Kunta is a modern vintage serif font packaged in a modern and unique style, complete with access to your OpenType feature to access a large selection of alternative fonts and binders, choose the font you like from a variety of uppercase and lowercase letters to get a luxurious and elegant look. A quirky, fun, and versatile serif series with lots of ligatures and alternatives to spice up any design you fancy. This font is perfect for branding projects, Logo designs, Clothing Branding, packaging, magazine titles, advertisements, T-shirts, postcards and many more.

Engeraly is a classy font that exudes a luxurious and serious impression, the combination of a serif font and also a minimalist concept makes the Engeraly font more versatile. The Engraly font is made with a combination of serif fonts that are suitable for a modern minimalist style, each line is made with precision and can be used for headlines or long text, there are many symbols in this font that can be used in various languages, you can see the availability of the letters on the poster. Thank you

Technoda is a futuristic font that carries uppercase and lowercase characters with a set of numbers that showcase a futuristic unique design in addition to galactic alternates and a cyberpunk theme. Take a trip through time and use it for movie posters set in space or in the future. Very suitable for sci-fi enthusiasts, create cards and personalized artwork, but don’t let the adventure stop with you. Use Technos for UX /UI, and techno projects and allow the rest of the world to get a glimpse of what the future may hold.

MB Narrow is a very compressed display font that comes in three weights. with is full use of the 20 stylistic sets it gives the user a lot of scope to how it look. without using them it has a very rounded and geometric look but with alternates for the Capital A, M, N, V, W, X, Y and the lowercase a, f, g, v, w, x & y you can create a more traditional 'movie poster' look. with standard & discretional ligatures and oldstyle figures there are plenty of opentype features.

The Tavernaki Handwritten Delicious Font is a 100% handwritten delicious font with which you can achieve a handwritten-type lettering feeling. This typeface is a multilingual lettering font with Greek (of course), Latin characters and diacritics. The style of the font is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. In addition, this typeface can be used on social media content, for branding or packaging.

Stenzilla is a stencil font based on a rounded sans serif, a careful design, with cuts on the same diagonal axis for the curved strokes and elegant slight curves on the oblique strokes. Useful for branding, highlighted paragraphs, signs, headlines, or reading text. The design incorporates characters from the Cyrillic alphabet, special characters, and characters with diacritical marks. It has the versatility of a sans serif that allows it to be used in a wide variety of designs and styles along with the cut-stroke grace of a stencil font.

The Ink Brush Font is a captivating addition to the world of typography. This versatile typeface offers two distinctive versions, adding a dynamic element to your creative projects. The textured version brings a sense of artistic spontaneity with its handmade appearance, while the solid version delivers clarity and precision. Whether you’re aiming for a rustic, handcrafted feel or a sleek, professional look, the Ink Brush Font has you covered. It’s perfect for a wide array of design applications, from branding and packaging to invitations and artistic endeavors, infusing your work with character and style.

Histadia is a strikingly modern chic serif typeface that seamlessly blends timeless elegance with contemporary aesthetics. Its graceful, high-contrast letterforms exude sophistication and versatility, making it an ideal choice for a wide range of design projects. The font’s crisp lines and refined serifs convey a sense of refined luxury, while its clean, minimalist detailing ensures legibility and impact in both print and digital applications. Histadia captures the essence of classic serifs while embracing a modern sensibility, making it a versatile choice for those seeking a harmonious balance between tradition and innovation in typography.

Kecumik, a stunning Glamour Serif typeface, seamlessly blends elegance with modern sophistication. Its graceful letterforms exhibit a harmonious balance of curves and serifs, exuding a timeless allure that captivates the eye. Kecumik’s intricate details and refined strokes contribute to its distinctive personality, making it an ideal choice for projects that demand a touch of glamour and a nod to classical aesthetics. Whether used in editorial design, branding, or luxury packaging, Kecumik’s versatile charm elevates any visual composition, embodying a sense of refined beauty that resonates across diverse design applications.

NO! I don’t have a bearskin rug, nor a fur collar on my jacket. I believe fur should only be worn by its first owner. I have no idea why I called this font Bearskin: maybe I was influenced by one of the Viking novels I am reading - they’re full of Berserkers - but that name was already taken. Anyhoo, Bearskin font is a nice handmade all caps font. A little rough here and there, but with a lot of character as well. Bearskin comes with swashes, so you can have a ball!

Kyomic is a serif fonts with a solid looks bold and also beautiful curves in an alternate characters. A style that we choose as a Natural looks of the Hand-Drawn made Athans as a unique identity of this fonts. Kyomic also comes with alternative characters that carefully created for adding a minimalist decor of the letters. and it looks right on every character's we've made. Stylistic alternates allows versatile design options and works perfectly for Headlines, Posters, Logos Packaging, Branding, T-shirts, Greetings, Persentation and much more.

What can be more lovely than a wedding, an invitation or a gift from the heart? One whose presentation uses the warm and welcoming family of typefaces, Adorn. With a modern and sometimes quirky twist on the staid, almost corporate look of formal invitations, this family of hand lettered typefaces arms designers with a breathtakingly large number of fonts that work harmoniously, despite the distinctiveness of each. Adorn offers seven display fonts, four script designs, monograms, ornaments, illustrations, banners, frames, and catchwords. See what’s included! http://bit.ly/2hYM1ur *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Takox is a display typeface based on a synthesis of righteousness extreme, futuristic spirit leads us to a way of plotting the words in a new way and in line with trends and technology synthesis century. Extreme music. Takox is provided with style forms to small caps, in both Regular and Italic. What was the inspiration for designing the font? Takox is the result of my own research in finding straight shapes of great simplicity. What are its main characteristics and features? Display font witn straight shapes of great simplicity. Usage recommendations: This letter design is ideal for use 3D extrusions, ideal to represent natural forms of cristals, metal or mechanical things. Fits indiustriales representations and aerospace, also for extreme music and avant garde.

Siruca is a font created specifically for the Al Hamra Complex, in Kuwait City, which includes the extraordinary Al Hamra Tower, one of the tallest skyscrapers in the world. Siruca is a stencil font designed to be used both by the classical forms, both for possible use with neon tubes. Indeed, the rounded ends and the total absence of sharp corners to prevent abrasion during the use of masks and, simultaneously, provide a realistic neon circuit designer. The typeface is accompanied by a series of pictograms (designed following the same guidelines described above) to be used on signs inside the building. The originality and versatility of the font Siruca™ makes it particularly suitable for the characterization of tainted brands from the strong recognizable.

Mangueira is a sans-serif geometric typeface that is made up of 2 sub-families: one standard more contemporary family perfectly suited for display use and one alternative version for short blocks of text and more neutral titles. Each subfamily comes in 9 weights and includes swashes, which can be easily accessed from the OpenType menu. One of its main features is the combination of geometric shapes and vertical terminals that resemble Humanist sans typefaces. A generous number of swashes along with unique details in some glyphs such as "g" and "k" make Mangueira a versatile font well-suited for editorial design, branding, packaging, web and broadcast use, etc. Mangueira contains a set of 502 characters, supporting over 200 Latin-based languages.

A mix of Renaissance & tropical atmosphere Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms. The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c. ➼ Basco minisite

Step into the chilling world of 70s Italian horror with Giallo Rossa, a giallo inspired typeface. This macabre creation captures the essence of classic Italian giallo films, evoking a sense of foreboding and terror in every letter. With its sharp edges and jagged lines, Giallo Rossa has an unsettling energy that will leave you mesmerized. Immerse yourself in a typographic nightmare as you unleash the power of Giallo Rossa. Its letters embody the twisted beauty of giallo cinema – every curve reminiscent of a shadowy figure lurking in the dark corners. No matter what you’re designing, Giallo Rossa is your perfect accomplice. This horrifying typeface will set your creations apart from the mundane. Beware though: once you delve into Giallo Rossa‘s sinister embrace, there’s no turning back!

Iliad was designed to bridge the gap between traditional serif faces and modern humanist fonts. It uses a gentle, traditional, partial serif combined with a subtle curving of many of the "corners" in the characters. The combination of these two elements makes it decidedly contemporary yet it retains the readability that is associated with more traditional typefaces. The contemporary look is enhanced by a gentle tapering and shortening of the terminals and by less dramatic shifts in stroke width than is found in traditional typefaces. The lowering of the midline provides just a hint of "moderne". It has carefully crafted spacing and kerning, making it easy to use in any display setting. It also includes all punctuation, symbols, special characters and diacritical marks.

very traditional forms strongly slanted italic consistant proportions extraordinary ligatures swashes alternate letters alternate figures lower case l with a hooked “foot” Believe it or not, there are hardly any sans serif fonts in which the lower case letter l also has the hooked form of an l. Instead, we readers have to constantly distinguish whether we are seeing an uppercase I or a lower case l — just take a look at the word “Illinois”... The ingoFont Analogue was developed for exactly this reason. The intent: To create a pretty much »ordinary«, even classical font with its most striking characteristic being the inclusion of the “crooked l.” As a model, I used the »mother of all sans serifs«, Akzidenz Grotesk from Berthold, with its beginnings going back to the 19th century. Analogue is so to say a new interpretation of Akzidenz Grotesk from ingoFonts. All characters — following the model — have been newly designed. And if you want to emphasize the shape of the hooked foot even more, you can also activate the alternate styles for d, h, m, n (Style Set 1). Conversely, the alternate a somewhat softens the “hooked” impression (Style Set 2). The slanted versions — it isn’t truly a real cursive font — are noticeably stronger with 13° than the italics in comparable fonts, and were given a round e with a mind of its own which distinguishes itself considerably compared to the upright characters in the overall appearance of the font. More modern and formal solutions in detail were chosen for some of the characters, for example the M was given lightly slanted sides; the a reflects the curves of the s; the “feet” of a, l and t match; the flared legs of K and R became a “foot”, too. General proportions were carried over almost completely with no changes from Akzidenz Grotesk as well as the slanted trimming on the open forms of a, c, e, s; in comparison, C, G and S were given straight endings. Analogue contains many ligatures, even discretional ligatures, plus proportional, old style as well as tabular figures. All in all, at first sight Analogue brings back memories of the charm of its well-known predecessor; and yet, many small differences give Analogue an unmistakable certain something...

a 3D version of the classic egiptian style, but in a sans serif mode

Jackpot is a font-bat of a slot machine for all your gaming needs.

DB Floragraphy is a collection of enjoyable floral designs with a spring themed feel.

A very readable script, simple yet elegant. Works great in a multitude of applications.

Telegrafo was developed from a couple of words on a 1920s telegram from Argentina.

A warped version of the font Letunical, WarpLetunical has a Halloweenish feel to it.

BD Varicolor is a display font with a certain twist of Swing and Charleton.

Windevere is a family of display faces designed for easily readible headings and titles that convey a sense of speed and motion. The family includes three faces: Windevere Regular, Windevere Bold and Windevere Rounded.

Retro Boldy, a Bold, classy, contemporary of script font, inspired by 90s Era. Retro Boldy offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Denso is a font family delivering great force using minimum space. It supports 111 languages, features a total of 309 glyphs and includes an outlined and italicized version for each of the 3 weights.

Seindah Cinttya results out of a stunning pairing of a brush pen that makes it look incredibly endearing and authentic. Use this gorgeous and unique script font to bring any DIY project to life!

ITC Tiffany font was designed by Edward Benguiat, a highly contemporary blend of two fonts, Ronaldson and Caxton. The best characteristics of both were combined to produce a refined and refreshing font, ITC Tiffany.

Qara is a breathtaking Didot font that exudes elegance, luxury, and an unparalleled sense of fashion. With its sleek and refined design, Qara captures attention and adds a touch of sophistication to any project.

A stencil font you won't find anywhere else. Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

St Transmission was one of the first ambitious projects for Stereotypes. Building a complete family with a lot of weights along with the italics. Transmission supports extended Latin character set, plus Cyrillic and Greek.

This is the "Starslang" font, that features a star shape embedded within the letters of the vowels. The theme was designed to enlighten the mood and spirit with a fun mood of urban atmosphere.

Mighty Oaks is a collection of stylized oak leaves. There are 47 oak leaves located under the character set keys. There is a flopped version of each leaf located under the shift+character key.

Never Give Up is a simple and friendly handwritten font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Donuto is a bold rounded font. It's suitable for create logos and branding of food, children's and eco-products. The font contains a number of alternate characters, which allows you to create unique combinations.

Ela Swashes are not meant to and cannot be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights.

Arcato is a font family shaped from spherical curves inspired by celestial bodies. It supports 114 languages, features a total of 508 glyphs and includes an italicized version for each of the 5 weights.