HandsOn font was developed in the late 90s. Font shape looks like manual drawing. Suitable for decoration of children's books.

PM Showman is based on vintage hand-painted sign writing from the 1900s through the 1960s. Seen on everything from office signs to posters, it was a staple of business communication and entertainment advertising in the early 20th century. We meticulously hand-drew each font, modeling the spacing and quirkiness of the original letterforms to give PM Showman an authentic hand-painted look.

This new OpenType pro family has four members so far with 588 characters and glyphs each. It is a redrawing of Diaconia Old Style, which has been worked hard and found to be very readable, elegant, and extremely useful for books, newsletters, or anything you need. It is elegant enough to use the regular weight as huge display type over 200 point.

Bastion is an ultra-bold text-style font derived from some turn of the century hand lettered signage. It is characteristic of the very bold lettering used in a lot of advertising and product packaging in the early 1900s, a style of lettering which was also the inspiration for the Cooper font, though we think Bastion has a much more attractive overall look.

P22 Albemarle is a smooth reworking of the popular rough textured Roanoke font. The texture change gives this style a much more elegant effect, yet retains its skilled capturing of historical handwriting. Albemarle Pro features at least one alternate for all Caps and many lower case characters. The Pro font also features a full CE character set and more with over 600 glyphs.

This friendly rounded display typeface is perfect for headlines and logos, its gentle curves and comfortable corners are reminiscent of forms found in nature. Inspired by the shapes found in leaves - soft curves forming gentle corners as they meet. Cockle pairs well with Arial for a body font. Includes over 500 characters; with Ligatures, small caps, old style figures, and mathematical symbols.

Gerusa is a sans-serif technical typeface family by Loligovulgaris.com. It features a 970+ glyph set per cut, with monospaced uppercase and text-suitable lowercase characters, a very complete set of diacritics, math glyphs and a full range of OpenType features. This family is OCR and ISO inspired, with an engineering/architectural feel, robust and pragmatic, with the usual technical ugliness chopped away.

Brodaers is a display sans serif font. With the initial concept of the inner shape, made round. Comes in six styles, which makes it easier for the project you are working on, as well as alternative glyphs as an attractive option. It comes with 400+ glyphs, which also includes multilingual languages. Brodaers is perfect for headlines, branding, and many more.

Fridag Sans: Technological sans with a human feel — Human sans with technological feel Fridag Sans is an OpenType® sans family of six weights with Discretionary and standard ligatures Stylistic alternates — Alternate glyphs provide a broader palette of typographic possibilities beyond what’s available in the default styles. Small caps Multilanguage support — Fridag Sans supports more than 200 latin based languages

Bill Rigney, an old job printer in my home town, established his shop in 1896, closed it in 1900 to take a steady job, stored the equipment in a large shed, and reopened for business upon his retirement in 1950. What a find! A bonanza of old type! We became good friends and upon his death I bought the type. Bless you Bill.

Positive Vibe JNL is a meeting of two eras... The model for this font was Jeff Levine's Two Reeler JNL, modeled after title cards in a Charlie Chaplin movie from the beginning of the 1900s. With a few stroke weight shifts, this versatile font takes on the image of the "Peace and Love" generation of the mid-60s and early 70s.

Uberschrift is an elegant display font for creating expressive headlines or logos. The font contains only capital letters, but comes with 200 discretionary ligatures and several alternate characters. Check out the type specimen PDF for more details and a closer look at the typeface. To access the ligatures you need to use an OpenType-savvy app that supports discretionary ligatures.

In their circa 1900 specimen catalog, Barnhard Brothers and Spindler called this typeface "Samoa", suggesting exotic locales. On the other hand, it also suggests some serious fun, and is named in honor of British artist Dudley Hardy, whose posters used a very similar typeface extensively. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

I have always enjoyed this typeface and have had fond memories from the time I originally drew its predecessor, Kari. Now with almost 100 new ligatures, alternate and swash characters, Kari Pro has a great deal more personality and versatility. Subsets from the original Kari have been integrated into each unified weight adding both lining and hanging (oldstyle) numerals as options as well.

Dez Squeeze Pro is a display family in seven bold widths. Choose the width that fits the space available for your headline. Dez Squeeze Pro is a very bold display face with multiple language support, nearly 600 glyphs, stylistic sets, Unicase, and many alternates. Dez Squeeze Pro is Bold enough for knock-out photographs, so go ahead, knock yourself out.

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s. Fancy Show Card JNL is available in both regular and oblique versions.

A compact sans serif with a technical origin. Each character was drafted out from a grid template and then refined through the application of subtle curved detailing. The result is a precise, contemporary typeface best suited to identity, mobile and video game development. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

This script is made for mimicking handwriting with a fair amount of ligatures: there are more than 700 ligature pairs (or even more characters; I never really counted them) to help you to make very, very convincing lines of text without ever lifting a pen! It’s been a bestseller in FontShop for years, and now it’s available here as well!

Kiyana is contemporary high contrast display sans serif inspired by the beauty and elegance of modern style typefaces. Comes in 9 weights from thin to black with uprights and obliques. Each font contains 300+ glyphs which covers major Western and Eastern European Latin languages. Kiyana Display would be suitable for a range of display usages (logo, poster, headlines, quotes, etc.).

Type books and lettering manuals of the 1900s were resplendent with examples of chamfered type faces, as this was a popular and simple style of lettering that was easy to reproduce with little effort. Poster Chamfer JNL is one such example taken from one of these turn-of-the-century publications that exemplifies the style as a condensed version of the letters.

Response is 100% handmade with a worn look to it. Comes with 5 different versions of each letter, and by using the contextual alternates they automatically cycles as you type! Response is good if you need a response regarding your next project - that being an invitation, packaging or something that needs a worn handmade look! Besides that, Response is full of international characters!

Sylfaen was designed for Microsoft in 1998 by John Hudson and W. Ross Mills of Tiro Typeworks, and Geraldine Wade of Monotype Typography. Sylfaen is a Welsh word meaning foundation"; an apt name since the font stemmed from research into the typographic requirements of many different scripts and languages. This version of Sylfaen supports the WGL4.0 character set, for Pan-European language coverage. In addition to Latin, Greek and Cyrillic letterforms, the font contains the characters necessary for support of the Armenian and Georgian languages. Font Designer: John Hudson, W. Ross Mills, Geraldine Wade. The Sylfaen font contains 729 glyphs including Latin 1, WGL Pan-European, Armenian and Georgian."

ITC Malstock is the work of Czech designer Frantisek Storm. The idea is based on a sign painting technique that uses a flat brush and a Maalstok, a long bar with soft padding which is used as a rest for the painter's hand and a guide for vertical lines. The strokes of this font end with a split stem which recalls the traces of the writer's brush. ITC Malstock is a narrow typeface which is ideal for headlines, invitations and advertisements. The designer recommends combining his typeface with others, to create harmony with sans serif typefaces in text sizes or contrast with serif typefaces.

Forte was designed by the Austrian commercial artist by Carl Reissberger who was trained as a compositor and later taught typography and drawing in Vienna. The idea for the Forte script font came from the study of plants, individual letter forms being inspired by the long stems and furry heads of the reed. Slightly inclined, it gives the impression of having been made with a bold brush or marker, and can therefore be used in work that requires an informal appearance. Forte is a strong design which contrasts well with sans serif faces and classical modern types. Use the Forte font in advertising, flyers and labels.