Polias is an all-caps uniwidth typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great's inscription, only that this is its first datable appearance.” The letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series.

Polias Varia is an all-caps uniwidth variable weight typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great’s inscription, only that this is its first datable appearance.” In Polias Varia, the letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias Varia is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias Varia is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias Varia can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias (family) is one of the seven typeface designs in Esintype’s ancient scripts of Anatolia project, Tituli Anatolian series.

Elegant and easy to use serif font family with contrast in vertical and horizontal strokes. Its variety of weights provides a range of choices that will help you to find the best typographic look. Use all caps to get the classic serif look, like Didones, or use it normally for a playful serif look. Normal and Medium widths are good for text blocks and Thin and Light, or Bold and Black are perfect for Headliners. Every letter in a word looks like as if written specially next to each other, as in hand lettering. You can use it in gentle and minimal projects, and also in projects with bold and heavy typographic base. Also, for more individuality, Organum comes with discretionary ligatures and few stylistic alternates for every caps and some lowercase letters.

Havin Delight is a beautiful signature script based on manual hand writing. The natural flow make this font looks like a real hand writing. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Marathon was originally designed by Rudolf Koch in 1931 for Schriftgiesserei Klingspor. It is a roman with short ascenders and descenders. The serifs are small, but longer at the ends of the arms of E, F and L, M is rather splayed and is without top serifs, like M in other typefeaces designed by Rudolf Koch. The lowercase g has no link and an open tail, again like the g in other Koch types. U has the lower-case design. In the W the middle strokes cross, the lower case w has no middle serif. The figures are short-ranging. Ute Harder from the Fachhochschule Hamburg had redesigned Marathon with the help and supervision of Professor Jovica Veljovic. She has added a book weight to offer more flexibility with this beautiful typeface.

Merchons is a fancy line style Display sans serif font. With two line soft stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Merchons font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Merchons font. Cheers, Maulana Creative

"The 'Emerge Font' is a captivating typeface with a unique and bold serif display style. Featuring distinctive thick lines, each letter exudes strength and firmness. This font combines classic serif elements with modern touches, creating a visually striking and bold appearance. Emerge Font evokes elegance while maintaining a modern edge, making it ideal for graphic design projects, posters, and layouts that require unforgettable visual appeal."

Longa Iberica is a serif typeface inspired by ancient scripts (Visisigothic, Proto-Gothic, Gothic). It has a long ascender and descender, small x-height and low-profile lining figures. Include automatic ligature creation, stylistic alternates and historical letterforms, lining and oldstyle numerals, fractions, Roman numerals adjusted to figure height (lining and oldstyle) and ordinal letters. Character set contains the complete Unicode Latin 1252 (Western European; ANSI), 1250 Latin 2 (Central European), 1254 Turkish, 1257 Baltic. Supported OpenType features: Acces All Alternates, Alternative Fractions, Capital Spacing, Case-Sensitive Forms, Contextual Alternates, Contextual Swash, Fractions, Historical Forms, Kerning, Lining Figures, Localized Forms, Oldstyle Figures, Ordinals, Proportional Figures, Slashed Zero, Stylistic Alternates, Stylistic Set (1-20), Superscript, Swash, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Black Rough Script Font is a casual signature script font. With semi bold consist stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Black Rough Script Font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Black Rough Script Font. Cheers, Maulana Creative

If you liked the XXII Marker you may like this small family too. The HandTypeWriter is, like the name might suggest, a playful handwritten typewriter font. And as already known from XXII Marker is this cool letter-replacing “Contextual Alternates” feature replacing every second glyph by an alternate character. This gives the HandTypeWriter a more natural and handwritten look. Just check it out. XXII HandTypeWriter – Your digital ink. For more detailed info: Behance.net

Night Visions: An Unsettling Hand-Drawn Brush Script Font Night Visions is a hand-drawn script font with a loose style typical of late night horror and thriller movie posters. It’s designed to look as though ink has been laid with the nervous flick of the artists brush, giving a random, imperfect, but elegant result. This font comes with the flowing script of the regular version or a complete set of non-script alternatives. Added to which there are additional character alternatives and special ligatures to experiment with for a truly hand-made look. Each version comes with a full set of uppercase and lowercase characters along with numerals, punctuation and language support. I recommend this font for anyone about to design a header or title that needs an authentically hand-made look. It’s the perfect choice for movie titles or posters, album covers, comic books, t-shirts or editorials. It’s a font that rewards experimentation and offers many options for your designs. Check out the visuals for usage ideas.

Earlier this year, my eyes fell upon a discarded wedding invitation on the sidewalk. A closer look at it revealed that it had at one point been victimized by rain. Some of the fancy script letters were not quite broken, but sort of melted and run-down, while the rest were still somewhat intact. That's how Scroll was conceived, as an idea for a script where thicks and thins blend to produce a wet appearance. Unlike most available broken scripts, the Scroll script was originally drawn in its own juiced context, and not based on any existing script. This font is great for atmospheric antiquity, deep natural poetry, still life captioning, gothic music posters and collateral, or horror literature and poetry covers.

This Year is a duo font that contains fine line script font and playful slab that had cute, playful, joy, youth, and bouncy feel. suitable for social media, branding, craft, products, handwritten, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism. Thank you!.

ITC Freemouse was designed by Slobodan Miladinov in 1998. It is a fresh font, with the look of a chancery italic. ITC Freemouse's design displays a lively contrast of stroke and curve, which captures the expressiveness of calligraphic writing, combining it with the modern look of a digital typeface.

Hello Bellandia is a new modern script font with an irregular base line. Hello Bellandia looks beautiful on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes initial and final letters, alternatives and multi-language support.

Armchair travel to the Windy City with Chicago Doodles. 31 illustrations of buildings, skylines, transportation, food, Chicago landmarks, signs and a script word Chicago. For other city, state and country doodles take a look at Paris, London, Waikiki and New Orleans Doodles. Also Cowboy and Lake Vacation Doodles too.

Biloxi Calligraphy is heavier weight version with calligraphic strokes of a handwritten font of mine called "Biloxi Script". Casual handwritten style with a calligraphy feel, ideal for blog headers, menus, headlines and logotypes.

Light the fire and get your spells ready for Halloween with this witchy font, Arkhania. This display family offers three different styles from which you can pick the one that best describes the atmosphere and mood of your composition: Striped, fun and wicked, Regular, a more strong and classical look, and Hollow, old styled and classy. All three typefaces inspired by the Triple Moon Goddess and its phases: Maiden, Mother, & Crone. Arkhania family features: 423 glyphs 3 styles 84 icons, drawings, swashes and flags Standard ligatures Alternate characters Contextual alternates Swashes more... In addition, there is Arkhania Sigils, a style filled with swashes, icons, drawings and symbols. Play with them, combine a few, choose from different beginnings and endings and create your own swashes, underlines and frames. You can also find flags and boxes along with common connectors. Tips for a clean and modern look: Combine this typeface with a sans serif, light or thin font, like Aeonian (Aeonian Light was used for these images), and let Arkhania cast a spell on the viewer.

Few fonts reach cult status. Despite its ubiquity—and perhaps because of its lack of subtlety—for a hundred years Cooper continues to draw the faithful. It’s even come to define an entire typographic genre and recently starred in its own documentary. Cooper Nouveau is Dave West’s imaginative contribution to the Cooper oeuvre. Drawn in 1966, Nouveau refreshes Oswald Cooper’s original italic with an energetic pitch, simplified contours, and a plump friendly figure. Uniform strokes and generous curves push the font’s playful personality and springy silhouette even further. A selection of swashed characters and ligatures offers options for lively logos and strong captions. While Cooper Nouveau looks laid-back and easy-going, it’s more than capable of pulling it’s own typographic weight. Put it to work where relaxed needs to project confident. Set Nouveau large for eye-magnet posters, packaging, and advertisements. Maximize its youthful energy for kids’ themes, craft action, and apparel bounce. Or set it alongside a master like Benguiat Buffalo or Chalet to show how Cooper Nouveau can communicate on paper and screens with an inherent ability to speak the language of style in many tongues. But like any cult icon: beware! Cooper has a way of setting the needle, and Nouveau just may become your go-to design fix. FEATURES ALTERNATES: Cooper Nouveau contains several alternate characters, which add flair to your designs and can help solve spacing issues LIGATURES: Many letter combinations in Cooper Nouveau form a ligature to solve spacing issues and produce more pleasing designs. COOPER NOUVEAU CREDITS Typeface Design: Dave West Digitization: Dave Foster Typeface Direction: Ben Kiel, with Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

A grafitti and comic like font trapped inside boxes!

Lukara Script Font is a script decorative font with which you can achieve handwritten-type lettering feeling on the spot. Of course, Lukara supports a full set of Greek characters and an extended Latin character set with diacritics. Therefore, this multilingual font supports all European languages. In addition, the font has a really nice flow so you use it in a large text if you want to give them a handmade aesthetic. Also, it can be used on social media content, for branding, wedding invitations, or packaging. The bouncy romantic flow of this font is perfect for “save the date” cards and any other wedding print material. Again, this modern script font is perfect for a variety of graphic design needs like social media quotes, blog headers, posters, stationery, and branding.

Bally is is a hand-written Script font ,It's a mix between a luxurious and fashionable, Combining texture and movement it creates a readable and clear message. Bally can work as a signature font but also understandable for longer texts like classic script font. The inspiration was minimalism so it could work best with any of your projects. Created for beautiful logos, Branding projects, Posters, Blog posts, Social media, Campaigns, Advertising, Web design and more! Here is what you get : bally • A hand-made script font containing upper & lowercase characters, numerals and large range of punctuation. superfast Include multilingual support: English, Italian, French, Polish, German, Swedish, Spanish, Danish, Dutch, Portuguese, Norwegian, Malaya, Indonesian, Finnish, Filipino. Malaya . feel free to send me a message ;) Studio&Story Instagram! https://bit.ly/2Di49cv :) Thank you!

Fortezza is a family of fonts inspired by the great masters who have created the Modern Roman style: Firmin Didot (1764 -1836) and Giambattista Bodoni (1740 -1813) Both typefaces can be similar, but a trained and close vision, show clear differences in the final result, like its weight and the degree of transition of the strokes. The type of Didot suggests greater warmth and elegance, they are characterized by extreme contrast in thick strokes and thin strokes, by the use of serifs very thin and by the vertical stress of the letters. while the Bodoni type conveys a greater robustness and hardness. Fortezza brings together the elegance and spirit of both types, but proposes a contemporary vision, establishing a distance with certain features typical of the baroque that was manifested at that time.

In much the same way that the leading character in Scott McCloud's first full-length graphic novel has given his life to art, Comicraft's John 'JG' Roshell has given HIS life to sculpt a unique font to suit it. Well, not his LIFE, but at least a couple of days. However, unlike the eponymous hero of THE SCULPTOR, you don't have to make a deal with Death to get your own copy of The Sculptor font! You too can letter anything with your bare hands! And a keyboard. And a computer. And some operating programs and software, obvs. Because creating anything is always going to be harder than you think, especially when you have only 200 days to live. Not you, The Sculptor. In all good bookstores now!

I love the feel of a short, wide font. This handwritten font is a great way to mix and match heights and widths in a design.

Touch Me is a Script hand-drawn style typeface—designed by Coto Mendoza—resulting from polyrhythmic exploration, sign deconstruction and altered calligraphic contrast plays with watercolour brush. Coto has been using these experimental calligraphy techniques when creating the catchwords for Macarons, the Boho Family, Bikini Season Script and Matcha Script and so forth. Touch Me was inspired by a character in a story written by Coto while attending a literary workshop with Ina Groovie in Santiago de Chile. The character is a tribal girl who lives on an island in the Caribbean. She is heir of ancestral knowledge and possesses wild beauty, very passionate and sensual: intense, strong and free. These features are reflected in the polyrhythm of the typeface's curves: an irregular baseline, variable x-height, different lengths of initial and terminal strokes (that sometimes expand and sometimes shrink) and amount of brush pressure that generates changes in contrast within the characters. This way, when composing, signs with stroke contrast randomly alternate with monolinear ones and with signs of altered contrast, thanks to the typeface's OpenType programming. The family, with more than 3,000 glyphs, provides a number of alternative characters, swashes, ligatures, initial and terminal forms, in short, a vast ocean of choices! Touch Me is a spontaneous typeface with a fresh and unique personality. It is the perfect choice for short text in both print and digital formats. The family comes with a Script Regular version and a seductive Script Drop that you will enjoy a lot! The Extras set includes some catchwords, dingbats and ornaments that allows for endless composition options. The family also comes with a Caps version —designed by Luciano Vergara—in 2 styles: a funny and big-headed condensed Sans Grotesk display of inverted vertical proportion plus a Grotesk, neutral and slightly expressive Petite. Both versions, available in 6 weights, have been especially designed to create hierarchies when composing. This allows for balance between strokes of different weight when it comes to the Sans and Script fonts. Come and dare yourself! Touch Me! Thanks Alisa for sharing your amazing and beautiful picture with us.

Introducing The Kallman Font, a captivating display brush typeface that effortlessly commands attention. With its bold and dynamic strokes, this font adds a striking impact to your design projects. Perfect for eye-catching headlines, posters, logos, and more, The Kallman Font infuses your creations with a powerful and contemporary vibe.

FawazeerNelly is a Bilingual Display Typeface, the Arabic font is based on Kufi Maghribi script with high contrast strike thicknesses. And the Latin font is an italic high contrast font that compliments the Arabic. They work best for titles and Poster Designs. It is an Authentic Design with a modern flavor.

Yenthida Script is a modern calligraphy design, including Regular. This font is casual and beautiful with strokes. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Yenthida Script includes changes in OpenType stylistics, binding, and international support for most Western languages.