Tango is a humanist-influenced techno-like font, designed 2012-14 by Morten Rostgaard Olsen & Ole Søndergaard. FP Dancer Tango will be a useful tool, helping you to create wonderful headlines and text-columns in magazines and so. The font is surprisingly readable, even in small point sizes. Among other things as a result of the smooth transitions between the angular shapes. In addition, the condensed shapes saves a lot of space.

Note: The 'Pro' in the name of this font should not be interpreted as having OpenType features. It has none. What was the inspiration for designing the font? Inspired from the basic shapes like circle, cube and triangle. Closer to basics means more useful in various projects. What are its main characteristics and features? Clean graphic shapes. Usage recommendations: Graphic design, Motion design, 3D, Posters, Magazine covers, Outdoor. See Typograph Pro in action:http://www.amateurmedia.net/typographpro/

"Disco Pang Pang" is the Korean name for Tagada rides. It is a characteristic typeface that is good to use when you want to make use of a unique and bouncy feeling. Light and Extrabold are made with the thickness of normal typefaces, but Left and Right have strange shapes with stroke thicknesses that are biased to one side. Its unique shape can make a strong impression on people. This font contains Korean.

The letterforms of this face represent a "subtraction" of two different faces by weight, style, and shape -- one from another. The shapes of TM Miniature Italic are subtracted from FreeSet Bold with subsequent deconstruction. Though the spots may look amorphous they create images of both external and internal. At the same time none of them is explicit. The alphabet is lower case only. Designed by Boris Popov and licensed by ParaType in 2002 .

Spektra is a multi-script type family that combines 5 scripts: Latin, Cyrillic, Arabic, Greek and Hebrew. It is a variable font - ranging from backslant to italic axis. Its condensed and black shapes are combining the same style concept throughout every script. Progressive shapes contribute to expressing statements on bigger mediums. Spektra combines different locations, cultures and ideas as statements around the world and celebrates the differences among them. Awards • Modern Cyrillic 2021

Hello I'm back with a new product, this is Benalline Signature, this is a classic Calligraphy style font, vintage and retro but still looks elegant, luxurious and beautiful. Benalline Signature is a little different from some of the existing fonts, I made a slightly different shape and added an alternative character with a more decorative shape and also I added a special Ornament and swash made especially for the Benalline Signature. Thank you!

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”, we present you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kind of use, even you're an doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. Most of the shapes in TessieSpinners suggest a spinning motion. Most do not resemble real world objects. The TessieSpinners fonts contain shapes that can be used to construct tessellation patterns. It has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the “Samples” file here. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations.(Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. Make sure the leading is the same as font size or the rows will not line up.)

I generally refer to our typefaces as ‘graphic’ rather than typographic. By that I mean their starting points are usually ways of constructing shapes and systems of shapes. As with other Alias typefaces, Sabre has stone and wood cut letterforms as a starting point. What is interesting about lettercutting is the connection between shape and material. These beautifully crafted letterforms have a particular sharpness which reflects, of course, how they were made. The idea of constructing letters from a kit of parts we first explored in early fonts Elephant and Factory. These are different in that they were very much grid-based, with a geometric structure. For Sabre I also had Fred Smeijers’ stencil construction drawings in mind. These show how a set of components can be the basis for a crafted, elegant typeface. Sabre is quite a loose interpretation of this idea. Sabre’s graphic shape means it works well at large sizes, with a dramatic, angular impact. Its aim is to be typographic enough to function for blocks of small-size text too.

Billowed is a typeface family inspired by a simple shape that tessellates in three different ways: in a single orientation, in two orientations, and in four orientations. The shape resembles a billowing sail, with two concave edges that are adjacent and two convex edges, also adjacent. Forcing letters into this template shape results in some oddly shaped letters, but the result should not be judged by individual letters but by how the words and strings of words appear. Billowed was designed as an alternating-letter font in which two sets of characters alternate. The alternating is done automatically in applications that support the OpenType feature contextual alternatives (calt). To get the ripple pattern not just horizontally but also vertically, lines should alternate between the right and left styles and leading set to the same value as the font size. Billowed is monospaced with tight letter spacing to accentuate the ripple pattern. The family includes outline styles that can be used in a layer above the solid style to add color. Undulate was not designed for any particular use but as a challenge to fit letters into a particular geometric shape. The unusual patterns that result are eye-catching and may be useful for advertising or signage and in other places where one wants attention-grabbing lettering.

The Pagnol typeface has been designed with a principle developed by A. M. Cassandre in 1937, when the great French designer created the Peignot typeface following paleographic studies on the evolution of letterforms. Researches in the history of writing have proved that the lowercase "a" is at its origin nothing but the "A" shape transformed through centuries by scribes until the invention of printing. A large number of lowercases meanwhile kept their original shapes. If the scribes’ hand didn’t find the necessity to simplify them, it is only because these letters could be easily written. Integrating the classical shapes of capitals to the lowercases has already been used, keeping the lowercases which are only a deformation of capitals. Nevertheless, the respect of readability imposes to keep ascendants and descendants from traditional lowercases which serve as optical focus points in a text and make reading easier. The particularity of Pagnol is to use rounded shapes on top and bottom of pointed capital letters to make them fit with corresponding lowercases (Aa, Mm, Nn, Vv, Ww, Zz). Lowercases proportions are wide, to be in tune with classic lowercase shapes in order to optimize readability. Five weights in roman and italic have been designed to offer a wide palette of typographic possibilities in all sizes and all paper and screen supports.

This engaging headline face is based on a rather pudgy typeface named “Bullion Shadow”, which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home in both. Now available in shaded and plain. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.