This font opens a new era of typewriting and type design. At first sight, the font seems creepy, but it has a deep connection with some urban motives in its tune.

Okaycat proudly presents Little Japan, our new dingbats font full of traditional Japanese icons. See the sights of Japan - beautiful Mount Fuji, geisha, sushi, sumo, shiriken, geta and so much more.

Nicholas is a headline version of Goodchild , Shinntype’s version of Jenson . It has been specially modified with very fine details and an ultra-tight fit for headlines that really get noticed.

Alarionsa - font with straight horizontal serifs, vertical serifs have a slight angle of inclination. Lowercase letters are designed with somewhat inflated x-height. Perfect for both creating headlines and regular text.

TAN KULTURE is a bold display type. Simple in a good way and efficient with tight kernings making it a nice choice if you want a retro look in your design.

Verena was written with a common felt marker pen, scanned and worked over, to keep just the right amount of roughness. The result is a very readable and usable handwritten font.

Probably as a reaction to the pragmatism of modernist design, the seventies saw an explosion of buoyant, vivacious typography. Psychedelia fueled a return to the melting, lush shapes of Art Nouveau while Pop culture embraced the usage of funky, joyful lettering for advertising, product design and tv titling. New low-cost technologies like photo-lettering and rub-on transfer required new fonts to be expressive rather than legible, pushing designers to produce, bubbly, high-spirited masterpieces, where geometric excess and calligraphic inventions melted joyfully. Freitag is Cosimo Lorenzo Pancini's homage to this era and its typography. His starting point was the design of a heavy sans serif with humanist condensed proportions, flared stems and reverse contrast, that generated both the main family, and a variant display subfamily. The main typeface family slowly builds the tension and design exuberance along the weight axis - a bit like our desire for the weekend increases during the week. In Light and Medium weights the font shows a more controlled, medium-contrast design, tightly spaced for maximum display effect. The Book weight follows the same design but uses a more relaxed letter spacing to allow usage in smaller sizes and short body copy. As weight increases in the Bold weight the style becomes more expressive, with a visible reverse contrast building up and culminating in the Heavy weight with his clearly visible "bell bottoms" feel. In the display sub-family the design is pushed further by introducing variant letterforms that have a stronger connection to calligraphy and lettering. Also, the weight range becomes a optical one, with weights marked as Medium, Large, XLarge, as bringing the contrast and the boldness to the extreme creates smaller counterspaces that require bigger usage sizes. Another important addition of the display sub-family is the connected italics that sport swash capitals and cursive letterforms, developed with logo design and ultra-expressive editorial design in mind. To balance the extreme contrast in the XL weight, contrast of punctuation is reduced, creating a rich, highly-dynamic texture wherever diacritics and marks are used in the text. The full family includes 16 styles + 4 variable fonts, allowing full control of the design over its tree-hugging design space. All 20 fonts share an extended latin charset with open type features including case sensitive forms, single and double story variants and alternate glyphs. According to its creator, "Freitag is the typeface that sounds like an imaginary Woodstock where on the stage with Jimi Hendrix with Novarese, Motter, Excoffon and Benguiat playing onstage with Jimi Hendrix". Jeepers creepers!

Argone LC is a handmade organic typeface family. It is a variant of Argone typeface, but has lower case letters. It comes in four weights– light, regular, bold and black, which is a feature not seen much in handmade typefaces. This makes Argone LC a versatile and flexible type family. There is also a version of Argone LC which only has upper case letters – Argone

Lovato is a family of five fonts, perfect for branding applications, books, or poster designs that require a clear, sharp, stylish tone. The styles range from an elegant, delicate light weight up to a brazen, commanding black weight. This original Latin-serif family, designed by Kosal Sen, has primarily a geometric construction, with hints of details inspired by inscriptional lettering, all coalescing to fit a contemporary palette.

Kathleen Serif is a geometric serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing. Kathleen Serif font has three weights: Light, Regular, and Bold, each available in italic, making a total of six styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Abdo Line is a simple Naskh font for books and magazines. Accurate design and clarity of reading and writing space-saving, it comes in sixth weights: Thin, Light, Regular, Bold, Heavy and Black. This is an OpenType Font supporting Arabic, Persian, Urdu Languages and compatible with the various operation systems and modern software. This font also contains many of Stylistic Sets, Ligatures and Justification Alternatives.

Quirkily is a crooked serif family with natural and organic feels! Contain 6 fonts. Including Light-Regular - Bold with an italic each style. You can use this font for every project. Suitable for branding logo, a classic theme, and also for text. This font family also support multilingual, number and symbol. If you bored with a casual serif, maybe this font is for you!

Mazot is a modern sans serif with a compact and low contrast structure. Low contrast structure and terminals being flush with the body, gives it a raw effect. Perfect for Branding, Poster and Packaging designs. It has rich OpenType features. It consists of a total of 18 styles, from Light to Heavy with 9 weights and matching italics. It is available in 2-axes variable version.

Airo is a monospace type family with inverted contrast. The distinct shapes and detailing give Airo a strong typographic voice. The family comes in six carefully selected weights, from Light to Extra Bold, making it a versatile typographic tool. The family works best as a display typeface for creating a strong visual impact, but you can use the lighter weights for medium length text as well.

Bookbag is a font for teaching kids to read and write. It comes in 4 weights, from light to extrabold, and has dotted and lined versions for students to practice. Many glyphs have alternate versions, that can be accessed either through OpenType stylistic alternates, or using the Alt versions of the font. Bookbag has a very wide language support, with most latin languages supported.

Stems (豎) and crossbars (橫) are direct and simple, dots (點) are short but authoritative, downstrokes (撇、捺) are no longer curvy but straight and sharp, thus, a smart and straightforward typeface. Bold in this family is rough and tough, demonstrating a high extent of muscularity. Meanwhile Light is neatly, naturally and nicely crafted, aiming to achieve high legibility. A popular choice for advertising with diverse usages.

Here’s another offering based on the work of Alf Becker, long-time contributor to Signs of the Times magazine. This only comes from the 1940s, and is a light and bouncy single-stroke face that’s sure to pep up any project it graces. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Carolina is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Gottfried Pott designed his Carolina in the tradition of the Carolingian Minuskel. The rhythmic flow of the font gives text a light and elegant feel.

Flawless Valentines is a beautiful and light handwritten font. Its unique feel and stunning impact will add a luxury spark to any design project you wish to create! This font is PUA encoded, which means you can access all of the amazing glyphs and ligatures with ease! Each Font Has: Stylish modern handwritten script Beautiful Swash (Ending tail) Beautiful Titling (Beginning tail) Special Ligatures Multilingual Support

Brookley is a hand-crafted, monoline script typeface designed to add a beautiful, modern touch to your designs. Available in 3 weights: light, regular and bold. Brookley comes with 372 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType alternates and ligatures for easy customization. It's perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, and invitations.

A loose, casual felt-pen script, Chantal comes in three weights plus italics, and a Cyrillic version too. Alternate versions are available in the upper and lower case keys, so settings can be customised according to taste. Chantal communicates a hand-drawn light touch with character. Originally designed to letter the RoboHunter series that Peter Hogan and Rian Hughes produced for the comic 2000AD.

Heritage Set is a display font. It was designed specifically for display, headline, logotype, branding, and similar applications. Heritage Set has been designed to equipped with three different widths; Narrow, Normal and Wide, addition to expanding weights to support various usabilities ranging from ExtraLight, Light, Regular, Bold and ExtraBold. Which makes with a Tabular Lining features support the creativities of the designer from the Font Menu.