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  1. Miedinger by Canada Type, $24.95
    Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed à la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.” The great hype of Swisspalooza '07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales rep for the Haas foundry until 1956, after which time he was a freelance graphic designer — rather than the full-time type designer most Helvetica enthusiasts presume him to have been. It was under that freelance capacity that he was commissioned to design the regular and bold weights of Neue Haas Grotesk typeface. His role in designing Helvetica was never really trumpeted until long after the typeface attained global popularity. And, again surprisingly, Miedinger designed two more typefaces that seem to have been lost to the dust of film type history. One is called Pro Arte (1954), a very condensed Playbill-like slab serif that is similar to many of its genre. The other, made in 1964, is much more interesting. Its original name was Horizontal. Here it is, lest it becomes a Haas-been, presented to you in digital form by Canada Type under the name of its original designer, Miedinger, the Helvetica King. The original film face was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This face is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces four new weights, ranging from Thin to Medium, alongside the bold original. The Miedinger package comes in all popular font formats, and supports Western, Central and Eastern European languages, as well as Esperanto, Maltese, Turkish and Celtic/Welsh. A few counter-less alternates are included in the fonts.
  2. Thwaites by Eyad Al-Samman, $20.00
    ‘Thwaites’ typeface is fully dedicated to one of my best Canadian friends who I do cherish and value highly. This great and industrious Canadian friend is ‘James Douglas Thwaites’ who lives along with his good-natured family in British Columbia, Canada. For me, James is like a source of inspiration and I do consider him as an ideal in my life. Our strong friendship has started since 1999 and I hope that it will endure just to the last moment of my life. Sometimes I see him as the writer and poet that I learn a lot from, sometimes I see him as a devoted religious minister that I try to understand more about his teachings, and other times I see him as the educator that I strive to imitate verbatim in my life. When I want to talk more about this Canadian friend, I will not be able to give him his due in full. Thus, I will instead mention some excerpts of his biography that he wrote himself saying that: “James D. Thwaites is a self-accomplished man. Having worked in various fields including restaurant management and cleaning, he has achieved his goals of being a full-time teacher, past-time writer, and volunteer religious minister for the Christian Congregation of Jehovah's Witnesses. His personal and academic pursuits have led him to be published in various magazines, newspapers, self-published books, and websites, including his now defunct ‘poetryofthemonth.com’ website. He continues to learn and augment the craft of writing while working primarily in early literacy and delayed literacy learners, teaching reading and literature to a wide age range of students. He views his religious endeavors as an extension of his academic ones. He teaches others both as a public speaker and in one-on-one situations, teaching about the benefits of submission to God and to His teachings. His future goals include expanding his ministry and continuing his writing.” The name ‘Thwaites’ itself comes from Great Britain and originated from the last Viking raids upon England, being an Anglicized version of a Scandinavian term meaning—depending on the source material—either "a place that is difficult to approach" or "a small thicket of trees." Another recitation mentions that ‘Thwaites’ can be described also as an English surname but one of pre 7th century Norse-Viking origins. It may be either topographical or locational, and is derived from the word "thveit", meaning a clearing or farm. As a locational surname it originates from any one of the various places called "Thwaite", found in several parts of Northern England and East Anglia to the south. The various modern spelling forms include Thwaite, Thwaites, Thwaytes, Thoytes, Twaite, Twatt, Twaites, Tweats and Twite. The name, although often appearing unique to outsiders, can often be found within other famous names like Braithwaite, Goldthwaites, or Misslethwaites. With various spellings, some families not including the ‘e’ or the ‘s’ at the end, Thwaites and its derivations—although not exceedingly common—is a name found worldwide. ‘Thwaites’ typeface is simply a sans-serif streamlined, stylish, and versatile font. It is designed using a combination of thick and thin strokes for its +585 characters. Its character set supports nearly most of the Central, Eastern, and Western European languages using Latin scripts including the Irish language. The typeface is appropriate for any type of typographic and graphic designs in web, print, and other media. It is also absolutely preferable to be used in the wide fields related to publication, press, services, and production industries. It can create a very impressive impact when used in headlines, posters, titles, products’ surfaces, logos, medical packages, product and corporate branding, and also signage. It has also both of lining and old-style numerals which makes it more suitable for any printing or designing purposes. ‘Thwaites’ typeface is really the cannot-miss choice for anyone who wants to possess unique artistic and modern designs produced using this streamlined typeface.
  3. Care Bear Family - Unknown license
  4. Early Tickertape - Unknown license
  5. XperimentypoStripes - Unknown license
  6. ALT Fatgami by ALT, $-
    Fatgami is a origami typeface for use on logos and titles.
  7. Kabel DT Condensed by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  8. Monica by FSD, $39.00
    Geometric stencil font completely based on curved lines. Soft techno style.
  9. Graphicus DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  10. Goudy Old Style DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  11. Notdef by FaceType, $6.00
    Notdef is an uncompromising experiment, based on the common ".notdef" symbol.
  12. Convex DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1999.
  13. Garamond DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  14. Newhouse DT by DTP Types, $89.00
    Based on custom design work by DTP Types Limited in 1992.
  15. Pelham DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1992.
  16. Black Magick Symbols by Deniart Systems, $15.00
    Contains 36 magical seals based on the Lemegeton of King Solomon
  17. FG Erin by YOFF, $14.95
    FG Erin is simply perfect handwriting. I want it! Do you?
  18. Rivoli Initials by Red Rooster Collection, $45.00
    Based on the William T. Sniffin design for ATF, circa 1928.
  19. Macarena DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1999.
  20. Ornatis by VSF, $15.00
    A drop cap ornamental font. Pro version includes the Basic one.
  21. Quill by Monotype, $29.99
    The Quill font is based on classic Renaissance broad-pen calligraphy.
  22. Engravers DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1990.
  23. Agartal MF by Masterfont, $59.00
    Flexible elegance in one font, as creamy as you can imagine...
  24. Elamy MF by Masterfont, $59.00
    Intuitive freestyle handwriting font, with unique emphasizes on curves and rhythm.
  25. Triest DT by DTP Types, $49.00
    Based on custom design work by DTP Types Limited in 1990.
  26. Playdates - Personal use only
  27. Bou College - Personal use only
  28. 15x5 - Unknown license
  29. SF Orson Casual Heavy - Unknown license
  30. SF Orson Casual Medium - Unknown license
  31. SF Proverbial Gothic - Unknown license
  32. SF Orson Casual Shaded - Unknown license
  33. SF Chrome Fenders - Unknown license
  34. 07x5 - Unknown license
  35. SF Orson Casual Light - Unknown license
  36. SF Pale Bottom Condensed - Unknown license
  37. SF Minced Meat - Unknown license
  38. SF Square Root Shaded - Unknown license
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