Introducing, Carllosta, a Victorian style font. Carllosta is a layered typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface contains with beautiful decorative ornaments that ready to use to create a vintage lettering in sec. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded.

Meet Paramaribo, a hand lettered, cute and decorative font. Paramaribo family includes two fonts with stylistic substitutions and 28 ligatures. Perfect for designing ads, logos, prints, social media texts, blogs, wedding branding, quotes and so much more. Stylistic substitutions (those cute swashed end/beginning letters) are controlled by switching on/off OpenType feature as well as being accessible through glyphs panel in Adobe apps. Really very easy to use! Paramaribo has Latin multilingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations.

Gistra - Modern Beauty Elegant Aesthetic Sans Serif - Expressive Feminine Branding Logo Font Gistra Sans Serif comes with several styles, Regular, Italic, Outline, Outline Italic, so you can use it to create the perfect typography design. It's perfect for your upcoming project. Such as luxury logos and branding, classy editorial designs, women's magazines, cosmetic brands, fashion promotions, art gallery branding, museums, architectural history, boutique branding, stationery design, blog design, modern advertising design, invitation cards, art quotes, home decoration , book titles/samples, special events, and more.

Spooky Season is a bewitching and delightful Halloween Display font that brings a playful and cute twist to the spookiest time of the year. With its charming and quirky design, this font captures the essence of Halloween with friendly ghosts, adorable pumpkins, and mischievous bats. Whether youre creating party invitations, spooky decorations, or fun social media graphics, Spooky Season will add a touch of enchantment to your designs. Embrace the magic of Halloween with this cute and versatile font thats perfect for all your ghoulishly delightful projects.

Domestic Script is a modern calligraphy font. This font is perfect for quotes, branding, ornaments, shirts, mugs, headings, blogs, logos, invitations and more! What's Include : Alternates PUA encode & Opentype ( It is full of Tails and glyphs ) Multilingual support Use the fonts for: logos, branding materials, wedding sign, wedding website card, farmhouse signs, sign bridal, shirts, pantry labels, sign bridal shower, business cards, greeting cards, wall decor, social media, planner prints and websites. If you have any question please do not hesitate to contact me. Thank You!

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Hans Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Astrida is a beautiful and fresh handwritten brush font for posters / marketing graphics / instagram story design / branding / logotype / decorations / signage / greeting cards / promotional designs and anything that needs the unique casual look. Astrida is completely handmade with perfection and aesthetics at its level best. Advanced Kerning & Extended Character Sets: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations. The font includes extended language support including Western European & Central European sets with a total of 259 glyphs.

Gill Floriated is based on a single character which Eric Gill drew as a decorated initial for use on a specimen setting of his Perpetua type. Although Gill was at first reluctant to produce a full alphabet, Monotype advisor Stanley Morison was able to persuade him to draw a few more characters from which the Type Drawing Office was able to create a full set. Issued in 1937 for display casting, it was revived by Monotype in 1995 for electronic publishing. Best used sparingly as dropped initials.

The Troyer AR ornaments are based on the first series of ornaments designed for American Type Founders by Johannes Troyer (1902-69). They were cast in 36 and 48 point in 1953 by ATF who said that they ‘mark a distinct and refreshing departure from the motif of earlier ornaments, and add a crisp touch to your finer printing’. Kenneth Day, in The Typography of Press Advertisement (1956), found them 'clean-cut and bright and clearly showing their calligraphic origins . . . useful for single decorative touches'.

Leo Slab is a clean, contemporary slab-serif font. It's bold extended design makes it a perfect choice for headline and larger text block use. Extremely readable for a strong impact! Leo Ornate is a decorative companion to Leo Slab. With it's detailed inlines and linear drop shadow, Leo Ornate is ideally suited for use on headlines, display titles, logos, as well as a variety of other applications. Bold, extended and robust, this font is sure to make a strong impact in your next design.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. Coelnische Current Pro is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Introducing our latest display typeface called Brown House - Vintage Typeface with vintage taste and can make your logotype become more interesting. Best Vintage font with 3 styles Regular,Rough,And Stamp, special alternative glyphs, and multilingual support. inspired by the decorative arts and architecture movement Brown House fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Theuerdank Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Early in the 19th century, foundries began releasing a variety of decorated ornamental letters based on the Tuscan letterform. Fancy Tuscan letters quickly became so popular, they eventually came to represent the cluttered extremes of Victorian design. Foundries competed with each other to produce most extravagantly decorated letterforms. As often happens, success turned to excess. What is often overlooked is the long history of the Tuscan style. Early examples have been traced back to ancient Rome. Indeed, the characteristic bifurcation may have represented a fishtail to the early Christians, thus sharing in the roll of symbolic identification played by the simple drawing of a fish as a whole. Later. trifurcation was developed as an alternate termination, followed by loops, full fishtails, curls, hooks and other fancy variations. Nicolete Gray provides an extensive history in her Appendix One of NINETEENTH CENTURY ORNAMENTED TYPEFACES. According to Gray, the first metal typeface based on the Tuscan form was the Ornamented of 1817 by Vincent Figgins of London. Thorowgood followed suit in 1821, Fry in 1824 and Caslon in 1830. Each was to re-visit the form many times during the Victorian era. Here we present our interpretation of what Figgins might have produced in a basic, plain Tuscan form - free of the decorative additions. We are pretty safe here because Figgins was very creative. He explored many of the terminal variations listed above and combined them with different decorative devices to produce a constant stream of new faces to meet the demands of the marketplace. Figgins Tuscan ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. There are also a few glyphs for Anglo-Saxon, Gaelic and Old Gaelic. Total of 355 glyphs. 2. Added OpenType GSUB layout features: aalt, ornm and liga ˜ with total 34 lookups. 3. Added 351 kerning pairs. 4. Redesigned several glyphs: the comma, quotes, brackets, braces, acute accent, and grave accent. 5. Revised vertical metrics for improved cross-platform line spacing. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Graduating Class JNL was inspired by the hand lettered titles found on a 1934 high school yearbook from Richmond Hill, NY called "The Senior Dome". This Art Deco era type design is available in both regular and oblique versions.

A WPA (Works Progress Administration) sponsored Water Carnival taking place in Central Park in the 1930s had "Department of Parks, City of New York" in the thin Art Deco hand lettering which is now available as Parks Department JNL.

Nyack is a built-from-scratch sans serif font with both inline and solid versions. There's a touch of Art Deco to its design for a touch of past elegance, but its use is not limited to retro projects.

Yasashii is an art deco font based on Japanese designs for cosmetic packaging and posters used from the end of the 19th century to the early 20th. When you prefer more geometric letter form, please try our Diamond Ring.

Retorica, by Enric Jardí. With its simple geometry, Retorica stands out as our Art Déco typeface. Retorica has two styles: one solid version and one hollowed. In addition, each one has a Small Caps set, available by OT features.

The opening title card for 1931's pre-code movie drama "Other Men's Women" (with Mary Astor, Regis Toomey, James Cagney and Joan Blondell amongst the cast members) is the basis for the Art Deco type face Date Night JNL.

Sign and Poster JNL is modeled after a popular style of die-cut letters and numbers that was used for making signage and show cards. A strong Deco influence is seen in these letterforms and blends well into most design projects.

Inspired by building signage for the old CBS broadcasting facility in Los Angeles, Aircheck JNL is a bold, wide sans serif - reminiscent of Art Deco lettering of the 1940's, and perfectly suited for headlines and titles that get attention.

Charles Rennie Mackintosh's artwork has an art deco feel that has been reproduced on fabrics, jewellery and all sorts of household items. Now, with this font, you can add Mackintosh icons and letter tiles with just the touch of a key.

On page 34 of the 1930 Samuel Welo publication “Lettering - Practical and Foreign” is a simple, basic Art Deco monoline design. This hand lettered type style is now digitally available as Basic Monoline JNL in both regular and oblique versions.

Frisco Bay JNL is an entirely original design from Jeff Levine with strong Art Deco influences. A medium weight letter form, this design finds itself at home in any application where a touch of elegance from the past is needed.

Hardwood is a reworked foundry typeface from the 1930's, providing an interpretation of the Art Deco graphic style. It harkens back to the golden era of poster design and Hollywood movie marquees, while retaining superb legibility at virtually any size.

Introducing FSY Deko, a typeface inspired by the art deco style that you might be able to use for design projects with classic, retro, vintage styles to make it even cooler. It can also be used with contemporary design styles.

An image of the wide, Art Deco influenced lettering of a sign over a coffee bar inside a Jacksonville, Florida Lovett’s Supermarket (a predecessor to Winn-Dixie) inspired the namesake font Coffee Bar JNL – available in both regular and oblique versions.

Cover Art JNL was inspired by the hand-lettered sans serif title of an Art Deco era Portuguese magazine called Ilustraçáo. The mix of conventional and non-conventional letter forms made it a perfect candidate to turn into a digital font.

Misty - a two weight wild west style serif with numerous alternatives, swashes and irregular alternatives for numerous characters in SC style. Interchanging regular characters with alternatives and vice versa, it allow you to do slightly strange inscriptions. Plus deco style.

Lecture Hall JNL is a reworking of Dance Hall JNL. By removing the Art Deco flairs and realigning the horizontal strokes in order to create a more traditional design, the font now takes on the look of a classic headline face.

Originally designed by Morris Fuller Benton for ATF in 1927, Sol Hess added a lower case in 1929. Hess also drew Broadway Engraved in 1928 for Lanston Monotype. Broadway has become somewhat of a classic icon as an "Art Deco" typeface.

ABTS Aviator is a font inspired by the 1950s and mixed with letterforms of the Art Deco era of design. It's simple, yet stylish and modern, yet retro. A nice mix of personality and geometry allowing for a variety of applications.

Retro-futuristic unicase with alternates and ligatures, specially designed for magazine headlines and cheerful logos. Inspired by the art deco geometry and late 2000s trends in graphic design. Works well as text pattern. It is better suited for large type sizes.

Plaza is the work of British designer Alan Meeks, an Art Deco sans serif style. It includes many alternative characters which offer endless possibilities. Plaza is ideal for work in which a feel of the 1920s or 30s is desired.

Stencil Modernistic JNL was modeled directly from an early 1960s lettering stencil that favored the Art Deco style. There is minimum kerning due to the nature of this typeface, so designers should use their own judgment when working with it.