Aure Nox inspires the chill whimsy of a haunted forest. The roughhewn forms of this decorative, sans-serif font engage the reader with a subtext of rakish charm. Surprisingly legible, Nox adds a bit of rebelious sass to text and titles, and a daring stance to astrological expressions and chartwheels. Nox is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Though Nox stands well on its own as a text font, the more traditional sans-serif forms of Aure Jane pair well as an innocuous foil to Nox's brazen presence. Give Aure Nox a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Haarlemmer is a recreation of a never-produced Jan Van Krimpen typeface that goes one step beyond authentic: it shows how he wanted it to be designed in the first place. The original, drawn in the late 1930s, was created for the Dutch Society for the Art of Printing and Books and was to be used to set a new edition of the Bible, using Monotype typesetting. Hence the problem: fonts for metal typesetting machines like the Linotype and Monotype had to be created within a crude system of predetermined character width values. Every letter had to fit within and have its spacing determined by a grid of only 18 units. Often, the italic characters had to share the same widths as those in the roman design. Van Krimpen believed this severely impaired the design process. The invasion of Holland in World War II halted all work on the Bible project, and the original Haarlemmer never went into production. Flash forward about sixty years. Frank E. Blokland, of The Dutch Type Library, wanted to revive the original Haarlemmer, but this time as Van Krimpen would have intended. Blokland reinterpreted the original drawings and created a typeface that matched, as much as possible, Van Krimpen's initial concept. While Van Krimpen's hand could no longer be on the tiller, a thorough study of his work made up for his absence. The result is an exceptional text family of three weights, with complementary italic designs and a full suite of small caps and old style figures. Van Krimpen would be proud.

Grafical is a contemporary take on 19th-century sans serifs. In this family, the amount of geometry inherent within the letterforms has been amped up. Many shapes have received further streamlining, too. All the geometric forms you see have been optically corrected, ensuring their delivery of better legibility. Grafical ships in two different formats: depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. The static fonts offer eight weights, running from Extralight through Black. Each weight has an upright and an italic font available. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Fonts have vastly greater control over their text’s stroke width. The Grafical Variable and Grafical Variable Italic font’s weight axes allow users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Grafical is the perfect tool for a range of design uses, including text on the web, text in print, and text in motion graphics. Its fonts are typographic workhorses – not just from their legibility perspective but also because of the amount of OpenType features they include. There are ligatures, for instance, as well as proportional and tabular lining and oldstyle figures, fractions, numbers placed inside circles, and even Roman numerals. Users can also substitute alternate versions of the “a”, “g”, “i”, “j”, “y”, “G”, and “Q” into their work.

Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Slab is a modern slab serif with a geometric touch. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Slab 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Slab" comes with 5 weights and italics; "Trakya Slab Alt" also comes with 5 weights and matching italics, giving a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just with one touch, easy to access in all graphic programs. Trakya Slab is the perfect font for web use. Enjoy using it.

In the typedesign industry the terms ‘nova’, ‘neue’, ‘next’, ‘new’ are often used to refer to a typeface that has been modified in different ways: redesign, technical readjustments, greater number of characters, etc. At Latinotype we are now starting to use the word ‘niu’ to refer to these kinds of typefaces. Niu is an adaptation of the original word ‘new’, i.e., we have adapted this English word to the phonology and spelling of our own language but keeping the original meaning. Race mixing, diversity, change and adaptation are part of the essence of Latin American culture and, at Latinotype, we are all constantly expressing these elements in everything we do. Latin Power! Hernández Niu was designed by César Araya and Daniel Hernández. The font is based on the design of Hernández Bold: the thickest weight has been adapted to fit small text better. Five new styles have been added, ranging from neutral to more expressive fonts. Hernández Niu is a display slab serif font of thickened serifs, functional expressive ink-traps and true italics. Detailed forms and counterforms allow this typeface to be used in very large sizes. Hernández Niu is well-suited for publishing, small text and headlines. A wide variety of weights make the font a perfect choice for hierarchical type-setting, branding, logotypes, magazines, etc. This font consists of 6 weights, ranging from Extra Light to Heavy, each with matching true italics. Hernández Niu comes with a set of 397 characters, making it possible to use the font in 212 different languages.

Allisha Croft is a beautiful feminine script font, With a high contrast stroke clean and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Allisha Croft font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Allisha Croft beautiful feminine script font. Cheers, MaulanaCreative

Let's Go Green is a natural, organic, casual, uneven touch font! Made naturally using brush strokes with ink on paper, giving a very unique and distinctive impression. It is ideal for logos, quotes, print media, product packaging, merchandise, advertising, social media and your design projects. Let's Go Green comes as a single font that is packed with OpenType Features. It contains the complete set of lowercase & uppercase letters, various punctuation marks, numbers, and multilingual and ligature support. Thanks for using this font! Happy Design :)

Goldshift is a modern handwritten brush script font, With a rough brush stroke and fun characters. It has Opentype features of ligatures and extra swash, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Goldshift font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Goldshift handwritten brush script font. Cheers, MaulanaCreative

Atringe is our newest handwriting script font that has its own charm if it is displayed in various promotional design media or product labels, and has a harmonious nature in its arrangement. This font is designed with a natural touch of handwriting which is refined to create a portion and composition that suits your needs. So this font is suitable for craft, children's writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Let's Study the font is this handcrafted font, with bold and round style which is very beautiful to use as a design font of choice for your project, its unique character will make this font design look very natural, there are some additions that let you make your creation more real, suitable for all designs, posters, magazines, covers, invitations, media stories, social media, novels, story books and many more, this font will support your feelings when you want to express something cheerful or enthusiastic about learning

Say hi to “Alota” retro typeface. Inspired by 70’s design styles, a good decade where we saw many calm colors with groovy, bold, 3D and round shape. This font is very easy to use with hundreds of stylistic alternate (ss01-ss12) & powered with opentype feature. The font really bring a good statement for your logo design and can be the image of a design. Alota is very unique and easy to apply to any media; t-shirts, posters, sign boards, and social media needs.

Moonsticky is a modern handwritten font. With contrast stroke and fun character. It has Opentype features of ligatures and alternate lowercase to legibility in a short text, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Moonsticky handwritten font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Moonsticky handwritten font. Cheers, MaulanaCreative

Here’s another nostalgic beauty from the Central Type Foundry of St. Louis, originally titled Harpers, designed for the popular newsweekly of the same name. Its bouncy, quirky letterforms will add vitality and visual interest to your headlines and subheads. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Golden Wraith Fonts designed the digital typeface Hastynga It began as an effort to find a solution to the digital aesthetic. By distorting digital fonts into a fluid style of writing with a variation in direction between strokes from one letter to the next, Hastynga allows for simulated text imperfection. Its layout creates textual tension, energetic movement, and vibrant vitality.

Arioso was a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. The calligraphic style of Arioso stems from an early form of Old Face developed in the 14th and 15th centureis in Italy. It is a mixture of Roman capitals and Carolingian lower case.

Friedrich Neugebauer is known for the cutting power of his calligraphic invention. As a prisoner of war in Egypt, he wrote with toothpaste when all else failed. The irrepressible style of this Austrian artist inspired Richard Lipton to capture his calligraphy as a typeface. Avalon plays sweeping freedom in the capitals against the vital discipline of a lowercase relieved by alternative ascending characters.

This connected and brush script is very impressive, but is also legible, so it is the best for package of sweets or breads, shop card, shop front and so on. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Introducing. Folks Dreaming: Comes in a fun groovy style. Great for t-shirt designs, social media posts, posters, covers and more. Features: Uppercase, Lowercase, Numeral, Punctuation, Swash, Multilingual & PUA Encoded. Thanks.

Glamori is a hand-brushed calligraphy font. It feels bold and charming. This handwritten font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Youth offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Boldy offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Fragor, Serif Display Typeface. Fragor Inspired by Renaissance Era, Fragor Display Typeface offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Thing - A Display Font : Thing is a carefully crafted display font. It has Extended Latin characters. It created for poster, web, brand and social media designs. This is all Caps Fonts.

Designed by Ewen Prigent, Shaking is a set of four expressive hand-crafted titling typefaces ideal for packaging, posters, children's books… and many other media! Shaking one, two, three and four!

Osake is a Japanese style decorative font, created by using a brush pen. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Crowtig is A Handwritten Brush Font Crowtig is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Crowtig also multilingual support.

Introducing Astheresia, a modern ligature serif font with elegant style. It's an easy way & perfect choice to make your design projects; logo, branding, invitation, social media ads & website have classy looks.

Introducing by Essentials Studio Goldsthink Is a Modern Script Font Goldsthink is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Diamond Pride is a sweet and beautiful script font. It features an elegant style that makes it perfect for logos, branding, invitations, stationery, wedding designs, social media posts, and much more.

Creambelly is a clean and slim sans-serif font. It is perfect for product packaging, branding project, magazine covers, social media, logotypes, or just used to express words above the background.

Sutten Batavia is a unique brush font, perfect for use in modern design projects. This font has a slightly aggressive edge, and works well in displays for use in digital media.

Hadeya is a modern and beautiful script font. It has a elegant style and is perfect for creating quotes, logos, social media post, clothing, poster, id card, card, and many more.

Inspired by Graffiti style Design, with 2 Style : Regular & Shadow Graffiti Urban offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Metro Photograph, Serif Display Typeface Inspired by Renaissance Design Era. Metro Photograph offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

This font is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.

Golden Rainbow Is a A Fat Handwritten Script Font Golden Rainbow is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background.

Kallisa is such a artistic font, Script with a touch of hand-written, It's best used for logos, wedding stationery, social media, and quotes. Kallisha features: Multilanguange PUA Encoded Thank you!

Aqem contemporary of Sans Serif font, Inspired by art nouveau Era. Aqem offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.