AMA Greek and Latin Font is a hand-made display font. Of course, the font supports a full set of Greek chars and an extended Latin character set with diacritics. Τhis typeface can be a mighty companion to your next graphic design project. From “hand-written” quotes to product packaging, merchandise, and branding projects, this font is so versatile that it can cover them all.

Scrawny Cat is a bit of an unusual font: it was made with a brush and some China ink and has no real baseline. It is messy yet legible and in a strange way beautiful. The font is all caps, but upper and lower case differ and can be freely interchanged. Comes with a litter of diacritics and some cool end-ligatures to boot.

Inspired by fonts used in financial and law arenas. Bold style reminiscent of 1920s deco era. Great font for play cash or Monopoly-themed party invitations. Vibes of Wall Street movers and shakers. Includes letters from Latin, Greek, Hebrew, and Cyrillic Alphabets - with some common diacritics. Also includes small caps and English feature words like "the", "of", "with", "and", etc. for marquee style accents.

Okay-A lets you make 3D letters that look to be fastened down with screws. Inspired by the angular futuristic shapes of Japanese Katakana letters, this angular font is bold and square. Okay-A lets you easily make multicolour logos or signs as the styles can be overlaid. It features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

Ramkoers means ‘Collision Course’ in Dutch. I made this font with a bit of salvaged plastic and thick black paint. I carved a wedge out of the plastic and used it as a spatula to apply the paint to the paper. Ramkoers is a bit of a rough & ready grunge font with some jagged edges and wobbly stems. Comes with an abundance of diacritics.

I believe it was Picasso who had a Blue Period between 1901 and 1904. It seems that I have one myself - really not comparing myself to Picasso btw… Recently I created Blue Sheep font and now this one: Little Boy Blue. Little Boy Blue is a very legible, easy-on-the-eye font for texts, books, covers and packaging. Comes with 50 shades of diacritics.

Popty Ping is Welsh slang for microwave oven. It literally means ‘oven that goes ping’. Popty Ping was sort of based on an older font of mine called Jambo. It is a very happy cartoon font, ideal for children’s book covers, ice cream packaging and microwave popcorn (preferably the non GM kind). Comes in two great styles and more diacritics than you can pop in an oven!

Framboisier means ‘Rasberry Bush’ in French. Even though it’s early spring, I already spotted raspberries at the greengrocers, so I figured a nice raspberry-related name would suit this font just fine. Framboisier is a hand painted script font. It’s a little messy, a little shaky, but legible and cute as well. Comes with all the diacritics and a whole bunch of alternate glyphs.

3D Techno is a font made entirely of little cubes! Combine 3-D and flat styles, or use these styles separately..... many different looks can be created! There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! 3D Techno contains West European diacritics and ligatures, suitable for multilingual environments and publications.

The Gravity family is a unique series of heavy square slab serifs intended mainly for display usage. Gravity Normal exhibits impact with legibility. Gravity Nova is fine-tuned to showcase brawn and beauty. Gravity Supernova, the most audacious of the family, commands attention with its extremely dense, mechanical design. Each weight includes diacritics for Western and Central European languages and is tightly spaced for maximum impact.

A Bocadillo is a sandwich. I guess I was craving one when I had to name this font! Bocadillo is a sweet Brush script. It is all caps, but upper and lower case are different and like to mingle. It is an ideal font for product packaging, posters, book covers, postcards and big ‘I love you’ billboards. Comes with a generous helping of diacritics.

Komunidad is the Hebrew version of ”Quintana Light”. Suitable for logos and packaging statements. Invoking the OpenType / CONTEXTUAL variant produces the word terminals for all lower-case letterforms as well as diacritic letters. Final Hebrew Glyphs are also added. This can be done individually for each letter as well. Komunidad also contain alternative Swashes and TabOldstyle numerals. (OpenType-Variants may only be accessible via OpenType-aware applications.)

I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass… Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

Whenever I create a font using a Chinese brush and ink, it almost always comes out scary-looking. Sensory Overload is not like that: it is quite a neat and tidy font, even if it is a little rough around the edges. Sensory Overload is an all caps typeface and would be ideally suited for book covers, headlines, packaging and posters. Comes with an overload of diacritics.

Lost Signal is a two-style display that's absolutely perfect for editorial headlines. Her bold and characterful figure makes her perfect for posters, extreme sports, automotive and magazine covers. Reserved for upper and lower case in each style, featuring fl and fi ligatures, this calm and bold typeface is a content creator's best friend. Including: Uppercase, Lowercase. Numbers, Punctuation & Symbols. Diacritic for Multilingual Support

This font was inspired by the hand-written 1648 Munster peace treatise signed by French King Louis XIV and German emperor Ferdinand II. It is a Cancellaresca font style, meticulously written and almost legible. It contains Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures made the font looking like a real various hand.

The "Octavia VV" font family includes Regular, Italic, Bold, and Bold Italic fonts. Sans serif font type. The whole font family includes a large set of additional characters and letters with diacritics. Standard and Latin Extended support such languages - English, Danish, Spanish, German, Norwegian, Polish, Portuguese, French, Swedish. Standard and extended Cyrillic are supported by languages - Russian, Belarusian, Bulgarian, Macedonian, Serbian, Ukrainian, Kazakh, Kyrgyz.

Running Hipster is a tall, thin and all caps font with a funny name. The upper and lower case letters differ and can be mixed. You don’t necessarily have to use it to market your free range sheep woolen jumpers or organic button squash and soy based sour cream soup, feel free to use it for just about anything. Comes with a vintage amount of diacritics.

Peppo is an informal, simple, readable and easy-on-the-eyes handwritten typeface inspired by hand-written script. Each font providing an organic and spontaneous hand lettering feel. Combination of 12 styles (3 widths and 4 weights) and wide range of glyphs guarantee high freedom and flexibility of typographic work. Peppo typeface includes extended Latin characters with capitals, small letters and small capitals, lining and old style figures, superscripts, scientific inferiors, currency symbols and arrows. You can use this font to create childrenís publications, posters, CD labels, T-shirts, coffee mugs, and banners. Important technical notice: Combining diacritical marks (U+0300, U+0301, U+0303, U+0309, U+0323) are only 'compatibility characters' for codepage 'MS Windows 1258 Vietnamese'. Combining diacritical marks (U+0312, U+0315, U+0326) are only 'compatibility characters' for Czech, Latvian, Romanian and Slovak language. OpenType features 'Mark to Base' and 'Mark to Mark' is not supported. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

The regular style of this family was inspired from the typeface used in Nuremberg, Germany, by Johannes Petreius in 1543 to print the famous “De Revolutionibus Orbium Coelestium,” the well-known mathematical and astronomical essay by Nicolaus Copernicus. Petreius was also using an original italic style, as he did for the “De Sculptura” by Gaurico Pomponio, in 1542. Unfortunately, nobody seems to know who was the punchcutter of this Jenson-style font. Also included is a title file, containing initials (without diacritics) and small caps (with diacritics). In our three styles (Regular & Italic + Titling), font faces, kerning and spacing are as closely as possible identical to the original. This Pro font is covering Western, Eastern and Central European, Baltic and Turkish languages, with standard and long-s ligatures in regular and italic styles. Both have twin-letter ligatures, but the italic style has extra (genuine) ligatures for f and t with vowels.

Arabetics Harfi is a Latin Serif typeface with a comprehensive support for the Arabetic scripts, including Quranic texts. Careful spacing and kerning was used to enhance resulting text legibility both scripts. Arabetics Harfi fully supports MS 1252 Western and 1256 Arabic code pages, in addition to all transliteration characters required by the ALA-LC Romanization tables. Users can either select an accented character directly or form it by keying the desired combining diacritic mark following an unaccented character. For Arabic, it fully supports Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks. The Arabic design of this font family follows the Mutamathil Taqlidi type style with connected glyphs, but it emphasizes a horizontal look and feel rather than verticalone, utilizing slightly varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Arabetics Harfi includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph. Arabetics Harfi includes both Arabic and Arabic-Indic numerals, in addition to generous number of punctuation and mathematical symbols. It includes two weights, regular and bold, each of which has normal, right slanted Italic, and left-slanted styles.

I like Ravens. In fact, I like them so much that I have a tattoo of a Haida raven! Ravenheart was more or less modelled on my Qilin font, but it is completely different. It is scary and inky, but it has a certain flair as well. A bit mystical, a bit evil, but I am sure you’ll find many uses for it. Comes with a fluttering of diacritics.

The design process of OkayPaint began as hand-painted letters on paper. Thus, a variety of distressed paint effects can still be seen in the details, from splatters to dry-brush. This makes for a textured, artistic look. Use OkayPaint to create eye catching designs - perfect for grunge, surf, any casual cool setting. OkayPaint is extended, containing the West European diacritics & ligatures, making it also suitable for multilingual environments & publications.

Aeda Rift is a high-contrast display typeface characterized by its sharp serifs and graceful contours, mirroring the elegance and hostility of the desert landscape. Consisting of nearly 400 glyphs, this font includes a full upper and lower case Latin-based alphabet, punctuation, symbols, diacritics, and ligatures—all together supporting over 82 languages. Perfect for headlines, pull quotes, and intro decks, Aeda Rift is carefully kerned and primed for creativity.

I love learning new words. I stumbled upon the term Gingerline after I named an older font Gamboge. Like Gamboge, Gingerline is a name for a shade of orange - the color of ripe kumquats to be precise. Didn’t know that! Gingerline font is a handmade calligraphy font; nice and even, thick and thin and quite elegant if I may say so. Comes with an abundance of diacritics as well.

Black Bamboo is a beautiful plant. My father in law, who recently passed away, loved it and had a prized specimen growing in his garden. This font was named in his honour. Black Bamboo font is a bold typeface, created using a good brush and quality paint. It is all caps, but upper and lower case differ and can be freely interchanged. Of course, Black Bamboo comes with all diacritics.

Surimi is a condensed display typeface available in six styles. Designed to stand out with its low crossbars and its unicase alternates, this cool little family will be great for titling and logotypes. The fonts include diacritics for western European langages, tabular and proportional figures, and 4 stylistic sets : ss01 : unicase alternates (A,E,W,Y) ss02 : alternate lowercase g ss03 : alternate lowercase l ss04 : alternate W and w

Thick horizontals reminiscent of certain Egyptian or western-themed display faces warp into stretched-out glyphs and strange elliptical forms in this haphazard, page-filling font. Sure to evoke images of saturday morning cartoons, zany retro advertisements, and various other expressions of mid-20th century whimsy . Comes packaged in both TrueType and OpenType formats with standard complement of alpha-numeric glyphs, punctuation marks, mathematical symbols, and European diacritics.

Carbon Neutral has a distinctly human style - lettering done cleanly with care -- not mass-produced nor mechanical. Get smooth typography which upon closer inspection is gritty & grassroots. The small details make this font friendly & inviting. Carbon Neutral has an exceptionally high level of detail which may cause your graphics program to operate slowly. Carbon Neutral is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Quintana is a font that reflects urgency. Suitable for logos and packaging statements. Invoking the Opentype / CONTEXTUAL variant produces the word terminals for all lower-case letterforms as well as diacritic letters. This can be done individually for each letter as well. (Check out the pdf in the Gallery section for details.) Quintana also contain alternative Swashes and OldStyle numerals. (Opentype-Variants may only be accessible via Opentype-aware applications.

Triz is a high-contrast monospaced sans-serif, bringing together a typewriter rhythm and a fashion magazine look. With 5 different weights and 3 different contrast variations, Triz shines on both footnotes and headlines. With more than 1.000 glyphs, the Triz has an extensive language support and a lot of features, like its distinctive 'thin' alternates for diacritics, symbols and punctuation, small caps, arrows, manicules and much more.

This font was inspired by a French solicitor's document dated 1638, written in the special style so named "Civilité". We have worked to transform the almost illegible original form into a contemporary usable typeface, but keeping the time appearance. It contains Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turkish diacritics. The numerous alternates and ligatures made the font looking like a real various hand.

Houseplants are commonly grown for decorative purposes, positive psychological effects, keeping fresh or health reasons such as indoor air purification. Actually, just like this font has a positive effect on your artwork! This font comes with a heavy load of diacritics! On top of that, it has contextual alternates, which means your text cycles through 6 different versions of each letter! Hard to tell that this is actually a font!

Kantarell is a calligraphic sans-serif typeface rooted in the traditions of Roman square capitals. In all-caps Kantarell has a very grotesque look to it, while in small x-height letters sustains it's ortodox form. The family available in single style and works best in headline and display settings. Typeface supports: Latin characters with diacritical marks; Cyrillic charecters (Ukrainian, Russian); Variety of symbols for use in commerce.

This is our first experience of creating serif fonts. It resulted in a modern slab serif family designed with symmetrical bracketed serifs for uprights and cursive serifs for Italics. Crafted with low contrast strokes, it makes this font versatile and can be used for text and printing. Counte contains many International diacritics and OpenType Features. It consists of 9 weight, going from Thin to Black with matching italics.

I am not a very romantic type (pun intended…), but a slightly slanted connected script always looks as if it was made for romance! Summer Romance is a beautiful connected script, made entirely by hand using a Japanse calligraphy brush-pen. It looks good on just anything: romantic book covers, beauty products, travel websites advertising romantic get-aways… Comes with double letter ligatures and a whole bunch of diacritics.

Galangal, or Laos, is a root belonging to the ginger family, which is used in Indonesian cuisine. Since this font has the same design characteristics as Kurkuma, I thought naming it after a root was quite appropriate. Galangal is pretty unique, with thin and fat areas, bizarre glyphs and rough edges. Upper and lower case are fully interchangeable and the typeface comes with a full range of diacritics.

Angel Script is a light, contemporary monoline script. There are approximately 695 individual glyphs complete with Stylistic and Contextual Alternates, Titling Alternates, Swashes and even Old Style Numerals. Needless to say, there’s a lot ‘under the hood’, and the typographic flexibility I wanted with earlier concepts shows in grand style with this release. The single weight font includes a complete Central European and Western diacritic set as well.

Angelviews a sans serif font with over 80 variations in the lower case, including Latin and Central European diacritics. Alternates in the lower case can be involked in ONE FELL SWOOP with the the Contextual Alternate Opentype feature (calt), or by selecting each single Alternate (aalt). There are some faint differences in the lower case glyphs but enough to give the designer a creative choice in texts or small captions.

Atonement is a splattery, scratchy font. I made it with a steel nibbed pen, a brush and some Chinese ink. I based it on my fonts Ravenheart, Qilin and American Grunge - mostly because I really like them. Of course, all of these fonts are influenced by the work of the great Ralph Steadman - someone I greatly admire. Atonement comes with ligatures for double letter combinations and a stash of diacritics.