When people usually think of wood type, images of bold and ornate designs reminiscent of the Old West or the Victorian Era come to mind. In truth, wood type was manufactured well into the late 20th century, and only fell out of favor when the letterpress was replaced by the offset press and computerized typesetting. Although there are hard-core collectors who have started a small resurgence in the preservation and use of wood type, it's the digital interpretations of these classic faces that see the most use in today's electronic layout work. Deco Wood Type JNL reinterprets one of these later designs, a bold sans with a decidedly Art Deco influence.

Tanida Display Bold is a striking and commanding font that demands attention. It combines the elegance of a serif typeface with a modern and bold aesthetic, resulting in a visually captivating design. The letterforms of Tanida Display Bold are meticulously crafted, featuring strong and confident strokes that exude a sense of power and sophistication. Tanida Display Bold possesses excellent legibility, even at smaller sizes, ensuring that your message remains clear and impactful. Whether used in print or digital media, this font effortlessly captures attention and communicates a sense of authority and confidence. With its timeless appeal and versatile nature, Tanida Display Bold is a powerful tool for designers seeking a bold and captivating typography solution.

David Farewell is a decorative flare-serif typeface family with medium contrast. It has four styles: regular, bold, italic, and bold italic.

As a late work the “Meier Kapitalis” forms an arch within the typographic creations of the Swiss type designer Hans Meier who died in 2014. The first sketches of this typeface can be found in the teaching manual “The Development of Script and Type” (German: “Die Schriftentwicklung”; French “Le développement des caractères”) which was published in 1994, however, under the title “Roman Lapidary, 1st Century”. The booklet was first published by the Syntax Press, Cham, Switzerland and contains an introduction by Max Caflisch in which he writes: „The present work, „The Development of Script and Type“ is a concise, authoritative textbook, concentrating on the essentials in a wide survey from ancient Greek inscriptions to the printer’s typefaces of the present day. His (Meier’s) 72 varieties of letterforms enable the student or general reader to understand the history of script and type, while more than 60 of his own calligraphic specimens provide excellent models for all who practice this art.“ Unfortunately, the “Meier Kapitalis” is one of the few typeface families in this publication which has been digitized. It was to be the last type project fully realized by Meier. In cooperation with Elsner+Flake, the typeface family was developed and expanded and now contains the four cuts: Roman, Medium, Demi Bold and Bold with either a complement of characters for 78 Latin-based languages (EL=EuropaPlus) or in West-Layout.

Salt&Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp smooth letterforms that result in a totally different look and feel. Great for creating neon effects. Fun features like connecting spaces and long swashes for customization of words and phrases are preserved in Salt & Spices Mono. This versatile 10 font family, consisting of 4 casual script styles: Regular, Bold, Shadow and Bold Shadow offers great flexibility. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 4 script styles 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added, all mono lined. They add great variation to your designs and supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project. You'll need an Open Type savvy application to get the most out of Salt & Spices Mono.

Imagine America in the 1930s. A gangster flick with Al Capone, a crime novel featuring Philip Marlowe. Our hero in a fedora sits in a classy bar, orders a double bourbon, lights a cigar and eyes the evening paper. He turns the pages, reading about a bank heist over on Third Avenue, a scandal involving a baseball player, a small ad for a general practitioner and a large spread about a famous law firm. What do the bottle of booze and the majestic facade of the bank have in common? The elegant baseball uniform and trustworthy attorneys? - Copperplate Gothic - When Frederick William Goudy created his legendary typeface in 1901, it went on to literally become the symbol of early 20th century America. Tiny serifs, characteristically broad letterforms, and particularly bold titles decorated calling cards at 6-point size, enormous bronze-cast logos, newspaper headlines, restaurant menus and more. This was the golden age of Copperplate, lasting up until the arrival of die neue Typografie and monospaced grotesques in the 1960s. Then the typeface almost completely disappeared. It made a partial comeback with the advent of the personal computer; digitizations of varying quality appeared, and one version even became a standard font in Adobe programs. This may have played a role in Copperplate later being used in DIY projects and amateur designs, which harmed its reputation. Copperplate New has been created to revive the faded glory of the original design. Formally, the new typeface expands the existing weight and proportional extremes. The slight serifs are reduced even further, making the typeface sans-like at smaller point sizes and improving readability. In contrast, at large point sizes it retains all of its original character. Decorative inline & shadow styles have been added and both have been created in all five proportions, making it easy to adapt the typesetting to the format you need. Despite these changes and innovations, Copperplate New remains true to Goudy’s original design and represents a snazzy way to evoke a golden era in American culture. Specimen: http://carontwice.com/files/specimen_Copperplate_New.pdf

We have adapted the version of our Darwin font for use in Microsoft Office. It only has 4 variants: regular, italic, bold and bold italic. Font weights have been named in a way that can be clearly shown up in the font list in Office programs for the sake of a good hierarchy (the bold variant is quite bold and does not look the same as the original font).

Quickly Brown Bold Script Font This font describes about fun, bold, chubby, wide and easy to use. Quickly Brown inspired from Doodle and Junk Food. FEATURES - All Capital Bold - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Quickly Brown works great in any craft, logotype, magazine, quotes, social media and any projects that need all about Bold taste. Enjoy using! Thanks. HIRO.std

Introducing Kampione - Vintage Bold Type, created by ikiiko Kampione is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font. Bold, geometric letterforms that are frequently rounded or squared off at the corners define this style. The font's overall appearance frequently has a significant visual impact and is reminiscent of an old advertisement or poster. This typeface is perfect for an vintage poster, movie title, elegant logo, packaging, magazine design, fashion brand, classic stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Supra Rounded is the newest addition to my big SUPRA-family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages (except Greek and Cyrillic). Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.

Picture this: you’re sitting in the Korova Milk Bar, sipping on a glass of the old moloko plus, and suddenly, you’re hit with the realization that your designs are missing something. That something, my dear malchiks and devotchkas, is this typeface. Its unconventional style will make your work stand out from the rest and leave your audience in awe. It’s not just about making your designs look pretty, though. It’s about making a statement, about challenging the norm. This font is all about breaking the rules, just like Alex and his droogs did in the streets of London. So, my fellow dim-witted bratchnies, don’t miss out on the opportunity to add a touch of surreal eccentricity to your work. Get this Clockwork Orange-inspired typeface today, and let your designs become a symbol of rebellion and creativity. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Headline Bold is a sans serif face in the nineteenth century English Grotesque tradition. The Headline Bold font is based on types from the Stephenson Blake type foundry called Grotesque no. 9. A bold and compact font, its name gives a strong indication of its primary use.

Marbellya an Condensed Sans Serif Font with luxurious style. Available in 6 styles : Regular, Italic, Outline, Bold, Bold Italic and Bold Outline. Included alternates, ligatures and multilingual support. It's perfect for headlines, logos, quotes, packaging, magazine covers, editorial design, and many more project with suitable purpose!

HWDP is heavy letterpress type. HWDP has two style: bold and bold italic. This type looks great in headlines and longer text. CHEERS!

Charm Man - Retro Serif Font. Charm Man is a bold retro style serif font with strong character and soft features. Charm Man is a stylish font that is both bold and retro font. Charm Man is equipped with Swash, Stylistic and Titling alternates as well as with Standard and Discretionary Ligatures. Charm Man's thick curves give a 70s groovy vibe with the serif bringing it slightly back to traditional. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

This is a great poster font. It was created by hand, scanned and digitalized for quality. Font includes over 200 characters and glyphs.

A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages.

Randolph is a popular font family from Jukebox done in an old fashioned copperplate etching style that harkens back to the days of old leather-bound shop ledgers and hand painted window signs. The large and wide letterforms of Randolph make a bold statement that will add solidity and impact to any design. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.