Introducing Ornatique: Where Elegance Meets Grace Discover the beauty of Ornatique, a stunning and feminine calligraphy typeface designed to add a touch of sophistication to any project. With its clean lines and delicate curves, Ornatique captures the essence of graceful handwriting. This versatile typeface offers four scripts to choose from: the classic Regular script for a timeless look, the Italic script for added flair and elegance, and the Alternate versions that provide even more variety and creative possibilities. But that's not all! Ornatique is truly a global communicator, supporting a staggering 87 languages. Whether you're designing for English, Spanish, French, or countless others, this typeface has got you covered. Embrace the power of seamless multilingual design. What sets Ornatique apart is its collection of 58 swash endings, crafted as ligatures. These intricate and decorative elements bring an extra layer of beauty and charm to your designs. From elegant flourishes to delicate swirls, each swash ending adds a touch of enchantment, making your typography truly remarkable. Whether you're creating wedding invitations, branding materials, or simply adding a touch of elegance to your personal projects, Ornatique is the perfect choice. It combines clean lines with feminine grace, ensuring that your designs will captivate and inspire. Let your creativity soar with Ornatique and discover the magic of calligraphy that transcends language and culture. Elevate your designs and leave a lasting impression with this exquisite typeface. Embrace the beauty of Ornatique today and let your imagination flow! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu How to access flourish ending? Just type from ""aa01"" to ""aa58"" at the end of your word :) How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Mock ups and backgrounds used are not included. Thank you! Enjoy!

Introducing Choret Fudyng, a font with a captivating Bubble style that will elevate your designs to new heights. This font family offers a range of options to suit your creative needs, including the enchanting 3D, classic Regular, and elegant Light variants. Whether you're designing logos, posters, or social media graphics, Choret Fudyng has the perfect style to make your text pop. Each letter is meticulously crafted with attention to detail, ensuring a visually pleasing and harmonious look. With Choret Fudyng, you can effortlessly add depth and dimension to your typography, creating stunning visuals that leave a lasting impression. Choret Fudyng is not just a font; it's a complete typographic solution. With full support for PUA Unicode, this font allows you to access a wide range of additional characters and symbols, expanding your creative possibilities. It's also designed to be multilingual, enabling you to effortlessly communicate in different languages and alphabets. But that's not all - Choret Fudyng takes ligatures to the next level. With an extensive collection of ligature options, this font lets you create fluid and seamless connections between characters, enhancing the overall aesthetic appeal of your designs. Whether you're designing logos, branding materials, or invitations, Choret Fudyng's ligatures will add a touch of elegance and sophistication. Experience the power of Choret Fudyng and unlock a world of typographic versatility. With its PUA Unicode support, multilingual capabilities, and abundant ligature options, this font is a must-have for any designer or creative enthusiast. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

This calligraphic script font is called Late Frost. It's an elegant decorative font with lots of ligatures and multilingual support.

YuleLoveIt or Yule not. What else can be said about holiday toys that are also letters? We just said it.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements. Not suitable for MSWord.

The informal style of Frivolous feature lots of flourishes and swirls that give it a charming and spontaneous handwritten quality.

Chesta is playful monoline font for a lot of purposes. Such as branding, packaging, logo, craft, fashion, poster, brochure, etc.

When you hear that name, you likely ask yourself, ‘why?!’ I did too, but the number of requests could not be ignored. Once I finally decided to move forward with it, the only way to solve the offering would be to adhere to the same theme of indulgence, I planned for the same number of optical weights AND Italics. Yeah, italic stencils… ok, why not? It’s not a new concept. One thing to note and a creative liberty I assumed during the design. Lust Stencil would not be just a redaction or removal of stress to produce a quick stencil. To do that, would just be a cheap solution. Strokes had to resolve themselves correctly and/or uniquely to the concept of the stencil format. And, it had to be heftier. For it it to look correctly, it needed about 8% additional mass to the strokes for it to retain the effervescent flow of the curves and the resolute scalloped lachrymals. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine. It would have taken even longer if not for font engineer and designer, Potch Auacherdkul. Thanks Potch.

Dynasty is an extensive and versatile family that exploration and modernisation of the typographic quirks associated with the 'American Gothic' type school (in much the same way as English Grotesque was an exploration of Gill/Johnston idea-space) and adds chamfered elements to dots and tails to emphasise and extend the early machine-made aesthetic. Elegantly clean and readable at headline and small text settings, where (as with all fonts in small sizes) the introduction of tracking will improve legibility.

ITC Tapioca was designed by Eric Stevens. He developed the typeface for a nightclub, yet its simple forms are reminiscent of childhood writing exercises. This effect is enhanced by rough edges, which in large sizes make the characters look as though they were composed of strings of dots...or tapioca. The basic style is printed handwriting, although some forms take cursive handwritten forms. The varying slants and irregular forms of the characters give ITC Tapioca a sense of energy and playfulness.

No prizes for guessing this font family was inspired by the 1950s - the sounds (Buddy, Eddie, Elvis), the styles (polka dots, petticoats and Dior's New Look), and the kitsch, from furry dice above the dashboard to plaster ducks over the mantlepiece! A particular point of reference is the furnishings and fabrics of the Fifties (with their distinctive kidney shapes and angular curves) as showcased in the Festival of Britain 1951. See also my other fun fonts Barrowboy, Calypso and Pier Arcade.

Song style typefaces originated in the age of woodblock printing in Song Dynasty. Being an essential Chinese type style for printing and publishing all since Ming Dynasty. Based on the Kaishu calligraphic script, its structure has evolved, regularised and standardised with thick stems (豎), thin horizontal strokes (橫) and triangular finials. Dots (點), hooks (勾) and downstrokes retained some features of calligraphy, hence an appropriate choice for continuous reading. The typeface is equipped with a variety of stroke weights, all highly legible .

OffBit is a font type derived from Bitmap with various variations from each box. The term bitmap comes from computer programming terminology, which means simply a bit map, a spatially mapped array of bits. Now, together with PowerType, it usually refers to a similar concept of an array of pixels that are mapped spatially and into various shapes such as dots and other models. This font matches the theme of computing, graphic design, posters or other media, all of which can be combined.

Wieldy crafted character Wieldy is a prime quality typeface rooted in the tradition of good craftsmanship, full of character and reach in details. Extended serifs, connected with dots, are just some design features this artisanal font can offer. Wieldy is based on the ahistoric forms developed by Central European Arts and Crafts movement. It is suitable for visual identities, packaging or book headings. The typeface’s x-height is around 72% of its capitals. The font is endowed with details, ligatures and special characters.

Padraig Nua is a font conceptualized and designed by Tony Fahy. It is a European Celtic font, contemporary to many languages, not just of Europe but of the world. It’s origin is influenced by events in Ireland in the 1960s when it was decided that the uncial letterform should not be used further in Irish schools for the Irish language—Gaelic—and that it should be replaced by the Roman letterform—the Cló Romhanach as it was called afterwards. This happened overnight without any apparent discussion. It probably had a lot to do with Ireland joining the EEC, as the EU was called then. It had a massive effect on the Irish language and culture, in that the distinguishing factor that gave the language it’s identity—the half uncial/uncial fonts that were in use in all school, government and society documentation and merchandise—were lost overnight. No one said how or why. It was just done. To this day, all documentation is bi-lingual in government and Gaelic is taught in schools and universities—and decreed so by the European Union—but the presentation for both languages is the Roman letterform. Throughout the world, there are millions of Irish Americans and Irish Canadians, Irish Europeans, Australian Irish, African Irish and many living in the Middle East and Asia—and this new font—Padraig Nua, will appeal to many of them, visually recalling their roots. No one had thought, in those days, of commissioning a design that might update the Gaelic language to a more contemporary appearance that would keep the cultural nature of it intact with a revised and updated font—at one with Europe, the US and the world. Tony Fahy designed Padraig Nua (New Patrick) to address the problem. It keeps an appearance that lends towards the Gaelic language but steers it in the direction of Roman fonts. Some characters reflect letterforms from the Irish/Gaelic manuscripts and uncial fonts.

A very angular font, not one curve in sight - it's hip to be square! The font includes quite a few alternate letterforms, which I've also made available in combinations with diacritics. These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates" and/or "Stylistic Sets ss01-ss04". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This font has that grungy, gritty look, and combines it with some elegant swirls. Weird and wonderful. I have added swirls and decorations to ALL the uppercase letters that did not have them, so there are now wider possibilities to add interesting decorations to your composition. In addition to the expanded language support, of course. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A bold and beautiful handwriting - perfect for setting personal and meaningful messages. Some glyph shapes and stroke thicknesses has been normalized (to make the text more even), and I have added some kerning - not too much though, I wanted to keep the liveliness of it. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I just loved the design idea behind this font, but the original font had a lot of ugly artifacts - so I have completely redrawn ALL the letters, before expanding the character set. The lowercase has been redrawn with a higher x-height, making the font even more usable (with more "normal" word shapes). ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A range of retro initials mimicking the keys of an old style typewriter. Expanded from just a basic ASCII character set to our usual large CheapProFonts selection of glyphs. (I'm not sure all of them appears in the beginning of words, though. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Samman is a Kufic simple Arabic typeface. It can be used to decorate public signs in streets, airports, hospitals, schools, malls, hotels, mosques, and other public places. My family's surname is "Samman" which stands for the person who sells fat especially the one produced by cows ("Samn" in Arabic). Consequently, "Samman" Typeface was designed for eternizing the memory of my family. The main characteristic of "Samman" Typeface is the leaf-shaped style for some of its Arabic characters such as "Dad", "Sad", "Faa", "Meem" and others. The distinguishing artistic design of its "Haa" character adds a unique feature to this typeface especially when connected with other characters. The shape of the characters' "dot", "dots", and "point" is innovative; a triangle with a semi-circle shape. "Samman" Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro's exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.

Innova. A new grotesque for the 21st century. More open. More squarish. More legible. After the many grotesques which have been designed over the years, is it still possible to improve this genre? Innova is a new design — a contribution to the tradition of grotesque typefaces. It is an attempt to improve both this genre’s legibility and versatility. Innova consists of two families: Innova and Innova Alt. The Innova family has rectangular dots. The Innova Alt family has round dots — making its personality a little friendlier. Innova is well suited for both text and display use — for graphic design, corporate identity design, magazines, newspapers, books, reports, editorials, web, advertising, signage, etc. Innova includes 16 uprights and 16 matching italics. It includes small caps, arbitrary fractions, and extensive language support. It includes nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators. Innova embodies the renewal needed for the traditional grotesques. It is a grotesque which is fit for the 21st century. In order to see whether you agree with this, please try the free Innova Alt Demi. For more information about Innova, download the PDF Specimen Manual.

Felfel is an Arabic typeface inspired by the rich history of the Arabic Ruq’ah, one of the most widely used Arabic calligraphy styles, but with a modern pinch influenced by the visual identity of Egyptian streets. Born from the fundamental need in the Arabic design scene, Felfel is made to celebrate the elegance and timeliness of Arabic calligraphy while solving the problem of the cascading nature of Ruq’ah that results in increased line spacing. Felfel is space-friendly, perfect for headlines and quotes. Felfel supports major Arabic-script-based languages and covers Arabic, Hindu, and Farsi numbers. Like Traditional Ruq'a, Felfel works with the same context, but it adjusts to your needs without the rigidity of Ruqa’ah’s slanted baseline to give you the flow, beauty, and richness of the Arabic calligraphy with a modern feel. Felfel is dynamic. A substantial part of the font is based on versatile components, that minimizes characters and maximizes possibilities. the dots are in motion! They rotate from and to horizontal and vertical form, based on the word to match the calligraphy and the context, also the dots and marks move up and down, left and right to prevent all kinds of overlapping.

Hello Walter is a nice and clean typography I made for my little boy Walter. The story behind is I want to create a bold font with less holes and funny shapes. More naive but still serious with a lot of glyphs easy to use in many language cyrilic included. Perfect for web and print, for making logos or children book and app. Have lot of fun.

Sadina™ CA is a small caps version of Sadina™ font family, designed separately to minimize the font incompatibility for applications that cannot support this feature. Generally, some applications support this feature, but not exactly with the right stems. For example, in some apps, all glyphs applied with this feature are scaled only, which makes characters not have the approximative proportional thickness with capital characters. Specimen

A long-set aside Art Deco typeface design begun (but not completed) may or not have been from a vintage source, but its roots go well back into Art Deco lettering. Taking the existing letters and thickening their weights, removing the counters and ending up with a completely new, solid alphabet design resulted in Deco Redux JNL, which is available in both regular and oblique versions.

Ambition & Ink is a driven hand-drawn font with lots of customization options. It includes contextual alternates, stylistic alternates for a-z and A-Z, and ligatures. It can also easily be used as a unicase font by subbing the lower case letters that have ascenders and descenders (bdfghjklpqty) for uppercase ones. The font has 546 characters, including lots of accented letters, as well as Greek & Cyrillic.

Looking for a break from modern calligraphy? Tired of skinny scripts? Here's something seriously relaxed. Chill Script is a totally new typeface, it eschews any brush influence, but maintains a warmth that comes from not being rigidly constructed. It's a sans serif script, with a nice top-heaviness that makes it friendly. As you expect from fonts today, it's loaded (but not pointlessly overloaded) with OpenType features.

Galaksie is a Modern Calligraphy Font. Galaksie is a stylish script font with a contemporary atmosphere and impeccable form, inspired by timeless classic calligraphy. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects. Galaksie also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

This set of initial letters was inspired from French renaissance decorated letters. Unfortunately, we don't know where they were in use, or who was the punchcutter, our models were coming from a late XIXth century copy. Note: The letters I and J, U and V are not different. It is not a mistake, but it is the exact reflection of what was customary during the period.

Cuisine originated from a how-to lettering book from the 1950s. It suggests the script style found on food and beverage labels in the early 20th century. This creamy font does for food advertising what Bodoni does for haute couture. Its simmering, hand-scribed charm captures the complexity of wine and the robust energy of coffee. It shines on luxe food packaging or high-end menus

This font is influenced by Walbaum. However, I did not just trace the design, but sort of had the image in my head while I drew the letters. This font is balanced by not being entirely Walbaum, but still basically is. I've named it "NoraPen." Nora comes from the name of the main character in Ibsen's "A Doll's House," and Pen means a cage for livestock.

Fundevogel is a Brothers Grimm fairytale about a boy who was found in a tree. The story, of course, has all the obligatory characters in it: a fair maiden, a wicked cook, an old forester and lots and lots of shapeshifting. And, yes, a happy end! Fundevogel font is a handmade fairytale font. It comes with extensive language support and all the cuteness you could wish for.

Geekabeat is my wooden lookalike grunge typeface! All uppercase letters has got a funky swirl. Comes with different upper- and lowercase letters, alternate letters (both upper- and lowercase!) and ligatures for both double letters and double numbers, along with ligatures for most common letter-combinations - and of course it has got unique accented letters! You will need to use OpenType supporting applications to use the ligatures.